Ellice Papers Typed copies of letters, Photocopies of letters #87-264, 265-333
- UTA 1485-2-B1990-0049/013
- File
- 1840-1873
Part of Dorothy Toye Long fonds
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Ellice Papers Typed copies of letters, Photocopies of letters #87-264, 265-333
Part of Dorothy Toye Long fonds
Notebook containing accounts for 1871 and record of receipts for 1873
Part of John Galbraith fonds
Dundas : [hymn in M.D.] ; Just as I am, without one plea ; Rest ; Rest of the weary : [for SATB]
Part of J. Churchill Arlidge fonds
Essays written for courses of study in political science
Part of Dale Family fonds
Part of J. Churchill Arlidge fonds
File consists of manuscript flute part. Arlidge is believed to have performed this piece with Patrick Gilmore's band in New York (March 1874).
Consists of address by Professor Eugene Haanel to Victoria University Physics Class concerning the presentation of some scientific equipment, 1874.
Haanel, Eugene
North West Mounted Police.-- photograph; straightening the boundary line
Part of Innis Family fonds
Part of Ian Hacking fonds
Marriage certificate for J. Churchill Arlidge and Oliva Mary Arlidge
Part of J. Churchill Arlidge fonds
Part of William Hodgson Ellis fonds
A.l.s. from Émile Zola to Edmond Duranty
Part of J. Churchill Arlidge fonds
File consists of score for voice and piano. Text is written on reverse in pencil. The text is taken from Lord Byron's poem, "Stanzas To A Lady, With The Poems Of Camoëns":
This votive pledge of fond esteem,
Perhaps, dear girl! for me thou’lt prize;
It sings of Love’s enchanting dream,
A theme we never can despise.
Who blames it but the envious fool,
The old and disappointed maid;
Or pupil of the prudish school,
In single sorrow doom’d to fade?
Then read, dear girl! with feeling read,
For thou wilt ne’er be one of those;
To thee in vain I shall not plead
In pity for the poet’s woes.
He was in sooth a genuine bard;
His was no faint, fictitious flame.
Like his, may love be thy reward,
But not thy hapless fate the same.
Methodist Church. Quarterly tickets
Part of Michael Bliss fonds
The collection includes correspondence both private and public, diaries, natural history notebooks, a few sketches, and scrapbooks. Much of the material pre-dates Fothergill's arrival in Upper Canada in 1816. Some of the family correspondence continues for over 30 years after his death in 1840.
Fothergill, Charles
Officers, Faculty and Staff: testimonials
Part of Edward Blake fonds
Letter from Georges Bizet to H. Moreno, critic for Le Menestrel
Part of Edward Johnson collection
A.l.s. from Émile Zola to Numa Coste
Part of Stacey (William) Family fonds
To Maria from Mama, Mary Adams, Kilmogammy; to Maria from Fannie
Part of Stacey (William) Family fonds
Methodist Church. Quarterly tickets
Part of Michael Bliss fonds
Correspondence containing family news and comments on life in the British Army.
Benson Family
To Maria from Mother, Mary Adams, Kilmogammy
Part of Stacey (William) Family fonds
To Maria from Mama, Mary Adams, Kilmogammy
Part of Stacey (William) Family fonds
Part of John Galbraith fonds
I'm waiting my darling for thee / arranged by George T. Evans
Part of Toronto music life collection
Over the hill to the poor-house / David Braham, words by George L. Catlin
Part of Toronto music life collection
Take me to the ball tonight / J.G. Maeder, words by John Brougham
Part of Toronto music life collection
Part of Toronto music life collection
Ellie Rhee : ballad / Sep. Winner
Part of Toronto music life collection
Part of Toronto music life collection
Item is a score that was published in The Bell Treble.
Come back to Erin / Claribel [Charlotte Alington Barnard]
Part of Toronto music life collection
There's a letter in the candle / R. Coote, written by J. Ckarje
Part of Toronto music life collection
Mother, take me home again : ballad / C.A. White
Part of Toronto music life collection
Have I not been kind to thee? / H.P. Danks, words by George Cooper
Part of Toronto music life collection
Part of Stacey (William) Family fonds
Part of Zola Research Programs fonds
These files consist of photocopies of handwritten letters and typed/handwritten transcriptions of letters
written by Émile Zola between January of 1871 and December of 1877. The letters contained within are both
personal and professional: Zola writes to childhood friends (Marius Roux, Paul Cézanne and Jean-Baptistin
Baille) regarding his career and life in Paris. Additionally, there are various letters sent to friends, editors and
reviewers regarding the first few novels in the Rougon-Macquart series including La Fortune des Rougon, La
Curée, Le Ventre de Paris and L’Assommoir. Recurring correspondents include Georges Charpentier, Philippe
Solari, Paul Cézanne, Edmond de Goncourt, Géry Legrand, Marius Roux and Antony Valabrègue.
Drifting : ballad / Claribel [Charlotte Alington Barnard], words by Miss. Frances L. Keeler
Part of Toronto music life collection
See that my grave's kept green / written and composed by Gus. Williams
Part of Toronto music life collection
Part of Toronto music life collection
Do not turn me from your door / Will. S. Hayes
Part of Toronto music life collection
The gates are wide open / words and music by C.A. White
Part of Toronto music life collection
Mary Aileen / words and music by J.H. McNaughton
Part of Toronto music life collection
Part of Toronto music life collection
Amber tresses tied in blue / H.P. Danks, words by Samuel M. Mitchell
Part of Toronto music life collection
Whip-poor-will's song / H. Millard
Part of Toronto music life collection
Methodist Church. Quarterly tickets
Part of Michael Bliss fonds
Whisper softly, mother's dying / James E. Stewart, words by Frank Dumont
Part of Toronto music life collection
Little Em'ly / C.A. White, poem by Dexter Smith
Part of Toronto music life collection
In her "little bed" we laid her / C.A. White, words by Dexter Smith
Part of Toronto music life collection
The little ones at home / C.T. Lockwood, words by E.F.D.
Part of Toronto music life collection