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This fonds consists of 15 series, divided by the company’s functional activities, by format, and where possible, alphabetically by title, based in part on Cinemavault’s original organization records. The series are as follows:

1. Distribution - AV Deliverables
2. Distribution Master Tape Library
3. Distribution – Trailers, Logos, EPKs and Shorts
4. Distribution – Commercial DVDs and VHS
5. Distribution – Deliverable Documents
6. Distribution – Business and Legal Affairs Files
7. Distribution – Theatrical Releases
8. Distribution – Films Festivals and Markets
9. Press and Publicity Materials
10. Promotional Materials
11. Key Art & Stills
12. Educational and Industrial Films
13. Reference Material
14. Office Files and Data Backups
15. Nick Stiliadis’ Personal Films
    The first series, Distribution – AV Deliverables represents the audio-visual elements of Cinemavault’s distribution catalog, and includes audio-visual elements received from producers and filmmakers for distribution purposes, as well as materials from the SC Entertainment back catalog. These materials include camera originals, raw footage, raw audio, final audio mixes, and release prints. These materials were received on a wide variety of formats, but 16mm and 35mm moving image and magnetic audio film predominate.
    The second series, Distribution – Master Tape Library represents Cinemavault’s library of distribution titles mastered to video tape. Some tapes are labeled with an identifier originated by the creator, which has been indicated in the description. There are a wide variety of tape formats within this series, with Digital Betacam predominating.
    The third series, Distribution – Trailers, Logos, EPKs and Shorts includes audio-visual elements received from producers and filmmakers for distribution purposes, including film trailers, company logos on film and video, electronic press kits, and promotional film shorts. Most of this material is on video cassette.
    The fourth series, Distribution – Commercial DVDs and VHS includes commercial copies of Cinemavault’s library of distribution titles on DVD and VHS. This series includes North American English and French versions, as well as international and foreign language versions of Cinemavault titles.
    The fifth series, Distribution – Deliverable Documents includes records received from producers and filmmakers for distribution purposes. It also includes production files related to the SC Entertainment back catalog. Textual materials predominate in this series, which includes distribution deal memos and contracts, chain of title documents, copyright and clearance documents, copies of crew agreements and other film production-related documents, music licenses, MPAA film rating certificates, Errors and Omissions insurance certificates, lab access letters, head and tail credits and credit obligations statements, billing blocks, and scripts. There are also some press and publicity-related items in this series, including promotional one-sheets, production stills, and slide kits.
    Please note that this series contains personally identifying information found in crew deal memos, including crew names, addresses, birth dates, telephone numbers, social security and social insurance numbers, therefore, due to privacy concerns, those records are restricted.
    The sixth series, Distribution – Business and Legal Affairs Files includes business and legal affairs records related to the international distribution of Cinemavault’s catalog of titles. These include lists of sales territories by individual international distributor, distribution and assignment agreements, distribution deal memos, sales reports, development agreements, various other contracts, and correspondence.
    The seventh series, Distribution – Theatrical Releases includes records related to the Canadian theatrical releases of a limited number of Cinemvault titles. This includes film distribution agreements, box office and sales reports, publicity and marketing materials and strategies, and distribution licenses.
    The eighth series, Distribution – Films Festivals and Markets consists of records related to attending and taking part in film festivals and international sales markets. This series includes festival programs, catalogues and guidebooks, as well as general textual records related to film festivals such as entry forms, screening invite lists, press clippings, and correspondence.
    The ninth series, Press and Publicity Materials includes general files pertaining to press and publicity efforts undertaken at festivals and international sales markets, as well as press kits for individual titles within Cinemavault’s distribution catalog. Materials in this series include press clippings, film reviews, film synopses, cast and crew bios, production stills, promotional postcards and flyers, as well as key art for each title. There is also a small number of video recordings of televised publicity efforts pertaining to a few SC Entertainment titles.
    The tenth series, Promotional Materials consists of promotional posters, carboard standees, flyers, promotional one-sheets, and postcards related to Cinemavault’s distribution catalog titles. There are also a small number of product reels and promos on DVD.
    The eleventh series, Key Art & Stills consists of a library of key promotional artwork and stills related to Cinemavault’s catalog of distribution titles. This includes key art samples and proofs, sample printouts of key art originally contained in reference binders, promotional art and stills received on data disc, and sample VHS and DVD artwork.
    The twelfth series, Educational and Industrial Films represents early titles written and produced by Nicholas Stiliadis and SC Entertainment. These films were not made for theatrical release and instead were aimed at the educational market. They center on themes of health, wellness, self-esteem, and skill-building. This series consists of the films themselves, as well as some marketing materials related to the films such as posters, sell-sheets, and activity workbooks.
    The thirteenth series, Reference Material consists of various film and television industry reference guides and catalogues, as well as various trade publications. It also consists of web clippings from the Internet Movie Database, pertaining to various Cinemavault titles.
    The fourteenth series, Office Files and Data Backups consists of various Cinemavault staff member computer and email account backups, as well as office database backups on data disc.
    The fifteenth series, Nick Stiliadis’ Personal Films consists of various audio-visual material belonging to CEO Nicholas Stiliadis, including some commercial work, as well as student films from his time at Toronto Metropolitan University (formerly Ryerson).
    This fonds includes textual and audio-visual material relating to the following film productions:
    • 16 to Life
    • 1-900
    • 2 By 4
    • 2001: A Space Travesty
    • 24 Hour Woman, The
    • 30 Days (aka Cross the Line aka Full Court Press)
    • 4 Jacks (aka Four Jacks)
    • A Beautiful Secret
    • A Fool and His Money
    • A Previous Engagement
    • A Tale of a Naughty Girl
    • A Touch of Spice
    • Adrenaline Drive
    • Afrika Unite (aka Africa Unite)
    • Aging of North America, The
    • Alarm
    • Alzheimer Case, The
    • And She Was
    • Another Day in Paradise
    • Apart
    • Art Killer (aka Still Life, aka A.K.)
    • Artefacts
    • At the End of the Day (aka War Games)
    • Atanarjuat (aka Atanarjuat: The Fast Runner)
    • Bad Money
    • Ballad of Sexual Dependency (aka Sexual Dependency aka Dependica Sexual)
    • Ballad of the Nightingale
    • Barber, The
    • Beyond Retirement
    • Big Slice, The
    • Blackout, The
    • Blind Date (original)
    • Blind Date (remake)
    • Blood Relations
    • Blue Blood
    • Boca
    • Brand New World
    • Breakout
    • Bumblebee Flies Anyway, The (aka The Bumblebee Flies Away)
    • Canvas
    • Capital Punishment
    • Career Planning
    • Caribe
    • Carolina
    • Central Park Story (aka Harlem Aria)
    • Channel 1 (aka True Rights)
    • Chatham (aka Golden Boys)
    • Cherish
    • Cinderella (aka Cinderella 3D)
    • Circle, The
    • City of the Dead
    • Clandestine Marriage
    • Clash
    • Cognac (aka Secret Ingredient)
    • Collector, The
    • Comfortably Numb
    • Coney Island Baby
    • Confessions of a Superhero
    • Copper Mountain
    • Cornered
    • Crazy Horse (aka Friends, Lovers & Lunatics aka Fous a Lier)
    • Crime Guys (aka Shark Skin 6)
    • Crooked Lines
    • Crop, The
    • Crossing (aka Dress to Kill)
    • Dangerous People (aka Les Dangereux)
    • Dark Blood
    • Dark Descent
    • Dark Rising 2
    • Dark Warrior
    • Dead Meat
    • Dead Stop
    • Deadly Attraction
    • Deadly Engagement
    • Deception
    • Delivery
    • Depraved, The
    • Diamond Cut Diamond
    • Dinosaur Hunter, The
    • Disturbed, The
    • Dixie Lanes (aka Relative Secrets aka La Guerre en Famille)
    • Dominic's Castle
    • Donkey
    • Dope
    • Dragon Fighter
    • Duska
    • Dust
    • Edelweiss Pirates (aka Eidelweiss Piraten)
    • Employee Fitness: Fact or Fantasy
    • Equinox
    • Erik (aka One Man Out)
    • Eve
    • Exit 67 (aka Sortie 67, aka Gangsterland)
    • Expecting Mercy
    • Exposure
    • Extreme Days
    • Family Flaw
    • Fat Head
    • Fight Night (aka Rigged)
    • Finding Lenny (aka Les Deux Sont Tombes Sur le Foot)
    • Firecracker
    • First Saturday in May, The
    • Follow Me Outside
    • For the Bible Tells Me So
    • Foreign Bodies
    • Framed
    • Frogs for Snakes
    • From Within
    • Galaxies are Colliding (aka Galaxies, aka Planet of Love)
    • Gangster Exchange
    • Gas Hole
    • Getting to Know You
    • Girl in 3D
    • Gladiator 2000
    • Gladiator Cop (aka The Swordsman II)
    • Global Heresy (aka Rock My World)
    • Going Back
    • Gold Medal Years, The
    • Gospel of John
    • Graveyard Shift
    • Gruesome (aka Savage)
    • One Day Remains
    • Hammer, The
    • Harrison Montgomery
    • Health Fitness Professionals, The (aka Health Fitness Pro)
    • Heart Disease
    • Heist, The
    • Hell Cab (aka Hellcab)
    • Hidden, The
    • Hide & Seek
    • High Adventure
    • Hochelaga
    • Hockey Mom
    • Home
    • Hope & A Little Sugar
    • Hotshot (aka Coup de Verité)
    • How Streetproof Are You? (aka Street Proofing)
    • How the Garcia Girls Spent Their Summer
    • I Woke Up Early the Day I Died
    • I.O.U.S.A
    • Ignition
    • Incredible Mrs. Ritchie, The
    • Innocence
    • Inside (aka Histoire de Pen)
    • Interceptor Force
    • Interview (remake)
    • Into the Fire (aka The Legend of Wolf Lodge)
    • Julie Johnson
    • Kevin of the North (aka Chilly Dogs)
    • Kids World
    • Kill Me Tomorrow
    • Kinta
    • Komodo
    • LA Run
    • Lady of the Lake
    • Last Lovecraft, The
    • Last Night at Eddie's
    • Last Rites
    • Late Last Night
    • Lawman (aka The Mountie)
    • Leaving Barstow
    • Legionnaire
    • Level, The
    • Lifestyle Workout
    • Like Water
    • Limit, The (aka Gone Dark)
    • Listening, The
    • Loins of Punjab
    • Loons, The
    • Lost Lake
    • Lost Things
    • Love & Savagery
    • Love Thy Neighbor
    • Love.com
    • Lovely, Still
    • Low Down, The
    • Luck of the Draw
    • Lymelife
    • Made in Jamaica
    • Making It Young (aka Makin' It Young)
    • Making of Films, The
    • Mallory Effect, The
    • Marcus
    • Mario's Wedding (aka The Undertaker's Wedding)
    • Meet the Deedles
    • Merchant(s) of War
    • Midnight Clear
    • Mile Zero
    • Mirage Man (aka Mirageman)
    • Murder One
    • Murder Set Pieces
    • Must Love Death
    • My Dog Tulip
    • Newsmakers (aka News Makers)
    • No One Can Hear You
    • Nothing Man, The
    • Offscreen (aka Off Screen)
    • Office Party (aka Hostile Takeover)
    • Once in the Life
    • Orient Express (aka Death, Deceit & Destiny on the Orient Express)
    • Outcast, The
    • Outsourced
    • Paris
    • Parsley Days
    • Paul Shore is Dead
    • Payback
    • Perfect Happiness
    • Perfect Lover (aka The Woman Every Man Wants)
    • Picking Up the Pieces
    • Pink Chiquitas, The
    • Plan Bart
    • Plato's Breaking Point
    • Poker Run
    • Primal Instinct
    • Productivity and Performance by Alex K.
    • Psycho Beach Party
    • Puck Hogs, The
    • Puffy Chair, The
    • Pump Up the Volume
    • Quantum Hoops
    • Queen's Messenger, The
    • Reason for Living
    • Red Blooded American Girl (aka Red Blooded)
    • Red Blooded American Girl 2 (aka Red Blooded II)
    • Red Hot
    • Return to Hansala
    • Reykjavik Whale Watching Massacre, The
    • Ringmaster
    • Ripper (aka Ripper, Letter from Hell, aka Letter from Hell)
    • Road Rage
    • Rockaway
    • Savage Messiah
    • Savage Tales (of Summervale)
    • Scar (aka Scar 3D)
    • Sea Wolf
    • Search for Intimacy, The
    • Seven of Daran, The
    • Sex, Dogz & Rock N Roll
    • Sexiest Animal, The
    • Shattered
    • She Who Must Be Obeyed (aka She)
    • Shergar
    • Side by Side
    • Silence of Fear, The
    • Silent Partner, The
    • Silver Man
    • Silver Wolf
    • Sister Blue
    • Slow Burn
    • So Goes the Nation
    • South Beach Dreams
    • Spinning Into Butter
    • Spirit Trap
    • State of Emergency
    • Steal a Pencil For Me
    • Stepping Razor - Red X (aka Stepping Razor)
    • Stoneraft, The
    • Stranded
    • Strange Culture
    • Strangeland (aka Dee Snider's Strangeland)
    • Survivors of the Titanic
    • Susan's Plan
    • Suspect
    • Tale of the Dog
    • Teknolust
    • Terror Island
    • Terror Lodge (aka Tryst)
    • That's Entertainment
    • The Body Ages, The
    • Thirsting, The
    • Thirteenth Sign, The
    • This Filthy World
    • Thou Gilds't the Even
    • Threads
    • Three
    • Ticking Man, The
    • To Kill a Killer
    • Tom White
    • Touch and Go
    • Trail of Passion
    • Travelling Trio, The
    • Twilight Time
    • Under the Influence
    • Understanding Adolescence
    • Used Parts (aka Partes Usadas)
    • Vita Cane (aka Johnny Nitrate)
    • Vivid (aka Luscious: The Art of Eroticism)
    • Wannabes, The
    • Water Under the Bridge
    • Wellness in the Workplace
    • West of Here
    • When Brendan Met Trudy
    • When Harry Tries to Marry
    • Where God Left His Shoes
    • White Heat (aka Blow Torch)
    • Willful
    • Wind Man
    • You Can Count on Me
    • Youth Stress
    • Zemanovaload
    • Zombie King
    This fonds includes textual material relating to the following film productions:
    • 3D Chef
    • A Taxing Woman
    • Ballistic
    • Blind Justice
    • Blood Rising
    • Bloodlust
    • Brasserie Romantek
    • Capture
    • Chained Vengeance
    • Citizen Marc
    • Corner Shop
    • Corridor, The
    • Crash Fans
    • Cries of Innocence
    • Crypt
    • Dakota
    • Dark
    • Dark Secrets
    • Dark Side
    • Dark Waters
    • Daybreak
    • Dead End
    • Dead on the Beach
    • Deep Core 2000
    • Dirty Minds
    • Distanz
    • Flying High
    • Forbidden Rage
    • Freak City
    • Freeway
    • Friends & Lovers
    • Geld
    • Girl Camp
    • Heartland
    • Illtown
    • In Search of Alexander
    • In the Flesh
    • Killer
    • Killing Moon
    • Interview (original)
    • Last Call
    • Layin' Low
    • Legionnaire 2
    • Lockout
    • Lost Lullaby
    • Lost Valley, The
    • Meffi
    • Minus Man, The
    • Moment, The
    • Movie Entertainment
    • My Brother the Pig
    • Niagara, Niagara
    • Once in a Lifetime
    • One
    • One Day Removals
    • Peaches
    • Pythons 2
    • Recreator
    • Red Robin
    • Rub & Tug
    • Sentenced to Death
    • She Likes Me
    • She's My Baby
    • Sinners Need Company
    • Skills Like This
    • Spreading Ground, The
    • Strange Creature
    • Sumuru
    • Suriyothai
    • Sweet Angel Mine
    • Tangerines
    • Te Amo Ana Elisa (aka I Love You Ana Elisa)
    • Tears at Dawn
    • The Colour of the Chameleon
    • Truck
    • Vir (aka Whirlpool)
    • Water Damage
    • When
    • Who Do You Love
    • Wicked Minds
    • XL
    • Young Alexander
    This fonds includes audio-visual material relating to the following film productions:
    • 3 Ninjas et L'invention du Siecle
    • 48 Weeks Later
    • A Time for Drunken Horses
    • Always, But Not Forever
    • Antibody
    • As It Is In Heaven
    • At Sundance
    • Baby Blue
    • Baby Fever
    • Banged Up
    • Barenaked in America
    • Best Friends Forever
    • Blue Hour, The
    • Body & Earth
    • Bollywood Idol
    • Boy Ages, The
    • Braineater
    • Brave Adventures of a Little Shoemaker, The
    • Can She Bake a Cherry Pie
    • Candy Rush
    • Car Hole
    • Charley
    • Christmas Evil
    • Coach Lenny
    • Colpo Grasse
    • Cool
    • Crazy World
    • Croupier
    • Dark Rising
    • Day I Became a Woman, The
    • Daylight
    • Dead
    • Dead Leaves
    • Dead Time
    • Deep Cove
    • Deep Force
    • déjà vu
    • De Pijnbank
    • Drunks
    • Edge of Darkness
    • een dagje narr Let Stand
    • End of an Empire: Making of Red Hot
    • Epoch Evolution
    • Escape Under Pressure
    • Eureka
    • Extraordinary Egg, The (aka Eggs Please)
    • Eye of Silence, The
    • Family Man
    • Fighting Tiger
    • Fin de Siecle
    • Fitness Formula
    • Four Dragons
    • Fraternity, The
    • Free Tibet
    • Furida Omicida
    • G2 (aka G-2, aka G2: Time Warrior aka Time Warrior)
    • Garmento
    • Genius: Life of a Drug Dealer
    • Get Going
    • Good Rockin' Tonight
    • Guard Dog
    • Hit and Run
    • Hot Blooded
    • How to Make a Stone Raft
    • Human Resources
    • Hypersonic
    • I Went Down
    • If I Didn't Care
    • Interceptor
    • Interceptor Force 2 (aka Alpha Force)
    • Judy Berlin
    • Landspeed
    • Last Lullaby, The
    • Last Resort
    • Last Summer in the Hamptons
    • Lilith
    • Loos
    • Lost Voyage
    • Love
    • Loving Jezebel
    • Luger
    • Mad Cows and Zombies
    • Making of the Circle
    • Many Secrets of the Universe
    • Maximum Velocity
    • Memory of a Killer
    • Middle of Nowhere
    • Music For Film
    • New Alcatraz
    • New Interceptor Force
    • New Joy of Sex
    • Non-Stop
    • Orphans
    • Patriot, The
    • Pig
    • Python
    • Raindrops
    • Ranch Trap
    • Rapid Exchange
    • Rough Shot
    • Run for Your Life
    • Salvage
    • Saves
    • Season's Beatings!
    • Shark Hunter
    • Skills Training
    • Someone to Love
    • Somewhere Tonight
    • South Paw
    • Stress Management
    • Such a Long Journey
    • Sure Hand of God
    • Survival of the Fittest
    • Survival Island
    • Swordsman, The
    • Tevgnaar Oegstgeest
    • Titanic Town
    • Too Much Sleep
    • Treasure Island
    • Trucker
    • Under Heavy Fire
    • Vals Licht
    • What I Like About You
    • Why We Love
    • Woundings
    • Yesterday

This fonds contains 16 accessions of records. See accession-level descriptions for more details.

Accession B1991-0020 contains correspondence, articles, minutes and addresses documenting the activities of the Ectology Committee of the Department of Zoology and the Passamaquoddy Salmon Associates. Correspondence is among Scott, A.G. Huntsman and Harold H. Harvey.

Accession B2016-0001 contains the personal records of W. Beverley Scott, Professor Emeritus of Zoology at the University of Toronto, former Curator of Fishes at the Royal Ontario Museum, and former Director of the Huntsman Marine Science Centre in St. Andrews, New Brunswick. The records include correspondence, certificates, diaries, travel files, journals and field notes, research files, manuscripts and publications, and drafts of addresses, with associated photographs, slides, x-rays, notes, other related material, and a number of packets of fish scales.

This accession contains approximately 400 photoprints and 200 negatives and strip negatives, along with 41 slides, 48 x-rays, a few postcards, and a number of drawings.

The series comprises menus from around the world featuring a variety of cuisines including Afghan, American Argentinian, Armenian, Asian, Bangladeshi, Brazilian, Burmese, Cambodian, Caribbean, Chinese (Peking, Szechuan, Shanghai, Yunnan, Mandarin, Cantonese, Hunan and Jiangnan), Colombian, Cuban, Dutch, Ecuadorian, Egyptian, European, Filipino, Finnish, French, Hong Kong style, Indian, Indochinese, Indonesian, Islamic, Israeli, Italian, Jamaican, Japanese, Korean, Laotian, Latin American, Lebanese, Malaysian, Mediterranean, Mexican, Middle Eastern, Mongolian, Moroccan, Mughlai, Nepalese, Pakistani, Pan-Asian, Peruvian, Russian, Scandinavian, Singaporean, Southwestern, Spanish, Taiwanese, Thai, Tibetan, Turkish, Venezuelan, Vietnamese, seafood and vegetarian.

Menus are from restaurants located in Kenya, Morocco, South Africa, China (Beijing, Hangzhou and Shanghai), Egypt, Guam, Hong Kong, India, Indonesia, Israel, Japan, Malaysia, the Philippines, Singapore, South Korea, Taiwan, Thailand, Tibet, Turkey, Vietnam, Austria, Belgium, the Czech Republic, Denmark, England, Finland, France, Germany, Iceland, Ireland, Italy, Malta, the Netherlands, Norway, Poland, Portugal, Russia, Scotland, Slovenia, Spain, Sweden, Switzerland, Wales, Antigua and Barbuda, the Bahamas, Bermuda, Canada (British Columbia, Manitoba, Newfoundland and Labrador, Northwest Territories, Nova Scotia, Ontario, Quebec, Saskatchewan and Yukon Territory), Costa Rica, Cuba, Curaçao, El Salvador, Greenland, Guatemala, Mexico, Panama, the United States (Alabama, Alaska, Arizona, Arkansas, California, Colorado, Connecticut, Delaware, District of Columbia, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin and Wyoming), Australia, New Caledonia (France) New Zealand, Argentina, Bolivia, Chile, Peru and Venezuela.

Menus types included placemat menus, single sheet menus, trifold and four fold, five fold and seven fold menus and menus in booklet style. Some menus are laminated while others are in vinyl enclosures. Menus range from take away and delivery to eat in and include wine lists as well.

Menus from hotels, cruises and airlines are also included in this series.

The series is divided into 6 subseries: Africa, Asia, Europe, North America, Oceania and South America. The division is based on the 7-continent model, substituting Australia as a continent and replacing it with Oceania for greater geographical coverage.

This series provides a detailed overview of David C. Onley's daily activities as Lieutenant Governor of Ontario. Activities include events hosted by the Lieutenant Governor, events in which he appeared, community visits, special visits, royal visits, convocation and honorary degree ceremonies, and annual office holiday activities. The series includes daily calendars, detailed daily agendas, and electronic daily records. The daily calendars contain schedules showing dates and times of Onley's appointments and events he attended. Daily agendas include time schedules as well as detailed documentation of Onley's appearances related to duties as Lieutenant Governor. Types of files include 'event scenarios' (instructions and reference information for Onley and staff), event programs, correspondence, speaking notes, objects and mementoes from events (albums, badges, stickers), computer printed contact sheets, photographs and snapshots, and computer disks with photographs and occasionally video. The electronic daily records contain copies of the aforementioned material, including documentation of events in which Ruth Ann Onley appeared or spoke at, and may not be accessible at this time; please contact the Archivist. Series has been kept in original order with exception of oversize material.

The fonds originated in Haultain’s office in the Department of Mining Engineering at the University of Toronto, in his capacity as one of the Ritual’s proponents and as a key player in its creation. Although he did not attend any obligation ceremony except his own, Haultain served in numerous official capacities: as Secretary of the Seven Wardens (1930-1939); and as a Warden of Camp One (1926-1961), for which he was also the first chairman. He was also co-opted as a Corporate Warden (1939-1961). It is difficult to draw too fine a distinction between the records of the Kipling Ritual as a whole and those pertinent to Camp One as a subsidiary body of the Corporation of the Seven Wardens. In effect, the documents of the fonds are Haultain’s records of the Ritual first and then gradually emerge as the records for Camp One.

The research value of the records is significant regarding the origin of the Ritual of the Calling of an Engineer and the social interaction between the major figures responsible for its implementation and enfranchisement in Canada. The fonds includes substantial documentation about Haultain, Kipling, Fairbairn, Ross, and most of the major figures in the EIC. Also the records offer a fairly comprehensive portrait of the interactions between mining and engineering professionals between 1920 and 1950. The material is primarily of historical value and spans the creation of the Ritual, the development of the Camps and the efforts of the Wardens to control the text and dissemination of the Ritual. The material after the 1950s concerns mainly the day to day administration of the Ritual, the ordering of rings and the preparation of ceremonies in the Camps.

Most of the routine administrative documentation has been arranged in the first four series of the fonds, all of which also include some correspondence. Series 1 contains legal documents pertaining to the copyright and incorporation of the Ritual and the Wardens; Series 2 is for documents related to the drafting of the Book of Authority; Series 3 includes extensive meeting minutes for the Camp Wardens and for the Corporate Wardens; and Series 4 includes detailed financial reports and accounts. The correspondence in Series 5 includes a large number of copies and often conveys both outgoing and incoming mail. Series 6 contains primarily informal lists, ceremonial documents and various forms or texts used in actual ceremonies. Series 7 and 9 include documents that are primarily external to the main operations of Camp One, such as collected publications concerning the Ritual and correspondence with other camps. Series 8 contains the documentary record of the various attempts at historicizing the Kipling Ritual undertaken by the Camp and Corporate Wardens for the information of the obligated engineering community (see Note on arrangement).

Records after 1950 tend to be more related to the activities of Camp One than to the intricacies of the Corporation of Seven Wardens. Newer accessions are also less delineated than those of the first accession B1982-0023. Generally, most files created after 1965 will be found in Series 5. These more recent files often include minutes and other material rightfully belonging to other series, which, however, have been arranged in Series 5 to preserve the original chronological file order of the Camp One records and because there are typically many fewer records in these later accessions. The exception to this trend is in Accession B2009-0029, which includes comprehensive meeting minutes arranged as part of Series 3.

The fonds does not include the original Kipling letters, which were returned to the Kipling estate in 1960 at the request of Kipling’s daughter Elise Bambridge (1896-1976). The letters were added to the Wimpole Archive, which was deposited with the University of Sussex Library in 1978 on behalf of the National Trust for Places of Historic Interest or Natural Beauty (UK). The ancient landmarks are kept by the individual universities affiliated with Camp One, as are the official obligation lists. The Book of Authority for Camp One is in Series 2. All of the ancient landmarks have historical origins. The original anvil for Camp One was donated by Fairbairn, but was lost in a fire in the Sandford Fleming Building at the University of Toronto in 1977. The current anvil used at the ceremonies at the University of Toronto has a cutting attached taken from the hatch coverfrom the sunken Ocean Ranger drilling platform. The 1935 ‘Peter Wright’ anvil used at the Ryerson University ceremonies have a sheared rivet attached taken from the failed Pont de Quebec. At the University of Ontario Institute of Technology the landmarks are a five-decades anvil from Windfields Farm and a chain from the Darlington Nuclear Generating Station.

Scope and content: The fonds is arranged into two series, largely based on the creator’s original order.
Series One: Festival and Conference Programmes consists of Flohil’s collection of programmes for various folk music festivals across Canada, including the Mariposa Folk Festival, the Edmonton Folk Music Festival, the Winnipeg Folk Festival, and the Hillside Festival. This series also consists of music conference programmes from conferences such as the International Folk Alliance Conference and the Northeast Regional Folk Alliance Conference. A small number of music magazines and trade publications can be found in this series as well.
Series Two: Clippings, Ephemera and Photographs includes a small amount of materials related to Flohil’s music publicity career, including correspondence, newspaper and magazine clippings, trade publications, road atlases, and promotional 8 x 10 photographs of various musical artists represented by Flohil. It also includes candid photographs of Flohil, various musical artists, concerts, and music industry events.

These records document the academic career of Professor Laurel Sefton MacDowell, a labour and environmental historian and professor at the University of Toronto. The records consist of personal and biographical information (including MacDowell's time as an undergraduate and graduate student at the U of T), her lecture notes and syllabi for courses taught at U of T, York, and McMaster, her publications and research, her professional activities (both inside and outside academia), and general correspondence.

The fonds covers the years of 1998, 2006-2014, while predominantly covering the years of 2007-2014. The fonds documents the work and activities of David C. Onley during his tenancy as the 28th Lieutenant Governor of Ontario from September 5, 2007 to September 23, 2014.

The fonds contains six series:

1. General files
2. Articles and clippings
3. Correspondence
4. Daily records
5. Guest books
6. Awards and regalia

General files are comprised of reference and research files. Articles and clippings contains newspaper articles, publications and interviews that mention David C. Onley, as well as articles of interest collected for him. Correspondence includes outgoing, incoming, and internal office correspondence. Daily records comprise the bulk of the fonds and contain calendars and detailed textual and photographic documentation of Onley’s activities as Lieutenant Governor. The series also contains electronic records which are copies of the textual and photographic material within the daily calendars and daily activities files. Guest books contain bound books with signatures of visitors to the Lieutenant Governor’s events. Awards and regalia contains material and objects bestowed upon David C. Onley such as certificates and university regalia from convocation ceremonies and honorary degrees.

Series includes outgoing professional correspondence from David C. Onley, incoming correspondence to David C. Onley, a folder of correspondence of Ruth Ann Onley, a folder of internal correspondence between employees of the Office of the Lieutenant Governor of Ontario and David C. Onley, incoming thank you cards and letters, and Christmas cards. Outgoing correspondence is mostly typed, with some exceptions of copies of handwritten letters. Series has been kept in original order; however, the archivist created the Internal Correspondence file from a folder of general correspondence.

This series contains photographs documenting some of Peter Russell’s activities while participating mainly in academic and professional functions. Most are informal colour snapshots taken while at academic conferences and meetings, as well as in social situations with colleagues and students. Activities documented include trips to China, his class of students for POL 299Y, CBA meeting in Yellowknife and receiving awards and honorary degrees from University of Calgary and University of Toronto. Most photographs were either taken by or with Prof. Russell’s camera or sent to him by friends and colleagues. A small album of 17 photographs compiled by Prof. Russell documents his activities primarily in the 1980s.

Collection consists of miscellaneous leaflets, pamphlets, bumper stickers, newspapers, posters, and ribbons issued during the protests in Kiev, Ukraine from November 2013 to March 2014.

Series contains photographs documenting both the personal and professional life of Hershell Ezrin. Included are family photographs covering Ezrin’s childhood, young adulthood, and images of his own family in the 1990’s. Also included are images from Ezrin’s time in government, including some from the constitutional negotiations of 1981 and autographed portraits of former Ontario premier David Peterson. Also includes group portraits from awards ceremonies, including the 2002 Governor General’s Performing Arts Awards.

File contains research notes, correspondence, re-writes, editorial comments, press releases, and reviews for John Beckwith’s memoirs Unheard Of: Memoirs of a Canadian Composer (Wilfrid Laurier University Press, 2012). Beckwith’s research notes include a list of important personal and professional events from 1937 to 1990, various copied correspondence, and some original correspondence from Nadia Boulanger and Beckwith’s father. File also includes correspondence from Ben Conway and William Toye and Beckwith's contract with Wilfrid Laurier University Press for the publication of the book.

A portion of Beckwith's source materials and research notes were originally stored in a vertical file folder, arranged alphabetically by subject matter. This arrangement is replicated in the folder storage of these records. Beckwith's source material included the following divisions and contents:

1. Beckwith [family] : a copy of Beckwith Notes: Number Six (Albert C. and Edward S. Beckwith, 1907) and other genealogical records and notes on the Beckwith family, including family photographs, correspondence, newspapers clippings, marriage certificate for John L. Beckwith and Agnes F. McLeod.
2. Children : photographs, newspaper clippings, correspondence, and graduation programs relating to John Beckwith and Pamela Terry's children Jonathan, Robin Jane, Symon, and Lawrence.
3. Dunn : photographs, correspondence, and research notes pertaining to Mary and George Dunn.
4. Education : photographs, programs, and correspondence pertaining to John Beckwith's education prior to attending the University of Toronto, including programs from recitals of Gwendoline Harper's students.
5. Photograph of Marian Scott, Helmut Kallmann, and John Beckwith at the National Library of Canada (1997).
6. Grace [Dean McLeod White] : correspondence and notes pertaining to John Beckwith's paternal aunt.
7. Harold [Beckwith] : photographs, newspaper clippings, correspondence, and notes, including an interview with Michael Hutcheon, pertaining to Harold Arthur Beckwith, John Beckwith's father.
8. Margaret [Alice Beckwith, nee Dunn] : photographs, newspaper clippings, and correspondence from and about John Beckwith's mother.
9. Nuptials : photographs from weddings, anniversaries, and christenings in the Beckwith family.
10. Pamela [Terry Beckwith] : photographs of Pamela Terry Beckwith and a transcription of her Paris diaries (1950-1952).
11. Sisters : photographs of and correspondence with John Beckwith's sisters, Jean and Sheila, including their notes on portions of the manuscript for Unheard Of.
12. Tree : the Beckwith family tree [oversize]
13. Pictures and captions : two photographs and a program from the premiere performance of John Beckwith's Rhapsody for piano by Gene Gash (December 13, 1951).
14. Works : newspaper clippings and correspondence regarding reviews of John Beckwith's compositions.

Includes 18 photographs + 1 CD.

This fonds is divided into 5 series, divided by format. These are: Cinefilm, Video Materials, Audio Materials, Photographic Materials, Textual Records.

The first series, Cinefilm, contains original prints in both b&w and colour. It includes home movies, newsreels, as well as Spiess’s debut film Die Thomaner.

The second series, Video Materials, contains Digital Betacam cassettes. These include transfers of commercials, home movies, and Die Thomaner.

The third series, Audio Materials, includes soundtrack elements and radio commercials.

The fourth series, Photographic Materials includes behind the scenes photos of commercial shoots, family portraits, and glass negatives by Spiess’s father, Karl.

The fifth series, Textual Materials, includes papers relating to the formation of the first accrual of the Fritz Spiess archive. It also includes several periodicals that featured work by Spiess and technical literature about technologies of the day.

This fonds includes textual, photographic, graphic material relating to a number of productions/entities/products, including:

• The Canadian Society of Cinemathographers 1957- 2007 (2007)
• Upside Down: Les Artiques (2008)
• Upside Down: Les Artiques (2011)
• Eskimo Art Film
• Fritz Spiess fonds
• “Jamaican Pumpkin”
• Karl Spiess
• Pledge

This fonds includes audio-visual material relating to a number of productions/entities/commercial products, including:

• Spiess Family German home movies (1930 – 1941)
• Die Thomaner (1941)
• Spiess Family Canadian home movies (1950s)
• Canada 100 Centennial Film
• Carling Black Label
• Eskimo Art Film
• Gulf
• Inco
• Playboy

Ms Winearls has published widely on maps and map librarianship, beginning in 1967. This series consists of book reviews, articles, directories, exhibition catalogues, and chapters in books. A file in this series may contain draft of a manuscript, along with notes, covering correspondence, and reviews. The arrangement is chronological by date of publication.

Very few of Ms Winearls publications are missing from this series. The files relating to the writing of her major bibliographic work, Mapping Upper Canada, 1780-1867, are in Series 9. Files relating to Editing Early and Historical Atlases are found with the Conference on Editorial Problems files in Series 4.

A poster advertising the book, Ontario’s History in Maps (1984), which contains a cartobibliographic essay by Ms Winearls, “Sources for early maps in Ontario,” has been removed from B1998-0013/002(21) to /002(29).

The materials from B2022-0055 specifically pertain to Ms. Winearls’ articles and publications on Allan Brooks and his art. The records span from ca. 2001 to 2013 and include a publication proposal; research notes; an article in Rotunda; a draft paper and presentation notes for a Society for the History of Natural History (SHNH) International Conference; and a draft, an offprint, and correspondence related to an article for Scientia Canadensis. Also included are drafts of a catalogue of Allan Brooks artwork compiled by Ms. Winearls between 2001 – 2013 and four binders containing copies and photographs of Brooks’ original art and published illustrations to be used in conjunction with the catalogue. The contents of the binders have been removed and divided into files for preservation. Additional research files and background materials for the Allan Brooks Catalogue and articles are in Series 6.

Subseries consists of certificates and related documents, including photographs and correspondence, for awards and degrees that Derek Holman received, including his Doctor of Music from the University of London, honorary Doctor of Sacred Letters from the University of Trinity College, Order of Canada, and Canadian citizenship.

This acquisition is divided into 20 series by format for part of their business. The series are:
Series 01: Photographs
Series 02: Cinefilms
Series 03: Video
Series 04: Audio
Series 05: Daytimes & Desk Calendars
Series 06: Cinewings Ltd.
Series 07: Crone Family Holdings Inc.
Series 08: Crone Films Ltd. Series 9. Life Investors International Ltd.
Series 09: CLOSED
Series 10: Film House Ltd.
Series 11: Cinema Products
Series 12: Steadicam
Series 13: Filmsports
Series 14: Equipment
Series 15: Production Files
Series 16: Personal Files
Series 17: Vi Crone Corporate Projects
Series 18: Personal Development
Series 19: Scrapbooks
Series 20: Graphic

The collection is made up of both audio/visual elements and textual. The majority of the audio visual portion of the collection is consumer tapes/disc and screening dubs of the films shown at the festival. Other files include press kits for select films. Series 7 is comprised of audio cassette recordings of festival workshops, titled “Independent Filmmaking”. The textual material offers a detailed look at how the festival operated, with application forms, tracking forms, correspondence, film promotional materials, actor resumes, expense sheets, booking venue information, workshop summaries and panelist information, grant writing, festival lists, and a wealth of other textual material. The last series is a collection of mostly festival posters.
The collection is divided up into 10 series:

Series 01: VHS Tapes
Series 02: Betacam Tapes
Series 03: Digital Betacam Tapes
Series 04: Betacam SP Tapes
Series 05: MiniDV Tapes
Series 06: DVDs
Series 07: CDs
Series 08: Cassette Tapes
Series 09: Festival Files
Series 10: Posters

Series consists of photographs of faculty, musicians-in-residence, guest artists, students, faculty events, and facilities, which were collected and used by the promotions office at the University of Toronto Faculty of Music.

Subseries consists of promotional photographs of faculty and staff at the University of Toronto Faculty of Music. The photographs were collected and used by the Faculty's publicity office in their newsletters, academic calendars, events calendars, brochures, and other promotional material.

Includes extensive correspondence, manuscripts, etc. with Joe Rosenblatt, David Gurr; drafts, research and correspondence related to Barbara Klein-Muskrat: Then and Now; The Lubavitchers Are Coming to Second Avenue; Ritual Slaughter; The Mikveh Man; The Golden Ghetto; The Magic Pot; correspondence, research and drafts for piece on Richard Landon and the Thomas Fisher Rare Book Library; Arthur Drache material; unpublished children’s stories; family material; ghost writing; mentoring and other material related to the life and work of Sharon Abron Drache.

Subseries consists of posters for performances of works by John Beckwith and for book launches of monographs by Beckwith. Some posters are autographed by performers. Posters include:

• The Shivaree (Comus Music Theatre of Canada, April 3-6, 1982) [autographed by performers]
• Musique Royale : A Festival of Music in Historic Settings [including a performance of John Beckwith's Hector by Musick Fyne, 1992]
• Night Blooming Cereus (University of Victoria, Opera Nova, January 15-18, 1992)
• John Beckwith (Centrediscs, CMC-CD 5897, 2003)
• Taptoo! (University of Toronto Faculty of Music Opera Division, March 7-8, 14-15, 2003) [autographed by performers]
• Expanding Interdisciplinarity Through Opera: Taptoo! (University of Toronto Munk Centre for International Studies, March 8, 2003)
• Weinzweig: Essays on His Life and Music [book launch, Faculty of Music, 2011]
• Unheard Of: Memoirs of a Canadian Composer [book launch, Faculty of Music, 2012]
• Mapping Canada's Music: Selected Writings of Helmut Kallman [book launch, Faculty of Music, 2013].

Fonds consists of records relating to the various activities of the Centre, including the staging of conferences/seminars and the publication of The Collected Works of Northrop Frye. The four series are: Director's records, 1989-2001; Records relating to "The Legacy of Northrop Frye" Conference, 1991-1995; General records, 1993-2013; and Records relating to The Collected Works of Northrop Frye, 1991-2011.

Fonds consists of correspondence, subject files, course material, research records, and conference and publication files documenting the life and career of Prof. Roxana Ng, professor at OISE and community activist. Fonds also includes administrative material from OISE, in particular from AECP (Adult Education and Counselling Psychology) Department, the AECD (Adult Education and Community Development Program), CIARS (Centre for Integrative Anti-Racism Studies), and the CWSE (Centre for Women’s Studies in Education).

Fonds also includes records relating to Prof. Ng’s involvement in various community groups, NGOs and grassroots organizations, including the Apparel Textile Action Committee (ATAC), CERIS (The Ontario Metropolis Centre), the Canadian Research Institute for the Advancement of Women (CRIAW), The International Ladies' Garment Workers' Union (ILGWU), INTERCEDE (International center to End Domestic Exploitation), Inter Pares, The Jade Garden Adjustment Committee, the National Organization of Immigrant and Visible Minority Women of Canada (NOICMWC), UNITE (the Union of Needletrades, Industrial and Textile Employees), Women Working with Immigrant Women (WWIW), and the Homeworkers Association (HWA)

"Kirkland Lake, 1st game in NHL: 1944" rubbing with gold-coloured pencil, signed by Ruth Ann Onley.

This fonds mainly consists of records covering MacIntosh’s professional life from the beginning of his studies as a doctor during and just post-World War II up to and beyond his retirement in 1984. Very little of MacIntosh’s private life is documented in these records. The fonds has been split into the following series; 1. Biographical Information, 2. Notes and Research, 3. Lectures and Reports, 4. Conference and Symposia Involvement, 5. Professional Organizations, 6. Articles and Papers, 7. Correspondence, 8. Hospital Employment, 9. Medical Practice Administration, 10. Patient Files, 11. Certificates and Artifacts, 12. Photographs and Media.

Series consists of textual records and graphic material documenting Ian Hacking’s personal life and career, with eight files related to the histories of both the Hacking and MacDougall families. Records include a passport, birth and marriage certificates, family snapshots, drawings by his children, as well as correspondence detailing financial contributions made to various charities and initiatives. Hacking’s professional and academic activity is reflected in written and photographic documentation of awards and honours received, including the Killam Prize for the Humanities, the Companion to the Order of Canada, and the Holberg International Memorial Prize. Also included in the series is an autobiographical document written by Hacking detailing the orientation of his research.

Digital files consist of files documenting his personal life and family [“BUSYNESS”], a folder of biographical information and curriculum vitae, further documentation about the Holberg Prize, and drafts of writings by Judith Baker titled “Trust and Commitment” and “Some Aspects of Reasons and Rationality”.

Contains a wide range of record from the Faculty of Kinesiology and Physical Education, including Department of Athletics and Recreation Committee meeting minutes, Council of Athletics and Recreation meeting minutes, FKPE publications, athletics media guides and brochures, Varsity Stadium and Varsity Centre development plans, event and award files, Task Force Report Equal Opportunities records, Task Force Focus on the Future records, and project material for the Goldring Centre for High Performance Sports.

This fonds contains 1 accession of records. See accession-level descriptions for more details.

This fonds contains 2 accessions of records. See accession-level descriptions for more details.

Contains records related to several publishing projects from the History of Medicine Program, including Big Footprint, a history of medicine at UofT, a history of the Toronto Psychiatric Hospital, and some background information on the Healy Affair.

This fonds from the Engineering Alumni Association contain 8 accessions. See accession-level descriptions for more details.

The collection comprises mostly of awards Leonard Rambeau received during his career, many being Gold and Platinum sales awards. There is also a small selection of press clippings that note himself, photographs, and yearbooks for Saint Mary’s University.

Series contains publicity and promotional materials for New Music Concerts (NMC), including programs and posters for individual performances, reviews of performances by NMC, and season brochures.

File consists of four promotional photographs of William Aide, including headshots and photographs of Aide playing the piano. Photographs are from various points in his career.

File consists of promotional photographs of tenor Mark DuBois.

This fonds contains 12 accessions of records. See accession-level descriptions for more details.

This series contains material relating to Prof. York’s research activities. It includes experiment notes, schemas, lab data, and notes relating to various York publications and topics. This series contains reports, contracts, correspondence, and lab data relating to the U of T Geochronology Lab’s commercial work. Also included are 34 5.25 floppy disks but the digital files are unprocessed and not available for researcher use at this time. Please contact the Archives for more information.

Subseries contains records from Derek Holman's career in education, conducting, composition, and performance, including his time with the Bishop Strachan School, Canadian Children's Opera Chorus, Church of St. Simon the Apostle, Concord Singers, Croydon Bach Society, Croydon Parish Church, Grace Church-on-the-Hill, Royal School of Church Music, St. Thomas' Church Choir, University of London, and the University of Toronto. The subseries includes correspondence, photographs, contracts and agreements, assorted writings, lecture notes, and programs.