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Jo Beverley Papers

  • Manuscript Collection
  • 1970-2017

The collection consists of manuscript drafts and proofs of her novels and novellas, as well manuscripts of unpublished work and some non-fiction. It also includes correspondence (editorial as well as fan mail), and marketing and publicity material.

Beverley, Jo

Peter Rehak Papers

  • CA OTUTF MS COLL 0048A
  • Manuscript Collection
  • 1944 - 2004

Historical Context:
In 1989, Imre Finta gained notoriety in Canada as the country’s first person prosecuted under Canada’s new war crimes legislation. On the recommendation of the Deschênes Commission, the Criminal Code was amended in 1987 to authorize Canadian courts to try war criminals, including suspected Nazis, for crimes committed in other countries. After leaving Hungary, Finta was convicted in absentia by a Hungarian People’s Tribunal in 1948 and sentenced to five years forced labor. He was known to Canadian authorities since 1974 when Nazi-hunter Simon Wiesenthal alerted them of Finta’s whereabouts. The highly publicized criminal trial followed two libel lawsuits involving Finta which represented mounting pressure on Ottawa to prosecute war criminals living in Canada. In 1982 the Toronto Sun published an article and editorial which stated that allegations of war crimes made by Sabina Citron — a Holocaust survivor and co-founder of the Canadian Holocaust Remembrance Association — against Finta were false. Citron filed a libel suit against the newspaper and Finta. In 1983 CTV’s W5 program aired an episode accusing Finta of having committed war crimes. Finta claimed he was merely a dispatcher and filed a libel lawsuit against CTV. The network maintained that what they said on air was true, and traveled to Israel, Hungary and Vienna to obtain evidence, as well as using evidence from the Citron case. Witness testimonies gathered by CTV and Finta’s poor health resulted in Finta withdrawing his libel suit against CTV and his defense in the Citron action. He was ordered to pay $32,000 to Citron and $100,000 to CTV for legal costs. Finta was unable to pay CTV, resulting in the seizure of his house. Following Finta’s criminal trial, the Government of Canada announced a dramatic change to their strategy regarding war criminals. It would now revoke citizenship from alleged war criminals rather than prosecuting them. Legal scholars have called the Finta case one of the most important cases ever decided by the Supreme Court of Canada.

Scope and Content:
Collection consists of legal documents pertaining to the Citron v. Sun and Finta v. CTV cases, including videotapes of witness testimonies gathered in Hungary, Israel and Vienna. Includes a videotape and transcript of the W5 episode over which Finta sued CTV, documents in English and Hungarian pertaining to Finta’s trial in absentia in Hungary, fragments and a draft of Peter Rehak’s unfinished book about Finta, as well as newspaper clippings and interviews Rehak conducted on microcassette. Also includes a subpoena sent to Rehak from Commissioner Jules Deschênes and the Sheriff’s Sale of Lands in the seizure of Finta’s house.

Contains Series:

  1. Materials related to Imre Finta’s lawsuits and Hungarian trial
  2. Peter Rehak’s Research on Imre Finta
  3. Peter Rehak’s unfinished book about Imre Finta

Rehak, Peter

John Arthur Sawyer fonds

  • UTA 1748
  • Fonds
  • 1952-2012, predominant 1952-1996

Fonds consists of correspondence, memoranda, lecture notes, drafts of articles and addresses, documenting the career of John Sawyer at Royal Military College, Kingston, Ontario, the Dominion Bureau of Statistics, and the University of Toronto, at the last especially as chair of the Commerce Programmes, with the Faculty of Management Studies, and as Director of the Institute of Policy Analysis. Also includes a revised (2012) copy of Professor Sawyer's memoirs.

Also included are 4 word-processing files:

  • MEMTWO.DOC - Memoirs of a Statistical Economist's Random Walk through Academic Life (Revised edition March 15, 2012)
  • RSMHIS31.DOC - The Rotman School: An Historical Perspective 1901-1998
  • BOOKCH4.DOC - From Commerce to Management: The Evolution of Business Education at the University of Toronto
  • CV.DOC - Curriculum vitae

Sawyer, John A.

Victoria University (Toronto, Ont.). Office of Alumni Affairs & Advancement fonds

  • CA ON00357 2074
  • Fonds
  • 1904-2016, predominant 1976-2016

Fonds consists of the records of Larry Davies, the Director of the External Relations and Development Department, primarily outgoing correspondence as well as records documenting the relationship between the Department, alumni, and alumni groups such as the Alumni of Victoria College (AVC) and the Emmanuel College Alumni/ae Association. Records also document fundraising and development activities as well as the planning and hosting of events such as reunions and milestone celebrations.

Fonds contains lists of Permanent Class Executives of Victoria College, guest book and transcripts of addresses given at the Memorial Service held for Victoria University President A.B.B. Moore, promotional material, questionnaires, notes, lists, correspondence, research material, reports, financial records, annual reports, and photographs.

The fonds is made up of seven series: Series 1: Special Events and Celebrations; Series 2: Campaigns and Fundraising; Series 3: Records of the Director; Series 4: Records related to Victoria College Alumni; Series 5: Publications and Newsletters; Series 6: Records related to Emmanuel College Alumni; and Series 7: Photographs.

Victoria University (Toronto, Ont.). Office of Alumni Affairs & Advancement

University of Toronto. Department of Classics

  • UTA 0306
  • Fonds
  • 1968-2016

Records consist of 4 bankers boxes and 1 small Hollinger box of textual administrative records of The UofT Faculty of Arts and Science Department of Classics operations dating from 1968-2016. Records types include a Department Constitutions (1975 and 1997), Curriculum Committee, Modern Greek Program, and General Departmental meeting minutes, syllabi and marking schemes, exams forms (1977-2008), program planning including Study Elsewhere, Ontario Secondary Schools, Double cohort, UofT Day, Advanced Placement, and Research Opportunity programs. Also includes ROSI new student information system orientation materials, plans for the Department of Classics relocation to 97 St. George Street, and handwritten minute books ca. 1978-1986.

University of Toronto. Department of Classics

Parsifal / Richard Wagner

File consists of an annotated score that previously belonged to Herman Geiger-Torel's mother Rosy Geiger-Kullman. The score is annotated for an unspecified production and includes pages of loose notes by Herman Geiger-Torel. Performers names are handwritten on the cast page.

Heloise and Abelard / Charles Wilson

File consists of an annotated copy of the manuscript score, autographed by the composer to Herman Geiger-Torel with four loose pages of Geiger-Torel's notes. Geiger-Torel was the general director of the Canadian Opera Company when this opera was commissioned premiered in September 1973. Leon Major directed the production with Victor Feldbrill, conductor; Murray Laufer, set designer; and Suzanne Mess, costume designer.

Performers: Heather Thomson, Allan Monk, Don McManus, Emile Belcourt, Patricia Rideout, Phil Stark, Ronald Bermingham, Garnet Brooks, Jacques Lareau, Alan Crofoot, Donald Oddie, Peter Barcza, John Arab, James Anderson, Bruce Kelly, John Dodington, Kathleen Ruddell, Richard Braun, and Jill Pert.

Oberon / Carl Maria von Weber

File consists of an annotated score with a new German dialogue and essay by Herman Geiger-Torel for a 1936 production, possibly in Magdeburg, Germany (score stamped "Intendanz der Sudtischen Theater, Magdeberg"). Performers are handwritten on the first page Geiger-Torel's dialogue, includings Lotte Lehmann.

Der Heilige / Max Wolff

File consists of an autographed score from the composer Max Wolff to the pianist and composer Rosy Geiger-Kullmann (dated Ferbaury 12, 1935), Herman Geiger-Torel's mother. Item includes parts for "Gesang der Priester" from Der Heilige for soprano and tenor. The score has not been annotated.

Die Walküre / Richard Wagner

File consists of an annotated score with loose notes by Herman Geiger-Torel for a Vancouver Opera Association (VOA) production in Vancouver in 1975. Herman Geiger-Torel directed the production with Henry Holt, music director.

Performers: Noel Tyl, Rod MacWherter, Gunilla af Malmborg, Doris Jung, Dori Cole.

Salome / Richard Strauss

File consists of an annotated score with Herman Geiger-Torel's notes from a 1965 performance and three photographs of the set and one of the opera singers. Annotations include a handwritten cast list from another, likely earlier, performance. The 1965 production for the Canadian Opera Company (COC) was directed by Herman Geiger-Torel with Wolfgang Martin, conductor; Brian Jackson, set designer; and Suzanne Mess, costume designer.

Performers (1965): Garnet Brooks, Darlene Hirst, Donald Young, Maurice Brown, David Geary, Margaret Tynes, Roxolana Roslak, Joanna Myhal, Royce Reaves, Phil Stark, Arlene Meadows, Thomas Park, Danny Tait, Ian Garratt, Wallace Williamson, Tito Dean, Oskar Raulfs, Ermanno Mauro, Abbot Anderson.

Salome / Richard Strauss

File consists of an annotated score with notes from a 1965 performance by the Canadian Opera Company, directed by Herman Geiger-Torel with Wolfgang Martin, conductor; Brian Jackson, set designer; and Suzanne Mess, costume designer.

Performers: Garnet Brooks, Darlene Hirst, Donald Young, Maurice Brown, David Geary, Margaret Tynes, Roxolana Roslak, Joanna Myhal, Royce Reaves, Phil Stark, Arlene Meadows, Thomas Park, Danny Tait, Ian Garratt, Wallace Williamson, Tito Dean, Oskar Raulfs, Ermanno Mauro, Abbot Anderson.

Der Rosenkavalier / Richard Strauss

File consists of an annotated score with Herman Geiger-Torel's notes from a Canadian Opera Company (COC) production of Rosenkavalier in September-October 1963. Herman Geiger-Torel directed the production with Walter Susskind, conductor and Horst Dantz, set and costume designer.

Performers: Helen Vanni, Marguerite Willauer, Wallace Williamson, Howell Glynne, Maurice Brown, Carol Anne Curry, Roxolana Roslak, Danny Tait, Bernard Fitch, Phil Stark, Patricia Rideout, Eleanor Calbes, Kathryn Newman, Naomi Alexandroff, Alan Crofoot, Ron Hastings, Bernard Turgeon, Marjorie Hays, Elizabeth Elliott, Garnet Brooks, Thomas Clerke, Peter Van Ginkel, Cathy Ball, Ernest Atkinson, Tito Dean, David Geary, and William Perry.

Elektra / Richard Strauss

File consists of an annotated score with production notes from the September-October 1969 production by the Canadian Opera Company (COC), including stage plans and a photograph of the set. The COC production was directed by Herman Geiger-Torel with Heinrich Bender, conductor; Lawrence Schäfer, set design; and Marie Day, costume design.

Performers: Joan Maxwell, Kathryn Newman, Leah Werman, Dodi Protero, Elsie Sawchuk, Stephanie Gerson, Astrid Varnay, Eileen Schauler, Mignon Dunn, Sonia Rohozynsky, Lorna Hearst, Paul Trépanier, Steven Henrikson, Richard Mundt, Heran Rombouts, Phil Stark.

Cosi fan tutte / Wolfgang Amadeus Mozart

File consists of an annotated score with reviews of a Canadian Opera Company (COC) performance at the Shaw Festival Theatre in the St. Catherines Standard (December 10, 1973) and the rehearsal schedule for the COC's 1973-1974 tour. Rehearsals took place in the MacMillan Theatre. The production was directed by Herman Geiger-Torel.

Performers (Cast A): Peter Milne as Don Alfonso ; Garnet Brooks as Ferrando ; Peter Barcza as Guglielmo ; Barbara Collier as Fiordiligi ; Carrol Anne Currey as Dorabella ; and Ann Cooper as Despina.

Performers (Cast B): Dagger ; Kathleen Ruddell ; [Janis] Orenstein ; John Arab ; Ronald Bermingham ; Jan Rubes.

The Abduction from the Seraglio = Die Entführung aus dem Serail / Wolfgang Amadeus Mozart

File consists of an annotated score and typescript copy of an adapted portion of the libretto for a production with the Opera Festival Association of Toronto in February-March 1957. The production was directed by Herman Geiger-Torel with Nicholas Goldschmidt, conductor; Hans Berends, set designer; Suzanne Mess, costume designer.

Performers: Léopold Simoneau, Jan Rubes, Ernest Adams, Joseph Fürst, Edita Symonek, Pierette Alarie, Donald Bartle, Don McManus.

The consul / Gian Carlo Menotti

File consists of an annotated score with Herman Geiger-Torel's notes, lighting cues, and stage designs for a production at the Guelph Spring Festival in 1973 and earlier productions in 1953 and 1954 with the Canadian Opera Company.

1973 production: Herman Geiger-Torel, director ; Nicholas Goldschmidt, conductor ; William Lord, designer ; Jan Rubes, Milla Andrew, Allan Monk, Patricia Rideout, Judith Forst, Roxolana Roslak, Elizabeth Straus, Phil Stark, Ruth Ann Archibald, Don McManus, Allen Coates, cast.

1953 and 1954 productions: Herman Geiger-Torel, director ; Nicholas Goldschmidt, conductor ; Hans Berends, set designer ; Suzanne Mess, costume designer ; Glenn Gardiner, Theresa Gray, Nellie Smith, Don Garrard, Andrew MacMillan, Joanne Ivey, Ernest Adams, Jan Rubes, Catherin Akos, Suzette Nadon, Louise Roy, Milla Andrew, Doreen Vogel, Andrée Thériault, Roma Butler, Ralph Roose, Bernard Turgeon, William Copland, Charles Couture, Clarence Fleiger, cast.

Fidelio / Ludwig van Beethoven

File consists of an annotated score, which includes additional typescript dialogue for a production by the Canadian Opera Company (COC). Carlos Alexander directed the first production of Beethoven's Fidelio in Toronto in 1970 with conductor Heinrich Bender. The production featured Anja Silja, soprano as Leonore and Glade Peterson, tenor as Florestan. Herman Geiger-Torel was general director of the COC at the time.

Herman Geiger-Torel collection

  • OTUFM 05
  • Collection
  • 1934-1976

Collection consists of Herman Geiger-Torel's library of piano-vocal scores, including his markings and notes for various opera productions, including performances that he directed in Troppau, Czechoslovakia; Teatro Colón, Buenos Aires; Montevideo, Uruguay; Teatro Municipal, Rio de Janiero; Canadian Opera Company; and the Royal Conservatory of Music Opera School.

Geiger-Torel, Herman

Chamber orchestra

File consists of a program and recording of a concert in Walter Hall by the University of Toronto Chamber Orchestra, conducted by David Zafer.

Program:

  • Concerto in D for string orcestra / Igor Stravinsky
  • Violin concerto no. 1 in B-flat major, KV 207 / Wolfgang Amadeus Mozart (Jose Luis Garcia, violin)
  • Serenade in E major for string orchestra, op. 22 / Antonin Dvorak (Jose Luis Garcia, conductor).

Ian Hacking fonds

  • UTA 1339
  • Fonds
  • 1854-2015 [predominant 1980-2010]

Fonds consists of records documenting the professional and personal life of analytic philosopher and professor, Ian Hacking. Records primarily focus on the academic and publishing activity of Hacking from the early 1980s to 2010. The material reflects the broad and diverse interests of Hacking in his work, as well as his exchange with scholars in diverse fields. Records include correspondence, manuscripts and drafts of written works, reprints, lecture notes, and extensive subject files. Additionally, correspondence, press clippings, and photographs chronicle Hacking’s professional and academic achievements.

Fonds also documents aspects of Hacking’s personal and family life. These include his diaries and notebooks, birth and marriage certificates, drawings by his children, family snapshots, as well as correspondence, photographs, and copies of records from the Hacking and MacDougall families.

See series and subseries descriptions for additional information.

Hacking, Ian

Roxana Ng fonds

  • UTA 1607
  • Fonds
  • 1970-2013

Fonds consists of correspondence, subject files, course material, research records, and conference and publication files documenting the life and career of Prof. Roxana Ng, professor at OISE and community activist. Fonds also includes administrative material from OISE, in particular from AECP (Adult Education and Counselling Psychology) Department, the AECD (Adult Education and Community Development Program), CIARS (Centre for Integrative Anti-Racism Studies), and the CWSE (Centre for Women’s Studies in Education).

Fonds also includes records relating to Prof. Ng’s involvement in various community groups, NGOs and grassroots organizations, including the Apparel Textile Action Committee (ATAC), CERIS (The Ontario Metropolis Centre), the Canadian Research Institute for the Advancement of Women (CRIAW), The International Ladies' Garment Workers' Union (ILGWU), INTERCEDE (International center to End Domestic Exploitation), Inter Pares, The Jade Garden Adjustment Committee, the National Organization of Immigrant and Visible Minority Women of Canada (NOICMWC), UNITE (the Union of Needletrades, Industrial and Textile Employees), Women Working with Immigrant Women (WWIW), and the Homeworkers Association (HWA)

Ng, Roxana

Personal and biographical

Series consists of textual records and graphic material documenting Ian Hacking’s personal life and career, with eight files related to the histories of both the Hacking and MacDougall families. Records include a passport, birth and marriage certificates, family snapshots, drawings by his children, as well as correspondence detailing financial contributions made to various charities and initiatives. Hacking’s professional and academic activity is reflected in written and photographic documentation of awards and honours received, including the Killam Prize for the Humanities, the Companion to the Order of Canada, and the Holberg International Memorial Prize. Also included in the series is an autobiographical document written by Hacking detailing the orientation of his research.

Digital files consist of files documenting his personal life and family [“BUSYNESS”], a folder of biographical information and curriculum vitae, further documentation about the Holberg Prize, and drafts of writings by Judith Baker titled “Trust and Commitment” and “Some Aspects of Reasons and Rationality”.

Alexandra F. Johnston fonds

  • CA ON00357 2166
  • Fonds
  • 1946–2009

Fonds consists of records, 1946–2009, consisting of six series relating to Johnston’s academic life and research, including those relating to her education, 1946–1961; professional life, 1957–2009;Records relating to the church, theatre and other activities, 1965–2003; teaching records, 1959–2008; scholarships and publications, 1971–2009. and photographs, [1961?]–2002.

Fonds consists of records created between 1946–2009, consisting of six series relating to Johnston’s academic life and research, including: Education, 1946–1961; Professional life, 1957–2009; Records relating to the church, theatre and other activities, 1965–2003; Teaching records, 1959–2008; Scholarships and publications, 1971–2009; and photographs, [1961?]–2002.

Johnston, Alexandra F.

Phil Nimmons fonds

  • OTUFM 30
  • Fonds
  • 1940-1997

Fonds consists primarily of manuscript scores and parts for music written, arranged, and orchestrated by Phil Nimmons. Materials also include annotated scripts for incidental music that Nimmons wrote for various Canadian Broadcasting Corporation (CBC) radio and television productions. Fonds includes scores and parts for two ensembles that Nimmons led, Nimmons 'N' Nine, and its expanded version Nimmons 'N' Nine Plus Six, as well as various other ensembles.

Nimmons, Phil

Early compositions and arrangements

Series consists of compositions and arrangements by Phil Nimmons, written early in his career before he formed his own group in 1953. Series includes charts for the Ray Norris Quintette, of which Nimmons was a member.

Music for other ensembles

Series consists of music written or arranged by Phil Nimmons for ensembles, including the 1957 overtures for the "Music for a Summer Day" festival at Stratford Festival and music for the duo Pendulum, the Kitchener-Waterloo Symphony, the Ted Kemar Band, the Vancouver Symphony Orchestra, Music at Sharon, and Esprit Orchestra.

Music for Nimmons 'N' Nine Plus Six

Series consists of music written and arranged for Nimmons 'N' Nine Plus Six. This expanded version of Nimmons 'N' Nine was formed in 1965, reorganized in 1974, and disbanded in the early 1980s. Most of the music was written by Phil Nimmons with a few contributions from other members of the ensemble.

Music for Nimmons 'N' Nine

Series consists of music composed or arranged for "The Group," later named "Nimmons 'N' Nine." Most of the charts are written by Phil Nimmons, with a few contributions from other members of the ensemble. Nimmons formed this group in 1953 and they performed regularly on CBC radio. They made their concert debut in 1956 at the Summer Festival in Stratford. In 1965, the ensemble expanded to "Nimmons 'N' Nine Plus Six."

Music for radio and television

Series consists of incidental music for orchestra and music for jazz ensemble that Phil Nimmons composed, arranged, and orchestrated for various radio and television programs, predominantly for the Canadian Broadcasting Corporation (CBC).

Other radio and television plays

Subseries consists of scripts, scores, and parts for incidental music by Phil Nimmons for various radio and television programs.

Vocal jazz ensemble and 11 o'clock jazz orchestra

File consists of a program and recording of the concert, which took place at Walter Hall.

Performers: Vocal Jazz Ensemble (Lisa Martinelli, director ; Tavis Wier, guitar ; Jennifer Johnston, vocals ; Emma Love, vocals ; Shannon Hulburt, vocals ; Joe Organ, piano ; Stuart Sladden, vocal ; Damian Dobrowolski, bass ; Cory Apolcer, drums ; Cory Apolcer, drums ; Dan Blondon, trumpet ; Alex Samaras, bocals ; Shannon Hurlburt, vocals ; Stephanie Kujtan, vocals ; Anna Mastin, vocals Dan Blondon, vocals ; Joelle Turner, vocals ; Robin Dann vocals) ; 11 O'Clock Jazz Orchestra (Terry Promane, director ; Sandra Salverda, trumpet ; Jonah Cristal-Clarke, piano ; Dave Neill, tenor sax ; Matt McClean, trumpet ; David Espeut, alto sax ; Jesse Malone, trumpet ; Roger Mantie, tenor sax).

Program:

  • Spain / Corea, Jarreau, Marren (Vocal Jazz Ensemble ; Tavis Wier, guitar)
  • Sugar / Turrentine, Dayrll (Jennifer Johnston, Emma Love, Shannon Hurlburt, vocals ; Tavis Wier, guitar ; Joe Organ, piano)
  • The nearness of you / Carmichael, Washington, arr. J. Shelton Barnes (Vocal Jazz Ensemble)
  • James / Pat Methany, arr. Michele Weir (Vocal Jazz Ensemble ; Tavis Wier, guitar)
  • Loves me like a rock / Paul Simon, arr. D. Meader (Stuard Sladden, vocal ; Damian Dobrowolski, bass ; Cory Apolcer, drums)
  • Everbody's song but my own / Kenny Wheeler (Tavis Wier, guitar ; Joe Organ, piano ; Damian Dobrowolski, bass ; Cory Apolcer, drums)
  • On the sunny side of the street / McHugh, Fields, arr. The HiLo's (Damian Dobrowolski, bass ; Dan Blondon, trumpet)
  • Ain't no sunshine / Bill Withers, arr. D. Meader (Alex Samaras, Shannon Hurlburt, vocals)
  • Oh, lady be good / George and Ira Gershwin, additional lyrics by The New York Voices, arr. D. Meader (Stephanie Kujtan, Anna Mastin, Dan Blondon, Joelle Turner, Robin Dann, vocals ; Joe Organ, piano ; Cory Apolcer, drums)
  • Day in day out / Mercer, Blom, arr. Sam Nestico (10 O'Clock Jazz Orchestra ; Sandra Salverda, trumpet)
  • The touch of your lips / Ray Noble, arr. Rick Wilkins (10 O'Clock Jazz Orchestra ; Jonah Cristal-Clarke, piano ; Dave Neill, tenor sax)
  • Calendula / Kirk MacDonald, arr. Terry Promane (10 O'Clock Jazz Orchestra ; Dave Neill, tenor sax)
  • It only happens every time / Thad Jones (10 O'Clock Jazz Orchestra ; Matt McClean, trumpet ; Jonah Cristal-Clarke, piano)
  • You must believe in spring / Michele Legrand, arr. Jonah Cirstal-Clarke (10 O'Clock Jazz Orchestra ; David Espeut, alto sax)
  • Song for my father / Horace Silver, arr. Vince Splichuk (Jesse Malone, trumpet ; Roger Mantie, tenor sax).

University of Toronto jazz orchestras with Rob McConnell

File consists of a program and recording of a concert by the 11 O'clock Jazz Orchestra, directed by Phil Nimmons and the 10 O'clock Jazz Orchestra, directed by Paul Read, with Rob McConnell, valve trombone, arranger and composer.

Program:

  • Airegin / Rollins, arr. Bill Holman
  • Confirmation / Parker, arr. Rob McConnell
  • All the things you are / Kern, Hammerstein, arr. Rob McConnell
  • The waltz you knew was blue / Rob McConnell
  • The touch of your lips / Noble, arr. Rick Wilkins
  • Tickletoe / Young, arr. Rob McConnell.

Didn't we : music for jazz ensemble

File contains core and parts, arranged by Rick Wilkins for Nimmons 'N' Nine Plus Six and vocalist Tommy Ambrose. File also includes manuscript parts for "Hard-Hearted Hannah."

Wilkins, Rick

Jack Pocock Memorial Collection

  • CA OTUTF MS COLL 00331
  • Manuscript Collection
  • 1964-1977

Contains materials generated and collected in the course of business by the Toronto Anti-Draft Programme (TADP), 1964-1977. Includes individual case files, intake and housing records, sales records for the Manual for Draft-Age Immigrants to Canada, counseling materials, lobbying and public relations files, materials from other activist, religious and anti-war groups, TADP administrative records, and a collection of printed items.

Pocock, Jack

Victoria College (Toronto, Ont.). Registrar's Office fonds

  • CA ON00357 2049
  • Fonds
  • 1837-2023

Fonds consists of the records of the Registrar and Associate Registrar, primarily relating to Victoria College students and student records as well as awards, prizes and scholarships, convocations, registration procedures, baccalaureate services, receptions, counselling, etc. Fonds also consists of material related to the Registrar's work with the Senate. Records include correspondence, annual reports, as well as ephemera and photographs.

Fonds consists of three series: Correspondence/subject files, 1893–2013; Student records, 1837–2008; Photographs.

Victoria College (Toronto. Ont.). Registrar's Office

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