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Guitar ensemble

File consists of a program and recording of a concert by the Guitar Ensemble, directed by Eli Kassner and conducted by Bryan Martin in Walter Hall.

Program:

  • Laideronette, imperatrice des pagods / Maurice Ravel, arr. J. Sparks
  • Pavane pour une infante defunte / Maurice Ravel, arr. J. Sparks
  • Concerto in D, RV 93 / Antonio Vivaldi, arr. E. Kassner (Laura Young, guitar)
  • Bachiana Brasileiras no. 5. Aria / Heitor Villa-Lobos, arr. E. Kassner (Linda Osborne, soprano)
  • Brandenburg concerto no. 6, BWV 1051 / Johann Sebastian Bach, arr. B. Martin
  • Musae Sionae. Christmas music / Michael Praetorius, arr. E. Bayer (Linda Osborne, soprano) [not recorded]
  • Exsultate junilate, K. 165. Alleluia / Wolfgang Amadeus Mozart, arr. R. Summers (Linda Osborne, soprano) [not recorded]
  • Personent hodie. Fantasy on an ancient carol for massed guitars / Stephen Dodgson [not recorded]
  • Concerto grosso, op. 6, no. 8 / Arcangelo Corelli, arr. E. Kassner [not recorded].

Music by student composers

File consists of a program and recording of a concert in Walter Hall.

Program:

  • First passacaglia on the left / Amanta Scott (Blair MacKay, drums ; Steve Skoutajan, marimba ; Patrick Donovan, bass ; Joe Cordi, vibraphone)
  • Navititas mystica / Michael Sienkiewicz (Linda Caisley, flute ; Pippa Williams, oboe ; Eric Evans, clarinet ; Elke Eble, horn ; Sterling MacNay, bassoon)
  • B natural / Paul N. Brown (Robert DiVito, trumpet ; Eric Klein, electric guitar ; Patrick Donovan, bass ; Paul N. Brown, vibraphone) [not recorded]
  • Triptych / Michael Sienkiewicz (Daniel Dyatt, actor ; Michael Sienkiewicz, piano) [not recorded]
  • Niichkiwenheuk / Amanta Scott (Kerry Stratton, conductor ; Pauline Farrugia, clarinet ; Liz Johnston, violin ; Catherine Hoy, violin ; Kenjo Fuse, viola ; Peggy Lee, cello) [not recorded].

Faculty recital series : programme 1

File consists of a program and recording from a concert in Walter Hall.

Program:

  • Trio in B-flat major, op. 11 / Ludwig van Beethoven (Patricia Parr, piano ; Joaquin Valdepeñas, clarinet; David Hetherington, cello) [not recorded]
  • Nocturne in E-flat major, op. 55, no. 2 / Frederick Chopin (Helena Bowkun, piano)
  • Etudes tableaux, op. 33, no. 2 ; op. 39, no. 5 / Sergei Rachmaninoff (Helena Bowkun, piano)
  • Andante spianata and grande polonaise brillante, op. 22 / Frederick Chopin (Helena Bowkun, piano)
  • Quintet in F minor, op. 57 / Dmitri Shostakovich (Patricia Parr, piano ; Orford String Quartet) [only excerpt recorded].

Hello out there! : Canada's new music in the world, 1950-85

File consists of a program and recording from a concert in Walter Hall.

Program:

  • Firewind / John Burke (Pierrette LePage, Bruce Mather, piano)
  • Aquello / Mariano Etkin (Pierrette LePage, Bruce Mather, piano) (premiere performance) [not recorded]
  • Fifteen pieces for harp / Jphn Weinzweig (Judy Loman, harp) [not recorded]
  • Regime onze, type A / Bruce Mather (Pierrette LePage, Bruce Mather, piano)
  • Time for three / Robert Turner (Jean MacPhail, mezzo-soprano ; Douglas Perry, viola ; William Aide, piano).

A concert of music by Karel Husa

File consists of a program and recording from a concert of music by Karel Husa in Walter Hall.

Program:

  • Divertimento for brass and percussion (Stephen Chenette, conductor)
  • Elegie et rondeau for saxophone and piano (Maurizio Rossetto, saxophone ; Marta McCarthy, piano) [not recorded]
  • Piano sonata no. 2 (Anne Louise, piano) [not recorded]
  • Moravian songs. Selections (Rayanne Dupuis, soprano ; Susan Greenway, piano)
  • Serenade for wind quintet, harp, xylophone and strings (Contemporary Music Ensemble ; Karel Husa, conductor) [not recorded].

University of Toronto Wind Symphony

File consists of a recording and program from a concert by the Wind Ensemble, conducted by Wayne Jeffrey, in MacMillan Theatre.

Program:

  • Fanfare zur Eroffnung der Musikwoche der Stadt Wien / Richard Strauss (Brass Ensemble)
  • From a dark millennium / Joseph Schwantner
  • Ebony concerto / Igor Stravinsky (Peter Stoll, clarinet)
  • Orb and sceptre, coronation march / William Walton, arr. N. Richardson
  • In paradisum / Michael J. Baker (Chamber Winds) [not recorded]
  • Estancia. Danza final / Alberto Ginastera, arr. D. John [not recorded].

Faculty artists series : programme 1

File consists of a recording and program from a concert in Walter Hall.

Program:

  • Quartet in F major, op. 18, no. 1 / Ludwig van Beethoven (Orford String Quartet)
  • Sextet for piano, woodwinds, and horn / Francis Poulenc (Douglas Stewart, flute ; Richard Dorsey, oboe ; James Campbell, clarinet ; Steven Braunstein, bassoon ; Eugene Rittich, horn ; William Aide, piano) [not recorded]
  • Crossroads / Gregory Levin (James Campbell, clarinet)
  • Clarinet quintet in A major, K. 581 / Wolfgang Amadeus Mozart (James Campbell, clarinet ; Orford String Quartet).

University of Toronto Concert Band

File consists of a program and recording of a concert by the Concert Band, conducted by Stephen Chenette, in the MacMillan Theatre.

Program:

  • Aegean festival overture / Andreas Makris, arr. Major Albert Bader
  • Chorale prelude; So pure the star / Vincent Perischetti
  • Pentatonia / Tibsor Polgar
  • Canzona / Donald Coakley
  • Night soliloquy / Kent Kennan (Megan Winsor, flute)
  • The ruins of Athens, op. 113. Marcia alla turca / Ludwig van Beethoven, arr. M.L. Lake
  • Colonel Bogey / Kenneth J. Alford,s ed. Frederick Fennell
  • Triumphal March / Miklos Rozsa, arr. Erik Leidzen
  • Suite of old American dances / Robert Russell Bennett.

University of Toronto Jazz Ensemble

File consists of a recording of a concert by the Jazz Ensemble, directed by Phil Nimmons, in MacMillan Theatre. Some selections were announced from the stage.

Performers: University of Toronto Jazz Band ; University of Toronto Jazz Choir ; Gabor Vaski, bass and director ; University of Toronto Jazz Combo ; Bernardo Padron, saxophone and director.

University of Toronto Concert Choir

File consists of a program and recording of a concert by the Concert Choir, conducted by Robert Cooper, in Walter Hall.

Program:

  • Mass four four voices. Kyrie ; Gloria / William Byrd
  • Petite Messe Solennelle. Kyrie ; Cum sancto spiritu / Gioacchino Rossini
  • Hymn to Saint Cecilia, op. 27 / Benjamin Britten [not recorded]
  • Cantata, BWV 191. Gloria in Excelsis Deo / Johann Sebastian Bach [not recorded]
  • Gloria / Francis Poulenc (Rayanne Dupuis, soprano ; Chai-Chien Chou, piano).

Opera excerpts

File consists of a recording from a performance in MacMillan Theatre by the University of Toronto Opera Division.

Program:

  • Cosi fan tutte. Act II finale / Wolfgang Amadeus Mozart (John Greer, musical director ; Constance Fisher, stage director ; Michael Evans, pianist)
  • The rake's progress. Act II, Scenes 2 and 3 / Igor Stravinsky (John Greer, musical director ; Constance Fisher, stage director ; Stephen Ralls, piano)
  • Carmen. Act II quintet / Georges Bizet (Michael Evans, musical director ; Michael Albano, stage director ; Stephen Ralls, piano)
  • Thais. Final scene / Jules Massenet (John Greer, musical director and piano ; Michael Albano, stage director)
  • Don Pasquale. Act III / Gaetano Donizetti (Jack Bakker, Bill Katsioutas, guitar ; Paul Ormandy, tambourine ; Michael Evans, musical director ; Michael Albano, stage director ; Stephen Ralls, piano).

University Singers

File consists of a recording and program from a concert by the University Singers, conducted by Michael Coghlan, in Walter Hall.

Program:

  • Magnificat / J. Pachelbel (Mario Portoraro, continuo organ ; Katalin Decsenyi, cello)
  • Pater noster / Igor Stravinsky
  • O sacrum convivium / Olivier Messiaen
  • Messe basse pour voix de femmes / Gabriel Faure (Mario Portoraro, organ)
  • Ceremony of carols / Benjamin Britten (Laurel Federbush, harp)
  • Four songs, op. 17 / Johannes Brahms (Laurel Federbush, harp ; Susan Mawdsley, Barbara McIntosh, horns)
  • Folk songs / Johannes Brahms
  • Dindirin / Anonymous
  • My heart is offerewd / O. Lassus
  • Stay time awhile thy flying / J. Dowland
  • Innsbruck / H. Isaac
  • Three Canadian folk songs / Derek Holman (Chia-Chien Chou, piano)
  • Ave regina caelorum / Dufay
  • Ave Maria / Ridout
  • A boy was born / Britten
  • When Christ was born of Mary free / Gardiner
  • To a baby / arr. Sargent
  • Make we joy now in this feast / Holman.

Gala concert in honour of Irene Jessner

File consists of a program and recording of the concert in Walter Hall.

Performers: Linda Bennett, Stephanie Bogle, Martha Collins, Mark DuBois, Nancy Hermiston, Bruce Kelly, Jean MacPhail, Roxolana Roslak, Patrick Timney, vocalists ; William Aide, John Greer, Edward Moroney, Stephen Ralls, piano.

Program:

  • Land of Smiles. Wer hat die Liebe uns in Herz gesenkt? / Franz Lehar (Stephanie Bogle, soprano ; Mark DuBois, tenor ; John Greer, piano)
  • Sapho. O my lyre immortelle / Charles Gounod (Jean MacPhail, mezzo-soprano ; Stephen Ralls, piano)
  • Die tote Stadt. Pierrot's Ganz Lied / Erich W. Korngold (Patrick Timney, baritone ; John Greer, piano)
  • La Cenerentola. Non piu mesta / G.A Rossini (Linda Bennett, mezzo-soprano ; John Greer, piano)
  • Atalanta. Care selve / G.F. Handel (Mark DuBois, tenor ; John Greer, piano)
  • In the stillness of the night ; Spring waters / Sergei Rachmaninoff (Roxolana Roslak, soprano ; Stephen Ralls, piano)
  • Tannhauser. Wolfram's aria / Richard Wagner (Bruce Kelly, baritone ; John Greer, piano)
  • Hat dich die Liebe beruhrt / Joseph Marx (Martha Collins, soprano ; John Greer, piano)
  • Roberto d'Evereux. Vivo ingrato / Gaetano Donizetti (Stephanie Bogle, soprano ; Edward Moroney, piano)
  • Barber of Seville. Una voce poco fa / G.A. Rossini (Nancy Hermiston, soprano ; Stephen Ralls, piano)
  • The Pearl fishers. Duet / Georges Bizet (Mark DuBois, tenor ; Bruce Kelly, baritone ; Stephen Ralls, piano)
  • Der Rosenkavalier. Trio / Richard Strauss (Martha Collins, Marschallin ; Nancy Hermiston, Sophie ; Linda Bennett, Octavian ; William Aide, piano).

Faculty artists series : programme 2

File consists of a program and recording from a concert in Walter Hall.

Program:

  • Grand sonata for violin and guitar, op. 25 / Mauro Giuliani (Lorand Fenyves, violin ; Norbert Kraft, guitar)
  • Sonate / Maurice Ravel (Lorand Fenyves, violin ; William Aide, piano)
  • Trio in E minor, op. 90, no. 4 / Antonin Dvorak (Gerald Jarvis, violin ; David Hetherington, cello ; Helena Bowkun, piano).

University of Toronto Contemporary Music Ensemble

File consists of a recording and program from a concert by the Contemporary Music Ensemble, conducted by Robin Engelman, in Walter Hall.

Program:

  • Quintet for winds / John Hawkins
  • Le signe du Lion / Gilles Tremblay
  • Concerto for flute and guitar / Talivaldis Kenins
  • Three serenades / Walter Buczynski
  • HPSCD / Gustav Ciamaga
  • Serenade / Karel Husa (conducted by the composer).

Robert Silverman, piano

File consists of a program and recording of a recital by Robert Silverman, piano, in Walter Hall.

Program:

  • Sonata in C major, K. 330 / W.A. Mozart
  • Sonata, op. 35 / J. Hetu
  • Ballade no. 4 in F minor, op. 52 / F. Chopin.

Opera Exchange fonds

  • OTUFM 86
  • Fonds
  • 2001-2015, 2001-2009 predominant

Fonds consists of programs, speaking notes, correspondence, and newspaper clippings relating the Opera Exchange, an initiative co-organized by University of Toronto professors Caryl Clark and Linda Hutcheon, in conjunction with the Munk Centre for International studies (2001-2002) and the Canadian Opera Company (COC) (2003-2015).

The Opera Exchange held three symposia per year, with the aim to create a collaborative environment where students, faculty, and members of the public could discuss opera from various perspectives and disciplines, including musicology, literature, drama, history, political science, and gender studies. The program was initially named "The Humanities Initiative" and early symposia focused on works performed by the University of Toronto Opera School, Opera Atelier, and the COC.

Symposia:

  • 2002 Humanities Initiative symposia (Munk Centre for International Studies, University of Toronto)
    • Transformations of Salome (January 19, 2002)
    • Iron Road: intersecting dreams and dialogues (March 1, 2002)
    • The many faces of Boris Godunov (April 6, 2002) [in collaboration with the Centre for Russian and East European studies)
  • 2002-2003 Humanities Initiative symposia (Munk Centre for International Studies, University of Toronto)
    • Oedipus Rex: plagues and politics (October 5, 2002)
    • Apprenticing with a sorceress: Handel's Alcina (November 15, 2002)
    • Taptoo! (March 8, 2003)
  • 2003-2004 Opera Exchange symposia (Munk Centre for International Studies, University of Toronto
    • Peter Grimes: the loner vs. the town (October 4, 2003)
    • Falstaff: the maestro takes on the bard (January 31, 2004)
    • Die Walküre: why Wagner? (April 17, 2004)
  • 2004-2005 Opera Exchange symposia (Bader Theatre, Victoria University)
    • The Handmaid's tale: no balm in this Gilead (October 2, 2004)
    • Siegfried: the forging of a hero (January 29, 2005)
    • Tancredi: Sicilians, Saracens, singers (April 2, 2005) [in conjunction with an American Musicological Society chapter meeting at the University of Toronto]
  • 2005-2006 Opera Exchange symposia (Faculty of Music and Bader Theatre)
    • Rodelinda and Carmen: girls night out! (October 22, 2005 at Walter Hall)
    • Götterdämmerung: return of the ring (February 4, 2006 at Bader Theatre)
    • Wozzeck : opera for a modern age (April 1, 2006 at Bader Theatre)
  • 2006 Opera Exchange symposia on Wagner's Ring Cycle (Bader Theatre, Victoria University)
    • Cycle I: putting the ring on stage (September 16, 2006)
    • Cycle II: putting the ring in context (September 13, 2006)
    • Cycle III: putting the ring on record (September 30, 2006 at Hilton Hotel)
  • 2007-2008 Opera Exchange symposia (Bader Theatre, Victoria University)
    • Who (what) is the real Don Carlos? on Verdi's Don Carlos (October 27, 2007)
    • To be or not to be: from the house of the (living dead) on Janacek's From the House of the Dead (February 9, 2008)
    • Letting down your hair with Pelléas and Mélisande (May 20, 2008)
  • 2008-2009 Telling Stories through Opera, The Opera Exchange, three symposia in conjunction with the Jackman Humanities Institute
    • Monster opera: Prokofiev's War and Peace (October 18, 2008)
    • Love and liberation: Beethoven's Fidelio (January 31, 2009)
    • "Antique fables and fairy toys": Britten's A Midsummer Night's Dream (May 9, 2009)
  • 2009-2010 Opera Exchange symposia (Faculty of Music, University of Toronto)
    • Stravinsky/Lepage: a magical meeting of minds (October 17, 2009)
    • Shakespeare's Othello and Verdi's Otello: staging jealousy (February 6, 2010)
    • Staging Der fliegende Holländer for our times? (May 1, 2010)
  • 2010-2011 "Voice and Spectacle," The Opera Exchange, three symposia presented by the Jackman Humanities Institute, Faculty of Music, and the Canadian Opera Company
    • Death in Venice gets a new life in Toronto (October 16, 2010)
    • Nixon in China: giving voice to our own history (February 13, 2011)
    • Ariadne auf Naxos from A-Z (May 14, 2011)
  • 2011-2012 Opera Exchange symposia (Faculty of Music, University of Toronto)
    • A Greek family reunion: Gluck's Iphegenie en Tauride (October 1, 2011)
    • Long distant loving: Saariaho's L'amour loin/Love from afar (February 4, 2012)
    • Wilde time: Zemlinsky's A Florentine tragedy (April 22, 2012)
  • 2012-2013 Opera Exchange symposia (Faculty of Music, University of Toronto)
    • Let's lighten up! : operetta in context, on Johann Strauss' Die Fledermaus (October 13, 2012)
    • Wagner and adaptation: transformations and excess, on Richard Wagner's Tristan und Isolde (January 31-Febrary 2, 2013)
    • Singing from the scaffold, on Francis Poulenc's Dialogues of the Carmelites (May 11, 2013
  • 2014 Opera Exchange symposium (Munk School of Global Affairs)
    • Coming home: Handel's Hercules (April 4, 2014)
  • 2014-2015 Opera Exchange symposia (Faculty of Music, University of Toronto)
    • Staging operatic comedy: Verdi's Falstaff in context (September 27, 2014)
    • Directors take the stage: debating Regietheater (January 17, 2015).

Clark, Caryl Leslie

Toronto Wagner Society fonds

  • OTUFM 77
  • Fonds
  • 1975-2020

Fonds consists of newsletters and ephemera produced by the Toronto Wagner Society.

Toronto Wagner Society

Ates Tanin collection

  • OTUFM 76
  • Collection
  • 1996-2002

Collection consists of incoming and outgoing correspondence with Dr. Ates Tanin about recordings of pianists Sviatoslav Richter (1915-1997) and Emil Gilels (1916-1985). Tanin was a collector of piano recordings, with a focus on Richter and Gilels, and maintained a website discography of all known recordings of Richter, "Recorded Richter." Tanin also collaborated with Doremi (Willowdale, Ontario) to commercially release several recordings of Richter's live performances.

Collection includes incoming and outgoing correspondence with John Berrie and Falk Schwartz, administrators of the Friends of Sviatoslav Richter, and Dejan Sinadinovic, a member of the Friends of Sviatoslav Richter.

Tanin, Ates

Eugene Kash fonds

  • OTUFM 61
  • Fonds
  • 1920-1997

Fonds consists of programs from his performances, a letter confirming his appointment to the Royal Conservatory of Music (RCM) in Toronto, a newspaper clipping, and his annotated copy of the Canadian Music Centre sheet music for Six Miniatures after Hokusai for violin and piano by Elliot Weisgarber (1972). The fonds also includes two catalogues for his personal music library: one current to 1976, and another current to 1997.

Kash, Eugene

Carl Morey fonds

  • OTUFM 52
  • Fonds
  • 1897-2015

Collection predominantly consists of programs that Carl Morey collected from attending performances and for research purposes. Some programs include program notes written by Morey (e.g., Canadian Opera Company programs, among others), ticket stubs, newspaper clippings of reviews of the performances, and/or autographs from the performers.

Morey, Carl

Music Library collection of faculty events

  • OTUFM 51
  • Collection
  • 1946-present, 1965-present predominant

Collection consists of recordings and programs of performances by by faculty members, students, student ensembles, and guest artists, at one of the Faculty of Music theatres (Walter Hall and MacMillan Theatre), and at other University venues.

University of Toronto. Faculty of Music

Doug Riley fonds

  • OTUFM 40
  • Fonds
  • 1966-2007

Fonds consists of records created, accumulated, and used by Doug Riley between the years 1966-2007. The majority of the records in this fonds is sheet music resulting from collaborations with other musicians, arrangements by Doug Riley, or original compositions. Although the fonds consists largely of jazz music, there is a wide variety of genres including classical music represented. Audio recordings could prove useful in the understanding of Doug Riley's performances or musical techniques.

Throughout his career Doug Riley collaborated in a variety of projects including composing music for theatre, television, awards shows, and social events. The fonds includes evidence of these projects including scripts, itineraries, storyboards, etc.

Also included in the fonds is correspondence between Doug Riley and other prominent figures in the music industry. Many set lists included in the fonds could provide insights into the performances of Doug Riley.

Riley, Doug

Conservatory Chamber Music Club fonds

  • OTUFM 29
  • Fonds
  • 1937-1941

Fonds consists of material relating to the meetings of Conservatory Chamber Music Club. Includes one minute book 1937-1941, including descriptions of programs and list of members.

Conservatory Chamber Music Club

Theses

This series is composed of two graduate theses: William Randall Spence’s Design and Implementation of a Development Project in Tanzania (1972) and Easterbrook’s Agricultural Credit in Canada, 1867-1917 (1936).

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