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Subseries consists of records, including correspondence, notes, rough stage plans, and rehearsal schedules, for other educational events and activities led by Esprit Orchestra. Includes records pertaining to the Community Arts and Education Partnership, the New Music Coalition, and the New Music Collaborative.

Subseries consists of the contents of two binders maintained by the music director of Esprit Orchestra Alex Pauk, which include: marketing materials, concert season press releases, profiles of the orchestra, lists of commissions and repertoire, a discography, information on the Towards a Living Art (TALA) program, tour information, notes and schedules for venues and rehearsals, budgets, special projects, and fundraising information. Subseries also includes copies of and notes for Pauk's Music Director reports (1987-1993) to the Board of Directors.

Subseries consists of financial ledgers for Esprit Orchestra from the early years of the organization. Subseries also includes a sample set of musicians' cost sheets (anonymized) for the 2002-2003 concert season.

Subseries consists of records collected by Hacking and his publishers which review his own publications. Material is predominantly press clippings, with some reprints and correspondence. If correspondence is included in a file it is noted in the file title within square brackets.

Subseries consists of programs and recordings of performances by ensembles in the Faculty of Music.

Subseries consists of programs from performances by students in the University of Toronto Opera Division at the Faculty of Music.

Subseries consists of programs and recordings of concerts of works written by student composers.

Subseries consists of programs and recordings of concerts by the Faculty of Music's jazz ensembles.

Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.

Subseries consists of programs and recordings from the Faculty of Music's New Music Festival, a series of concerts that take place each year in January.

Subseries consists of correspondence, contracts, notes, budgets, and other materials relating to other audio and audio-visual recordings and projects involving Esprit Orchestra:

• CMC Centrediscs project (1984)
• draft liner notes for Harry Somers' Chura-Churum [1985]
• proposal for a CBC television production of Cortege by R. Murray Schafer (1988)
• Alex Pauk's appearance on CJRT radio with Tom Fulton (November 11, 1993)
• The Adjuster : music for the films of Atom Egoyan (rerecorded film orchestrations by Mychael Danna, recorded by Esprit Orchestra) (Varèse, 1996)
• Ecstasy : a multimedia/video event based on Esprit's opening concert, October 2000
• CD proposal from composer José Evangelista, which would include performances of his Cancionero and O Bali by Esprit Orchestra (August 2002).

Subseries contains newsletters issued by the Faculty of Music Undergraduate Association (FMUA), including:

1. The muse, vol. 1, nos. 1-9 (1964-1965); 2 issues (1965-1966)
2. This week at E.J.B. [Edward Johnson Building], vol. 1, no. 6, 8-11; vol. 2, no. 18; vol. 3, no. 3-4, 8-13 (1968-1971)
3. The calendar from our side (1969-1970)
4. Das Helpautbuchlein (1970)
5. Dies-Khord, vol. 1-2 (1976)
6. Ars Novae Musicae (September 1986 - January 1987)
7. Compnet : a forum for the new music community at U of T, vol. 1, no. 1 (November 1995)
8. Key note, no. 1 (October 24, 1998)
9. FMUA Newsletter (Fall 2000)
10. Take note, op. 1, no. 2 (2002)

Subseries also includes yearbooks issued by the FMUA:

1. Da capo (1971, 1972)
2. EJB [Edward Johnson Building] at a Glance (1984-1985)
3. Cadenza (1980, 1986, 1987)
4. [Yearbook] (1987-1988)
5. Ninety-Eight (1997-1998).

Sub-series consists of annual reports from Region 1, 2, 3, 4 and 7. Also includes pamphlets regarding local retreats and meetings and a booklet celebrating the 30th anniversary of the Faith and Sharing community in the Quebec region.

Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists.

Subseries consists of programs and recordings of performances by ensembles in the Faculty of Music.

Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.

Subseries consists of programs and recordings of concerts of works written by student composers.

Subseries consists of programs and recordings of concerts by the Faculty of Music's jazz ensembles.

Subseries consists of programs and recordings from the Faculty of Music's New Music Festival, an annual concert series.

This subseries contains volumes of Communicating Together, a quarterly magazine published between 1982 and 2001. The magazine shared the experiences and communication systems of non-speaking people with their families, communities and professionals who worked with them. Each issue had a guest editor and included articles written by individuals who used Blissymbolics. Throughout the years, the magazine was published by a variety of publishers across Southern Ontario, and was briefly hosted online in the early 2000s. Between 1991-2001 the magazine was published by Sharing to Learn, a now defunct organization which was created to publish the magazine.

This subseries consists of various plaques, awards, and certifications awarded to Shirley McNaughton and BCI.

Subseries consists of ingoing and outgoing correspondence, including general personal and professional correspondence (including correspondence with orchestras and universities), correspondence pertaining to the Brighton Festival and Virgil's Dream premiere (1967), correspondence with Carl Fischer (1970s-1980s), responses from composers-in-residence (1977, 1987), correspondence relating to Colgrass' Neuro Linguistic Programming (NLP workshops), letters of professional importance, correspondence relating to his book My Lessons with Kumi, and correspondence from "well-known" people.

The latter (as identified by Colgrass) include: Pegeen Albig, Samuel Baron, Robert B. Browne, assistant to Leonard Bernstein, Elaine Bonazzi, Benjamin Boretz, Henry Brant, John Cage, Helen Carter, Elliott Carter, Norma Clark, Cyril Clemens, Artur Cohn, Aaron Copland, Norman Cousins (editor, Saturday Review), George Crumb, Peter Maxwell Davies, Harry Ellis Dickson, John Duffy, Frederick Fennell, Lukas Foss, Gerald Freund, Paul Fromm, Jimmy Giuffre, Philip Glass, Alexander Goehr, Morton Gould, Cyril Harris, Lorin Hollander, Karel Husa, President Lyndon B. Johnson, Walter Kerr, Coretta Scott King (Mrs. Martin Luther King, Jr.), Alison Knowles, Lee Konitz, Erich Leinsdorf, Erich Leinsdorf, Rolf Liebermann, Norman Lloyd, Marya Mannes (author and editor of The Reporter), Jackson Martindell, Peter Mennin, Hans Moldenhauer, Oskar Morawetz, Eugene Ormandy, Al Payson, Seymour Peck, Vincent Persichetti, Harold Pinter, David Reck, Jerome Robbins, George Rochberg, Julius Rudel, Winthrop Sargeant, Kenneth Schermerhorn, Harold C. Schonberg, Gunther Schuller, Paul Scofield (actor), Maria Sentivany, Roger Sessions, Gerald Shang, Stanislaw Skrowaczewski, Harold Spivacke, Kurt Stone, Igor Stravinsky, Virgil Thomson, Francis Thorne, George Trautwein, Fredric Waldman, Ben Weber, and Carol Wincenc.

Subseries consists of various budgets, agreements, and related correspondence for productions by the Opera School.

Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists.

Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.

Subseries consists of programs and recordings of performances by ensembles in the Faculty of Music.

Subseries consists of programs and recordings of concerts by the Faculty of Music's jazz ensembles.

Subseries consists of programs and recordings from the Faculty of Music's New Music Festival, an annual series of concerts.

Subseries consists of a program and recording of a concert of works written by student composers.

This subseries contains the affiliate reports and correspondence from BCIC affiliates. This includes Blissymbolic affiliate programs in North America, as well as around the globe.

Subseries consists of working files kept by Nouwen at his office at L’Arche Daybreak and added to after his death by staff at the Henri Nouwen Literary Centre (HNLC) as part of the management of his estate. The files consist primarily of correspondence related to Nouwen's published works and prospective projects, as well as publishing contracts, copyright permissions, translations, royalties, reprint rights and endorsements for books written by other authors. Publisher catalogues and newsletters, excerpts of Nouwen’s writing, book sale lists and a small number of personal letters appear throughout. Correspondence between Sue Mosteller and others regarding outstanding projects at the time of Nouwen’s death and newly proposed projects shortly after his death are also included.

This sub-series contains files for individual Ph.D. students that Prof Garrison supervised. They contain correspondence, evaluations of work and letters of reference. There are also two general files on PH.D. examinations.

Subseries consists of materials from interviews with Nouwen received after his death.

Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists.

Subseries consists of recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.

Subseries consists of programs and recordings of performances by ensembles in the Faculty of Music.

Subseries consists of programs and recordings of concerts by the Faculty of Music's jazz ensembles.

Subseries consists of programs from performances by students in the University of Toronto Opera Division at the Faculty of Music.

Subseries consists of recordings from the Faculty of Music's New Music Festival, an annual series of concerts.

Subseries consists of meeting agendas and minutes for the Executive Committee of Esprit Orchestra. The Executive Committee was made up of the President, Past President, 2 Vice Presidents, Corporate Secretary, and Treasurer. The Committee was established (along with committees for Finance, Management and Strategic Planning, Fundraising, Marketing and Communications, Volunteer, Program, Education, and Nominating) in an amendment to Esprit Orchestra's By-Laws (1989).