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File consists of typeset score masters for "a Marian anthem with Medieval French stylings—suitable for high school, college, or church choirs." Text adapted from Medieval verse by Derek Healey.

File consists of typeset score masters for "an anthem for The Seasons—General. Joyful, with a marked rhythm using text by Thomas More (1779-1852)." File also includes Healey's rough notes for the setting.

Subseries consists of various shorter and longer miscellaneous, non-opus numbered works by Derek Healey.

File consists of a copy of the handwritten original score for "a short nostalgic piece". Text by Eugene McNamara.

File consists of the typeset score for "a variation for seven instruments [flute, clarinet in B-flat, trombone, vibraphone, piano, violin, and violoncello] based on the Diabelli theme used by Beethoven, written for the Seattle-based group Quake."

File consists of typeset computer score masters for "a mystic communion anthem largely in unison; uses the octatonic scale." Text from Logia 108 from The Gospel of Thomas, translated by Hugh McGregor Ross. File also includes a MIDI printout excerpt of the draft score.

File consists of typeset computer score masters for "a calm, sensitive anthem with medieval stylings and an important organ part; suitable for Marian feast days and Christmas." Text in Medieval English, adapted by Derek Healey.

File consists of typeset computer score masters for "a joyful anthem suitable for the choir of limited resources."

File consists of typeset score masters for "a Marian anthem, also suitable for Advent or a Carol Service." Text by Edgar Allan Poe (1809-1849).

File consists of typeset score masters for "an easy Lenten anthem in shape-note style, with a strong close." Text by Synesius, translated by Allan Wiliam Chatfield.

File consists of typeset score masters for "a calm setting of a folk text from Dorset. Organ, piano, or harp may be used for accompaniment. Not difficult." Text traditional, adapted by Derek Healey.

File consists of handwritten and typescript transparencies, as sent to the publisher, for "an easy anthem suitable for a smaller choir." Text by Paul Bunyan.

File consists of a copy of the handwritten score for "an anthem in two sections, the first fatalistic, the second spiritually enlightened. Not easy." Text from Psalm 103, verses 15-17, from the Common Book of Prayer.

File consists of handwritten transparencies for SATB and synthesizer or tape or organ of "a spiritual anthem for the adventurous choir, suitable for communion." Text from Ephesians 4-4.

Subseries consists of miscellaneous anthems and motets set by Derek Healey, including manuscripts, transparencies, and master scores.

File consists of two manuscript scores (draft and final versions) for a "setting of text by St. John the Cross (1542-1591), for 6 voices written while studying in Rome."

File consists of typeset computer score masters for "a vigorous anthem with an important organ part." Text by St. Ambrose, translated by J.M. Neale.

File consists of typeset computer score masters for "a short easy anthem, suitable for a small choir or children's chorus." Text from the Sarum Primer 1558.

File consists of typeset computer score masters for "an energetic general anthem. Not difficult." Text by Robert Bridges.

File consists of typeset score masters and and MIDI working copy for "a quiet, calm carol using text of Köln Gesanbuch (15th century) with a traditional translation."

File consists of typeset computer score masters for "a simple arrangement of the well known hymn, suitable for children's choir." Text by Bishop Fortunatus, translated by J.M. Neale.

File consists of typeset score masters for two "contrasting settings suitable for college or high school choirs, or if performed a cappella, for liturgical use." The two carols are: Before the paling of the stars, and Christmas hath a darkness.

File consists of handwritten transparencies for "a plainsong anthem [that] divides up into three parts—of a 'mystic' nature." Text by St. Ambrose, translated by J.M. Neale.

File consists of handwritten transparencies for "a general anthem suitable for small choir." Text from the Pentecostarion (7th-century Byzantine), translated by J. Brownlie.

File consists of two typeset score masters (one with keyboard and one with orchestra) for "a gentle, lilting, lullaby carol in 6/8 with short organ interludes. Suitable for the Nativity." Text by Charles S. Brown.

File consists of typeset computer score masters for "a flowing carol in 6/8 with grateful[sic] melodic lines." Text anonymous from Dorset.

File consists of typeset computer score masters for "a simple setting with ad lib instrumental part for Christmas or Marian feast days." Text by Henry David Thoreau.

File consists of typeset computer score masters for "a calm setting of Swinburne's simple text." Text by Algernon Charles Swinburne.

File consists of the final typeset score and rough notes for "a gentle setting with a rocking motion. Good intonation is crucial." Text by Robert Southwell.

File consists of typeset score masters for a carol with text by Christina Rossetti: "an easy setting of the well-known poem." For choir (SSA or SATB) and piano or harp.

Subseries consists of Derek Healey's settings of various carols, including carols that were included in Healey's Liber Natalis, op. 84.

File consists of two handwritten transparencies, a typeset edition, and a copy of the published version for "a simple setting of folk-style words. Needs a sensitive performance." Originally titled "Christmas Eve"; renamed for publication by Augsburg (1976). Included in Liber Natalis, op. 84.

File consists of typeset computer score masters for "a jovial setting reminiscent of the waites folk ensemble." Text for first two verses by Isaac Watts; text for verses three and four anonymous (traditional Dorset).

File consists of typeset computer score masters for "a challenging work written in the Gypsy scale—fairly dissonant." Text traditional.

File consists of typeset score masters for "a vigorous carol with an important organ part." Traditional Dorset text.

File consists of typeset computer score masters that "evokes the world of the American Indian".

File consists of typeset computer score masters for "an extended setting in a vigorous medieval style." Text from the 15th century, anonymous.

File consists of typeset computer score masters for a setting that "opens softly and builds up to a strong climax in the final verse." Text from the traditional Dorset. Piano part for rehearsal only.

File consists of typeset computer score masters and the original manuscript masters for "a simple setting of an ancient text, contain[ing] much unison writing." Text from the 11th century, translated in the English Hymnal, 1907. Revised 1997 and 2006. Part of Healey's Liber Natalis, op. 84.

File consists of two handwritten transparencies and typeset computer score masters for "a lively setting with medieval stylings". Includes the original version, titled "In Excelsis Gloria". Part of Liber Natalis, op. 84.

File consists of the typeset score for "a carol in traditional idiom with organ/piano interludes. Not difficult." Text by James Tucker (1827).

File consists of typeset computer score masters for "a jubilant piece with many rhythmic changes." Triangle ad libitum. Text traditional English.

File consists of typeset computer score masters for "an expressive legatiniso setting of an Advent text. Has some chromaticism." Text by Charles Coffin.

File consists of typeset score masters for Healey's first rough draft. The twelve vignettes are: Introduzione; Scherzetto; The fourth strings song; Fives; Border ballad; Night chant; Folk dance; Distant bugles; Dreams of ancient battles; Liu Xijun and the King of Wusan; Un rituale con incenso; Toccatina.

File consists of typeset vocal and full scores for SSATB, baritone solo, and chamber orchestra (trumpet, recorders, timpani, harp, vibraphone, organ, violins, viola, cello, and double bass). The piece is "a contemplative setting of the evening canticle, a companion piece to the Magnificat [op. 151]."

File consists of typeset sounding scores for three versions of Weihnachten ' 16: op. 153a, for saxophone ensemble (SSS, AAA, TT, Bar.); op. 153b, for three saxophones (SSA) and organ; and op. 153c, for saxophone and organ. The piece is in three sections: Shepherds in the Fields; The Angel Host; and The Nativity. It was "written in remembrance of those killed or injured in the outrage in Berlin on December 19, 2016." Includes Healey's program note.

File consists of a typeset score for Healey's 52 choral preludes, "divided into two books, the first being devoted to hymns from Advent to Trinity Sunday, while Book II consists of preludes from special occasions such as Praise and Thanksgiving, Baptism, Remembrance, Communion, Born in Gods Love, etc. Originally written for a large organ, the majority of preludes can be played on three, or two manual instruments."

Book 1: Gott heiliger Schöpter aller Stern; Nun komm, der Heiden Heiland; Ihr lieben Christen - Steht auf, ihr lieben Kinderlein; Wachet auf! ruft uns die Stimme; Vom Himmel hoch;
Es ist ein' Ros' enstsprungen; O Jesulein suss; Puer natus in Bethlehem; Christ, unser Herr, zum Jordan kam; Wie schön leuchtet der Morgenstern; Auf, Seele, auf und saune nicht; Christe, du Lamm Gottes; O Jesu Christ, mein's Leben's Licht; So gehst du nun, mein Jesu, hin; Herzliebster Jesu (I); Herzliebster Jesu (II); Herzliebster Jesu (III); O Haupt voll Blut und Wunden; Christ ist erstanden; Christ lag in Todesbanden; Singen wir heut mir einum Mund; Erscheinen ist der herrliche Tag; Der schöne Ostertag; Jesus Christus herrseht als König - Alles ist an Gottes Segen; Nun bitten wir den Heiligen Geist; Komm, Heiliger Geist, Herre Gott; Gelobet sei der Herr (Nun danket alle Gott).

Book 2: Liebster Jesu, wir sind hier; Tut mir auf die schöne Pforte; Erhalt uns, Herr; Schmukke dich, o liebe Seele; Herr, nun selbst den Wagen halt!; Aus Tiefer Not; Lobe dem Herren; Nun lasst uns Gott dem Herrn; Grosser Gott, bir loben dich; Vater unser im Himmelreich; Es ist genug! (Dass Jesus siegt); Eine feste Burg ist unser Gott; Wenn wir in Hochsten Noten; Wer nur den lieben Gott; Was Gott tut, das ist wohlgetan; Dass Jesus siegt - Es ist genug!; Jesu meine Freude; In dir ist Freude; Liebe, du aus Kreuz fur uns er hohte - O wie selig; Du Friedefürst, Herr Jesu Christ; Mein erst Gefuhl sei Preis - Ich dank dir schon ; Wir pflügen, und wir streuen; Jesu, meine Zuversicht; Ach wie flüchtig, ach wie nichtig; O Welt, ich muss dich lassen.

Includes Healey's performance notes.

File consists of a typeset score for 18 of Healey's 52 preludes, "originally written for a large organ, [but] the majority of preludes can be played on three, or two manual instruments." The 18 preludes included in op. 154a are: Nun komm, der Heiden Heiland; Es ist ein' Ros' enstsprungen; Vom Himmel hoch; Christ, unser Herr, zum Jordan kam; Wie schön leuchtet der Morgenstern; Herzliebster Jesu (I); Herzliebster Jesu (II); Herzliebster Jesu (III); Nun bitten wir den Heiligen Geist; O Welt, ich muss dich lassen; Christ ist erstanden; Der schöne Ostertag; Jesu, meine Zuversicht; Eine feste Burg ist unser Gott; Tut mir auf die schöne Pforte; Was Gott tut, das ist wohlgetan; Wer nur den lieben Gott; Ach wie flüchtig, ach wie nichtig. This is the second of two groupings of chorales excerpted from the complete set of 52. See op. 154b for the first set.

File consists of the typeset score masters, including Healey's composer's note.

File consists of the typeset score for "eight short, colourful pieces for an 'early-days' saxophonist, and a professional-level pianist": The River Main; Füssli in Goethe-Haus; Homemade Frankfurt Green Sauce; A busy day at the Römerberg; The Kaiserdom (Magnificat); Sachsenhausen Flea Market; Cranach in the Städel Museum; and The Eschenheimer Tower. Includes Healey's program note.