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This series consists of files on various courses taken as an undergraduate and as a student in the Faculty of Law. Among the undergraduate files (1979-1983) are notes, term papers, exams, reading lists and course outlines for courses in history, political science, economics, English, and french. Law course materials (1983-1986) include courses in civil procedure, torts, evidence, taxation and moot court.

Includes Putnam’s early lectures on physical geography, agricultural geography, conservation, penology, Latin American geography and geomorphology (1904s). Lectures through the 1950s, 60s and 70s deal mainly with land use, conservation and natural resources. Interfiled with the lecture notes are some course outlines and class assignments. In 1938, Griffith Taylor, then head of the Geography Department asked Putnam to develop curriculum for an Honours course in Geography, which he did in collaboration with Steven Jones. Both notes from Putnam and Jones are filed at the beginning of this series.

General incoming and outgoing correspondence with mathematical colleagues throughout the world but mainly in Canada and the United States discussing mathematical theories, progression of research as well as talks, visits and informal meetings.

Correspondence is loosely arranged chronologically with one file devoted solely to correspondence between Hull and Dr. Edsger W. Dijkstra of the Technological University of Eindhoven (Netherlands) and one devoted to the discussion of computer arithmetic.

This series contains files relating to the teaching of a course at Trinity College - INX 199Y Science and Social Choice and includes choices of course material and assignments which were published in a handbook for the course edited by Hull. No other records relating to Hull's teaching either at Trinity or within the Department of Computer Science are known to exist.

Small collection of printed material regarding Japanese Canadian immigrants after WWII .

Fonds consists of correspondence, news clippings, reports, reviews, appointment calendars, and other records relating to Michael R. Marrus’s education, academic career, publishing record and university and community service. In particular, records document Prof. Marrus’s prestigious career as a historian of the Holocaust and an expert on the relationships between Christians and Jews (predominantly in France) during World War Two, and also document his involvement in ongoing concerns in the Jewish community, both pertaining to faith and Zionism. In particular, Prof. Marrus’s extensive publishing record is well-documented in contracts, reviews, and ongoing correspondence with readers and colleagues debating and exploring the assertions made in his work. The fonds also documents Prof. Marrus’s career as a student at Berkeley in the 1960s, and his return to student life with his pursuit of a Master of Studies in Law degree (MSL) from the University of Toronto in 2004. Some records also relate to Prof. Marrus’s teaching duties and appointments at the University of Toronto, as well as his service on the University’s Governing Council. One series documents his service on the International Catholic-Jewish Historical Commission (1999-2001) and with the Friends of Le Chambon-sur-Lignon.

Series consists of records documenting Prof. Marrus’s personal life and education, including a copy of his CV, photocopies of personal documents, and a journal from his trips to Israel in 1983, 1988, 1989 and 1990. The series also contains his PhD thesis from Berkeley (The politics of assimilation: a study of the French Jewish community at the time of the Dreyfus affair) and some records pertaining to the 1964 free speech movement at Berkeley, in which Prof. Marrus was involved as a student, including leaflets, news clippings, and a monograph.

The series also documents two of Prof. Marrus’s later educational pursuits. The first is a certificate from an Italian course at Centro Internazionale Dante Alighieri (2002). In addition, the series documents his time as a student in the Faculty of Law’s Master of Studies in Law program in 2004/05, including press coverage, transcripts, correspondence, essays, timetables, lecture notes, and his thesis.

Lastly, the series contains records relating to Prof. Marrus’s appointment into the Order of Canada, including the program, general information sent from Rideau Hall, letters of congratulations, and photographs.

Series consists of records relating to Prof. Marrus’s vast publishing record. In particular, files pertain to specific publication projects (predominantly book projects), and include contracts, reviews, and correspondence with publishers, literary agents and readers. Few files include research notes. Files are arranged chronologically by publication date, with a general file of reviews at the end.

Publications documented in these files

• The politics of assimilation: a study of the French Jewish community at the time of the Dreyfus affair (Oxford: The Clarendon Press, 1971).

• Vichy et les Juifs, with Robert O. Paxton, trans. Marguerite Delmotte (Paris: Calmann-Lévy, 1981).

• Vichy France and the Jews, with Robert O. Paxton (New York: Basic Books, 1981).

• The unwanted: European refugees in the twentieth century (New York: Oxford University Press, 1985).

• The Holocaust in history (Hanover, N.H.: University Press of New England, 1987).

• Editor, The Nazi Holocaust: historical articles on the destruction of European Jews (15 vols., Westport, Connecticut: Meckler, 1989).

• Mr. Sam: the life and times of Samuel Bronfman (Toronto: Penguin Books, 1991).

• The Nuremberg War Crimes Trial, 1945-46: A Documentary History (Boston: Bedford Books, 1997).

• “The darkest hour” in Nicholas R.M. de Lange, ed., The illustrated history of the Jewish people (New York: Harcourt Brace, 1997).

• Some measure of justice: the Holocaust era restitution campaign of the 1990s (Madison, Wisconsin: University of Wisconsin Press, 2009).

This fonds consists of 6 series, divided by format. They are: Textual Material, Photographic Material, Video Material, Audio Material, Cinefilms and Posters/Art Material.

The first series, Textual Material, includes press clippings, chart clippings, label copy, art work mock ups, bios, contracts, tour itineraries, endorsement deals and correspondence. Researchers may be particularly interested in the Soundscan sales reports that break down sales of Holly Cole’s albums.

The second series, Photographic Material, includes negatives, transparencies, contact sheets and proofs for album cover artwork, press/publicity stills, concert photos, promotional photos and some personal prints from Holly Cole and Kim Mitchell.

The third series, Video Material, includes source materials from live television tapings and performances, edited masters of music videos, colour corrected film transfers and source tapes necessary for finished editorial and finished programs for television. There are also screening cassettes of music videos, award show submissions, promotional cassettes for publicity and recorded tapings of live show appearances and interviews.

The fourth series, Audio Material, includes alternative mixes, outtakes, demos, different sequences, safety copies and master reels. This series also includes floppy discs holding mixing data and a hard drive

The fifth series, Cinefilms, includes original film negatives in both b& w and colour (16mm, 35mm and 8mm). Highlighted artists include Cole and Mitchell. The sixth series, Posters/Artwork, consists of posters showcasing touring dates from venues across Canada, Europe and Japan. There are also examples of original pasteups, negatives and colour separations, blue lines, prints for album covers, poster art, CD covers and inserts and 45 rpm sleeves in this collection.

This fonds includes material on the following productions:

Eric Andersen – Ghosts Upon the Road (album,1988)
The Box – The Box (album, 1984)
The Box – All the Time, All The Time, All The Time (album,1985)
The Box – Closer Together (album, 1987)
The Box – Pleasure and Pain (album, 1990)
Michael Breen – Michael Breen (album, 1987)
Breit Brothers – Breit Brothers (album, 1996)
Bundock – Mauve (album, 1986)
Bundock – S.A. (album, 1988)
Crystal Pistol – Crystal Pistol (album, 2005)
Andy Curran – Andy Curran (album 1990)
Groove Daddys – Sunburn (album, 1995)
Holly Cole Trio – Girl Talk (album, 1990)
Holly Cole Trio – Blame It On My Youth (album, 1991)
Holly Cole Trio – Christmas Blues (album, 1991)
Holly Cole Trio – Don’t Smoke In Bed (album, 1993)
Holly Cole and various – Count Your Blessings (album, 1994)
Holly Cole Trio – Greatest Hits/Collection (album, 1994)
Holly Cole Trio – Temptation (album, 1995)
Holly Cole Trio – It Happened One Night (album, 1996)
Holly Cole – Dark Dear Heart (album, 1997)
Holly Cole – Romantically Helpless (album, 2000)
Holly Cole – Baby It’s Cold Outside (album, 2001)
Holly Cole – Shade (album, 2003)
Holly Cole – Collection Vol. 1 (album, 2004)
Jazz Beards – Highballs, Lowbrows and Presbyterians (album, 1994)
John of Mark – John of Mark (album, 1995)
Johnny Favourite – The Tonight Album (album, 2000)
Looking for Marck – Looking For Marck (album)
Kim Mitchell – Akimbo Alogo (album, 1984)
Kim Mitchell – Shakin’ Like A Human Being (album, 1986)
Kim Mitchell – Rockland (album, 1989)
Kim Mitchell – Live in Oshawa unreleased (album, 1989)
Kim Mitchell – I Am A Wild Party (album, 1990)
Kim Mitchell – Aural Fixations (album, 1992)
Kim Mitchell – Itch (album, 1994)
Kim Mitchell Greatest
Hits (album, 1995)
Michel Pagliaro – Sous Peine D’Amour (album, 1988)
Piltch & Davis – Feast (album, 1996)
Pinheads – The Good, the Bad & the Pinheads (album, 1993)
Roxanne Potvin – The Way It Feels album, (2006)
Sylum Sylum (album)
Universal Honey – Earth Moon Transit (album, 1996)
various artists – Popcan (album, 1997)

This fonds documents various facets of Prof. Armatage’s career as a filmmaker, senior programmer for the Toronto International Film Festival, and a professor of Cinema Studies and Women’s Studies at the University of Toronto. The academic activity files in Series 1 give an overview of the breadth of her interests, achievements and promotions. Lecture notes and other course materials in Series 2, along with comments on student works found in Series 3, document her teaching role. These will be especially useful to researchers interested in understanding the early beginnings of both women studies and cinema studies and how these developing academic disciplines were being taught to students. Prof. Armatage’s role as a programmer for the Toronto International Film Festival is documented in her extensive notes found in notebooks where she recorded critiques of films she was screening. These are found in Series 4. The extent of her filmmaking is documented in Series 7 and contains preserved original film elements to several of Prof. Armatage’s films, along with a limited amount of related documentation on the making of these films. Unfortunately, this fonds does not contain release prints for these titles.

This fonds has only a small amount of records relating to her published academic works as well as files relating to conferences she organized and associations in which she was active. These can be found in Series 5 and Series 6.