Showing 98911 results

Archival description
Print preview View:

1417 results with digital objects Show results with digital objects

Photographs

This series contains photographs and slides from various swimming events. Many of the photographs appear to have been used by Thierry in issues of Swim News, or for the creation of swimmer biographies and profiles in media guides. The photographers and the events being documented are only clearly identified for some of the images. Some of the photographs are attributed to Marco Chiesa.

Correspondence

This series contains, in addition to letters, a wide range of material associated with the ongoing production of the Atlas: notes, memoranda, reports, brochures, partial drafts of the manuscript, photoprints and maps. The arrangement is generally chronological, except where otherwise noted.

Manuscripts and publications

Professor Dean, in collaboration with his colleagues on the Atlas project, began speaking and writing about it almost as soon as it began. These addresses and articles helped maintain scholarly interest in the project as it proceeded and also created a wider public awareness. Both are reflected in the reviews that the Atlas received, and the articles that were written about it, particularly after the Leipzig prize was awarded.

Stuart Grenville Hennessey fonds

  • UTA 1371
  • Fonds
  • 1920-1985

Personal records of Dr. Hennessey documenting his academic activities as professor in Dept. of Political Economy, especially with Extension and Professional Association education. Includes correspondence (1949-1985), lecture notes and course outlines (1933-1983); student assignments, student marks, essays and examinations (printed) (1924-1983); subject files; photographs.

Hennessey, Stuart Grenville

Photographs

Portraits of C.A. Ashley, James Mavor, and W.T. Easterbrook ; Business and Economic students, graduating classes 1945-1947; Economics and Commerce students, graduating classes 1954-1976 (not complete); members of the Commerce Club including its executive for 1934-1935.

Marion Walker fonds

  • UTA 1930
  • Fonds
  • [1920?]-1998

This accession consists of the personal records of Marion Dorothy Walker. The records document Ms. Walker’s activities as a production assistant for Hart House Theatre, as a professor in the University of Toronto Department of Fine Art and as a creative writer. Types of records include: personal correspondence, manuscripts, theatre programmes, playbills, lecture notes, research notes, scrapbooks, costume designs, stage designs, photographs and slides. This accession is arranged in the following 5 series:

Series 1: Early Biographical Information
Series 2: Personal Correspondence
Series 3: Hart House Theatre
Series 4: Department of Fine Art
Series 5: Fiction

Walker, Marion Dorothy

Personal correspondence

This series consists of chronologically arranged, incoming personal correspondence, documenting Ms. Walker’s personal life from 1936 to 1998. Correspondents include family, friends, Hart House Theatre colleagues, sorority sisters and fine art students. Major correspondents are: Burgon Bickersteth, Pat Carson, Norman Endicott, Robert Gill and James Reaney. The letters, mostly written in the 1950’s, document Ms. Walker’s friendships, romances, interest in theatre, and travels throughout Europe.

Hart House Theatre

Marion Walker was Production Assistant at Hart House Theatre from 1946 to 1957. Under the directorship of Robert Gill, she designed sets and costumes for each of the Theatre’s annual four plays. Her first production was St. Joan, starring Charmian King. Other early performers who worked with Ms. Walker at Hart House Theatre included Kate Reid, Donald Sutherland, and William Hutt.

The records in this series pertain to Ms. Walker’s involvement with Hart House Theatre. Textual records include scripts 1946, annotated Hart House Theatre programmes 1946 – 1957, and obituaries for Robert Gill, 1974.

Series also includes approximately 100 photographs of various productions for which Ms. Walker designed costumes and sets. The photographs depict various scenes, actors and set designs. Productions represented are: Romeo and Juliet, 1947; Julius Caesar, 1948; the Seagull, 1948; The Skin of Our Teeth, 1948, The Doctor’s Dilemma, 1948; Crime and Punishment, 1949; Othello, 1949; Fortune My Foe, 1950; The Guardsman, 1950; Captain Brassbound’s Conversion, 1950; Medea, 1950; Henry IV, 1950; Marco Millions, 1950; Richard II, 1951; Pygmalion, 1951; The Madwoman of Chaillot, 1951; The Admirable Crichton, 1952; The Winslow Boy, 1952; Macbeth, 1952; The Wild Duck, 1953; The School for Wives, 1956; and The Innocent, 1957.

Series also contains 8 sketchbooks of costume designs for the following Hart House productions: The Internal Machine, 1946; Othello, 1949; Medea, 1950; Richard II, 1951; School for Wives, 1956; Hamlet, [n.d.]; and King Lear, [n.d.].

Results 401 to 450 of 98911