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Records documenting the activites of Milton Brown as professor in the Department of Hygiene and Preventive Medicine and head (1956-1967) of the Department of Public Health. There are extensive files on administrative matters and courses; on courses given at the Canadian Civil Defence College; on research relating to tuberculosis, other communicable diseases, and the development of vaccines; and on committees, especially those that Brown chaired, such as the Panel on Infection and Immunity of the Defence Research Board and the Committee on Accident Prevention of the Canadian Public Health Association. Some of Dr. Brown's files incorporate material produced by Donald Fraser, and there are also some of the latter's files.

Included is correspondence, memoranda and notes, financial records, grant applications, lecture notes, minutes, reports, addresses, manuscripts, publications and photoprints.

This accession contains mainly correspondence, photographs, memorabilia and diplomas from all three members of the family. Of particular note are the diaries of Sir J.C. McLennan for the last two years of his life as well as well as geological field notebooks and expense books.

For further details, see attached file list in the finding aid.

Records of the journal "Victorian Periodicals Review" including editors files, correspondence, minutes, agenda, production files, book reviews, conference files, subscription files and financial records. The "Victorian Periodicals Review" was published at the University of Toronto from 1973-2011. Records are arranged into series by Editor.

Fonds consists of material documenting the professional and personal life of Prof. Tuppil Venkatacharya. Records cover his collection and research of Sanskrit literature through correspondence, typescripts, annotated texts, translations and transliterations, and recordings of some of his academic presentations. Also included in the material is documentation of the community Sanskrit classes taught by the scholar (Series 10) as well as his and his wife’s, Vijaya Venkatacharya’s, involvement in Toronto’s South Asian community. Fonds also includes family correspondence and some biographical material regarding Venkatacharya’s education and positions held at the University of Toronto and other institutions. Please see series descriptions for additional details.

This fonds contains 17 accessions of records. See accession-level descriptions for more details.

This fonds contains 4 accessions of records. See accession-level descriptions for more details.

This fonds contains 2 accessions of records. See accession-level descriptions for more details.

This fonds contains 1 accession of records. See accession-level descriptions for more details.

This fonds contains 2 accessions of records. See accession-level descriptions for more details.

This fonds contains 2 accessions of records. See accession-level descriptions for more details.

Contains extensive research, drafts and notes for work on Dr. Norman Bethune, as well as prints and photographs of Norman Bethune and Bethune memorabilia

This fonds contains 1 accession of records. See accession-level descriptions for more details.

This fonds from the Engineering Alumni Association contain 8 accessions. See accession-level descriptions for more details.

Fonds consists of records documenting the career and activities of Donald Forster, Professor in the Department of Political Economy, VIce-President and Provost, and President-elect at the the time of his death in 1983.

• B1983-0040: Correspondence, personal papers, lecture notes and essays, examinations and subject files. (44 boxes, 1949-1975)
• B1984-0019: Correspondence, reports, minutes of meetings of the Governing Council and selected committees, President's Executive and President's Planning Groups. (3 boxes, 1980-1983)
• B2006-0005: Two photographs: Dr. Forster with President Bissell as well as a group shot showing Forster with Prime Minister Lester B. Pearson, Mrs Pearson, Prof. Jeanneret, Hon. Jack Pickersgill and Mrs Pickergill. (2 items, [196-])

The Marjorie Lamb/ Alert Service fonds is primarily comprised of the research and publishing files of Marjorie Lamb in her capacity as a public speaker and the author of the Alert Service newsletter. The newsletter, which she published in the 1950s and 1960s sought to expose and counteract Communist activities in Canada. Her files extensively document the labour movement, Cold War political issues at the municipal, provincial and federal levels, and radical social movements in Toronto and across Canada. Implicit throughout the records are the issues of domestic espionage and propaganda.

Fonds consists of material documenting the careers of both Prof. Frederick Winter and Joan Winter, particularly related to their archaeological research. Material in the fonds represents both of their individual work and education, as well as research conducted and presentations given together. The records of Prof. Frederick Winter’s cover his publishing activity, research across Europe, particularly within Greece, teaching, and some aspects of his doctoral work.

Joan Winter’s records make up a larger portion of the fonds’ material with considerable documentation of her undergraduate education at the University of Alberta as well as her time at the University of Toronto. Records also include Joan Winter’s teaching material as well as the tutorials she led for some of Prof. Winter’s courses.

The Winters’ joint research is documented through travel diaries, articles, research, and presentation notes. Some of the presentations are accompanied by photographs and the fonds includes additional graphic material related to their research.

This collection is comprised of correspondence, documents, photographs and art works, and genealogical materials from England, India, the U.S.A, Cuba, the Philippines, and Canada, dating from 1838-1999, and related to Alfred Tripe (1818-1854), his sister Emily (Tripe) James (1817-1850), their first cousin Mary Broad (Tripe) De Rusett (1820-1898), and their relatives and descendants.

The collection documents the Little Sisters of Joy and the part that Gila Margolin plays in it.

It is divided into five series:

1. Organizational records
2. Publications
3. Concerts and Events
4. Photographs
5. Gila Margolin, personal

Correspondence, minutes, memoranda, briefs, reports, notes, manuscripts of addresses and publications, interviews, lecture notes, course outlines, photographs, posters, sound tapes and administrative records documenting the activities of Keith McLeod as a professor in the Faculty of Education, University of Toronto, with particular emphasis on multicultural and intercultural education, the teaching of English as a second language, multiculturalism, aging and health care. Included in the administrative records are files on the merger of the Faculty of Education with the Ontario Institute for Studies in Education. Related to these files are course outlines and lecture notes for courses given at the University of Toronto, University of Manitoba, and Université de Montréal. There are also files on the journal, Multiculturalism; on organizations such as the Canadian Association of Second Language Teachers, Canadian Council for Multicultural and Intercultural Education, Canadian History of Education Association, Canadian Council of Multicultural Health, Multicultural Health Coalition, the Ontario Multicultural Organization; and on problems relating to the teaching of the French language in Saskatchewan.

Records documenting Dr. Sisam's career as a forester from his time as a student at the University of Toronto through to his time as Dean of the Faculty of Forestry. Included are memos, correspondence, reports relating to the Faculty of Forestry; records documenting his membership on the Advisory Committee of the Ministry of Lands and Forests; early correspondence with the Ontario Paper Company; numerous governmental reports and academic papers on the Canadian forest industry and forestry education in Canada; draft chapters of what appears to be a history of the University of Toronto Faculty of Forestry; records relating to his involvement in various associations such as the Canadian Institute of Forestry and the Ontario Professional Foresters.

Photographs include 2 photoprints of the Ontario Forestry Association, Annual Meeting and Dinner, 1958 and 1970.

This fonds consists of two accessions:

• B1978-0002: Correspondence, memoranda on administrative functions, programmes and invitations, and press clippings on university affairs relating to Evans' duties as Registrar of the University (1948-1958) and later, Director of Alumni Affairs (1958-1970). [1 box, 1944-1976]
• B1987-0049: Correspondence, articles, maps, and plates relating to his position as Director of Alumni Affairs and of the U of T Athletic Association. [2 boxes, 1930-1948]

Fonds contains handwritten and typed records; a diary/journal; sermons; notes on household accounts; newspaper obituaries and other clippings; correspondence in English and Arabic; photographs.

Fonds consists primarily of records kept by Professor Schieder to support his teaching of English literature, including notes, research, printed articles and offprints, biographies and bibliographies, sometimes relating directly to a specific course. Also included are his thesis and some student work.

This fonds is largely devoted to the minutes of the semi-annual and annual meetings of the St Hilda’s College Alumnae Association (SHCAA) and the finances of the association as well as minutes of its executive committee meetings. The reports in the minutes include details of the various social activities of the SHCAA and its relationships with other organizations (eg, Canadian Federation of University Women, Local Council of Women and several charitable groups). Finally the fonds has an eclectic mix of material relating to various activities of the SHCAA and to some graduates of the College.

Much of the early material suffered considerable water damage at some point in the past: some had to be discarded and other material was photocopied and then discarded. In consequence there are gaps in the early activities of the association. Later material arrived intermittently and there are no minutes for the years 1986/7-1995/6.

Contains series
1.Minutes of Meetings and Associated Material
2.St Hilda’s College Council
3.Finances
4.Various
5.Photographs

Fonds consists of records created and collected by John Beckwith during his career as a composer, writer, music critic, radio broadcaster, administrator, educator, and performer. Records include sketches, drafts, and manuscripts of his compositions and arrangements, as well as programs, posters, reviews, correspondence, recordings, and other materials from premieres and other performances of his works.

Fonds also includes records relating to Beckwith's work as a radio commentator and script writer for the Canadian Broadcasting Corporation (CBC); music critic for the Toronto Star; professor and dean of the University of Toronto Faculty of Music; and writer of numerous lectures, articles, and books.

Collection consists of set and costume designs by Nicola Benois for the following Teatro alla Scala productions: the premiere production of La Fiamma (The Flame) by Ottorino Respighi; Respighi's ballet Gli Uccelli; and Madama Butterfly by Giacomo Puccini.

Personal records of Professor Stephen Clarkson, documenting his career as a political scientist, writer, teacher, and his early political career in municipal politics and with the Liberal Party of Canada and Ontario. Records in this fonds document the entirety of Clarkson's life and career. Records include biographical information (CV's, activity reports, honours), personal and professional correspondence, and files related to his early education and the writing of his Ph.D. thesis.

Series 3 to 13 consist of records documenting Clarkson's several books and his extensive research and writings over the course of his career. Joint projects and research with Christina McCall including original records by her can be found in some these series as well, specifically the research and writing of Trudeau and Our Times (Series 2) and research on Canadian Federal politics (Series 13).

Series 14 to 18, document Clarkson's teaching activities and his career within the University of Toronto's Department of Political Science.

Series 19 to 22 document his political roles within the Liberal party, his run for Toronto Mayor in 1969 and as well as his social activism.

This fonds also includes Liberal Party of Canada policy documents (1966-1976) belonging to Allen Linden that were given to Clarkson either because he took over as chair of the policy committee or collected as a primary resource for his research on the Liberal Party.

Accession B2019-0003 was an accrual acquired from his spouse Nora Clarkson following his death, and consists of files from his home office and laptop computer.

Accession B2023-0008 (1 box, 1975-2000) is an accrual of further personal records consisting of his journal and notes about his marriage to Christina McCall.

Fonds consists of pamphlets and other material from Trinity College including programs and newspaper articles. Also includes a photocopy of Delaney’s thesis “Gore’s Landing: Community and Church”. Photographs and correspondence are also included.

Fonds contains correspondence, journals, magazines, and newsletters used for re-search; drafts and manuscripts of articles and books by Willard Oxtoby, Julia Ching, and others. Fonds also includes conference materials such as schedules, planning docu-ments, and submitted essays. Published materials including pamphlets, serials and in-formation booklets, most relating to the Middle East, are included. Files include news-paper clippings; course syllabi and lectures notes for courses taught by Oxtoby; as well as personal keepsakes, photographs and cassette tapes.

Collection of issues of various Canadian, American and British periodicals; newspaper clippings (mounted in scrapbooks and loose), plus commemorative pamphlets and other souvenirs. Also includes one manuscript journal by Norah McMurray, and a small number of stamps and original photographs. All material is related to the British royal family ca. 20th century.

This fonds has been arranged in two different ways. The first is an arrangement scheme based on the creator’s order by box number. The second arrangement divides the fonds into a series of functional classifications based on the creator’s career and work. Those series, and subseries are as follows:
Series One: Early Recording Career
This series includes audio recordings made by Segato in 1977 while she was attending Sheridan College. It also includes two recordings by the No Frills Band (which included members of Segato’s first band, Mama Quilla II).

Series Two: Mama Quilla II
This series includes records related to Segato’s first band, Mama Quilla II. It has been arranged into subseries as follows:
Subseries One: Press Clippings
This subseries includes press materials pertaining to Mama Quilla II, including press kits, newspaper and magazine clippings, and a softcover book featuring Mama Quilla II.
Subseries Two: Photos and Posters
This subseries includes posters for various Mama Quilla II gigs, as well as photographs of the band.
Subseries Three: Recordings
This subseries includes a commercial 12” record released by Mama Quilla II, as well as outtakes and songs on ¼ in. audio tape.
Series Three: V
This series includes records related to Segato’s band with Mojah, Jeffrey Holdip, Terry Wilkins and Billy Bryans. This series includes posters for various V gigs.
Series Four: Parachute Club
This series includes records related to The Parachute Club. It has been arranged into subseries as follows:
Subseries One: Business and Legal Files
This subseries includes records related to the business and legal affairs of The Parachute Club. This includes correspondence, various contracts, music licensing and sync agreements, royalty statements, budgets, financial details and expense reports, tour riders, tour itineraries, management company proposals and strategies, and merchandising reports. This subseries also contains records related to a lawsuit launched by members of The Parachute Club against EMI for use of the song “Rise Up” in advertising.
Subseries Two: Press Clippings
This subseries includes various newspaper and magazine clippings pertaining to The Parachute Club.
Subseries Three: Ephemera
This subseries includes ephemeral materials related to The Parachute Club, including invitations, flyers, guests lists and other planning documents related to their self-titled album release party at the Bamboo Club. It includes various programmes, flyers, photographs, and backstage passes relating to Parachute Club gigs. It also includes notebooks belonging to Segato, containing song lyrics and journal entries. Finally, this subseries includes promotional items such as a branded folder for “At the Feet of the Moon” as well as a Parachute Club t-shirt.

Subseries Four: Awards and Honours
This subseries includes records related to awards and honours received by The Parachute Club. This includes Juno nomination certificates, a Northern Lights for Africa Society certificate and correspondence from various dignitaries. It also includes a Juno Award for Best Video, “Love is Fire,” a CASBY Award for Album of the Year, “Small Victories”, and two CFNY U-Know Awards, 1983 Most Promising Female, Lorraine Segato and 1984 Female Vocal of the Year, Lorraine Segato. This subseries also includes the Juno Awards Official 1984 Program, the year The Parachute Club won the Juno for Single of the Year, “Rise Up.”
Subseries Five: Music Videos
This subseries includes records related to the making of The Parachute Club’s music videos. This includes rushes and raw footage on video as well as film. It includes rough cuts and offlines of various videos on video, as well as some finished, final music videos on VHS. This subseries also includes music video budgets, treatments, proposals, crew lists, shoot schedules, and set designs (particularly for the U.S. version of “Rise Up”).
Subseries Six: Performances & Appearances
This subseries includes records related to The Parachute Club’s performances and appearances. It includes set lists from various shows, videos of live performances, as well as videos of interviews and appearances on television.
Subseries Seven: Photos
This subseries includes photographs, negatives, transparencies, and contact sheets related to The Parachute Club. This includes candid snapshots of tours, performances, events, and studio recording sessions, as well as promotional and press photographs.
Subseries Eight: Posters
This subseries includes posters and flyers for various Parachute Club gigs.
Subseries Nine: Recordings
This subseries includes records related to recordings by The Parachute Club. This includes original recordings on ¼” audio tape, as well as commercial LPs, 45s and cassettes of The Parachute Club’s singles and albums. This subseries also includes liner notes and sample album artwork for a demo recording.
Subseries Ten: Billy Bryans’ Materials
This subseries includes records created by and related to Billy Bryans of The Parachute Club and Mama Quilla II. This includes press clippings, flyers, posters, photos, and ephemera related to his time in Mama Quilla II and The Parachute Club. This subseries also includes photographs and press kit materials related to his first band, MG & The Escorts. Finally, this subseries includes records related to Billy Bryans’ music promotion and DJ-ing work, post-Parachute Club – which consists of photographs, flyers, press clippings, album charts, and ephemera.

Series Five: Solo Career
This series includes records related to Lorraine Segato’s solo music career. It has been arranged into subseries as follows:
Subseries One: Business and Legal Files
This subseries includes records related to the business and legal affairs of Lorraine Segato’s solo music career. This includes correspondence, various contracts and agreements, album budgets, loan applications and loan agreements, album investor reports, royalties and publishing statements, press releases, performance agreements and gig riders.
Subseries Two: Press Clippings
This subseries includes various newspaper and magazine clippings pertaining to Lorraine Segato’s solo music career.
Subseries Three: Ephemera
This subseries includes ephemeral materials related to Segato’s solo music career, and consists of festival, concert, and theatre performance programmes and 1 t-shirt.
Subseries Four: Music Videos
This subseries includes records related to the making of Lorraine Segato’s music videos. This includes rushes and raw footage on video tape as well as film. It includes rough cuts and offlines of various videos on video tape, as well as some finished, final music videos on video tape. This subseries also includes music video scripts, treatments, director notes, storyboards, budgets, crew lists, call sheets, and location scouting photographs.
Subseries Five: Performances and Appearances
This subseries includes records related to Lorraine Segato’s solo performances and appearances. It includes performance agreements, guest lists, ticket stubs, and set lists. It also includes photographs of performances, as well as video tapes of performances and interviews.
Subseries Seven: Posters
This series includes posters and flyers related to various Lorraine Segato solo performances.
Subseries Eight: Recordings
This subseries includes records related to solo recordings by Lorraine Segato. Included in this are original recordings on 2” audio tape, as well as track sheets and cue lists, and commercial 45s, cassette and compact discs of Segato’s singles and albums. This series also includes reference tapes and demo tapes on cassette.
Series Six: Filmmaking
This series includes records related to Lorraine Segato’s filmmaking work. It is arranged in the following subseries:
Subseries One: Early Work
This subseries consists of records related to Segato’s early filmmaking work, particularly work done at Sheridan College. This includes original negatives, prints of rushes and films, and magnetic audio. It also includes a small amount of correspondence, a film festival participation certificate and programme, and a broadcast acceptance sheet pertaining to Segato’s short film “Larking.”
Subseries Two: “Good Medicine”
This subseries consists of records related to Lorraine Segato’s directorial work on “Good Medicine,” a music video for the single of the same name and campaign video for CAW, produced with Barna-Alper productions. This includes work tapes and rushes on video cassette. It also includes auditions on video cassette. This series also includes finished copies of the campaign video on VHS and Betacam. Note that other materials pertaining to “Good Medicine” can also be found in Series Five, Subseries Four: Music Videos. For other records pertaining to the CAW campaign, see also Series Twelve: Issues & Activism.
Subseries Three: Queen Street West: The Rebel Zone
This subseries consists of records related to Lorraine Segato’s research, producing, and directorial work on the documentary film “Queen Street West: The Rebel Zone” as well as the film’s soundtrack. This includes an extensive number of research documents pertaining to the Toronto film music and art scene in the 1970s and 1980s. It also includes correspondence, press clippings, documentary treatments and outlines, budgets, funding applications, shot lists, scripts, lists of interview subjects, credits, and supers lists. This subseries also includes raw interview footage, work tapes, archival and research footage, and final copies of the completed production on video cassette. Finally, this subseries includes records related to the film’s soundtrack, including license agreements, soundtrack production budgets, liner notes, and album artwork proofs.
Subseries Four: Poetry Film
This subseries includes a video tape labeled “Poetry Film,” directed by Lorraine Segato.
Subseries Five: Worth Every Minute
This subseries includes a copy of the final mix version of “Worth Every Minute,” a film co-directed by Lorraine Segato, on video cassette. This subseries also includes a Mayworks Film Festival, at which this film was shown.
Subseries Six: Keep the Tribe Alive
This subseries consists of records related to a series of PSAs directed by Lorraine Segato. Included in this subseries are work tapes and dubs of these PSAs on video cassette.
Subseries Seven: Proposals
This subseries includes a music video proposal and budget for a Lillian Allen music video, to be directed by Lorraine Segato. It also includes a proposal for a television series created by Lorraine Segato and Rita Davies, as well as related correspondence.
Subseries Eight: Miscellaneous
This subseries includes film and video records that could not be ascribed to a particular production. It includes several reels of Super 8 film, as well as VHS tapes.
Series Seven: Acting
This series includes records related to Lorraine Segato’s acting career. This includes a copy of the film “Heart Songs” on Betacam and VHS, as well as press clippings and a flyer related to that film. It also includes a copy of the film “The pINCO Triangle”, as well as a flyer for that film.
Series Eight: Composing
This series includes related to Lorraine Segato’s composing work and original scores for film and television productions. Included are records related to “Apples and Oranges”, a film by Lynne Fernie with original music by Lorraine Segato. These consist of music cue sheets and lists, correspondence, invoices, music commission contracts, song lyrics, storyboards, work tapes, rough cuts, and finished versions of the production. It also includes records related “The National Drug Test”, a documentary with original music by Segato. These consist of documentary scripts, treatments, proposals, and a finished copy of the production on VHS. Finally, this series contains records related to documentary film “Status Quo: The Unfinished Business of Feminism in Canada,” with music by Lorraine Segato. These include correspondence, various contracts and agreements, correspondence and notes.
Series Nine: Event Management and Coordination
This series includes records related to Lorraine Segato’s event management and coordination work. It is arranged into subseries as follows:
Subseries One: The Canadian Aboriginal Music Awards
This subseries includes records to Segato’s event production work on the Canadian Aboriginal Music Awards in 2003 and 2004. Records included in this series include correspondence, event schedules and show running orders, invoices and estimates, show budgets, award nomination forms, lists of nominees and winners, seating charts, performer bios and releases, photographs of nominees and winners, performer itinerary and travel details, stage plots and technical requirements, scripts, speeches, media and press reports, show programmes, and backstage passes. This subseries also includes a substantial number of audio recordings on compact disc, submitted by potential nominees and performers for evaluation by the Awards. It also includes some video elements from the 2003 awards show, including nominee packs and a sponsor reel on Betacam SP cassettes.
Subseries Two: Peter Gzowski Event
This subseries includes records related to Segato’s event production work on “An Evening With Peter's Friends: A Celebration in Support of Peter Gzowski College", at Trent University. This includes the show script and programme, as well as the event schedule, correspondence, theatre rental contract, insurance documents, venue technical specifications and requirements, and performer technical riders. It also includes a compact disc of songs played at the event.

Subseries Three: House Party
This subseries includes records related to Segato’s event production work on “House Party”, a benefit concert for the Toronto Disaster Relief Committee. These records consist of correspondence, event project management reports, budgets, receipts and invoices, press releases, press clippings and media relations summaries, venue rental information, poster and art proofs, and photographs from the event. It also includes audio recordings by artists participating in the concert, as well as recordings of the concert on VHS.
Subseries Four: Jack it Up
This subseries includes records related to Segato’s event production work on “Jack it Up”, a fundraiser for Jack Layton. These records include and event proposal and budgets, a production meeting agenda, press releases, press clippings, media sign-in sheets, ticket stubs, riders, performance contracts, stage plots, as well as an all-access pass to the event.
Subseries Five: Hope Rising
This subseries includes records related to Segato’s event production work on “Hope Rising”, a benefit concert for the Stephen Lewis Foundation. Records in this subseries include correspondence, event schedules, show running orders, budgets, tech requirements, performer itineraries, and stage plots. It also includes original drawings of stage show artwork.
Subseries Six: Events – General
This subseries consists of records related to Segato’s event production company “It’s a Wrap,” including a promotional mailer and art proofs for company logos.
Series Ten: Public Speaking
This series consists of an audio tape of Lorraine Segato and others speaking at the 71st Annual Couchiching Conference: Urban Diversity and Cultural Expression.”
Series Eleven: Writing
This series consists of records related to Lorraine Segato’s writing work. This includes a speech written for the 2004 Junos. It also includes an author’s agreement for a chapter in the anthology book “Shakin’ All Over,” as well as drafts of said chapter and a copy of the book. It also includes articles for various publications, including Xtra and NOW, written by Segato. Finally, this series includes a folder of general correspondence.
Series Twelve: Issues & Activism
This series consists of records related to various issues and causes supported by Segato. This includes records related to Segato’s involvement with efforts to prevent clear cutting in the Stein Valley in British Columbia, including correspondence, press clippings, petitions, proposals, reports, and a thank you card from Chief Leonard Andrew, and Chief Ruby Dunstan. This series also includes a video tape of a performance by Lorraine Segato and others to benefit the Stein Valley conservation effort.

This series also includes records related to Segato’s involvement with the Kumbaya Festival, to benefit charities doing work around HIV and AIDS. This includes two Kumbaya Festival calendars.
This series also includes records related to the CAW “Good Medicine Substance Abuse Campaign”, consisting of correspondence, program brochures, a press kit and press clippings.
This series also includes the music and lyrics for a song written by Lorraine Segato and Lynne Fernie for Jack Layton’s 2003 federal NDP leadership campaign.
This series also includes records related to Segato’s research into women in music, for a Status of Women Report.
Finally this series includes two books about people experiencing homelessness in Toronto.
Series Thirteen: General Career
This series includes records related to Segato’s career in general, not easily ascribed to particular musical groups or events. It is arranged into the following subseries:
Subseries One: Press Clippings
This subseries consists of press clippings pertaining to Segato’s career in general, as well as flyers and photographs.
Subseries Two: Ephemera and Miscellaneous
This subseries consists of ephemera and other miscellaneous materials related to Segato’s career. Included in this series are an event pass, Segato’s bio and resume, and a Juno Awards Tenth Anniversary Special Issue book. There are also four video cassettes of various programs.
Subseries Three: Posters
This subseries includes posters with artwork by Barbara Klunder.
Series Fourteen: Box Inventory Lists
This series consists of original box inventory lists.

Fonds consists of records created by Father Donovan throughout the course of his maintenance of the Donovan Art Collection and time as a professor at St. Michael’s College. Records include various administrative documents, financial documents, correspondences, research materials, publications, and lists regarding artwork in the collection and their locations on campus.

Contains series: Photographs; posters; documents

The documents include photographs documenting the primary activities of the Ukrainian People’s Home, particularly its choir and executive. The posters promoted the various concerts and theatrical performances organized by the community. The miscellaneous documents relate to the Home and to the Prosvita (Enlightenment) and Ridna Shkola societies in Lviv, Ukraine.

Fonds consists of recordings of performances and related ephemera, including programs and posters, from events at Gallery 345 in Toronto, from its opening in 2005 to its closure in 2019.

This collection contains two photograph albums belonging to a German couple, Hermann and Emmi Meinhardt, which separately record their wartime experiences. Hermann Meinhardt’s album provides a personalized look at his experiences serving with a flak regiment in the Luftwaffe, which served in France, Austria, Ukraine, Romania and Russia, with photographs focusing on the war-torn landscapes, moments of camaraderie, and battle. Emmi Meinhardt’s album shows the experience of a young mother and her daughter, who were evacuated from Cologne to the Bavarian countryside. Together, both albums demonstrate a unique look at how the war was experienced on the front and at home. This collection also contains a selection of loose photographs belonging to Hermann Meinhardt, which were not included in the album, and date from 1941 to December 1942. Additionally, Hermann Meinhardt’s posthumous medals, including his Iron Cross and his Eastern front medal, were donated along with the photographs. This collection also contains extensive contemporary research on Hermann Meinhardt, his battalion and his military experiences, which was conducted by Inga Kahn, Herman and Emmi Meinhardt’s daughter, her friend, Barbara Tangney, and librarian, Danielle Van Wagner. A book, Vom Train zum Roland: Eine Geschichte der deutschen Flugabwehrtruppe (1988), contains a published account of Meinhardt’s battalion, I./Flak Regt. 4, which provides extensive context to Hermann Meinhardt’s album and photographs.

Arrangement:
Contains series:
• Series 1: Hermann Meinhardt Photographs and Medals
• Series 2: Emmi Meinhardt Photograph Album
• Series 3: Contemporary Research

The Robert Sandler Fonds is separated under series based on the production of various TV series and movies.

Series 1: Northrop Frye Lectures (Frye) Collection
As noted, as the ‘Fyre Collection’ by Sandler in his writings. The collection includes Professor Northrop Frye’s writings and Sandler’s own lectures note from his time as student under Professor Northrop Frye in English literature. The textual in series contains lecture notes on Shakespeare, a collection of William Shakespeare’s various plays. Which was the winner of the Governor General’s Award for Non-Fiction. The series contains Sandler’s audiotape collection of Professor Frye’s undergraduate classes Introduction to Shakespeare for two plus years. Frye’s lectures were transcribed, and Professor Northrop Frye’s edited them into a book, which Sandler sold to publisher Fitzhenry & Whiteside. The documents and audiotapes lead to the publishing of Northrop Frye on Shakespeare: Edited by Robert Sandler won Professor Northrop Frye his only Governor General’s Award for Non-Fiction.

Sandler worked on multiple projects with Professor Northrop Frye, such as the Bible and Literature and Story of Us. Professor Northrop Frye and Sandler had a good student and teacher relationship, to the point that Professor Northrop Frye wrote a letter of recommendation for Sandler’s CBC application. Sandler was able to work with Professor Northrop Frye when Sandler worked with the University of Toronto’s Media Centre to record the professor’s lectures. Formats within the series includes video and audio copies of the original 25-hour long lectures, used in Bible and Literature, Sandler’s notes to edit the hour-long lectures into 30 ½ hour programs, notes for the 30 roundtable discussions, promotional material are Sandler’s contribution to initiating the Frye project.

Series 2: Fraggle Rock
The second series holds mostly screenplays and script for the children’s program Fraggle Rock. Fraggle Rock is the first series HBO commissioned and created by Jim Henson and his team. It was nominated and won various awards. Sandler was a writer brought on in Season 2 and wrote six episodes and one of his shows was nominated for an International Emmy. Documents included in the series includes episode script proposals, correspondence with Jim Henson and other producers, cast and crew. Also includes the first, second, and third readthrough drafts, written by Robert Sandler and other writers on the show such as Jerry Juhl, Laura Philips, David Young, bq Nichol and Jocelyn Stevenson. The series also includes photographs of cast and crew members on the production set of Fraggle Rock; Fraggle Rock Christmas CDs and an award with a piece of Fraggle Rock presented to Sandler for his years of achievement on the show. Lastly are the lawsuit documents involving the series’ writers not being proper financially compensated.

Series 3: Eric’s World
The third series contains the documents and items from the children’s sitcom series that aired from 1991-1996. The show was a 30-minute program broadcasted on TVO, Knowledge Network, SCN, Access and Family Channel. Sandler was hired to create a children’s series featuring Eric Nagler as a children’s performer and his manager, CJ, a puppet manipulated by John Pattison. Robert Sandler and Allen Booth were the co-creator, co-creative producers, Writer, and co-story editors of the series. They also had various writers also contribute to the series as well.

Documents include both the failed and successful documents to pilot the series, drafts, script notes and final drafts of my 30 plus scripts, the remaining scripts from five seasons, writer’s guides, organization papers. Digital and DVD copies.

Series 4: Traders - Street Legal
The fourth series contains the textual files and video from the Canadian prime-time drama set in a Toronto investment firm. The show is about the professional and private lives of a group of young, aggressive attorneys in partnership together in Toronto. The series was broadcasted on Global TV from 1987-1994. Robert Sandler and Allen Booth are the Co-Story Editors, Episode Co-writers. The documents contained in the series are various drafts of scripts such as the first and second draft written by Robert Sandler, production script, outline of scripts, contract between CBC and Robert Sandler; and correspondences from various production and broadcasting companies like CBC.

Series 5: Exhibit A: Secrets of Forensic Science
The Fifth series contains the documentation and episodes of the award-winning and nominated TV Series that pioneered the true crime genre. This series features interesting crimes stories where forensic science played critical role in solving. This program re-enacts cases in which forensic scientists have used their expertise to find and examine evidence that would have previously been undetectable. 30 minutes TV docudrama series, where Sandler was the Creative Producer, Co-Creator, and Episode Writer. The files included in the series, contains the scripts that Sandler wrote and co-wrote in the first season and important episodes in later seasons. It also includes drafts of the script as well as a VHS and digital copies of the show, plus PR material, documents that pertain to the production of the series, screenplays, court orders, and transcripts of interviews from various scientists, police investigators and comments on the case.

Series 6: 72 Hour - True Crime
The Sixth series contains the textual files and videos a half- hour true TV crime docudrama follow up that focused on the investigators. The series ran three seasons, 45 episodes which Sandler had a hand in writing many of the episodes. The series contains the pitch documents, scripts written by Sandler, scripts he was credited, and script notes on the other 43 episodes, and rewritten scripts. Documents also include production photographs, research documents, crew resume, press clippings, tape interviews and notes.

Series 7: Extreme Clergy
The Seventh series are from the ½ hour TV documentary series where Sandler was the creator, writer, and an episode co-writer. The TV series documented the story of one or a team of clergy in social hot spots around the world. Some people in religious orders were surfing the waves, fighting in warzones, artic, and more amazing places outside a place of worship. The collection documents from Sandler includes the pitch documents for the TV series, drafts of the scripts Sandler wrote or co-wrote, DVDs of various steps in the edit, DVDs of the final episode and various tapes and digital copies of the episodes.

Series 8: EXC Finance
The Eight series in the Sandler collection, include the financial documents for various productions. Textual materials obtained from various production companies such as Two Sands Productions and Creative Anarchy. Also includes the applications and forms to fund various film projects; such as the Canadian Television Fund Agreement, Ontario Declaration of Residency/Consent Form 2008, letter from the Canadian Chamber of Commerce and Canadian Heritage letter. Financial papers included in the collection contains various bank statements, audits, notices from banks, authorization form, Tax documents; T2 Corporation Income Tax Return form, claim forms and Invoices.

Series 9: Sex and Religion
The Ninth series in the collection are documents based on the TV documentary series Sex & Religion. Robert Sandler was the co-creator, and episode writer. A documentary series that travels the world looking for the line between sex and sin. Robert Sandler noted that, “in conjunction with Riddle Films, I was wholly responsible for 5 of the 13 episodes about how major religions viewed various aspects of sex.” Textual documents in this series includes Sandler’s involvement in the writing of the scripts and includes DVDs and edits of these episodes.

Series 10: Real Voodoo
The Tenth series in the collection formats features textual, data, video, and photographs. Short tv-movie that includes financial records of various forms from the Canadian Revenue Agency, notice of (RE)Assessment and form of Claiming a Canadian Film or Video Production Tax Credit. Correspondences, proposals, and draft of scripts.

Series 11: My Pet’s Gone Viral (MPGV)
The Eleventh series in the collection features textual, data, video, and photographs of production. Holds eight episodes ½ hour documentary series starring the cats and dogs in YouTube pet videos that went viral. In the collection include script drafts and final scripts written by Sandler. In the collection also include the DVDs of the final episodes. Financial documents include cost report spreadsheet from various budget, MPGV Banking Summary Notes (2014), breakdown of Canadian costs, and eSubmission Summary. Correspondence to and from Animal Planet on distribution and production of the series.

Series 12: Brebeuf and the Huron Carol
The Twelve series in the collection of the A 1-hour TV musical biography, produced by Creative Anarchy and CBC Radio Canada. The TV special was written by Robert Sandler on the dramatization on the life of Father Brebeuf and his time among the Wendat (Hurons) and his The Huron Carole, the first Christmas Carole in the New World. In this series the various versions of the script and drafts are written by Sandler with his corrections. It also includes research notes and articles on Brebeuf. Video copies are in VHS and digital formats of the show, which also includes photos from the filming, flyer, and episodes.

Series 13: Assholes *A Documentary
The Thirteenth series is about novels by Aaron James turn TV documentary. The TV adaptation was written by Robert Sandler and John Walker with the broadcasting channels NFB and CBC Documentary Channel. It is a feature length documentary based on the New York Times’ best seller of the same name. The TV documentary is inspired by the NYT bestselling book, this lively philosophical investigation into the rise of asshole behaviour across the world asks: What does it mean to be an asshole, and more importantly, how do we stop their proliferation. The show has been nominated for a Writer’s Award and a Gemini Award.

With in the collection includes the research journals/notes, drafts and final editions of the script, invoices, email correspondence between Sandler and his co-writer/director John Walker. Majority of the formats in the collection are data floppy disk drives.

Series 14: Make Me Read
The Fourteenth series short internet films, co-written by Robert Sandler and long-time partner Allen Booth. Make Me Read is a series of YouTube videos with young comedians interviewing popular Canadian authors. However, there are no videos of the short films within the collection, instead the collection holds an array of drafts and final editions of the YouTube videos. The series also includes the novels of the Canadian authors that Sandler interviewed. Most of the authors were a part of the Toronto festival ‘The Word on the Street Festival’.

Series 15: Music
The Fifteenth series contains the audio recordings of various artists that Sandler either produced or had some influence in. Textual documentation contains contracts and agreements for BMI Canada - the Music Scene and SOCAN, song lyrics and correspondences between Sandler and artists. Audio holds recordings from vinyl records and audio reels – such as the album for the movie Foxy Lady and the album for Tony Kosinec.

Series 16: Miscellaneous Produced
The Sixteenth series holds various files of various smaller rolls in TV series throughout his carrier. They include drafts of scripts, proposals, resumes, correspondence between networks, writers' contracts, and miscellaneous documents. TV series included in the series are Under the Umbrella Tree, The Biggest Little Ticket, Sesame Street, Dudley the Dragon, and more. Most of the textual documents are transcripts, various versions (drafts) of script & screenplays, correspondences, and financial files. Within the collection also include his personal academic essays from his time in University of Toronto. Most of the produced series and files are labeled as such in the notes.

This fonds contains comprehensive documentation on all aspects of Richard Lee’s work as a well-known anthropologist. Correspondence, found within Series 1 but also throughout the fonds, is multifaceted and includes both incoming and outgoing letters with colleagues, students, university administrators and publishers. His teaching lectures and numerous papers, talks and drafts of publications represent a full body of work that synthesis his research from his early work with the the Ju/'hoansi-!Kung San of Botswana and Namibia to his evolving interest in indigenous human rights and the impact of Aids/HIV in southern Africa. This fonds is rich in original research including original collated data, field notebooks, grants requests and general notes. Much of this is supplemented with photographs and sound recordings related to his research and publications. Finally, files relating to professional meetings and groups document the overall field of anthropology, Lee’s role within it and the changing nature of the discipline and the role of anthropologists in society.

Fonds contains primarily corporate records created, received, or used by management within the Chiriqui Land Company. Records include correspondence, memoranda, monthly production statistics and financial reports, personnel records, annotated newspaper clippings, some maps and photographs. The fonds consists of the following series:

• Series 1: Government relations
• Series 2: Labour & ethnicity
• Series 3: Labour supply & conditions
• Series 4: Labour organizing
• Series 5: Marcus Garvey
• Series 6: Non-thematic groupings
• Series 7: Interdivision visits & reports
• Series 8: Statistics & reports
• Series 9: Chronologically organized letters
• Series 10: Maps & photographs

The fonds is comprised is of Spiller's work and research as a food writer, collector, curator, museum educator, and author. The contains records such as documentation, correspondence, press clippings, photographs, and videos.

The fonds is arranged in 6 subseries:

1. Food writing
2. Exhibits and programs
3. Correspondence
4. Research
5. Press clippings
6. Photographs & video

Personal records of Allan Griffin, Professor Emeritus of Physics at the University of Toronto. Includes notes and drafts for research and articles, correspondence with students and colleagues, notebooks from Griffin’s own education, teaching resources such as lecture notes, drafts and transparencies for addresses, and a large number of reprints of Professor Griffin’s publications.

Consists of papers, including photographs and minutes, relating to Class of 1933 activities with a focus on reunion event planning. There is also a scrapbook compiled by Mildred Oldfield focusing on her time as a student at Victoria.