- OTUFM 35-C-5
- Subseries
- 1946-1986
Part of Ron Collier fonds
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Part of Ron Collier fonds
Part of Faculty of Music collection
Subseries consists of promotional photographs of select students at the University of Toronto Faculty of Music, which were collected and used by the Faculty's promotions office. Most of the photographs are of students in the Opera School or students who were featured in the Faculty's newsletter for winning an award or competition.
Part of Faculty of Music collection
Subseries consists of season events calendars for the University of Toronto Faculty of Music. The events calendar was titled "Notes" starting with the 1988-1989 concert season.
Solo performances by Elyakim (Peter) Taussig
Part of Elyakim (Peter) Taussig fonds
Subseries consists of recordings of solo piano performances by Elyakim (Peter) Taussig. Most recordings are dubs of CBC broadcasts of concerts at various venues in Toronto.
Performances of music for violin and piano by Schubert
Part of Elyakim (Peter) Taussig fonds
Subseries consists of recordings of music for violin and piano by Franz Schubert, as performed by Elyakim (Peter) Taussig, piano and Otto Armin, violin. The recordings are likely all from a concert given at the Timothy Eaton Memorial Church in Toronto and broadcast on CBC.
Performances of chamber music by Kathryn Root
Part of Elyakim (Peter) Taussig fonds
Subseries consists of recordings of chamber music performances with Kathryn Root as the pianist, predominantly from Camerata concerts broadcast on CBC radio.
Photographs of faculty and staff
Part of Faculty of Music collection
Subseries consists of promotional photographs of faculty and staff at the University of Toronto Faculty of Music. The photographs were collected and used by the Faculty's publicity office in their newsletters, academic calendars, events calendars, brochures, and other promotional material.
Part of Leslie Bell fonds
Subseries consists of radio scripts written by Leslie Bell and indices for particular programs that Bell hosted.
Original compositions and arrangements
Part of J. Churchill Arlidge fonds
Subseries consists of manuscript scores and parts for original compositions, arrangements, and hymn settings by J. Churchill Arlidge. Pieces include those for flute and piano, voice and piano, medleys, choral works, pieces for orchestra, and others. Subseries includes Arlidge's early compositions and arrangements (ca. 1857-1863).
Part of Leslie Bell fonds
Subseries consists of blueprint-style manuscripts, manuscripts written in ink or pencil, and copies of blueprint scores. Most of the manuscripts are Leslie Bell's arrangements of popular songs, show tunes, hymns, and other songs, with some original compositions. Information about the original composers, intended ensembles, dates, and where and when the songs were performed is not consistently recorded in the manuscripts' heading. The manuscripts are generally autographed with one of the following: Leslie Bell, Leslie Richard Bell, L.B., or L.R.B. The arrangements are predominantly for the Leslie Bell Singers (originally the Alumnae Singers), formed in 1939.
Part of Kathleen Parlow fonds
Subseries includes a collection of postcards. Some of the postcards are blank, others were written or sent by Kathleen Parlow. Postcards are in both black and white and colour.
Part of Kathleen Parlow fonds
Subseries contains newspaper and magazine clippings relating to the students of Kathleen Parlow. Specifically, many articles focus on her student Gisele MacKenzie (LaFleche).
Part of Kathleen Parlow fonds
Subseries consists of press articles relating to the discovery of the Halvorsen violin concerto (dedicated to Kathleen Parlow) in the University of Toronto Music Library. This manuscript was previously thought to be lost.
Part of Kathleen Parlow fonds
Subseries consists of records relating to Kathleen Parlow's family, including her mother, Minnie Parlow.
Part of Esprit Orchestra fonds
Subseries consists of meeting agendas, minutes, reports from various other committees, and correspondence from the Board of Directors of Esprit Orchestra (initially named Esprit Contemporain). Subseries also includes drafts of of the Directors' Manual and By-Laws.
Part of Esprit Orchestra fonds
Subseries consists of meeting agendas and minutes for the Executive Committee of Esprit Orchestra. The Executive Committee was made up of the President, Past President, 2 Vice Presidents, Corporate Secretary, and Treasurer. The Committee was established (along with committees for Finance, Management and Strategic Planning, Fundraising, Marketing and Communications, Volunteer, Program, Education, and Nominating) in an amendment to Esprit Orchestra's By-Laws (1989).
Corporate development committee
Part of Esprit Orchestra fonds
Subseries consists of minutes from meetings of the Corporate Development Committee regarding corporate sponsorship for Esprit Orchestra.
Other significant financial documents
Part of Esprit Orchestra fonds
Subseries consists of other significant financial documents and correspondence, including Esprit Orchestra's registration as a charitable organization, effective September 13, 1985, under the name "The Esprit Contemporain Orchestra/L'Orchestre Esprit Contemporain."
Repertoire of the Esprit Orchestra
Part of Esprit Orchestra fonds
Subseries consists of materials relating to the selection of repertoire for Esprit Orchestra, including correspondence, and music rental materials. Subseries also includes a summary list of Esprit repertoire (current to November 2006), which lists repertoire by composers and includes each composer's nationality, work's duration, number of repeat performance by Esprit, and whether the performance was a world premiere, Esprit commission, Canadian premiere, and/or North American premiere. Subseries also includes a list of repertoire performed by Esprit at the St. Lawrence Centre for the Arts (1986-2009), listed by concert, and statistical information (1982-1998) regarding Esprit's repertoire.
Part of Esprit Orchestra fonds
Subseries consists of rehearsal schedules for Esprit Orchestra and guest artists, including rehearsal times and places, and dress rehearsals.
National and international tours
Part of Esprit Orchestra fonds
Subseries consists of records relating Esprit Orchestra's tours, including contracts with venues, correspondence, planning notes, promotional materials, reports to granting agencies, budgets, travel and concert schedules.
Tours include:
[2] Alex Pauk's participation in the International Music Festival, Moscow, May 15-24, 1984 (performance of his Legend of Raven).
[2] Potential tours to Buenos Aires, Argentina (October 1984) and Sofia, Bulagria (November 1984) following Alex Pauk's visit to Cuba
[3] Proposed tour in Europe (summer 1986) [unrealized]
[5] Performances with the Societe de Musique Contemporaine du Quebec for the Calgary Winter Olympics Art Festival and the subsequent tour (February 14-21, 1988; Calgary, Vancouver, Toronto, Montreal, Ottawa)
[8] Exploring a potential Pacific Rim tour (1990-1991) [unrealized]
[9] Exploring a potential tour of Asia (1991-1992) [unrealized]
[11] Paris concert (October 1993)
[11] Kansas City, Mid-America Arts Alliance (MAAA) (March 1994)
[14] Winnipeg New Music Festival (October 1996)
[15] Western Canada tour (June 15-2, 1998)
[17] European tour (September 1999)
[19] Alex Pauk and Alexina Louie in delegation for the Governor General's State Visit to Germany (October 2001)
[22] Montreal Nouvelles Musiques (MNM) 2005 International Festival (March 2005)
[26] European Tour (April 2009)
[30] Montreal tour [Esprit Orchestra's bene fête tour, May 23, 2013]
[32] China tour (May-June, 2015).
Part of Esprit Orchestra fonds
Subseries consists of records, including correspondence with composers and reports to and correspondence with granting agencies, for works commissioned by Esprit Orchestra. Esprit received commissioning support from Canada Council for the Arts, the Ontario Arts Council, and the Laidlaw Foundation.
Commissioned composers include: David Adamcyk, Robert Aitken, Istvan Anhalt, Sergio Barroso, Bob Becker, John Beckwith, Norma Beecroft, Allan Gordon Bell, Roger Bergs, Rose Bolton, Walter Boudreau, Brian Cherney, Brian Current, Omar Daniel, Paul Dolden, Tomas Dusatko, José Evangelista, Harry Freedman, Paul Frehner, Scott Good, Denis Gougeon, Chris Paul Harman, Vincent Ho, Peter Paul Koprowski, Harry Kucharzyk, Larry Lake, Michael Longtin, Alexina Louie, Raymond Luedeke, Andrew P. MacDonald, Bruce Mather, Maxine McKinley, Phil Nimmons, John Oswald, Alex Pauk, Yannick Plamondon, John Rea, André Ristic, James Rolfe, Erik Ross, Jeffrey Ryan, R. Murray Schafer, Ana Sokolovic, Harry Somers, Barry Truax, Owen Underhill, and John Wyre.
Part of Esprit Orchestra fonds
Subseries consists of records, including correspondence, notes, rough stage plans, and rehearsal schedules, for the Esprit Orchestra educational programme "Creative Sparks". Creative Sparks provides hands-on performance and composition opportunities for students, who are mentored by composers. Their compositions are showcased in Esprit's New Wave Composers Festival each year.
Other educational events and activities
Part of Esprit Orchestra fonds
Subseries consists of records, including correspondence, notes, rough stage plans, and rehearsal schedules, for other educational events and activities led by Esprit Orchestra. Includes records pertaining to the Community Arts and Education Partnership, the New Music Coalition, and the New Music Collaborative.
Part of Esprit Orchestra fonds
Subseries consists of correspondence, contracts, notes, budgets, and other materials relating to other audio and audio-visual recordings and projects involving Esprit Orchestra:
Pedagogy, technique, and other volumes for piano and organ
Part of Harry and Ida Culley fonds
Subseries consists of annotated piano and organ pedagogy volumes previously owned and used by Harry Culley.
Part of Harry and Ida Culley fonds
Subseries consists of parts from dance band orchestrations used by Harry Culley during his time as conductor of the Royal York Orchestra (1929-1930) and as Music Director at the Royal Alexandra Theatre (1948-1955). Many of the parts are annotated for performance, and some files include manuscript parts copied by Harry Culley.
Program notes for Colgrass' compositions
Part of Michael Colgrass fonds
Subseries consists of program notes for Michael Colgrass' compositions, written by Colgrass, and script notes that Colgrass used to introduce compositions from the stage. Subseries includes program and/or script notes for the following compositions: Arctic Dreams, As Quiet As, Auras, Concertino for timpani, Déjà vu, Delta, A Flute in the Kingdom of Drums and Bells, Folklines, Hammer and bow, Memento, New People, Night of the Raccoon, The Schubert Birds, Snow Walker, Strangers, Te Tuma Te Papa, Urban Requiem, Variations for Four Drums and Viola, Wild Riot of the Shaman's Dreams, and Winds of Nagual.
Subseries consists of recordings from the Faculty of Music's New Music Festival, a series of concerts that take place each year in January.
Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.
Subseries consists of programs and recordings of concerts by the Faculty of Music's jazz ensembles.
Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.
Subseries consists of programs and recordings of concerts of works written by student composers.
Subseries consists of programs and recordings of performances by ensembles in the Faculty of Music.
Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.
Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists.
Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists.
Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists.
Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.
Subseries consists of programs and recordings from the Faculty of Music's New Music Festival, a series of concerts that take place each year in January.
Subseries consists of programs and recordings from the Faculty of Music's New Music Festival, a series of concerts that take place each year in January.
Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.
Subseries consists of programs and recordings of performances by ensembles in the Faculty of Music.
Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.
Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists.
Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists.
Subseries consists of programs and recordings of performances by ensembles in the Faculty of Music.
Subseries consists of programs and recordings of concerts by the Faculty of Music's jazz ensembles.
Subseries consists of programs and recordings of performances by ensembles in the Faculty of Music.
Subseries consists of programs and recordings from the New Music Festival, the first of an annual series at the Faculty of Music.