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File consists of a recording of the Hart House Orchestra, conducted by Boyd Neel, performing [Concerto for accordion and strings] by Morris Surdin, with [Joseph Macerollo, accordion].

File consists of an arrangement of "A loan together [Alone together]" by [Arthur Schwartz and Howard Dietz] for piano, guitar, bass, drums, vibes.

Warburg refers to Zuckerkandl’s rejection of the definition of Judaism as responsible for reconciliation, peace, and justice on p. 122 of Die Weltgemeinschaft der Juden. Warburg agrees with this notion but considers it does not address the issue of a lack of leadership in the Jewish community. Warburg asks if he should send the copy back to Zuckerkandl or if he can keep it. He then alludes to a future meeting with Zweig, during which they will discuss this problem, among other things. Back of the letter reads “Weltgem d. Juden.”

File consists of manuscript scores and sketches for John Beckwith's "Four Conceits for piano," including the complete manuscript, earlier versions of the composition, and the master score transparencies from the Canadian Music Centre publication (1972). The collection was also titled "Four piano pieces" and an early version of the set included six—not four—conceits. Selections included in the files are:

• Bagatelle (December 1945, revised March 1947)
• Microcosm (November 1945) [not included in final set]
• Contrast (June 1947)
• Excursion no. 1 (March 1948)
• Excursion no. 2 (March 1948)
• Frolic (for Ronaldo) or Frolic I (November 1945, revised 1946) [not included in final set]
• Frolic II (January 1946) [not included in final set]
• Flower piece (June 1947) [not included in final set].

File consists of a dubbed recording from David Amram's CD This Land, which features a world premiere recording of his piece "Symphony Variations on a Song by Woody Guthrie" (C.F. Peters, 2007[sic]). Composed and conducted by David Amram with the Colorado Symphony Orchestra and Brook Ellen Ferguson, flute solo (recorded September 21-22, 2012 at Boettcher Concert Hall, Denver Performing Arts Complex, Denver, Colorado).

File consists of a recording of a concert at Gallery 345 of compositions by David Lidov

Performers: Jane Leibel, soprano ; Patricia Wait, clarinet ; and David Lidov, piano.

Program:

• The Hill wife : for medium voice, clarinet, and piano
• Fibonaci tunes, James Tenney in memoriam
• Voice mail : suite of thirteen pieces for piano.

File consists of two manuscript scores (draft and final versions) for a "setting of text by St. John the Cross (1542-1591), for 6 voices written while studying in Rome."

File consists of a copy of the handwritten masters for "the colourful set of tonal variations [that] is suitable for both educational sor concert use. Not difficult. The tuba part is ad lib." May be performed by any equivalent instrumentation.

File consists of an unpublished article by John Beckwith, written in the early 1950s.

File consists of four promotional photographs of William Aide, including headshots and photographs of Aide playing the piano. Photographs are from various points in his career.

File consists of eight manuscript scores written as birthday and Christmas presents for Derek Healey's wife, Olive May Healey (nee Smith):

• A Pastoral fantasy : for piano (Christmas present for Olive; December 1956)
• The May-tree : for soprano and piano (Olive's 20th birthday; completed April 19, 1957)
• Piece : oboe and piano (Christmas present for Olive; completed December 22, 1960)
• Song without words no. 1 : for oboe and piano (for Olive's 24th birthday ; completed April 12, 1961)
• Duo : oboe and mandolin (Christmas present for Olive; completed December 23, 1961)
• Loveliest of trees : for soprano and piano (text by A.E. Houseman; dedicated to Olive; completed April 29, 1963)
• Nel modo romantico : for oboe and piano (Christmas present for Olive; 1963)
• Waltz "A,B" and March "B" March : for descant recorder and piano (to [daughter] Jackie [Healey] and Olive; Christmas 1965).

File consists of a summary of performances for each of Healey's voluntaries for organ; programs, clippings of reviews, and correspondence with performers; and copies of the publications by Jaymar Music (1971-1972).

File consists of a copy of the published solo sheet music and a manuscript copy of the same.

File consists of typeset computer score masters and the original manuscript masters for "a simple setting of an ancient text, contain[ing] much unison writing." Text from the 11th century, translated in the English Hymnal, 1907. Revised 1997 and 2006. Part of Healey's Liber Natalis, op. 84.

File consists of correspondence regarding purchase information for "Four conceits for piano" (1945-1948), a copy of John Beckwith's draft program notes for the piece, and a program from a performance by John Beckwith of this piece at the Royal Conservatory of Music (January 6, 1949) alongside his "Five lyrics of the T'ang dynasty."

File consists of the handwritten manuscript score for "the first of six multi-movement works inspired by the voluntaries of 17th and 18th century English composers."

File consists of typeset score for two pieces for oboe and mandolin: Interrupted Aria and Barocco.

File consists of handwritten transparencies for three movements: Introduction, Allegro, Fugue. "The postlude is in a classic form employed by John Stanley."

File consists of handwritten transparencies for three movements: Larghetto, Recitativo, and Allegro. "The work opens calmly, followed by a free cadenza-like section, which in turn is followed by a rather rambunctious finale."

File consists of an unpublished recording of Robert Aitken's piece Lunenburg (Shadows VII) for voice, flute, and string quartet, composed in 2017.

File consists of handwritten and typescript transparencies, as sent to the publisher, for "an easy anthem suitable for a smaller choir." Text by Paul Bunyan.

File consists of a copy of a review by John Beckwith of the International Federation of Music Students (IFMS) 1950 symposium (March 8-11, 1950), which was held at the Royal Conservatory of Music of Toronto.

File consists of a dubbed recording of the CBC radio program "Music and Opinion" with Boyd Neel, produced by Digby Peers.

File consists of a recording of a concert at Gallery 345 of compositions by David Lidov.

Performers: Patricia Wait, clarinet ; Elisabeth Acker, piano ; Lynn Kuo, violin ; Paul Widner, violoncello

Program:

• Introduction by Edward Epstein
• Trinkets (Patricia Wait, clarinet ; Elizabeth Acker, piano)
• Fifteen re-inventions : covers and commentaries on the fifteen inventions of J.S. Bach (Lynn Kuo, violin ; Paul Widner, violoncello)
• A little study (for flute and piano) of love, nostalgia and vain regrets (Barbara Ackerman, flute ; Elisabeth Acker, piano).

File consists of an arrangement of "All or nothing at all" by [Arthur Altman and Jack Lawrence], arranged by [Don Thompson] for drums, bass, rhythm (piano, guitar), [flugelhorn] Guido [Basso].

File consists of a bound copy of the handwritten original score. Healey's note inside reads: "'Lustra' for baritone and orchestra, was to be the first of a set of songs set to poems of Ezra Pound. 'Lustra' was the only one completed—the remainder were not even started. 'Lustra' was composed in Siena, Italy in July 1966 at the Academi Chigiana with Goffredo Petrassi."

File consists of three manuscript scores written for Derek George Fleetwood Bell:

• Irish legend : for oboe and piano (completed September 15, 1959)
• Three atonal pieces : for piano (completed October 3, 1959)
• Chant : for oboe and piano (completed November 1960).

File consists of the manuscript score for a setting of a poem by F.S. Flint.

File consists of arrangement of Sevilla for two pianos four hands.

Letter from Zuckerkandl to Frau Staudinger telling her that he was shortlisted for a Guggenheim fellowship, but the results will be delayed until mid-April. Asking for advice as he had not planned past mid-March, when the results were supposed to be announced.

Item is a promotional photograph of conductor Raffi Armenian.

File consists of two handwritten transparencies and typeset computer score masters for "a lively setting with medieval stylings". Includes the original version, titled "In Excelsis Gloria". Part of Liber Natalis, op. 84.

File consists of handwritten transparencies and a copy of the manuscript score for Three pieces for solo flute. "The mood covers the gamut from the introspective, to the mock martial and the brilliant." The three pieces are: Adagio, March, Presto.

File consists of a summary of performances for op. 2a and op. 2b, and a copy of the program from the public premiere of Three Pieces for Solo Flute, op. 2b.

File consists of a copy of the manuscript score version for "a version of [Three pieces, op. 2a for solo flute] but containing an accompaniment for piano." The three pieces are: Adagio, March, Presto.

File consists of handwritten manuscript score for "an atmospheric work evoking the nature of an English November." Three movements: Slow, Faster, Slow. Written in celebration of George Bell's 23rd birthday.

File consists of a summary of performances.

Item is a promotional photograph of baritone Peter Barnes.

File consists of two handwritten transparencies, a typeset edition, and a copy of the published version for "a simple setting of folk-style words. Needs a sensitive performance." Originally titled "Christmas Eve"; renamed for publication by Augsburg (1976). Included in Liber Natalis, op. 84.

File consists of a recording by Philip Adamson, piano.

Tracks:

• Vigil : op. 3, 1940-44 / Humphrey Searle (4:37)
• Lament for Catherine : 1915 / Frank Bridge (4:47)
• Sonata no. 2, 1919-1920 / Arnold Bax (26:18)
• In autumn. Retrospect : 1924 (4:32) ; Piano sonata, 1921-24 (34:37) ; In autumn. Through the eaves : 1924 (2:01) / Frank Bridge.