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Walter Buczynski fonds

  • OTUFM 31
  • Fonds
  • 1945-2019

Fonds consists of manuscript music; radio music and children's pieces; correspondence with the Canadian Broadcasting Corporation (CBC), Canadian Music Centre (CMC), Canada Council, Ontario Arts Council, performers, representatives of performing organizations, friends, colleagues, friends, colleagues, students; press notices and reviews; programs; Polish community activities; notebooks and journals.

Buczynski, Walter

Victor Zuckerkandl index

  • OTUFM 62
  • Collection
  • 1927-1994

This collection contains an indexing of selected unpublished materials related to the music theorist and philosopher Viktor Zuckerkandl (1896–1965). Included are descriptions of digitized correspondence, manuscripts, and miscellanea. The three archives that hold the physical media are cross referenced (ONB, Eranos, St. John’s).

Zuckerkandl, Victor

Victor Feldbrill fonds

  • OTUFM 63
  • Fonds
  • 1941-2018

Fonds consists of records that pertain to the career of Canadian conductor Victor Feldbrill, including his conductor's scores for Canadian compositions (many of which he premiered), including his annotations and corrections, and composers' autographs. Fonds also includes audio recordings of performances that Feldbrill conducted, including many premiere performances of Canadian compositions, spanning Feldbrill's entire career conducting various orchestras in Canada and abroad.

Feldbrill, Victor

Vic Centro fonds

  • OTUFM 85
  • Fonds
  • 1957-2004

Fonds consists of arrangements by Vic Centro, and related ephemera, including photographs, correspondence, publicity materials, and recordings. Much of the material relates to Centro's time performing and recording in Toronto with Phil Nimmons and CBC radio.

Centro, Vic

University of Toronto Opera Division fonds

  • OTUFM 84
  • Fonds
  • 1945-2022

Fonds consists of the records of the University of Toronto Opera Division, including promotional materials, production files, costume designs, and photographs.

University of Toronto. Opera Division

University of Toronto Music Library collection

  • OTUFM 20
  • Collection
  • 1941-1990

Collection consists of correspondence between the Music Library and various individuals, including students, staff, faculty, librarians, and other researchers; photographs of the library space and collections; materials pertaining to special projects at the library; and memorabilia collected over the years.

University of Toronto Music Library

University of Toronto Electronic Music Studio tape collection

  • OTUFM 54
  • Collection
  • 1949-1988, predominant 1959-1979

Collection consists of electronic music compositions created at the University of Toronto Electronic Music Studio (UTEMS) and copies of tapes made at other electronic music studios around the world. The collection includes the two original card-catalogue indices for the tape collection, organized by tape number and by composer, and accompanying reports and manuals used in the studio.

University of Toronto. Electronic Music Studio

Udo Kasemets fonds

  • OTUFM 11
  • Fonds
  • 1947-2011

Fonds consists of sketches, drafts, and texts for Udo Kasemets’s compositions, including scores prior to 1960 that use conventional media, and those after 1960, which consists of multi-purpose scores, combination scores, and theatre pieces. The fonds also contains programs and press notices for performances by Udo Kasemets and of his works; correspondence with many American avant-garde musicians; and Kasemets’s projects and notes from his time teaching at the Ontario College of Art.

Kasemets, Udo

Trudy Desmond collection

  • OTUFM 74
  • Collection
  • [ca. 1970-1998]

Collection of jazz standards and show tunes arranged by or performed by Trudy Desmond. The majority of arrangements are for voice and rhythm (piano, guitar, bass, and/or drums). Some arrangements also include trumpet, trombone, saxophone, vibraphone, or string quartet. Collection includes manuscript parts and copies of parts annotated by the performers. Most charts do not indicate the arranger, performer, composer, lyricist, or date of arrangement.

Desmond, Trudy

Toronto Wagner Society fonds

  • OTUFM 77
  • Fonds
  • 1975-2020

Fonds consists of newsletters and ephemera produced by the Toronto Wagner Society.

Toronto Wagner Society

Toronto music life collection

  • OTUFM 03
  • Collection
  • 1877-2013

Collection consists of materials relating to musical life in Toronto, Ontario. The collection includes photographs of various Canadian and European musicians, including various photographs of Canadian Opera Company productions from the late 1980s and early 1990s, autographs from various opera singers and musicians from the late-nineteenth century, three scrapbooks with newspaper clippings and programs, and a collection of songs published in the Toronto Evening Telegram at the end of the nineteenth century.

University of Toronto Music Library

Theodore Thomas collection

  • OTUFM 09
  • Collection
  • [ca. 1970-1991]

Collection contains correspondence, copies of sources, notes, illustrations, photographs, microfilms, and other working papers for Ezra Schabas's book Theodore Thomas : America's conductor and builder of orchestras, 1835-1905 (University of Indiana Press, 1989). The collection also contains articles and lecture notes for presentations written by Schabas about Thomas.

Schabas, Ezra

Talivaldis Kenins fonds

  • OTUFM 12
  • Fonds
  • 1945-1997

Fonds consists of manuscript scores, compositional sketches, correspondence, programs, and teaching materials, related to Kenins's career as a composer and professor at the Faculty of Music, University of Toronto.

Kenins, Talivaldis

Stratton-Clarke collection

  • OTUFM 57
  • Collection
  • 1899-2020

Collection consists of approximately 6,500 78 rpm records, and the personal papers of one of its collectors, John Stratton. Stratton's personal papers provide contextual information about one of the collectors of the "Stratton-Clarke Collection," and primary source material relating to his research of historical vocal recordings and recording practices.

The 78 rpm record collection spans nearly the entire history of 78 rpm record production, from acoustic recordings to early electronic recordings and beyond, covering the first half of the twentieth century. The recordings are primarily pressed on shellac discs, ranging from 7 to 14 inches on diameter, and capture performances of approximately 1,000 vocalists, performing the works of more than 900 different composers on at least 100 different labels. The collection was loosely built on four of Stratton's main interests regarding historical vocal recordings: the "Golden age of singing" (pre World War One); the Mapleson recordings (live Metropolitan Opera performances captured on wax cylinders by Lionel Mapleson between 1900 and 1904); Canadian performers; and pre-revolutionary Russian recordings (pre-1917). The collection includes unpublished and test pressings, as well as published materials.

Stratton, John

Speranza Musical Club fonds

  • OTUFM 26
  • Fonds
  • 1906-1948

Fonds includes minute/program books (1906-1912, 1912-1922, 1922-1936, 1936-1946); cash books (1914-1928,1928-1948); file including texts of skits with parody songs, printed constitutions (1916/1917 and 1920), and typescript history of 1899-1962.

Speranza Musical Club

Sir Ernest MacMillan collection

  • OTUFM 15
  • Collection
  • 1890-1996, predominant 1991-1994

Collection includes correspondence, notes, transcripts, and other working papers for Ezra Schabas's book Sir Ernest MacMillan: the importance of being Canadian, published by the University of Toronto Press in 1994.

Schabas, Ezra

Royal Conservatory of Music collection

  • OTUFM 70
  • Collection
  • 1915-2009

Collection consists of repertoire and technique grade books and syllabi issued by the Royal Conservatory of Music (RCM), previously the Toronto Conservatory of Music (TCM). Various editions are included for guitar, violin, piano, voice, and theory examinations.

Royal Conservatory of Music

Roy Lamont Smith collection

  • OTUFM 45
  • Collection
  • 1899-1946

Collection consists of a handwritten book of lyrics for songs written by the American composer Roy Lamont Smith, and a collection of his published and unpublished (manuscript) sheet music.

Smith, Roy Lamont

Ron Collier fonds

  • OTUFM 35
  • Fonds
  • 1929-2004

Fonds consists of records created during Ron Collier's career as a performer, composer, arranger, teacher, and band leader. The fonds includes manuscripts of Collier's arrangements and original compositions; correspondence with musicians; photographs; lecture notes from his career at Humber College in Toronto, Ontario; and records from his collaborations with Duke Ellington. Fonds also contains audio and video recordings of performances and lectures.

Collier, Ron

Robert G. Manson fonds

  • OTUFM 83
  • Fonds
  • 1929-1950

Fonds consists of autograph manuscript scores and parts for compositions and arrangements for orchestra, string orchestra, string quartet, and woodwind quintet by Robert G. Manson.

Manson, Robert Graham

Rob McConnell fonds

  • OTUFM 18
  • Fonds
  • 1974-2003

Fonds includes manuscript scores of compositions and arrangements written for Boss Brass recordings. All arrangements are by Rob McConnell. The fonds also includes some original compositions by McConnell. Scores are assigned dates based on the date of recording by Boss Brass, and later by the Rob McConnell Tentet.

McConnell, Rob

Ricordi costume and set designs collection

  • OTUFM 41
  • Collection
  • [195-]

Collection consists of set and costume designs by Nicola Benois for the following Teatro alla Scala productions: the premiere production of La Fiamma (The Flame) by Ottorino Respighi; Respighi's ballet Gli Uccelli; and Madama Butterfly by Giacomo Puccini.

G. Ricordi & Co. Ltd.

Phil Nimmons fonds

  • OTUFM 30
  • Fonds
  • 1940-1997

Fonds consists primarily of manuscript scores and parts for music written, arranged, and orchestrated by Phil Nimmons. Materials also include annotated scripts for incidental music that Nimmons wrote for various Canadian Broadcasting Corporation (CBC) radio and television productions. Fonds includes scores and parts for two ensembles that Nimmons led, Nimmons 'N' Nine, and its expanded version Nimmons 'N' Nine Plus Six, as well as various other ensembles.

Nimmons, Phil

Opera Exchange fonds

  • OTUFM 86
  • Fonds
  • 2001-2015, 2001-2009 predominant

Fonds consists of programs, speaking notes, correspondence, and newspaper clippings relating the Opera Exchange, an initiative co-organized by University of Toronto professors Caryl Clark and Linda Hutcheon, in conjunction with the Munk Centre for International studies (2001-2002) and the Canadian Opera Company (COC) (2003-2015).

The Opera Exchange held three symposia per year, with the aim to create a collaborative environment where students, faculty, and members of the public could discuss opera from various perspectives and disciplines, including musicology, literature, drama, history, political science, and gender studies. The program was initially named "The Humanities Initiative" and early symposia focused on works performed by the University of Toronto Opera School, Opera Atelier, and the COC.

Symposia:

  • 2002 Humanities Initiative symposia (Munk Centre for International Studies, University of Toronto)
    • Transformations of Salome (January 19, 2002)
    • Iron Road: intersecting dreams and dialogues (March 1, 2002)
    • The many faces of Boris Godunov (April 6, 2002) [in collaboration with the Centre for Russian and East European studies)
  • 2002-2003 Humanities Initiative symposia (Munk Centre for International Studies, University of Toronto)
    • Oedipus Rex: plagues and politics (October 5, 2002)
    • Apprenticing with a sorceress: Handel's Alcina (November 15, 2002)
    • Taptoo! (March 8, 2003)
  • 2003-2004 Opera Exchange symposia (Munk Centre for International Studies, University of Toronto
    • Peter Grimes: the loner vs. the town (October 4, 2003)
    • Falstaff: the maestro takes on the bard (January 31, 2004)
    • Die Walküre: why Wagner? (April 17, 2004)
  • 2004-2005 Opera Exchange symposia (Bader Theatre, Victoria University)
    • The Handmaid's tale: no balm in this Gilead (October 2, 2004)
    • Siegfried: the forging of a hero (January 29, 2005)
    • Tancredi: Sicilians, Saracens, singers (April 2, 2005) [in conjunction with an American Musicological Society chapter meeting at the University of Toronto]
  • 2005-2006 Opera Exchange symposia (Faculty of Music and Bader Theatre)
    • Rodelinda and Carmen: girls night out! (October 22, 2005 at Walter Hall)
    • Götterdämmerung: return of the ring (February 4, 2006 at Bader Theatre)
    • Wozzeck : opera for a modern age (April 1, 2006 at Bader Theatre)
  • 2006 Opera Exchange symposia on Wagner's Ring Cycle (Bader Theatre, Victoria University)
    • Cycle I: putting the ring on stage (September 16, 2006)
    • Cycle II: putting the ring in context (September 13, 2006)
    • Cycle III: putting the ring on record (September 30, 2006 at Hilton Hotel)
  • 2007-2008 Opera Exchange symposia (Bader Theatre, Victoria University)
    • Who (what) is the real Don Carlos? on Verdi's Don Carlos (October 27, 2007)
    • To be or not to be: from the house of the (living dead) on Janacek's From the House of the Dead (February 9, 2008)
    • Letting down your hair with Pelléas and Mélisande (May 20, 2008)
  • 2008-2009 Telling Stories through Opera, The Opera Exchange, three symposia in conjunction with the Jackman Humanities Institute
    • Monster opera: Prokofiev's War and Peace (October 18, 2008)
    • Love and liberation: Beethoven's Fidelio (January 31, 2009)
    • "Antique fables and fairy toys": Britten's A Midsummer Night's Dream (May 9, 2009)
  • 2009-2010 Opera Exchange symposia (Faculty of Music, University of Toronto)
    • Stravinsky/Lepage: a magical meeting of minds (October 17, 2009)
    • Shakespeare's Othello and Verdi's Otello: staging jealousy (February 6, 2010)
    • Staging Der fliegende Holländer for our times? (May 1, 2010)
  • 2010-2011 "Voice and Spectacle," The Opera Exchange, three symposia presented by the Jackman Humanities Institute, Faculty of Music, and the Canadian Opera Company
    • Death in Venice gets a new life in Toronto (October 16, 2010)
    • Nixon in China: giving voice to our own history (February 13, 2011)
    • Ariadne auf Naxos from A-Z (May 14, 2011)
  • 2011-2012 Opera Exchange symposia (Faculty of Music, University of Toronto)
    • A Greek family reunion: Gluck's Iphegenie en Tauride (October 1, 2011)
    • Long distant loving: Saariaho's L'amour loin/Love from afar (February 4, 2012)
    • Wilde time: Zemlinsky's A Florentine tragedy (April 22, 2012)
  • 2012-2013 Opera Exchange symposia (Faculty of Music, University of Toronto)
    • Let's lighten up! : operetta in context, on Johann Strauss' Die Fledermaus (October 13, 2012)
    • Wagner and adaptation: transformations and excess, on Richard Wagner's Tristan und Isolde (January 31-Febrary 2, 2013)
    • Singing from the scaffold, on Francis Poulenc's Dialogues of the Carmelites (May 11, 2013
  • 2014 Opera Exchange symposium (Munk School of Global Affairs)
    • Coming home: Handel's Hercules (April 4, 2014)
  • 2014-2015 Opera Exchange symposia (Faculty of Music, University of Toronto)
    • Staging operatic comedy: Verdi's Falstaff in context (September 27, 2014)
    • Directors take the stage: debating Regietheater (January 17, 2015).

Clark, Caryl Leslie

Ontario Music Teachers' Association collection

  • OTUFM 82
  • Collection
  • 1936-1944

Collection consists of records from early conventions of the Ontario Music Teachers' Association (OMTA), primarily from the first convention, held at the Royal York Hotel in Toronto (October 6-8, 1936). Papers include programs (1936-1944); correspondence; meeting minutes; lists of registrants; scripts for speeches, including an address by Sir Ernest MacMillan at the first convention; drafts of the OMTA constitution; and proceedings (1936, 1937).

Ontario Registered Music Teachers' Association

Olive Scholey fonds

  • OTUFM 22
  • Fonds
  • 1905-1911

Fonds consists of a scrapbook with programs and press notices of Olive Scholey's performances as a contralto, at the Toronto College of Music, and in other venues in Southern Ontario.

Scholey, Olive

New Music Concerts fonds

  • OTUFM 19
  • Fonds
  • 1971-2020

Fonds consists of the administrative records of New Music Concerts (NMC), from its first concert in 1972 to 2020. Records consist of administrative and financial records, including correspondence with composers, performers, and concert venues, budgets, grant applications, and board meeting minutes; concert planning documents, including touring records; and promotion and publicity documents, including programs, brochures, posters, reviews, advertisements, and press releases. The fonds also includes select audio and video recordings of NMC concerts.

New Music Concerts

Myron Schaeffer fonds

  • OTUFM 55
  • Fonds
  • 1959-1965

Fonds consists of Myron Schaeffer's notes and drafts for lectures, articles, and an unpublished book on electronic music. The fonds also contains condolence correspondence following his death, his obituary, and scores and sketches for a couple of his electronic compositions.

Schaeffer, Myron

Music Pedagogy collection

  • OTUFM 56
  • Collection
  • 1906 - 2010

Collection consists of volumes of music instructional material, predominantly for piano instruction. The collection includes some ear training, theory, and sight reading material as well. Items published in Canada and internationally are included.

University of Toronto Music Library

Music Library collection of faculty events

  • OTUFM 51
  • Collection
  • 1946-present, 1965-present predominant

Collection consists of recordings and programs of performances by by faculty members, students, student ensembles, and guest artists, at one of the Faculty of Music theatres (Walter Hall and MacMillan Theatre), and at other University venues.

University of Toronto. Faculty of Music

Michael Colgrass fonds

  • OTUFM 64
  • Fonds
  • 1949-2019

Fonds consists of the professional and personal records of composer Michael Colgrass. The collection includes manuscripts of his compositions; administrative and financial documents relating to commissions with orchestras, performers, and publishers; and materials generated from the performance of these compositions (including recordings, programs, reviews, and program notes). Other records relate to workshops that Colgrass led, particularly his Neuro Linguistic Programming (NLP) workshops and Colgrass' writings, including poetry, articles, manuscripts and notes for his books, and correspondence with friends and colleagues.

Colgrass, Michael

Lothar Klein fonds

  • OTUFM 14
  • Fonds
  • 1948-2002

Fonds includes 110 files of sketches and final copies for many of his musical works; 3 files of theoretical and critical writings; and, 1 file of programs and press notices.

Klein, Lothar

Lisa Martinelli collection

  • OTUFM 75
  • Collection
  • [2000-2009]

Collection consists of manuscript copies of vocal jazz ensemble arrangements, transcribed and copied by Lisa Martinelli while she was the director of the Vocal Jazz Ensemble at the University of Toronto Faculty of Music. Collection includes manuscript vocal scores and parts for accompanying rhythm section.

Martinelli, Lisa

Leslie Bell fonds

  • OTUFM 39
  • Fonds
  • 1906-2007

Fonds contains documents relating to Leslie R. Bell's career as a composer, arranger, choral conductor, educator, and music columnist. Materials include manuscript music (both of arrangements and original compositions); radio scripts and notes relating to his work in broadcasting as a radio commentator for CBC and CFRB, Toronto; publicity documents relating to performances by Leslie Bell and the Leslie Bell Singers; correspondence; documents relating to his work as the co-founder and first executive director of the Canadian Music Educators' Association (CMEA); and, newspaper articles, including those written by Bell and about him). The fonds also contains postmortem documents, including condolence correspondence to his wife, Leona Bell, and documents relating to the Leslie Bell Singers reunions and the Leslie Bell Scholarship.

Bell, Leslie R.

Kathleen Parlow fonds

  • OTUFM 02
  • Fonds
  • 1878-1967, 2016, predominant 1908-1950

Fonds consists of material relating to Kathleen Parlow's personal life and her musical career, including photographs, correspondence, daybooks, sheet music, concert programs, press, and personal material.

Parlow, Kathleen

Kathleen Irwin fonds

  • OTUFM 24
  • Fonds
  • [1930-1939]

Fonds consists of publicity materials for the piano duo of Kathleen Irwin and Winifred Mazzoleni and manuscript scores for voice and piano by Kathleen Irwin.

Irwin, Kathleen

John Hawkins fonds

  • OTUFM 37
  • Fonds
  • 1944-2007

Fonds consists of compositions and arrangements by John Hawkins, program notes, correspondence, teaching materials and biographical documents, sound recordings, and video recordings.

Hawkins, John

John Francis Johnstone collection

  • OTUFM 44
  • Collection
  • [ca. 1875] - 2013

Collection consists of reference materials relating to John Francis Johnstone's compositions for voice and piano, his family, and the performance of his songs after his death.

Johnstone, John Francis

John Beckwith fonds

  • OTUFM 10
  • Fonds
  • 1936-2019

Fonds consists of records created by John Beckwith during his career, predominantly relating to his compositions. Materials include sketches, drafts, final copies, texts, performance records, and related correspondence for most of his works, as well as programs, press notices, and recordings of performances.

Other materials include records relating to his activities as a radio commentator and script writer for the Canadian Broadcasting Corporation (CBC); music educator at the University of Toronto; writer of numerous lectures, articles, and books; and music critic for the Toronto Star.

Beckwith, John

John Adaskin Project collection

  • OTUFM 81
  • Collection
  • 1961-2011

Collection consists of records of the activities of the John Adaskin Project, formerly the Graded Educational Music Plan, started by John Adaskin in 1961 at the Canadian Music Centre. Records include notes and drafts of articles, lectures, presentations, and workshops on the project; records and correspondence relating to commissions by the project; correspondence with contributors and educators; guidelines for submissions; lists of publications; and records from the first three symposiums and seminars hosted by the project (1963, 1965, and 1967).

John Adaskin Project

Jacques Israelievitch collection

  • OTUFM 66
  • Collection
  • 1881-2015

Collection consists of predominantly violin parts with Jacques Israelievitch's bowings, fingerings, and other annotations; correspondence with composers; various programs from his performances ; and select reviews and newspaper clippings.

Jacques Israelievitch

J. Churchill Arlidge fonds

  • OTUFM 34
  • Fonds
  • 1853-1913, 1997-2008

Fonds contains writings, family letters, photographs, photocopies of biographical documents, collected by Bob Arlidge, and manuscripts of Arlidge's original compositions, arrangements, and transcriptions of performed pieces.

Arlidge, Joseph Churchill

Herman Geiger-Torel collection

  • OTUFM 05
  • Collection
  • 1934-1976

Collection consists of Herman Geiger-Torel's library of piano-vocal scores, including his markings and notes for various opera productions, including performances that he directed in Troppau, Czechoslovakia; Teatro Colón, Buenos Aires; Montevideo, Uruguay; Teatro Municipal, Rio de Janiero; Canadian Opera Company; and the Royal Conservatory of Music Opera School.

Geiger-Torel, Herman

Hart House String Quartet collection

  • OTUFM 48
  • Collection
  • 1924-1946

Collection consists of 10 scrapbooks created by the Hart House String Quartet and their business manager, Milton Blackstone, which contain programs and newspaper clippings of reviews and press releases for their concerts. Two volumes (Volume 5, 1929-1931; and, Volume 7, 1932-1934) are missing from the collection. The collection also contains two scrapbooks for the Canadian Concert Association, during the time that Milton Blackstone was the director (1933-1935 and 1936), and a small collection of annotated scores and parts for violin and piano, previously owned and annotated by Geza De Kresz.

Hart House String Quartet

Harry and Ida Culley fonds

  • OTUFM 69
  • Fonds
  • 1891-1983, 2021-2022

Fonds consists of records pertaining to the two-piano, four-hands duo of Harry and Ida "Claudette" Culley, the "The Black and White Spotters". Records include annotated sheet music and manuscript parts copied by Harry Culley for performance; newspaper articles and press releases; posters; programs; photographs; and correspondence.

Culley, Henry Francis

Greta Kraus fonds

  • OTUFM 59
  • Fonds
  • 1898-2006, predominant 1938-1997

Fonds consists of the personal and professional papers of Greta Kraus, including correspondence, photographs, programs, and some materials relating to the Kraus family.

Kraus, Greta

Gordon Delamont fonds

  • OTUFM 36
  • Fonds
  • 1947-1979

Fonds consists of jazz compositions, dance band arrangements, and biographical materials.

Delamont, Gordon

George Lambert fonds

  • OTUFM 08
  • Fonds
  • 1900-1971

Fonds includes memorabilia , photographs, correspondence, lecture notes, brochures and programs.

Lambert, George James

Geoffrey Payzant and Eduard Hanslick collection

  • OTUFM 32
  • Collection
  • 1981-2001 predominant

Collection includes correspondence, notes, typescripts, translations, photocopies of journal articles, and other working papers about Eduard Hanslick. Hanslick was the focus of Payzant's later research, which resulted in two books (published 1986 and 1991), several articles, and various lectures. The fonds consists of the research used in these writings, as well as a typescript manuscript of Payzant's translation of On the musically beautiful: a contribution towards the revision of the aesthetics of music (1986), and copies of his lectures, also titled "On the musically beautiful." The correspondence includes copies of letters between Hanslick and Robert Zimmermann (1824-1898), as well as correspondence between Payzant and other scholars about Hanslick, and correspondence between Payzant and Dietmar Strauß.

Payzant, Geoffrey

Gena Branscombe fonds

  • OTUFM 17
  • Fonds
  • 1890-1981

Fonds contains music manuscripts, published copies of Branscombe's arrangements and compositions with inscriptions from the composer, photographs, and programs.

Branscombe, Gena

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