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Archival description
University of Toronto Music Library Series
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Autographs

Series consists of the following autographs, collected by Florence L. Clarke, first wife of Henry John Cody, president of University of Toronto (1932-1945): Emma Abbott (1882); Teresa Carreño (1883); Emma Juch (1885); Clara Louise Kellogg (1885); Sofia Scalchi-Lolli; Ede Remenyi; Marcella Sembrich (1883); Potta (1882); Blatchford Kavanagh; Etelka Gerster Gardini (1882); Gabriella Boema; Emma Thursby (1883); Eugenia Pappenheim; Helena Modjeske (1882); Camilla Urn (1883); Mary F. Scott-Siddons (1880); Kate Claxton (1882); Zelia Trebelli; Minnie Hauk (1882); Rose Coghlan (1882); Rafael Joseffy; August Wellesley; Geneviève Ward (1882); five other illegible signatures.

Concerts

Series consists of materials produced by the Aldeburgh Connection for each of their concerts, including the Sunday Afternoon Concert Series, held at Walter Hall, Faculty of Music, University of Toronto (1982-2013); the Recital Series at the Glenn Gould Studio, Toronto (1993-2013); the Discovery Series (also called the Young Artists Series), held at Walter Hall (1998-2011); the Bayfield Festival of Song (2007-2012); and various concerts performed on tour in North America and Great Britain. Each file contains the records created and used in the production of the concert, including promotional materials (programs, posters, and pamphlets); correspondence with musicians, sponsors, and venues; newspaper clippings of concert reviews; contracts with performers and venues; research notes; narrative scripts for the Sunday Afternoon Concert Series; scores annotated by Stephen Ralls and Bruce Ubukata; arrangements and transpositions of songs; stage, set, and lighting designs; subscriber lists; and ticket sales records.

Recording projects

Series consists of correspondence, rehearsal schedules, recording take lists, budgets, and research notes, regarding the production of the Aldeburgh Connection’s recording projects, including one cassette and six compact discs. The albums include recordings from various Aldeburgh Connection concerts, recordings with musicians featured in these concerts, and recordings of compositions commissioned by the Aldeburgh Connection.

Promotional events and free concerts

Series consists of records pertaining to various promotional events and free concerts produced by the Aldeburgh Connection. The series includes materials for one concert by Stephen Ralls and Bruce Ubukata prior to the official formation of the Aldeburgh Connection concert series, “Opera in the Drawing Room” (January 14, 1979). Each file consists of programs, scripts, scores annotated by Ralls and Ubukata, set and lighting designs, posters, and reviews.

Governance and finance records

Series consists of the administrative and financial records of the Aldeburgh Connection, including newsletters; correspondence regarding private donations, corporate funding, and government grants; financial ledgers and budgets; and, board minutes. As a registered charity, the Aldeburgh Connection was dependent upon donations, funding, and grants, in addition to revenue from ticket sales, to support each concert season. Donations after the end of the Aldeburgh Connection concerts in 2013 were given in support of the organization’s archival project, which included the creation of an online archive of sound recordings, digitized programs, and a database of their performance repertoire. The series also includes the letters of incorporation for “The Aldeburgh Connection Concert Society” and early promotional material used to obtain funding.

Photographs of musicians

Series consists of photographs of Canadian and European musicians from the early 1900s, as well as Giuliana Gattoni's collection of publicity photographs from the late 1980s and early 1990s, which predominantly consists of photographs of Canadian Opera Company productions.

Programs

Series consists of miscellaneous programs, predominantly for concerts that took place in Toronto.

Family records and correspondence

Series consists of copies of photographs and documents pertaining to Johnstone's family. Documents include correspondence between Mary F. Williamson and Helmut Kallmann of the National Library of Canada; a copy of the petition for divorce filed by Catherine (McGregor) Johnstone against her husband John Francis Johnstone, which was later withdrawn (January 8, 1979); a copy of an article in the Toronto Star (November 26, 1927) regarding Amelia Hart and her seven husbands (Johnstone was the fourth); a copy of a letter from Mary F. Williamson to Professor Carl Morey at the Faculty of Music, University of Toronto regarding Johnstone and performances of his songs; a copy of Johnstone's obituary (February 25, 1913); and a copy of scanned portraits of Johnstone. The series also consists of electronic records, including scanned images from the Johnstone family photo album (ca. 1900).

Programs and magazine articles

Series consists of programs for performances of compositions by Gena Branscombe, magazine articles on her, and copies of her membership cards to various music and non-music associations. The series also includes a program and poster for a 100th anniversary concert at The James Room, Barnard Hal, Barnard College, Manhattan (November 15, 1981).

Correspondence

Series contains letters, cards, and correspondence, including letters from George Crumb; John Leberg; Witold Lutoslawski; R. Murray Schafer; Pierre Trudeau (2). Cards: Vera [Frenkel]; Michael [Snow] (2); Veronica Tennant; Grant [?]; and, David [?] (2). Series also contains autographed photographs from Elly Ameling and Philippe Entremont, and a photograph of Taussig with Natalia Granados (Barcelona, 1980).

Theoretical and critical writings

Series consists of materials created for Klein's teaching at the University of Toronto, and interview with Witold Lutoslawski, and various composition studiesand exercises.

Compositions : scores, parts, and sketches

Series consists of manuscript scores and parts, and sketches, for Lothar Klein's instrumental, vocal, choral, chamber, and orchestral works. File also contains film and incidental music written by Klein.

Teaching materials

Series consists of examination papers set, lecture notes, and student papers from Kenins's time at the Faculty of Music, University of Toronto.

Sound recordings

Series consists of materials for: Cascando (1963-1965), Wordsong (1971-1973), Guitarmusic for John Cage (1972-1975), Wordmusic (1973-1974), Mikemusics (1973-1977), Silencesong (1974), Minutemusics (1977-1980), Thunderword (1978-1979), Nonologue (Onemanshow, 1980), and Sh! (Mikemusics, 1973-1977).

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