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Archival description
University of Toronto Music Library Subseries
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Individual Photographs

Subseries consists of individual photographs from 1900-1960. Photographs depict Kathleen Parlow's life, musical career (including photographs of the Parlow Strong Quartet), and travels to various places including Hawaii and Asia. Also includes photographs of various individuals including but not limited to: Kathleen Parlow; Minnie Parlow; Leopold Auer; Thomas Edison; Arthur Hinton; Harold Bauer; Samuel Gilbert Colt; Willen Willeke; Johan Halvorsen; Henry Scheadieck; Erich Wolff; Ernesto Consolo; Wanda De Stein; Mischa Elman; Marie Hall; Jascha Heifetz.

Negatives

Subseries contains negatives, most (or perhaps all) of them are developed as positives in the Individual Photographs subseries.

Letters

Subseries includes correspondence both written and sent to Kathleen Parlow from 1868-1967. Subseries also includes envelopes and a few newspaper clippings, perhaps included in the letters. Notable writers include Leopold Auer who was Kathleen Parlow's teacher.

Postcards

Subseries includes a collection of postcards. Some of the postcards are blank, others were written or sent by Kathleen Parlow. Postcards are in both black and white and colour.

Manuscript Scores

Subseries includes manuscript scores. Pieces include Chinese puzzle by Rebecca Clarke; Ritmi by Mario Castelnuovo-Tedesco; Violinconcert (Es-Dur) by Erich J. Wolff; Fugue for string quartet by S. Margolian; An old love tale, Op.21, no.1 by Gena Branscombe; Aire classique by Donald Heins; Abendlied by Donald Heins; My lady artful, Frauen-Laune by Franz C. Bornschein; Roses of yester year by Franz C. Bornschein; In Elizabethan days: Old English dance, Op.32, no.2 by A. Walter Kramer; Suite für violine (componi[e]rt fur Kathleen Parlow) by Henri Zagwijn; Concerto pour violon by Alexander Glazounov; Capitan Fracassa ; Tempo marking: Ritmo di marcia erocomica by Mario Castelnuovo-Tedesco; Fantasiestück für violine allein by Bernard (Hélèn Joseph) van Dieren; Theme with variations composed by Paganini arr by Henry Holmes; From the south by Gaylord Yost; Chant de “Veslemöy” (mosaique No.4) by Johan Halvorsen; Prière by Mary Helen Brown; Untitled Piece by H. B. Mac; Hüldretoner :Huldresang, Slaat og Dans by Anders Hoegendahl; Immer sein wird mein schlummer by Johaness Brahms Arr. for violin and piano by Emerson Whithorne; Polonaise by Hans Schouwman; Ein welker lavendelzweig = With sweet lavender by Edward MacDowell Arr. for violin and piano by Leopold Auer; Long ago, Op.56 by Edward MacDowell arr. for violin and piano by A. Walter Kramer; Chant nègre : a southern idyl, Op. 32, no.1 by A. Walter Kramer; Wie melodien zieht es mir by Johaness Brahms Arr. for violin and piano by A. Walter Kramer; La source Éternelle, Op. 18 by Victor Küzdo; Caprice saltata by Johan Reich; Parlow valse by Sophie Olsen; Ein wiegenlied, Op.37, no.1 by Emerson Whithorne; Juli-hav-stemning veel aales und by Unknown; Romance by Jan Frederik Jr. Tierie; Idyl ; “fleur immortelle” by From the manuscript of a late composer-No other names mentioned; Symphonic rhapsody in F minor, Op.35 by A. Walter Kramer; Shy one, Op. 31, no.2 by Emerson Whithorne; “Au cabaret” Mazurka Bohème by Christiaan Kriens; Concert für violine by Johan Halvorsen

Clippings and Publications

Subseries consists of press clippings and publications related to Kathleen Parlow's life and musical career. Subseries includes scrapbooks of newspaper clippings, magazines, as well as loose newspaper and magazine articles. Notable topics in these clippings and publications include performance reviews, articles about Kathleen Parlow's arm injury and recovery, etc.

Press Transcriptions

Subseries contains handwritten and typed transcriptions of articles written about Kathleen Parlow and/or her performances around the world. Some of the transcriptions are translations of articles written in various other languages.

Student Related Press

Subseries contains newspaper and magazine clippings relating to the students of Kathleen Parlow. Specifically, many articles focus on her student Gisele MacKenzie (LaFleche).

Scores and parts

Subseries includes manuscript scores with parts for various ensembles with Phil Nimmons acting as main author. The subseries includes music for orchestra, for orchestra and chorus, for jazz ensemble (Nimmons ‘N’ Nine), for jazz combo, for instrumental ensemble, and incidental music for radio plays.

Scores without parts

Subseries consists of manuscript scores for various ensembles with Phil Nimmons acting as main author. The files includes music for jazz ensemble, orchestra, and jazz combo.

Parts only

Subseries includes manuscript music, parts only, with Phil Nimmons acting as main author, including music for jazz ensemble and music for chorus.

Scripts with or without scores and parts

Subseries incudes manuscript and typeset scripts for radio programs and dramas. Many scripts come with accompanying scores and parts and were created for CBC broadcasts. Some files also include cue sheets.

Overtures for Music for a Summer Day

Subseries includes manuscript scores for orchestra with accompanying parts. Included are overtures composed for the 1957 "Music for a Summer Day" festival that was hosted, as a mini festival, as part of the larger summer Stratford Festival.

Uncertain or other composer or arranger

Subseries includes manuscript scores and or parts for various ensembles. Authorship is uncertain or other than Phil Nimmons. This includes items that were arranged for ensembles led by Phil Nimmons and includes music for jazz ensemble, jazz orchestra, orchestra, jazz combo, incidental music for radio plays, music for clarinet, and music for tenor.

Scores and parts

Subseries consists of manuscript scores with parts for various ensembles, including music for jazz ensemble, orchestra, voice and chorus, jazz combo, jazz ensemble and choir, soloist and guitar, piano and voice, jazz orchestra, and guitar and bass.

Scores without parts

Subseries includes manuscript scores for various ensembles, including music for orchestra, jazz ensemble, trombone, jazz combo, vocal scores, and voice and harp.

Parts only

Subseries consists of manuscript instrumental parts without scores for various ensembles, including music for jazz ensemble; strings, voice and piano; incidental music for orchestra; and, jazz trio.

Scores, parts, and scripts

Subseries includes manuscript scores for various ensembles with parts and scripts created for radio broadcast. The files include music for jazz ensemble, orchestra, chorus, orchestra and chorus, and incidental music.

Media

Subseries includes Duke Ellington Society cassettes, and Humber College 1980s Ellington lecture cassettes.

Miscellaneous

Subseries contains: Tapes of Tentet performances; Catalogue of the score collection on 3 x 5 cards; Collier's copy of Modern arranging technique, by Gordon Delamont.

Band arrangements

Subseries consists of Leslie Bell's scores and parts for band, including original compositions and arrangements.

Choral manuscript music

Subseries consists of blueprint-style manuscripts, manuscripts written in ink or pencil, and copies of blueprint scores. Most of the manuscripts are Leslie Bell's arrangements of other composers' original popular, folk, or classical music for choir, with some original compositions. Information about the original composers, intended ensembles, dates, and where and when the songs were performed is not consistently recorded in the manuscripts' heading. There are also symbols and words that are unidentifiable, such as "B.G." and "Jordan," which appear frequently. The manuscripts are generally autographed with one of the following: Leslie Bell, Leslie Richard Bell, L.B., or L.R.B. All information that is provided has been transcribed in the finding aid.

Radio scripts and indices

Subseries consists of radio scripts written by Leslie Bell and indices for particular programs that Bell hosted.

Handwritten and typed notes

Subseries includes notes from Leslie Bell's teaching career and his time as a student, as well as research notes for Bell's radio programs and various lectures.

Scrapbook contents

Subseries consists of loose-leaf pages of radio scripts and program notes from files labeled "From scrapbook." These files were presumably intended to be added to a scrapbook, or were removed from a scrapbook at some point.

Faculty Ensemble concerts

Recordings of performances by the Faculty of Music's various ensembles, including Concert Band, Symphony, early music ensembles, choral ensembles, ethnomusicology ensembles.

Miscellaneous concerts

Recordings of performances by the Faculty of Music's various ensembles. Included are the Wind Symphony; Wind Ensemble; Concert Orchestra; Guitar Ensemble; World Music ensembles; Choral Ensembles and Faculty Artist Ensembles.

Faculty Ensemble concerts

Recordings of performances by the Faculty of Music's various ensembles, including Concert Band, Symphony, early music ensembles, choral ensembles, ethnomusicology ensembles.

Miscellaneous concerts

Recordings of performances by the Faculty of Music's various ensembles. Included are the Wind Symphony; Wind Ensemble; Concert Orchestra; Guitar Ensemble; World Music ensembles; Choral Ensembles and Faculty Artist Ensembles.

Chamber Music Series

Consists of recorded events and concerts associated with the Chamber Music Series of events at the Faculty of Music. Events took place in Walter Hall, and feature prominent Canadian Chamber Music ensembles.

Faculty Ensemble concerts

Recordings of performances by the Faculty of Music's various ensembles, including Concert Band, Symphony, early music ensembles, choral ensembles, ethnomusicology ensembles.

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