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Promotional material for faculty events

Series consists of promotional materials created by the Faculty of Music to advertise events, facilities, and programs at the Faculty of Music. Materials include brochures, pamphlets, posters, and season event calendars.

Faculty of Music collection

  • OTUFM 04
  • Collection
  • 1927-2024

Collection consists of promotional materials created and collected by the Faculty of Music, including newsletters, photographs, student publications, and other reference materials that reflect the activities of the faculty, staff, and students.

University of Toronto. Faculty of Music

Publications - General

This series contains books, journals and other research in which Blissymbols are the topic of study. It includes materials that were not published directly by Blissymbolics Communication Institute - Canada, but they may have involvement by way of granting copyright for the use of Blissymbols.

Blissymbolics Communication Institute - Canada

  • CA OTUED 8
  • Collection
  • 1952 - 2023

This collection contains a variety of materials relating to the development, dissemination, use, and study of Blissymbols by Blissymbolics Communication Institute - Canada, and by affiliate organizations, scholars, educators, and users of augmentative communication around the world. The collection additionally includes administrative records, promotional material, and memorabilia of the BCIC.

Blissymbolics Communication Institute Canada

Victoria College (Toronto, Ont.). Registrar's Office fonds

  • CA ON00357 2049
  • collection
  • 1837-2023

Fonds consists of the records of the Registrar and Associate Registrar, primarily relating to Victoria College students and student records as well as awards, prizes and scholarships, convocations, registration procedures, baccalaureate services, receptions, counselling, etc. Fonds also consists of material related to the Registrar's work with the Senate. Records include correspondence, annual reports, as well as ephemera and photographs.

Fonds consists of three series: Correspondence/subject files, 1893–2013; Student records, 1837–2008; Photographs.

Victoria College (Toronto. Ont.). Registrar's Office

Fr. Dan Donovan fonds

  • collection
  • 1980 - 2023

Fonds consists of records created by Father Donovan throughout the course of his maintenance of the Donovan Art Collection and time as a professor at St. Michael’s College. Records include various administrative documents, financial documents, correspondences, research materials, publications, and lists regarding artwork in the collection and their locations on campus.

Donovan, Daniel

Susan Hidaka accession

Material is comprised mostly of textual records from the founding of the Japanese Canadian Cultural Centre, and some celebrating the success of the Momiji Seniors Centre. Some personal records from Susan Hidaka’s life are also included.

Victoria University (Toronto, Ont.). Bursar's Office fonds

  • CA ON00357 2001
  • collection
  • 1831-2023

Fonds consists of the records from the Upper Canada Academy and the period when Victoria University (formerly College) was situated in Cobourg. It includes records of the Academy Treasurer, John Beatty and of the Bursars/Treasurers, John Potts and George Cox.

Subsequent records are from the Bursars of Victoria University:
W.J. Little (1932-1951)
W.C. James (1951-1963)
F.C. Stokes (1963-1985)
Larry Kurtz (1985-2003)
David Keeling (2004-2009)
Ray deSouza (2009-2023)
Kenneth Chan (2023-Present)

Victoria University (Toronto, Ont.). Bursar's Office

Samuel Hollander fonds

  • UTA 1386
  • collection
  • 1954-2022

These accessions of personal records provide a fairly complete representation of Samuel Hollander’s professional life as an academic. The accessions cover his entire career from his student days at the London School of Economics to his retirement from the University of Toronto in 1998 and his appointment at Ben-Gurion University in Beer-Sheva, Israel in 2000. Correspondence, found in the various series gives a rich commentary on his professional endeavours and gives a good overview of the debates surrounding Hollander’s work. Lecture notes and taped lectures document how his ideas were taught in the classroom and his Ph.D. files found in Series 5 show his dedication to the teaching and mentor roles for which he is so highly regarded.

Hollander, Samuel

University of Toronto Opera Division fonds

  • OTUFM 84
  • collection
  • 1945-2022

Fonds consists of the records of the University of Toronto Opera Division, including promotional materials, production files, costume designs, and photographs.

University of Toronto. Opera Division

Victoria Women's Association fonds

  • CA ON00357 2095
  • collection
  • 1898-2022

Fonds consists of records related to the Victoria Women’s Association from 1898 to 2002, including their time as the Barbara Heck Memorial Association, and the Victoria Women’s Residence and Educational Association. Materials include meeting minutes, constitutions, records on the history and recognition of the association, administrative reports, correspondence, financial records, information relating to members and donors, event records, photographs, an audio cassette, and ephemera.

Victoria Women's Association

Harry and Ida Culley fonds

  • OTUFM 69
  • collection
  • 1891-1983, 2021-2022

Fonds consists of records pertaining to the two-piano, four-hands duo of Harry and Ida "Claudette" Culley, the "The Black and White Spotters". Records include annotated sheet music and manuscript parts copied by Harry Culley for performance; newspaper articles and press releases; posters; programs; photographs; and correspondence.

Culley, Henry Francis

Memorabilia

Series consists of materials relating to Harry and Ida "Claudette" Culley, particularly as pertains to their piano duo, the "Black and White Spotters." Materials include photographs of the duo, newspaper clippings with performance announcements, a script from one of their appearances on Arkansas Salute, CKCL radio (July 26, 1934), a fan letter from Ida Baker (April 8, 1940), a poster from the performance at the Royal Opera House in London with Bebe Daniels and Ben Lyon (August 30, 1937), and articles by their granddaughter Joanne Culley about the duo and their sheet music collection (2021-2022). Series also includes a copy of Joanne's novel Claudette on the keys (Crossfield Publishing, 2021), which is based on the lives of Ida Fernley and Harry Culley.

Pete White Fonds

  • 2017.020
  • collection
  • 1888 - 2022

This fonds has been arranged into five series based on the creator’s order. These series are as follows:
Series One: Songwriting
Series Two: Screenwriting
Series Three: Digital Print Writing
Series Four: Writers Guild of Canada
Series Five: Kaslo/Kootenays and Mining
Series One: Songwriting includes records pertaining to White’s songwriting career with Paul Hann. This series has been arranged into subseries as follows:
Subseries One: Commercial Releases includes Paul Hann’s commercial albums and singles, with songs written by White. Records in this series include 12 in. vinyl LPs for “A Fine White Thread,” “Another Tumbleweed,” “Paul Hann,” “High Test” and “Hometown Hero.” It also includes 8-track cassettes of “A Fine White Thread,” “Another Tumbleweed,” and “Paul Hann.” This subseries also features commercially released compilation albums featuring Paull Hann, including “In the Dawning: A Story of Canada” on 12 in. vinyl as well as compact disc. It also includes “The ACME Sausage Company,” a compilation of CKUA radio featuring a performance by Paul Hann. Finally, this subseries includes the limited release compact disc “Acrid Smoke and Amber Drink: The Lost Songs of Pete White and Paul Hann 1968-1978.”
Subseries Two: Original Recordings and Digital Transfers includes various recordings made by White and Hann on ¼ in. audio tape as well as 2 in. audio tape. This includes registration demos for BMI, outtakes, unreleased singles, interim mixes, and master recordings of songs and albums. This also includes recordings made by Paul Hann and the band Canadian Club for CKUA radio. Finally, this subseries includes digital transfers of audio tapes to compact disc.
Subseries Three: Film and Television Soundtracks
This subseries includes recordings made by White and Hann for film and television soundtracks on ¼ in. audio tape. This includes compositions for “The Parent Puzzle,” “Faces of Yesterday: History of Schooling in Alberta”, “Prairie Years,” and “Come Alive.”
Subseries Four: Songs Lists, Lyrics, Chronologies includes records related to White’s songwriting and publishing career with Paul Hann. Records in this subseries include songs lists and publisher share information, music and lyrics, contracts, and correspondence.
Subseries Five: Business Affairs includes records related to the business and management side of White’s work with Paul Hann. Included in this subseries are correspondence, performance contracts, mechanical license agreements, songwriting and publishing agreements, recording contracts, original music service agreements and composers’ agreements, song registration forms, and royalties statements.
Subseries Six: Promo Materials and Photos includes records related to the promotional aspects of White’s work with Paul Hann. Included in this subseries are press kits, aggregated reviews, and promotional photographs.
Subseries Seven: Clippings and Ephemera includes newspaper and magazine clippings related to White and Hann’s music career, as well as festival and performance programmes. This subseries also includes copies of the book “The Game of Our Lives” by Peter Gzowski, which includes the lyrics to White and Hann’s song “Hometown Hero” in its preface.
Series Two: Screenwriting includes records related to White’s screenwriting career, and it has been arranged into the following subseries based on a career chronology provided by the creator:
Subseries One: One-Off Short Films includes records related to short films written by White. Records in this subseries include screenplays, shooting scripts, and script outlines. Works represented in this subseries include: “Starting Over,” “The Treasure,” “Generations”, “The Ballet Class,” “Snowbirds,” “Years of Sorrow, Years of Shame,” and “Scarlet Heritage.”
Subseries Two: Television Series includes records related to television shows written by White. Records in this subseries include screenplays, shooting scripts, treatments, outlines and premises, episode screeners and dubs, correspondence, press clippings, show prep memos, cast lists, shooting schedules, day out of days schedules, beat sheets, and notes. Works represented in this subseries include: “The Parent Puzzle,” “Stony Plain,” “The Beachcombers,” “Danger Bay,” “The Campbells,” “Bordertown,” “Airwolf II,” “Family Pictures,” “War of the Worlds,” “Jericho 911,” “Northwood” and “Da Vinci’s Inquest.”
Subseries Three: Television Movies includes records related to television movies written by White. Records in this subseries include correspondence, treatments, outlines, screenplays, shooting scripts, production stills, promotional one-sheets, crew lists, call sheets, press clippings, preliminary VHS screeners, a production cap and crew t-shirt, as well as research interviews on audio tape. Works represented in this subseries include: “Striker’s Mountain,” “The Legend of Ruby Silver,” and “Peacekeepers.”
Subseries Four: Screenplays includes records related to screenplays written by White. Records in this subseries include screenplays, one-sheets, film proposals, and research materials. Works represented in this series include: “Four by Four,” “Slug Addiction: A Rock & Roll Fairy Tale”, “Nighthawk Crossing” (also known as “Crossing the Line”), “Scarlet Ladies,” “Mungo” and ‘Love and Genius.”
Subseries Five: Mini-Series includes records related to mini-series written by White. Records in this subseries include screenplays, development and series outlines, correspondence, notes, outlines, beat sheets, writer’s agreement and transfer of rights agreement, and research reports. Works represented in this subseries include: “The Temptations of Big Bear,” “Mountain Men,” “The Columbia Dams,” “Midnight Son,” “Thompson & Tyrell” and “The On-to-Ottawa Trek.”
Subseries Six: Movie Treatments includes records related to movie treatments written by White. Records in this series include treatments, synopses, and outlines. Works in this subseries include: “Bernie & The Guy,” “Craig’s Man,” “Lawrence After Arabia,” and “The Flying Bandit.”
Subseries Seven: Pitches includes records related to various pitches written by White. Records in this series include one-sheet pitches, story pitches, synopses, outlines, notes and research materials. Works in this series include, but are not limited to “Headless Valley,” “The Cheaters,” “Fall of a Prince,” and “Detachment.”
Subseries Eight: Screenwriting Projects Research Materials consists of records related to research done by White, predominantly pertaining to a potential series entitled “The Denisons of Canada.” Records in this subseries include grant applications, correspondence, a television series treatment, and a project description. It also includes a substantial amount of research materials, including books, book and journal excerpts, copies of historical records including maps, photographs, correspondence and diaries, archival finding aids, genealogical records, and bibliographies. Also included in this subseries are research files for a potential new instalment of “Peacekeepers,” set in Cyprus, in 1974, as well as research for a project entitled “Graveyard of the Pacific.”
Subseries Nine: Awards consists of awards and nominations received by White over the course of his screenwriting career. Included in this series are Gemini nomination certificates for “Striker’s Mountain,” “The Legend of the Ruby Silver,” and “Peacekeepers.” It also includes awards statuettes from the Writer’s Guild of Canada Top Ten Awards, for “Ruby Silver” and “Peacekeepers.”
Subseries Ten: Miscellaneous Files includes records labeled as miscellaneous by the creator, as well as records not easily ascribed to a particular title or production. Records in this series include correspondence, WGC project registrations for various titles, matted postcards, research clippings, a brochure for White’s production company (Kicking Horse Productions), writer’s contracts and purchase agreements, and a disc containing professional photographs of White.
Subseries Eleven: Books and Reference Materials consists of books related to White’s screenwriting career. Works in this series include “Telling It: Writing for Canadian Film and Television,” (which includes a chapter by White), and “Big Screen Country: Making Movies in Alberta.” It also includes two screenplays not written by White, a book about the Avro Arrow, and an Orenda Engines branded lighter.
Series Three: Digital Print Writing includes records related to White’s digital print writing work (including novels, novelizations, and memoirs). Included in this series is a copy of White’s novel, Crimea Sabre, as well as printing order details pertaining to this book. Also included in this series are research clippings pertaining to “Crimea Sabre.” This series also includes an essay by White about the founding of the Council of Canadians. This series also includes personal short stories, genealogical research records (including family trees, correspondence, copies of military service records, and scans of family photos), and a small amount of White’s personal materials (high school report cards, membership cards, track and field ribbons).
Series Four: Writer’s Guild of Canada includes records related to White’s work with the ACTRA Writer’s Guild as well as the Writer’s Guild of Canada, and the arrangement is largely based on the creator’s original order. Records in this series include correspondence, clippings, policy and discussion papers, policy proposals, lists of guild personnel and portfolios, meeting minutes and agendas, reports, forum and working group agendas, priorities and action items lists, speeches, and notes. It also includes a full run of “The WGC News” newsletter, as well as a run of “Canadian Screenwriter” magazines from White’s time as Guild president. Finally, this subseries includes a USB key of digital files relating to White’s time as WGC president.
Series Five: Kaslo/Kootenays and Mining includes records related to White’s time as a miner, resident of Kaslo, British Columbia, and work with the Kootenay Lake Historical Society. Records in this series include newspaper and magazine clippings and brochures pertaining to home design and home building. It also includes research and copies of archival materials pertaining to the history of mining in British Columbia. It also includes historical publications by the Geological Survey of Canada, and books pertaining to the Kootenays, including a first edition of the 1888 travelogue “A Ramble In British Columbia.”

Pete White

Victoria University (Toronto, Ont.). President's Office fonds

  • CA ON00357 2021
  • collection
  • 1897-2022

Fonds includes records from the terms of:
Nathanael Burwash (1887-1913), Richard P. Bowles (1913-1930), Edward Wilson Wallace (1930-1941), Walter Theodore Brown (1941–1949), Harold Bennett (1949-1950), A. B. B. Moore (1950-1970), John Edwin Hodgetts (1970-1973), Goldwin S. French (1973-1987), Eva Kushner (1987-1994), Roseann Runte (1994-2001), and Paul Gooch (2001-2015).

It consists of the following series:
General correspondence, 1907-2005; General subject files, 1897-1970; Records relating to the Board of Regents, 1912-2008; Records relating to the Senate, 1954-2008; Records relating to the Victoria College Council, 1928-2008; Records relating to the academic administration, 1915-2013; Records relating to the financial administration, 1905-2000; Records relating to awards, 1918-2005; Records relating to student assistance, 1916-1976; Records relating to students, 1915-2007; Records relating to alumni, 1928-2008; Records relating to functions, 1913-2010; Records relating to the University of Toronto, 1929-2011; Records relating to the United Church of Canada, 1928-2001; Records relating to gifts, 1897-1973; Records relating to the Gardiner Museum of Ceramic Art, 1981-2006; Records relating to fund raising, 1974-2008; Records relating to Emmanuel College, 1968-2008; Records relating to Victoria College, 1975-2012; Records relating to Victoria University, 1968-2008; Records related to the Chancellor and Chancellor's Council of Victoria University; and Records relating to Senior Administrative Meetings (SAM), 2001-2007.

Victoria University (Toronto, Ont.). President's Office

Personal

Contains personal correspondence with family and friends, mainly documenting Hollander’s achievements including many congratulatory notes from colleagues regarding awards or the publication of his major works.

Correspondence and related documents also document his appointment as University Professor and the campaign beginning in 1991 to procure for him a Nobel Prize in Economics. Also documented are his appointments through the University ranks, his salary, retirement and the awarding of grants to support his research including activity reports and grant applications.

This series also contains records collected by Hollander over his academic and professional career, and includes various graduate school lecture notes, school transcripts, honorary degrees, scholarships, two manuscripts given to Hollander by H. D. Dickenson before his death; and a heavily annotated copy of David Ricardo’s book Principles of Political Economy which he kept separate from other professional and academic papers.

Filed at the beginning of each accession is his most updated C.V. at the time the records were acquired (see B1998-0027/001(1) and B2012-0018/001(1)). There is also a portrait of Hollander, to be found in B1998-0027/001P.

Promotional materials

Series consists of promotional materials created for Opera Division productions to promote performances, including programs, posters, and brochures, as well as photographs from Opera Division performances, and newspaper clippings of reviews and press releases.

Memorabilia

This series consists of awards and certifications given to members of BCI and the Blissymbolics community as well as commemorative items related to Blissymbolics.

Esprit Orchestra fonds

  • OTUFM 53
  • collection
  • 1983-2021

Fonds consists of the administrative records of Esprit Orchestra, from its foundation in 1983 as Esprit Contemporain, to 2021.

Records include meeting minutes and correspondence from the board of directors and associated committees; financial records, including budgets, year-end financial statements, and reports to granting agencies; performance records, including planning files from subscription and non-subscription concerts, national and international tours, and composer commissions; materials relating to the orchestra's education and outreach activities; promotional materials, including posters, photographs, programs, and reviews; records relating to recording projects, including CDs, music for films, and radio broadcasts; awards received by the orchestra and its musical director Alex Pauk; and correspondence with musicians, composers, and other associations.

Esprit Orchestra

Nancy Howell fonds

  • UTA 1322
  • collection
  • 194- - 2021

Records in this fonds mainly document Nancy Howell’s research on the !Kung San of Botswana. Her nearly three years researching in the field with her anthropologist husband Richard Lee were formative to a lifetime of research on the !Kung San hunter gatherers. Included is much of her original data that has formed the basis of her research in this area as well as the basis of research collaboration with others. More than half of this fonds is her original data on the !Kung San from that 1960s field trip.
Her two main works that are well documented in this accession are Surviving Fieldwork: Health and Safety in Anthropological Fieldwork (1990) and Life Histories of the Dobe !Kung (2010). Her teaching and administrative roles at the University of Toronto are not documented in this accession.

Howell, Nancy

Edie Steiner Fonds

  • CA ON00349 2022.018
  • collection
  • 1973 - 2021

The records in this fonds include Steiner’s photography, from her student work, to her documentation of the Toronto music scene and music portraits, to her exhibition work. Also included is a selection of published work and commercial photographs. The collection also includes Steiner’s Super 8mm films and recordings of live musical performances, as well as Steiner’s narrative and documentary films. The fonds consists of five series, based on the creator’s major artistic and creative activities, and are arranged in rough chronological order. The series are as follows:

  1. Series One: Narrative and Documentary Films
  2. Series Two: Super 8mm and Performance
  3. Series Three: Works in Audio
  4. Series Four: Photography
  5. Series Five: Creative Writing
    The first series, Narrative and Documentary Films, is divided into four subseries. The first, Subseries One: Film elements and masters includes the masters and audio/visual elements of Steiner’s narrative and documentary films shot on 16mm and video up to “Borderland Memories.” The second, Subseries Two: Film Research, consists of a series of research interviews shot on video for a project entitled “Dreams of Solidarity.” The third sub-series, Subseries Three: Film Promotion, Exhibition, includes textual and graphic records related to the production and promotion of Steiner’s narrative and documentary films. The final subseries, Subseries Four: Film Stills Photography and Promotional Shots, includes prints and negatives of film stills and promotional shots of Steiner’s narrative film projects “Places to Stay” and “Felicity’s View.”
    The second series, Super 8mm and Performance, is divided into two subseries. The first, Subseries One: Films and Soundtracks includes Steiner’s finished Super 8 films, as well as recordings of her live musical accompaniments to these films on cassette and in some cases, compact disc. The series also includes VHS and Betacam SP copies of Steiner’s final Super 8 film “Who is #1?”. The second, Subseries Two: Outtakes and Works in Progress, consists of outtakes and miscellaneous Super 8 film reels.
    The third series, Works in Audio, is divided into two subseries. The first, Subseries One: Music Recordings and Performances consists of audio and video recordings of Steiner’s original music, solo and in collaboration with other artists. Included in this series is a recording of Steiner playing with her band The Elementals, and several recordings of Steiner’s cover of Johnny Cash’s “I Walk the Line.” It also features recordings of Steiner’s collaborations with Chip Yarwood, Malcolm Lewis, and Colin Offord. Finally, it includes both audio and video recordings of Steiner’s work with The Band That Dare Not Speak Its Name. The second subseries, Subseries Two: Radio Interviews includes recordings of Steiner being interviewed and playing music at various Canadian radio stations.
    Series Four, Photography, is divided into seven subseries. The first, Subseries One: Portraits, Fashion, Landscapes consists of prints, contact sheets, and negatives of Steiner’s portrait photography work from the 1970s to the 2000s. Portrait subjects include Toronto musicians, artists, filmmakers, writers and poets – many of them friends and contemporaries of Steiner. This series also features Steiner’s photos and portraits of musical artists Patti Smith, Debbie Harry, Lydia Lunch, Rough Trade, Bryan Adams, and author Margaret Laurence. There is also a small collection of fashion photography, as well as two large format landscape photos. Subseries Two: Photo Exhibitions, features negatives and proofs of work featured in exhibition, as well as large format exhibition prints. Subseries Three: Travel Photos (for Exhibitions) consists of negatives and prints of travel photography. Subseries Four: Projects and New Works consists of negatives and a videotape related to a photography project entitled “Episodes in Dreamtime,” as well as one roll of test negatives shot in 2021. Subseries Five: Photography Publications consists of a publication entitled “Great Lakes Logia,” for which Steiner contributed photographs. Subseries Six: Various Events and Arts Documentation consists of various photographs and negatives documenting Steiner’s various artistic endeavours over the years, including live performances, music, openings of gallery shows, directing, and teaching. The final subseries, Subseries Seven: Commercial/Published Work includes newspaper and magazine clippings of Steiner’s published photography, as well as posters, album covers, promotional cards, and postcards, for which Steiner was the photographer.
    The final series, Series Five: Creative Writing, consists of a zine called “Gathering Blossoms Under Fire,” for which Steiner contributed an essay.
    This fonds includes textual and audio-visual material relating to the following film productions:
    • Places to Stay
    • Roses are Blue
    • Felicity’s View
    • Northland: Long Journey
    • Conversations on the Lake
    • Borderland Memories
    This fonds includes audio-visual material relating to the following film productions:
    • You Always Think About Things Like That
    • Post-Industrial
    • These Experiments
    • Dreams of Solidarity
    • Fake Milk Commercial (Super 8mm short)
    • White Flag (Super 8mm short)
    • Dance Party (Super 8mm short)
    • Examination Aboard a UFO (Super 8mm short)
    • Eclipse (Super 8mm short)
    • Happy Holidays (Super 8mm short)
    • Northern Journeys (Super 8mm short)
    • Chronicle (Super 8mm short)
    • Symphonic References (Super 8mm short)
    • Episodes (Super 8mm short)
    • Who is #1 (Super 8mm short)
    This fonds includes photographic material relating to the following exhibitions and photo series:
    • Painted Photographs
    • Mostly Rock & Roll
    • Urban Underground
    • Residual Landscapes
    • Recent Work
    • Earth and Bone
    • Day + Night
    • New Work
    • US Shrines
    • Great Lakes
    • Northland
    • The Artifice of Nature (sometimes titled The Nature of Artifice)
    • Condo Boom!
    • Views From Home: Facing North
    • Landscape as Power
    • The Poetry of Chance
    • Abject Transformations

Edie Steiner

Research files – Other projects

The principal research project in this series is described by Ms Winearls as “The mapping of western North America in the 19th century with particular reference to the De Fonte fantasy and the earlier ‘Sea of the West’ fantasy”. (The maps showed purported water routes between the west coast and the Northwest Passage or the central North American plains.) This project was begun in the early 1990s but not completed as planned and led to an article on one particular map, “Thomas Jefferys Map of Canada and the mapping of the western part of North America, 1750-1768’, that appeared in 1996. The second research project is on carto-bibliographic analysis and methodology re 18th century printed maps of North America [1].

The series begins with map bibliography & notes, consisting of preliminary bibliographic entries for Mer de l’Ouest/Riviere Longue de l’Ouest, and an early draft of a bibliography of maps relating to the De Fonte fantasy, followed by files of maps arranged by area: World, Arctic, Western hemisphere, North America, and Canada. There are also source files with notes, correspondence, and copies of documents, maps and other source material, covering De Fonte, early Canadian maps, and archival sources in British Columbia, the United States and Europe. Much of the photocopied material that has been retained is annotated. These files are followed by research notes and correspondence on Northwest-De Fonte and biographical sources, and on related maps, along with requests for microform and maps. Included are reproductive copies of maps and other copies.

The files for the research project on carto-bibliographic analysis and methodology re 18th century printed maps of North America include sample entries, copies of maps and published bibliographies and sources (largely annotated), along with bibliographical analyses and North American maps sources for analysis. Some oversized maps are included.

The series ends with Ms Winearls’ research on book illustration in Canada for the History of the Book in Canada project. Three volumes were planned under the general editorship of Patricia Lockhart Fleming and Yvan Lamonde, and they appeared between 2004 and 2007. Ms Winearls’ contribution was to the first volume. The files contain correspondence, contracts, notes, and source material. Drafts of the manuscript are in Series 8.

B2016-0009 contains research Ms Winearls did on Canadian bird artist J. Fenwick Lansdowne from 2000-2013. Included are original photographs of the artist, interviews, notes, compiled bibliography and exhibition list. There is also collected photocopies of ephemera relating to the artist, reviews of his works and exhibition catalogues. Finally, Winearls collected copies of correspondence and contracts between Lansdowne and his agent Bud Feheley (restricted to 2035).

B2022-0005 consists of research and working files related to Ms. Winearls research for her articles on another Canadian bird artist, Allan Cyril Brooks, and her Catalogue Raisonné of Brooks’ artwork. The records primarily contain notes and annotated copies of source materials related to Allan Brooks’ biography and chronology; auctions and sales of Brooks’ artwork; related bird artists such as Louis Agassiz Fuertes and George Lodge; critical articles about Brooks by bird artists; and Brooks’ correspondence from various archival sources (Blacker-Wood Library of Zoology at McGill University; British Columbia Archives/Royal British Columbia Museum; Canadian Museum of Nature in Ottawa; Natural History Museum in London, UK; Cornell University Library; Harvard Museum of Comparative Zoology; and the National Audubon Society in New York).

Some of the research files focus on special aspects and problems related to the Brooks’ catalogue including undated works; sketches, and his paintings and illustrations in The Condor, William Leon Dawson’s Birds of California, Birds of Washington, Howard Smith/ Domtar calendars, National Association of Audubon Societies (NAAS) educational leaflets, Recreation, the Taverner Birds of Western Canada, and other illustrated books. These files also include photographs of sketches and undated works as well as copies of loose sketches and one of Brook’s sketchbooks that were owned by J. Fenwick Lansdowne.

The remaining files within this series consist of correspondence, notes, art lists, and some photographs related to collections of Brooks’ art at Canadian institutions including the Glenbow Museum, Belkin Gallery, Greater Vernon Museum Archives, the Vernon Art Gallery, the Blacker-Wood Library of Zoology, and the Canadian Museum of Nature; American institutions including the Moore Laboratory of Zoology (MLZ)(Occidental College), UCLA, the Museum of Vertebrate Zoology (UC Berkeley), the San Diego Natural History Museum, Peabody Museum of Natural History, the Massachusetts Audubon Society Visual Arts Centre, the University of Michigan, Cornell University, Virginia Tech University, and Washington State University; and various private collections including the Allan Brooks Jr. Family Collection. Drafts of the Allan Brooks Catalogue and articles are in Series 7.

NOTES

[1] The descriptive portion of this series is drawn largely from notes provided by Ms Winearls in a container list she provided to the compiler of this inventory.

New Music Concerts fonds

  • OTUFM 19
  • collection
  • 1971-2020

Fonds consists of the administrative records of New Music Concerts (NMC), from its first concert in 1972 to 2020. Records consist of administrative and financial records, including correspondence with composers, performers, and concert venues, budgets, grant applications, and board meeting minutes; concert planning documents, including touring records; and promotion and publicity documents, including programs, brochures, posters, reviews, advertisements, and press releases. The fonds also includes select audio and video recordings of NMC concerts.

New Music Concerts

Oral history interview with Ikem Opara conducted by Ruth Belay

Ikem Opara, currently Director of National Learning Partnerships at the Rideau Hall Foundation, was an international student at UofT’s St. George campus. His active involvement at the University included executive roles with Black Students’ Association (BSA), playing Varsity football, and membership in organizations such as the Alpha Phi Alpha fraternity, the African Students’ Association and the Nigerian Students’ Association. Opara describes the personal impact that these organizations had in forming deep social connections, while emphasizing throughout the interview their commitment to create spaces of belonging on campus that reflected both racial and ethnic identities. He recounts many of the BSA’s and Alpha Phi Alpha’s activities, including mentorship initiatives, talks, social events, and discusses their underlying goals, particularly regarding the strategic use of space to highlight Black presence at the University. He reflects on the BSA’s engagement in issues such as representation within curriculum and broader community activism around police violence in the city, while also reflecting on challenges faced at UofT.

Organizations

  • Black Students’ Association (BSA)
  • High School Conference, Black Students’ Association
  • BLACKLIGHT, Black Students' Association
  • African Students’ Association (ASA)
  • Alpha Phi Alpha Fraternity, Inc. (AΦA)
  • Nigerian Students’ Association (NSA)
  • Tan Furu
  • UofT Korean Students’ Association (UTKSA)
  • Hart House, UofT

Subject Topics

  • Acculturation
  • Varsity sports
  • Mentorship
  • Equity in education
  • Community engagement
  • Solidarity networks
  • Social networks
  • Food
  • Organizational memory
  • Institutional response
  • Institutional racism
  • Funding of student groups

Martin Lawrence Friedland fonds

  • UTA 1294
  • collection
  • 1868-2020

Fonds consists of six accessions of records documenting the life of Martin L. Friedland, as a student, professor of law and administrator at the University of Toronto; as an expert on legal matters and a contributor to the formation of public policy at the provincial and federal levels; and as an author of several books and numerous articles, in particular the researching and writing of his book University of Toronto: A History (University of Toronto Press, 2002 & 2013).

See accession-level descriptions for further details.

Friedland, Martin Lawrence

UTARMS' Oral History Collection on Student Activism

  • UTA 0302
  • Collection
  • 1972-2020

Collection includes seventeen oral history interviews focused on illuminating the impact of student action and initiatives across UofT’s three campuses. Themes within the interviews cover a broad range of topics including community building and mentorship, institutional response, and the deep personal and educational value drawn from commitments to systemic change.

University of Toronto Archives and Records Management Services

Oral history interview with Dena Taylor conducted by Ruth Belay

Dr. Dena Bain Taylor, a retired faculty member in the Department of English at the University of Toronto, attended the University at its St. George campus as both an undergraduate and graduate student. While the interview touches on the early experiences Taylor had as a student, it focuses on the period between 1968 to 1973 when she was a resident of Rochdale College. She describes the foundation and structure of the residence, including identifying key individuals, concurrent initiatives, funding sources, and the external issues that shaped the residence. Throughout the interview, Taylor reflects on the philosophical underpinnings that were central to the collective ethos of the space and its genesis as a centre for experiential learning, activism, arts, spirituality, experimentation and place-making. The interview captures aspects of Rochdale’s impact, including the activities of involved individuals, the influence of American political thought, as well as the organizations and initiatives that were developed there. Taylor speaks to some of the issues that surfaced in the residence such as sexism, sexuality, and mental health, as well as how these issues were portrayed in the media. In discussing her own experiences and reflecting on the broader significance of the College, Taylor details and questions how the residence fundamentally challenged the status-quo.

Organizations

  • Rochdale College
  • Hart House, University of Toronto
  • Indian Institute
  • Campus Co-operative
  • Toronto Community Housing

Subject Topics

  • Experiential learning
  • Alternative education
  • Co-operative and collective models
  • Housing
  • Counter-culture
  • Arts
  • Back-to-the-land movement
  • Financial access to post-secondary education
  • Sexual freedom
  • Draft evasion
  • Spadina Expressway

Public relations, promotion, and marketing materials

Series consists of public relations and promotional materials created to promote Esprit Orchestra and their performances, including programs, posters, concert season brochures, flyers, advertisements in newspapers and magazines, newspaper clippings of reviews, promotional photographs, posters, and other general marketing materials.

Robert Allan Spencer fonds

  • UTA 1797
  • collection
  • 1919-2020

This fonds documents the administrative and teaching duties of Robert Spencer, as a Professor Emeritus of History and a specialist in European history, especially German history in the 19th and 20th centuries. They also document his education and his participation in World War II; his extensive international research, publications and speaking engagements; as well as his involvement with professional associations and organizations such as the University of Toronto Contingent, Canadian Officers Training Corps (COTC), the International Studies Programme and the Graduate Centre for International Studies, Altantik-Brücke, and the Conference on Security and Co-operation in Europe (CSCE). Included is personal correspondence, correspondence with international organizations, government departments, embassies and consulates; lecture notes; manuscripts and addresses.

Also present are two sous-fonds. The first is the personal papers of his wife, Ruth Margaret Church Spencer, who served with the Women’s Royal Canadian Naval Service (WRENS) during World War II as a base librarian and afterwards as the first professional librarian at Canada House in London. The second consists of files compiled by Ralph Flenley, a specialist in German history and sometime chair of the Department of History: examination questions, student mark books, and drafts of an unpublished manuscript on Anglo-German relations.

This fonds consists of five accessions, described below:

B1972-0020

Correspondence, minutes, memoranda, notes, reports, and press clippings documenting the activities of the Faculty of Arts and Science Constituency of the President's Council of the University of Toronto, as assembled by Professor Robert Spencer while a member of the Council. In addition to Council minutes and related material, there are files on several presidential advisory committees, the Advisory Planning Committee of the Board of Govemors, the University's Master Plan, the School of Hygiene, tenure (Haist Committee), and the Council's Sub-committee on Resource Planning. Included is material documenting the participation of professors C. B. Macpherson and J. B. Conacher.

B1977-0010

Correspondence, memoranda, briefs, minutes, posters, architectural plans, maps, and press clippings documenting Spencer's role in various University administrative bodies including: the Board of Governors Property Committee, 1969 – 1972; the Program Committee of the Commission on University Government, 1969 – 1970; the President's Council, 1969 – 1970; the Committee on Accommodations and Facilities, 1969 – 1972; the Capital Planning Committee, 1971; the Sigmund Samuel Renovation Committee, 1972; Faculty of Arts and Science Library Committee 1967 – 1969; and the Library Council Executive Committee 1965 – 1969. Also includes records of committees relating to stack access issue to the new Robarts Library (the Heyworth Committee), 1971 – 1972, and to the use of the Sigmund Samuel Library 1970 – 1972.

B2010-0024

Personal records of Robert Spencer, Professor Emeritus of History and a specialist in European history (19th and 20th centuries) that document his administrative and teaching duties at the University of Toronto, his research, writings and editing, and addresses, and his involvement with professional associations and organizations such as the COTC (University of Toronto), and the U of T International Studies Programmes, Atlantik-Bruecke, the Conference on Security and Co-operation in Europe (CSCE), the federal government, and German diplomatic bodies and institutions.

B2013-0005

Further personal records of Robert Spencer, Professor Emeritus of History, documenting his education, his military service during World War II; his post-war studies at Trinity College and the University of Oxford; his administrative duties at the University of Toronto, his editorial work, his extensive travels as a researcher and speaker, and his writings, including the history of U of T Contingent, Canadian Officers’ Training Corps (COTC) project.

Also present are two sous-fonds. The first is the personal papers of his wife, Ruth Margaret Church Spencer who served with the Women’s Royal Canadian Naval Service (WRENS) during World War II as a base librarian and afterwards as the first professional librarian at Canada House in London. Includes correspondence, certificates, addresses, diaries, photographs, reports, maps, interviews, and memorabilia. The second consists of files compiled by Ralph Flenley, Professor Emeritus of History: examination questions, student mark books, and drafts of an unpublished manuscript on Anglo-German relations.

The arrangement of this accession closely follows the file listing provided by Professor Spencer, with some rearrangement and addition of information, as deemed necessary.

B2022-0014

This accession includes a Challenge Coin created for Robert Spencer’s 100th birthday and a note that describes its iconography.

Spencer, Robert Allan

Stratton-Clarke collection

  • OTUFM 57
  • Collection
  • 1899-2020

Collection consists of approximately 6,500 78 rpm records, and the personal papers of one of its collectors, John Stratton. Stratton's personal papers provide contextual information about one of the collectors of the "Stratton-Clarke Collection," and primary source material relating to his research of historical vocal recordings and recording practices.

The 78 rpm record collection spans nearly the entire history of 78 rpm record production, from acoustic recordings to early electronic recordings and beyond, covering the first half of the twentieth century. The recordings are primarily pressed on shellac discs, ranging from 7 to 14 inches on diameter, and capture performances of approximately 1,000 vocalists, performing the works of more than 900 different composers on at least 100 different labels. The collection was loosely built on four of Stratton's main interests regarding historical vocal recordings: the "Golden age of singing" (pre World War One); the Mapleson recordings (live Metropolitan Opera performances captured on wax cylinders by Lionel Mapleson between 1900 and 1904); Canadian performers; and pre-revolutionary Russian recordings (pre-1917). The collection includes unpublished and test pressings, as well as published materials.

Stratton, John

Vivian M. Rakoff fonds

  • UTA 1682
  • collection
  • [194-]-2020

Fonds consists of records documenting the professional, personal and creative life of Dr. Vivian Rakoff, psychiatrist, administrator and professor. Records include correspondence, certificates, articles, research and background material, creative writing, sketches, and records relating to Dr. Rakoff’s many appearances on CBC programs, including tapes of the shows.

See series descriptions for more information.

Rakoff, Vivian M.

Joan Winearls fonds

  • UTA 1964
  • collection
  • 1956-2020

Records of Joan Winearls, map librarian at the University of Toronto, consisting of correspondence, course and lecture notes, addresses, diaries, articles, research files for and drafts of the manuscript of "Mapping Upper Canada, 1780-1867", articles on Allan Brooks, and her Catalogue of Allan Brooks artwork. There are also conference files, relating in particular to the Canadian Cartographic Association, the International Cartographic Association, and the Conference on Editorial Problems 1993 conference in Toronto, ‘Editing Early and Historical Atlases’. There are also exhibition files associated with this conference and with ‘Mapping Toronto’s first century’, a 1984 exhibition mounted as part of the 200th anniversary celebrations of the City of Toronto.

Winearls, Joan

Personal and biographical

This series contains material relating to Professor Spencer’s birth, childhood and later birthdays; childhood stories, plays, and poems; reunions and other post-graduate activities at McGill University and the University of Oxford; honours received; and files relating to the residences that he had owned. Also present are copies of his curriculum vitae, security documents regarding the Department of External Affairs, and material reflecting his long association with the Canadian military in the form of Remembrance Day ceremonies and VE-Day and other celebrations related to World War II.

Oral history interview with June Larkin conducted by Ruth Belay and Daniela Ansovini

Dr. June Larkin, former Director of Equity Studies and professor in the Women and Gender Studies Department, completed her graduate studies at Ontario Institute for Studies in Education (OISE) in 1993. Larkin describes her involvement in the creation of OISE’s Sexual Harassment Caucus, a group formed to address sexual harassment at the institution through policy and education. With seventeen years of prior experience as an elementary school teacher, Larkin shares how this advocacy shifted her doctoral work to focus on sexual harassment in high schools and also led to developing educational toolkits and workshops to support school boards looking to implement their own policies. In discussing her research, community-based initiatives, and teaching, she reflects on the definition of activism and many forms it can take. Within the context of the Equity Studies Program more broadly, she notes the ways in which she and other professors have worked to respond to the shifting interest of students, particularly to support their engagement in issues at and beyond the University.

Organizations

  • Ontario Institute of Studies for Education (OISE)
  • Sexual Harassment Caucus, OISE
  • Sexual Harassment Resistors Everywhere (SHREW)
  • Equity Studies Program, New College, University of Toronto
  • Women and Gender Studies Institute, University of Toronto

Subject Topics

  • Women’s movement and feminism
  • Sexual harassment policy
  • Violence against women
  • Equity in education
  • Intersectionality
  • Equity Studies
  • Sexual health
  • Community engagement
  • Institutional response
  • Occupy! Movement
  • Activist scholarship

Additional material

Includes scans of ABUS, a publication produced by the Association for the Advancement of Blacks in the Health Sciences (AABHS), The Auricle, a Black Medical Students Association (BMSA) publication, and additional clippings. File also includes Dr. Wharton's speaking notes for the 2020 BMSA anniversary and a portrait taken during interview.

Roman Bittman and Marilyn Belec Bittman fonds

  • CA ON00349 2021.013
  • collection
  • 1941 - 2020

The Roman Bittman and Marily Belec Bittman Fonds is separated based on Roman and Marilyn’s projects and business under these series:
Series 1 – 11
Series 1: Program environment
Series 2: Anglosea Guides
Series 3: NAAF Business – National Aboriginal Achievement foundation
Series 4: Man Alive
Series 5: Agenda and Journals
Series 6: Awards
Series 7: Roman Files
Series 8: Family History
Series 9: NSFDC – Nova Scotia Film Development Corporation
Series 10: APTN – National Indigenous Television Network
Series 11: Mobius Productions

Series 1: Program environment
The first Roman Bittman and Marilyn Belec Bittman collection series is from the National Film Board (NFB) Program Environmental—a research film funded in 1974. The series consists of research notes, conceptual analysis, and the proposed working plan for other films to be produced by the National Film Board.
Series 2: Anglosea Guides
The second series consists of documents used in research and support of the documentary Anglosea. The files include research notes and other supporting documents. Records include the Anglosea Scheduling for Scriptwriting overseas (with additional written information), correspondences, schedule of visits on board Baltic and Oresund Ferries, and schedule of the Programme of Mr. Roman Bittman’s visit to the Arab Maritime Transport Academy. It also includes various business cards from the Ministry of Canada, transportation companies from Canada and international business cards (mainly Arab countries). The documents also contain guidebooks of the area and a navigation booklet for the teachers and students for the St. Lawrence seaway. The International Maritime Lecturers Association approved both manuals.
Series 3: NAAF Business – National Aboriginal Achievement Foundation
The National Aboriginal Achievement Foundation (NAAF) is a charitable organization dedicated to raising funds to deliver programs that provide the tools necessary for Aboriginal peoples, especially youth, to achieve their potential. The Foundation has awarded more than $37 million in scholarships and bursaries to more than 9,800 First Nations, Inuit, and Métis students nationwide. Roman Bittman produced the National Aboriginal Achievement Foundation Awards show, and he also served as the organization’s interim CEO.
The series contains business cards of various government offices and businesses involved in supporting the NAAF. It includes the NAAF Five-year plan 2006-2010 as Roman Bittman’s acting CEO; it also consists of the verbatim of what he said and has comments to his plan. The series contains the planning and description of the National Aboriginal Achievement Awards. Business records includes the schedules for the Ottawa Meetings of the National Aboriginal Achievement Foundation with John Watson, Mark Wilgen, Dahlia Stein, Jascha Jabes, Rick Hansen, and Pat Martin MP. Email correspondence on various business proposals and Roman Bittman assuming acting CEO duties. Lastly, the series also consists of financial documents for the NAAF.
Series 4: Man Alive
The fourth series focuses on the writings of Thomas Merton. Merton was an influential American Catholic author of the twentieth century. His autobiography, The Seven Storey Mountain, has sold over one million copies, and he wrote over sixty other books and hundreds of poems and articles on topics ranging from spirituality to civil rights, and the nuclear arms race. The collection contains audio tapes of the interview and writings of Thomas Merton for Roman Bittman’s production, Man Alive. The tapes are titled Letter of Bernaro to Robert – Peter the Venerable letter of Defense; Race situations – St Basil Ascetical Discourse; Abelard and his Lark of Spiritual Insight; Silence and Makins signs; Poetry and Song; Chinese thought; and other tapes based on Thomas Merton travels.
Series 5: Agenda and Journals
The fifth series contains the agendas and journals that once belonged to Roman Bittman. His journals write of his personal life, but mostly his work, such as his research on Thomas Merton, his trip to Norway, sea battles in WWII and NATO. The agendas consist of meeting schedules, films he worked on, the contact information of his colleagues, and his travel and shooting schedules of various locations, such as his trip to Prince Edward Island, Miami, and Washington, DC. It also includes the agenda that belonged to Marilyn Belec, with her daily schedule and contact list of her colleagues.
Series 6: Awards
The sixth series consists of awards that Roman Bittman won during his extensive career and honoured after his death. Awards for his short films, early films and documentaries include the Screen awards, CFTA film awards, Family Life Film award, Banff International, American Film Festival and many more national and international Film Festival awards. It also includes the National Aboriginal Achievement Awards, which he attended and wrote a message in the award booklet. After his death, many people in the entertainment and the Indigenous community came together to celebrate, honour, and recognize Roman Bittman’s life works. Many include speeches on his achievements, tribute letters, and people sending in letters to various awards nominating him after his death.
Series 7: Roman Files
The seventh series consists of Roman Bittman’s files for researching various films, company correspondences, and corporate financial papers. Documents consist of research and proposals for the potential work of the Pilgrimage sent by Roman Bittman when he was a part of Marilyn Belec Bittman’s company, Mobius Media Corporation. Furthermore, he spent his time at CBC News before becoming a producer of the documentary series The Nature of Things. The seventh series also includes his travel documents and souvenirs. His academic and personal documents include his personal poem and writings; his Ryerson University (now called Toronto Metropolitan University) letters and photos of Ryerson class reunion, touring Ryerson’s new Rogers Communications Centre with his old classmates.
Series 8: Family History
The eighth series focuses on the research done on Roman Bittman’s family history and lineage. Documents include Roman Bittman’s Genealogy Chart. Roman Bittman’s aunt, Sarah Norjard, researched papers he collected in 1992. Research notes contain photography of Sarah and Roman with family, articles from the Record-Gazette and his Métis card. It also includes his family connections towards the Bourassa and St. Germain families, two notable family members in their province’s history.
Series 9: NSFDC – Nova Scotia Film Development Corporation
The ninth series contains his development in the Nova Scotia Film Development Corporation (NSFDC). Documents include press releases from the NSFDC from the board of directors’ appointments and letters from various media companies such as Screen Star group and Mobius media production—project letters for the plans to build and operate the province’s first full sound stage. It also includes a discussion on Roman Bittman’s contract as he served as President of the Nova Scotia Film Development Corporation but was later dismissed in 1996 after the NSFDC board rejected his financing plans for the sound stage.
Series 10: APTN – Aboriginal Peoples Television Network
The tenth series of the fonds contains documents of Roman Bittman’s involvement in the Aboriginal Peoples Television Network (APTN). Bittman was an early advisor to the Aboriginal Peoples Television Network which was launched in 1999 as the first national Indigenous broadcaster in the world. Since then, the network has become a global leader in programming that celebrates the rich diversity of Indigenous Peoples across Turtle Island and beyond. The documents include the Aboriginal Broadcast Talent Directory book from the Centre for Aboriginal Media (CAM), press clippings on Roman Bittman establishing the National Aboriginal Television Network and business cards from various production companies, government cards, finance, and Hotel cards. Lastly, it includes the APTN Board of Directors/AGM Meeting and conference binder that provided investors and producers information on the APTN mission and the agenda for the APRN Teleconference meeting.
Series 11: Mobius Productions
The last series within the fonds is Roman and Marilyn Belec Bittman’s career and work in Mobius Media Productions. Marilyn Belec Bittman was president of the independent production firm, Mobius Productions, and Roman was a partner. Documents entail their correspondences on their various films and productions—government letters from the Ministry of Skills Development, Labour Canada, and other partners. Lastly, it includes corporation magazines and financial works such as Mobius Productions guide to film titles and price lists.

Bittman, Roman and Belec Bittman, Marilyn

Correspondence

Series consists of various correspondences received by Father Donovan between 1990 and 2020, largely pertaining to the Donovan Art Collection. Correspondences include cards, printed emails, and notes sent from students, St. Michael's College faculty, collection visitors, artists, curators, and more. Some files include photographs and other printed material sent to Father Donovan as enclosures, as well as texts created by Father Donovan for different art events and lectures. In some instances, a copy of Father Donovan's typed response is also included in the file.

Montcalm and Wolfe

  • CA OTUTF wolfe 00008
  • Collection
  • n.d.

2 volumes holding various collection of illustrated portraits, views, autographs, maps, and extracts.

[Book of German chromolithographed trade label samples]

  • CA OTUTF M-10 00323
  • Collection
  • n.d.

Collection of 558 chromolithographed trade labels intended for the Indian and Chinese market.
Many samples bear the names of the colours, places of manufacture, and names of local merchant companies in China and India including Carlowitz & Co. and Manilal Mooljee.
Probably produced by Paul Israel in Werra, Germany.
Samples are illustrated with Asian and Indian motifs, and include mythological and religious figures, including characters from Journey to the West

J.K. Chambers fonds

  • UTA 1139
  • collection
  • 1957-2019

The fonds is arranged and described in ten series documenting Jack Chambers’ 50 year career as professor of linguistics, primarily at the University of Toronto, and his external activities as a forensic linguist, consultant and his passion for jazz. Series 1 contains personal records relating to his appointment, salary, and annual activity reports as a member of the faculty of the University of Toronto’s Centre (and later Department) of Linguistic Studies and also includes some personal correspondence. Series 2 relates to his administrative activities in the Department and the University. Correspondence is included in Series 3 and 4. Series 3 contains letters of reference and evaluation for students and colleagues. Series 4 contains more general correspondence with colleagues within and outside the University in the field of linguistics, with some correspondence predating his arrival at the University of Toronto. Series 5, Jazz, contains files of correspondence, manuscripts, research, reviews, evaluations and other records documenting his special interest in this subject. Series 6 documents his teaching activities and contains course files, examination questions and tests as well as student evaluations for some of the courses he has taught and correspondence with former students. Series 7, Consulting, contains files relating to his activities as a forensic linguistic and consultant in criminal and civil court cases, as well as written testimony for Trademark cases. Records relating to his publication activities will be found in Series 8 and 9. The majority of the files of articles (published and unpublished) relate to academic writings in the field of linguistics. Series 9, Books, contain manuscripts and correspondence documenting his books on two jazz musicians (Miles Davis and Richard Twardzik), and one unpublished novel. There are no manuscripts for his books written or co-written on the field of linguistics. The final series, Series 10, documents a 10 year research project on Dialect Topography on various Canadian regions.

Chambers, John Kenneth (Jack)

Lectures and conferences

Series consists of posters for lectures and conferences hosted by university offices, departments, faculties, and student/alumni groups. Topics in include science, astronomy, politics, archaeology, medicine, literature, history, philosophy, theatre, theology, law, current events, and higher education. See item listing for more details.

Writings and lectures

Subseries consists of records relating to John Beckwith's books, lectures, and articles, both published and unpublished. Materials include drafts, research notes, newspapers clippings of reviews, and related correspondence.

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