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The collection of files for Exile, which is published in Toronto, contains manuscripts with notes, revisions, instructions to the printer, and galley proofs for poems, short stories, essays, plays and art which appeared in Exile from 1972 to 1995.

Correspondence, administrative material and membership files (membership files are kept in unnumbered boxes arranged numerically by membership number). Typescripts of several of the Society’s publications and manuscripts of other works not published by the Society.

Drafts of published and unpublished works, notes, correspondence, business records and correspondence, cassettes of readings, reprinted appearances, scrapbooks.

This collection consists of material related to Dennis Lee’s professional life, including correspondence, editing files and notes, literary manuscripts, drafts, and related materials, including reviews, clippings, publicity, tapes, children’s fan mail and memorabilia.

Includes manuscripts, correspondence, books, and other material for Yesno [other titles ‘Fiat’, ‘Testament’, ‘Is’, ]; Alligator Stew: favourite poems by Dennis Lee; The Bard of the Universe [other title ‘The Lunatic Muse’]; essays; in-progress work; jacket blurbs; audio and video material; extensive editing material; about Dennis Lee; Jelly Belly; ‘Cadence, Country, Silence’(later title Body Music); extensive editorial and mentorship work; original holograph notebooks containing early poem drafts; blurbs, correspondence and other material related to the work of Dennis Lee on the Toronto Legacy Project and Plaques Programme with Heritage Toronto; Fraggle Rock cue sheets and payments; La dimora del cuore/Heart Residence (Longo translation); about Civil Elegies; board books for children, including drafts of text, correspondence and drawings by illustrator; works based on Dennis Lee material, including music and plays; other correspondence and material by and about Dennis Lee.

The collection contains a variety of business, personal and family correspondence, photographs, drawings and paintings, printed appearances and materials, galleys, and notebooks as well as Fetherling’s correspondence files, 1959 to 1990.

Douglas Fetherling’s literary papers include drafts, galleys, notes, printed appearances and his art work, as well as significant information on literary works and on well-known and aspiring Canadian authors. Authors forwhom files exist (Atwood, Fulford), are listed in the Container List. There is also correspondence with well-known and alternate presses, such as Fifth House and Broadview Press.

The Fetherling family papers have family correspondence and photographs along with material about Fetherling’s father’s work for an American company that manufactured weapons in the early 1940’s.

Consists largely of manuscript material for Fetherling’s novella, Tales of Two Cities. It also includes correspondence, both editorial and personal.

Includes drafts, research, proofs and other material related to the ‘Crang’ novels: Crang Plays the Ace; Take Five; Keeper of the Flame; Riviera Blues; Blood Counts; Booking In; drafts, notes and research for a young adult biography of Oscar Peterson, Oscar Peterson: the Man and His Jazz; research and notes for a history of the Toronto Maple Leafs, The Leafs; 100 Years of UTS; Whodunit columns for The Toronto Star (1999-2017) and other material related to the work of Jack Batten.

Death of a Lady’s Man: author’s proofs with some holograph revision; master proofs; first and revised proofs, illustrations; cover designs and layout, all June 1977; photos; The Language of Flowers —manuscript book presented to Suzanne Elrod by Leonard Cohen in 1970; awards, Leonard Cohen fan event, Montreal, May 2000; record from York University Radio; posters—one signed by Harry Rasky to Cohen, from Chagall film and other material.

This year’s accession of Margaret Atwood Papers complements and builds on the Atwood papers held at the Fisher Library. It includes the manuscript drafts of The Year of the Flood (published 2009), along with editorial material (manuscripts, galleys, correspondence) for other Atwood books and projects including Rude Ramsey and the Roaring Radishes, Payback, the stage version of The Penelopiad, The Blind Assassin, The Handmaid’s Tale, among other titles, and also includes various speeches, book reviews and other writing work.

Includes drafts, correspondence and other material for In Other Worlds: Science Fiction and the Human Imagination; essays, short pieces, speeches, activism, charitable pursuits, publishing and personal correspondence, books in translation and various editions, DVDs and CDs of appearances, posters, flyers, and other material related to the life and work of Margaret Atwood.

Contains writing by Atwood, including essays, poetry and speeches. Accession also contains personal and miscellaneous materials
such as writing from other authors and awards. Accession includes correspondence to Atwood, letters and notes stored within books,
as well as publications featuring Atwood’s writing and interview transcripts.

This accession consists primarily of small press materials – imprints, chapbooks, zines, broadsides, as well as a number of small press catalogues – that Hryciuk has collected over the years. It’s a broad selection, and includes materials from many noted Canadian small press publishers, including Curvd H&z, Underwhich Editions, Gesture, above/ground press, Unfinished Monuments, and numerous self-published materials. Among the authors represented are bp nichol, jw curry, Stuart Ross, David UU, Mark Laba, Rob McLennan and Gary Barwin, among many others.

Consists of material – including manuscripts and proofs – for Prose Karen (Toronto: Nietzsche’s Brolly, [2007]), an anthology of poetry, prose and concrete/visual poetry, edited by Marshall Hryciuk. It also includes correspondence and other material related to Hryciuk’s work.

This accession of Marshall Hryciuk’s papers includes poetry notebooks, Imago Press files, and other files related to his life and work.

Contains series:

1. Notebooks
2. Imago Press Files
3. Work files, publications.

This latest accession complements and builds on the previous collection of Martin Hunter’s papers (MS Coll 00511). It includes manuscript drafts of various plays and musicals written by Hunter, as well as materials (programs, notes and photographs) associated with productions directed and/or written by Hunter. It also includes a substantial amount of correspondence, both personal and business, including letters written and received by Hunter from the 1950s.

This collection consists of manuscript drafts for various Harris projects, including her chapbook The Raven and the Writing Desk (illustrated by Kelly Aitken and published by Jack Pine Press, 2007), drafts for various freelance writing projects, including blurbs.

This accession of Maureen Scott Harris’ papers include materials relating to writing and literary projects (undertaken by the author individually or with collaborators); drafts and proofs for the Fieldnotes Chapbooks series; a significant amount of correspondence with specific individuals (Lynda Lange, Norma Lundberg, Barry Dempster, Irene McGuire), as well as general professional correspondence; course packs and notes relating to an Environmental Issues class at the University of Toronto, for which Scott Harris was a guest lecturer; materials used in the organization of various literary events and readings; along with books, pamphlets and a small amount of AV material.

This accession of Maureen Scott Harris’ papers includes a significant amount of correspondence, both personal and professional. It also contains material relating to the Renga 9 collaborative poetry project, and to a number of Fieldnotes publications: The Original Title by Elizabeth Hay (2016), The Spaces Between by Christina McCallum (2016), and Wilderness on the Page by John Steffler (2017). Also included are numerous drafts of Scott Harris’ works At the Exact Speed Necessary / Learning My Father’s Death (2005-2016), and Waters Remembered (2015), along with travel diaries, personal calendars and photographs, and a number of poetry chapbooks published in Canada.

Contains Series:

1. Correspondence
2. Literary Projects & Other Writing
3. Published Works by Scott Harris
4. Readings & Press Coverage
5. Personal Material
6. Audio / visual material
7. Published works by others
8. Programmes
9. Oversized material

Includes drafts, research and notes, photographs, editorial and other material related to Phyllis Grosskurth’s biographies of Melanie Klein, Margaret Mead, Freud and his circle, Lord Byron, Havelock Ellis and John Addington Symonds – the bulk pertaining to Klein, Byron and Freud material; psychoanalytical research, conferences and activities; personal and professional correspondence; travel and research

Russell Brown’s literary papers include his editorial and correspondence files from his tenure as editor of Lakehead University Review (1972-75); Descant (1978-83); joint editor, An Anthology of Canadian Literature in English (1982-83); and as poetry editor at McClelland and stewart (1983-88).

Correspondence files with writers, mainly Canadian, 1962 to 1993. Many ofthe letters, especially those from Laura Riding, concern Keith's editing ofthe University ofToronto Quarterly, 1976- 1985. Some correspondence includes a manuscript from the writer, or manuscript corrections to manuscripts. The lengthy files of correspondence with the Canadian writers and scholars, Hugh Hood, George Johnston, John Metcalfe, David Solway concern personal as well as literary matters.

This collection, a continuation of W.J. Keith’s Papers (see also MS Coll 303 and MS Coll 391), consists of literary correspondence, Keith’s collected poetry, his notes on Hugh Hood’s 12-volume The New Age (as well as photographs related to Hugh Hood), books and pamphlets relating to the Powys Circle, along with other misc. pamphlets and other imprints.

Includes manuscripts, correspondence and other material relating to Jack Macleod’s fourth novel, Elevation, first title ‘No Mean Pastime’ (as yet unpublished, re: Tommy Douglas and Medicare in Saskatchewan); his third unpublished novel, Uproar; his divorce from first wife, Barbara; correspondence with agents, editors, academics, authors and others; family correspondence; book reviews and journal articles

Includes drafts of his last novel, to be published posthumously in fall 2016, titled variously ‘No Mean Pastime’, ‘Elevation’ and finally ‘To Build a Better World’; notes and draft of ‘Advice Wise and Otherwise to my Grandchildren’ correspondence with children and grandchildren, Richard E. Spencer; undergraduate journal, 1952-1956; early writing; photographs and other material related to the life and work of Jack MacLeod, or J.T. McLeod. John Tennyson (Jack) McLeod passed away on September 22, 2016.