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Michael Redhill Papers With digital objects
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Michael Redhill Papers

Includes drafts, proofs, correspondence and other material related to Lake Nora Arms, Impromptu, What We Dreamt the Sky Was, Be Frank, Punishment, Consolation, ’A Kept Woman’, ‘Sugar Cloud’or ‘Mason of Tunica’; Martin Sloane; numerous early works and early drafts of later works; juvenilia, including animation cells for short films, ‘Atomic Man’ and others; artwork; schoolwork; audio-visual material; writing as Inger Ash Wolfe, drafts and proofs of The Calling; The Taken; A Door in the River; Ontario Film Development Corporation material; acting and directing material; personal correspondence, 1970s and 1980s; editorial correspondence: Coach House Press, Anansi Press, 1990s; and other material related to the life and work of Michael Redhill

Redhill, Michael

Michael Redhill Papers

Includes early fiction, 1982-1991, poetry and plays: Be Frank, Heretics, Deadwait, Mr. Stern is Dead, Building Jerusalem, Goodness, literary and personal correspondence, including with many writers such as Michael Ondaatje, Margaret Atwood, Don McKay, Linda Spalding, Esta Spalding, interviews with Dennis Lee, Michael Ondaatje and Don Coles, reviews by and about Michael Redhill; publishing; drafts, editing—including Andre Alexis, Elisabeth Harvor; research for Martin Sloane, Consolation, Goodness; print; Lake Nora Arms, Asphodel, Impromptu Feats of Balance and other poetry; short fiction and prose pieces; screenplays, plays and short stories: The Covered, a screenplay written by Michael Redhill and Michael Helm, Breakthrough, collections of short stories, Fidelity; ‘The Last Resort’ film treatment and other film and television projects; material related to Brick magazine, editing and publishing correspondence and other material. Michael Redhill was the proprietor and publisher of Brick magazine from 2003-2011, and an editor from 1998-2003.

Redhill, Michael