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This collection features the bulk of material associated with Alan Stein’s fine press imprint Church Street Press.

This gift is representative of Manguel's entire body of work, 1960s to 2002, from both his business and personal life. It includes drafts, revisions, manuscripts, galleys, illustrations, publisher's correspondence, person correspondence, photographs, printed appearances and other material. It includes material related to: A Dictionary of Imaginary Places; A History of Reading; Reading Pictures: A History of Love and Hate; News From a Foreign Country Came; Soho Square; Black Water; Other Fires; Meanwhile in Another Part of the Forest; Into the Looking-Glass Wood; Mothers and Daughters; Fathers and Sons; God's Spies, and many other translations, anthologies, articles, conferences, literary juries and other projects Manguel has been involved with. Manguel maintains correspondence with a fascinating array of authors, publishers and many other notable people.

Includes drafts, notes, galleys, correspondence and research related to: With Borges; Stevenson Under the Palm Trees; Solitary Vices; la leyenda dorada; Chesterton; Lamentations; le poète mourant (Henrich Heine); translations and different issues of A History of Reading; other authors' work; reviews written by Manguel for various publications; adaptations for CBC; essays; videotapes; reel-to-reel audio tapes; CD-ROM; audio cassettes; Bestiario (special book with loose pages in handmade silk box by Spanish artist Salvador Retana, with text by Manguel; only 10 in total made by the artist); Christmas and birthday cards; ink, pencil and watercolour sketches and drawings by Manguel.

This first accession of Allan Stratton’s papers includes a significant amount of juvenilia from elementary school to university; various play and manuscript drafts; photographs; correspondence (predominantly with family and friends); financial records; reviews; posters and promotional items from plays, as well as and other material related to his life and work, from as early as the age of 10 (1961) until 2011.

This accession of Antanas Sileika’s papers includes manuscripts for his book, The Barefoot Bingo: a memoir (2017); files pertaining to the Humber School for Writers; and research files relating to Dr. Tillson Lever Harrison.

This gift contains Proofs and Design Drawings for C. Toselli’s Immobile correndo (Motionless in Motion) from proofs to deluxe edition, Crispin Elsted’s A Natural History of Surprise, Abigail Rorer’s Endgrain Editions Two, Arnold Shives’ Mountain Journal, and miscellaneous. There are also Proofs and Design Drawings for Founts and Circumstance and A Sloth of Bears,

This accession consists of the manuscripts, illustrations, page proof sheets, correspondence and other editorial material for Barbarian Press books released between 2002 and 2005, including: Endgrain Editions Three: Peter Lazarov (2002), John Keats’ Eve of Saint Agnes (2003), Hoi Barbaroi: A Quarter Century at Barbarian Press (2004), Emily: Opposites Attract (2004), Carlo Toselli’s What is Time? (2004) and John Loney’s Gallipoli (2005). It also contains material for smaller, miscellanous Barbarian Press projects, including catalogues, wedding invitations and broadsheets.

The collection of files for Exile, which is published in Toronto, contains manuscripts with notes, revisions, instructions to the printer, and galley proofs for poems, short stories, essays, plays and art which appeared in Exile from 1972 to 1995.

Includes corporate files from the Canadian Bata Shoe Company (including correspondence; legal and financial records; product development, marketing and promotional files; technical and production-related files, and human resources files). The bulk of the material was created by the Canadian Bata company, however many records relate to several of the organization’s international outposts, including companies headed in Africa, India, Asia and Europe. The collection also includes press clippings and other publications about the Bata Company and its historical significance. There are also a small number of Bata family records, primarily for Thomas J. Bata (1914-2008), Sonja I. Bata, Tomáš Baťa (1876-1932) and Marie Bata.

This second accession of work contains manuscripts, drafts, proofs, correspondence, reviews and other material related to Pedlar Press and the life and work of Beth Follett.

This accession contains manuscripts, drafts, proofs, correspondence, reviews and other material related to Pedlar Press and the life and work of Beth Follett.

Collection of printed works with extensive manuscript revisions, partly in author's hand, and 48 photos of actresses in costume as characters from Daughters of Dawn; miscellaneous photos of Bliss Carman and others.

Includes poetry submissions, manuscripts, book reviews, short prose pieces, journals, notes, drafts, photographs and other material related to his life and work as writer, librarian and musician.

Collection consists of notebooks and drafts of Whiteman's various writing projects, including poetry, book reviews, articles, lectures and other literary endeavours. There is also an extensive collection of research materials compiled for an unfinished bibliography of Contact Press, as well as correspondence.

Includes drafts and research for his work on Constantine Simonides; Frances Jammes; drafts, proofs and other material for Intimate Letters; personal and professional correspondence; reviews and other material related to the life and work of Bruce Whiteman

1982 Accession:
Correspondence, research notes and articles, offprints of his published research and of his colleagues including Banting and McLeod, his other writings and lectures, biographical material, photographs, films, slides, records, tapes, and cassettes.

2003 Accession:
Includes material related to the discovery of insulin at the University of Toronto; Margaret Mahon Best’s journals 1925-1984(75) describing their life and extensive travels following the discovery, plus several holograph notebooks about Sandy and Henry as
children, and from MMB’s childhood, 1914-1919; original course notes of Charles Best; original holograph insulin manuscript; research, drafts, correspondence and other material related to Margaret and Charley by Henry Best; letters of correspondence to
MMB and HB regarding the death of Alexander (Sandy) Best and Charles Best; letters scientific to Dr. Best; ‘Dear Jessie’ letters from Linda Mahon on her travels with Margaret and Charley to her cousin Jessie at home in Toronto; H.H. Dale letters; photographic images of awards, citations, etc. given to CB; other material related to the discovery of insulin and the writing of the book on their lives by their son, Henry Best.

Collection of family papers and photographs; correspondence with Margaret Atwood concerning their collaboration on the design and printing of five of her books, 1964-1980; and drafts and working copies of the books; his paintings and other activities.

Collection is comprised exclusively of correspondence, including photographs and drawings from various friends and associates of Charles Pachter, many of whom are prominent Canadians. The collection contains personal and business material from the 1950s to 2001. The correspondence reflects Pachter's extensive and changeable career as an artist, including material from all of his exhibitions; for the retrospective of his work, Charles Pachter by Bogomila Welsh-Ovcharov; his close friendship with his mother and father ("Dibbles and Har") and his large circle of friends, fans and acquaintances. Pachter studied art at the Sorbonne in Paris, the Cranbook Academy of Art in Michigan and the University of Toronto. His involvement in graphic art production, papermaking, real estate, building renovation and Gracie's, his Queen Street West restaurant in Toronto are all documented here. The collection also includes material related to his work as writer, lecturer, informal Canadian historian and his extensive charitable pursuits.

Includes numerous photographs, documents, letters and other material related to Sara Pachter, Harry Pachter and the extended Pachter and Sanders families; Charles Pachter correspondence, 2000-2009; art-related events and projects; personal diaries (restricted); books inscribed to Pachter by the authors, including Margaret Atwood and Rick Salutin as well as various materials related to the life and work of Charles Pachter

This is the first accession of the Coach House Press (CHP) papers by the Fisher Library. It primarily includes files accumulated and maintained by Stan Bevington, founder of the CHP. (While Library and Archives Canada holds a significant amount of Coach House Press materials, Bevington held back many of his own personal files related to CHP, with the intention of donating them to the Fisher Library). The papers include accounting materials for the Press–price quotes, sales invoices, payroll information, etc. –and other materials related to the running of the CHP. It also includes material collected by Bevington, dubbed “Stan’s ephemera,” which contain handwritten notes written by Bevington, as well as correspondence, programs and other assorted and interesting items.
The collection is particularly noteworthy for its extensive collection of computer-related material, including the files for SoftQuad, the company co-founded by Bevington that was at the forefront of the digital age in publishing. Bevington is considered a publishing pioneer in the transition to digital technology from traditional typesetting.

Series consists of various correspondences received by Father Donovan between 1990 and 2020, largely pertaining to the Donovan Art Collection. Correspondences include cards, printed emails, and notes sent from students, St. Michael's College faculty, collection visitors, artists, curators, and more. Some files include photographs and other printed material sent to Father Donovan as enclosures, as well as texts created by Father Donovan for different art events and lectures. In some instances, a copy of Father Donovan's typed response is also included in the file.

David Dunlap Observatory scrapbook was prepared in 1934 by Jessie Donalda Dunlap for her son as a Christmas gift. The scrapbook contains letters, printed articles, clippings and photographs documenting the David Dunlap Observatory from its initial conception through it's construction and opening.

The Scrapbook, which measures 22" x 38" when open, was donated by the Dunlap family to the David Dunlap Observatory in 1968 where it resided in the main entrance of the Administration Building until 2008.

A collection of David Young's correspondence, literary manuscripts, business papers, and ephemera. Correspondence includes both business and personal matters from the late 1960s to 1995. The literary papers include multiple drafts and the galleys for his novels Incognito and Agent Provocateur, the notes and drafts for some of his most successful dramatic works, among them Fire, and Glenn, and many TV scripts. Also included are several of his adaptations of works by other authors for radio, such as Carol Shield's Swann, and Michael Ondaatje's In the Skin of a Lion and The English Patient. Drafts of works by other authors edited by Young and his own manuscripts edited by others, including Michael Ondaatje, are also included. The business papers relate to The Writer's Union of Canada, The Writers' Trust, The For/Words Foundation, Coach House Press and The Baffin Island Project. The ephemera documents the Toronto arts scene.

Collection consists of manuscripts edited by David Young by others such as Michael Ondaatje (Anil's Ghost); Margaret Atwood (Alias Grace); Kathy Acker (Blood and Guts in High School); draft manuscripts for Young's books, television, film and theatre scripts; background material for projects; personal and business correspondence; schoolwork and other personal papers, audio cassettes, financial information, posters and other ephemera from various productions of Young's work.

This collection consists of material, including manuscript drafts and correspondence, for various projects David Young worked on between 2004 and 2007. It includes "Sold", a project he developed for CTV, as well as his work for the TV program ReGenesis. it also includes material from various productions of his plays, Glenn and Inexpressible Island, among other projects.

Includes a complete archive of the work of Dennis Lee, beginning from the last accession in 1998 to the present; with material from: Bubblegum Delicious (2000); The Cat and the Wizard (2001); revised edition of Garbage Delight, subtitled Another Helping(2002); Pasticcio di Alligatore (2002); Un (2003); SoCool (2004); reprints of Alligator Pie and Jelly Belly; editing material; Toronto Poet Laureate Material; early (1957 on) and later literary correspondence; letters from children; critical reactions from children and young adults to his poetry and other material related to his life and work, such as the Queen’s Jubilee Luncheon. Includes some photographs.

Includes manuscripts, correspondence, books, and other material for Yesno [other titles ‘Fiat’, ‘Testament’, ‘Is’, ]; Alligator Stew: favourite poems by Dennis Lee; The Bard of the Universe [other title ‘The Lunatic Muse’]; essays; in-progress work; jacket blurbs; audio and video material; extensive editing material; about Dennis Lee; Jelly Belly; ‘Cadence, Country, Silence’(later title Body Music); extensive editorial and mentorship work; original holograph notebooks containing early poem drafts; blurbs, correspondence and other material related to the work of Dennis Lee on the Toronto Legacy Project and Plaques Programme with Heritage Toronto; Fraggle Rock cue sheets and payments; La dimora del cuore/Heart Residence (Longo translation); about Civil Elegies; board books for children, including drafts of text, correspondence and drawings by illustrator; works based on Dennis Lee material, including music and plays; other correspondence and material by and about Dennis Lee.

Includes drafts and other material related to The Prodigal; Steel; The Haytian Earth; Walker; Omeros; an Arthur Miller tribute; the Haitian Bicentenary Conference, as well as correspondence, short pieces, i.e. on Guillermo Cabera Infante, sketches, photographs, souvenirs, travel, conferences, honours and other material related to his life and work.

The collection contains literary papers relating to Walcott's poetic, theatrical and prose writings from the early 1980s to the mid-1990s. Holograph notes, rough drafts and revisions are included, as well as final drafts and galleys of publications. Many drafts are the result of a 'cut-and-paste' method using a variety of formats. These are referred to as "composite drafts" throughout. Many works, both poetic and theatrical, also include screen adaptations.

There is a small collection of material relating to Walcott's role as stage director, particularly with the Trinidad Theatre Workshop. The literary papers are complemented by sketches and watercolours by Walcott, often in the form of stage directions or film storyboards.

Collection of manuscript drafts for published and unpublished literary works; correspondence; ephemera; printed appearances / clippings relating to his readings and lectures.

Includes a script containing notes and extensive revisions of Ti-Jean and His Brothers; The Burial at Thebes script as performed on the Peacock Stage at the Abbey Theatre, Dublin, Ireland; The Prodigal various proofs; The Odyssey notes, drafts and correspondence; “For Elizabeth Hardwick” remembrance drafts; appearances and invitations; personal and professional correspondence; print; ephemera.

This collection consists of correspondence, scripts, photos, clippings, theatre programs and tapes covering the personal and professional career of Dora Mavor Moore. It excludes that part of Moore's career when she was director of the New Play Society and School. This material can be found in the New Play Society Papers (MS Coll. 228).

The collection contains a variety of business, personal and family correspondence, photographs, drawings and paintings, printed appearances and materials, galleys, and notebooks as well as Fetherling’s correspondence files, 1959 to 1990.

Douglas Fetherling’s literary papers include drafts, galleys, notes, printed appearances and his art work, as well as significant information on literary works and on well-known and aspiring Canadian authors. Authors forwhom files exist (Atwood, Fulford), are listed in the Container List. There is also correspondence with well-known and alternate presses, such as Fifth House and Broadview Press.

The Fetherling family papers have family correspondence and photographs along with material about Fetherling’s father’s work for an American company that manufactured weapons in the early 1940’s.

This gift of papers from the estate of Douglas LePan (1914-1998) includes diaries, journals, manuscripts, notes and correspondence relating to his career as a writer, diplomat and teacher as well as personal correspondence. It complements the collection of LePan Papers already in the Thomas Fisher Rare Book Library

The collection largely consists of letters written by Hughes to her mother describing her activities and giving information about her health and diabetic condition. The letters dating from August to November 1922 describe Hughes' experiences in Toronto where she was treated with insulin by F.G. Banting. The collection also contains photographs of Hughes and her family, dating from 1907 to 1951.

Includes proofs, photographs (New York City, 1967), holograph notebooks, printed appearances in numerous journals such as The New Criterion; Books in Canada; videotaped appearance at Bentley College, September 2, 2002; David Solway manuscripts; Correspondence with other writers, editors and publishers: John Black; Richard Outram; David Solway; Karen Mulhallen/Descant; Shlomo Dov Goitein; PhD thesis, Princeton; drafts and proofs of Al-Ghazali; gallies, correspondence and cover art for Daybreak at the Straits and Other Poems.

Includes correspondence (personal, publishing and editorial); drafts for articles; talks; unpublished works; ‘discarded poems’; photographs (E.O., Morocco and others); printed appearances; E.O.’s bible 1965; holograph notebooks; ‘letters to Dorothy Ormsby (former wife), 1966’; notes pertaining to Islamic Studies work and translation.

Includes drafts and notes for his many columns, reviews and other work; Ghazali; Time’s Covenant; personal and professional correspondence(including letters to childhood friend Marjorie Saunders in 1958); personal photographs; New York Sun columns in print form, as well as word processed versions of each; three holograph notebooks.

This collection contains papers and other material pertaining to the work of Eric Ormsby, a Montreal-based writer and Islamic studies scholar. Born 16 October 1941 in Atlanta, GA, Ormsby, a McGill professor, is the author of several collections of poetry and works of non-fiction. His poems have been published in numerous well-known publications, including The New Republic, The New Yorker, The New Criterion and the Norton Introduction to Literature.

Includes word-processed and holograph versions of numerous poems, including sections of forthcoming collection Time's Covenant, short stories, plays, reviews, and essays. Collection also includes notebooks and mss. dating back to the 1950s, speaking tour information, photographs, personal and professional correspondence, and material related to academic activities in Canada and abroad. Ormsby currently lives in London, England.

Includes ‘Readings’, Eric Ormsby’s weekly column in the New York Sun, both print and draft versions; Al-Ghazali drafts and translation; short pieces, reviews and poems, both published and unpublished; ‘Student Writings’ on various subjects, University of Pennsylvania, 1969-1972; a holograph notebook, 2004-2005; personal and publishing correspondence; first published poems and first published article and other material related to his life and work.

Drafts, manuscripts and correspondence related to the publication of Eric Wright's short stories and novels.

Includes, variously, drafts and edited drafts of published and unpublished works, correspondence, reviews, notes, and other material related to a number of short stories and the following novels: “The Kidnapping of Rosie Dawn”, “A Likely Story”, “Finding Home”, “Dempsey’s Lodge”, and “The Land Mine” (1998-2015). Also includes business correspondence with, and royalty reports from publishers, correspondence and other materials related to a proposed film/television adaptation of “The Night the Gods Smiled”, a number of clippings of Wright’s short stories and essays that appeared in magazines and newspapers (including three translated stories from European publications), clippings of feature articles about or mentioning Wright from newspapers and magazines, and cassette tapes containing interviews with Wright and a 1985 CBC reading of “The Night the Gods Smiled” (1984-2015). This collection also includes some personal correspondence, fan mail, photographs, and memorabilia (193?-199?), personal/travel journals ranging between 1976 and 2010, and appointment calendars for 1991- 2015.

The collection includes manuscript drafts of Ritter's literary output, including her plays, novels and various short pieces for newspapers, magazines and radio. It also includes correspondence.

Includes original colour sketches of costume designs, costume notes, scripts, photographs of designs and cutting instructions for costumes designed by Frances Dafoe, including for CBC programmes such as ‘Come By the Hills’, ‘Wayne and Shuster’; Charlottetown Festival Shows [Charlottetown, PEI], including ‘Mary’, ‘Paradise Hill’, ‘Life Can be Like Wow!’, ‘Aimee’, ‘Rowdyman’, ‘Swing’, ‘Ballade’, ‘Turvey’ (‘Private Turvey’s War’), ‘Sunshine Town’, costumes for the film ‘The Magic Show—starring Doug Henning’, with inscribed poster; Expo ‘67 – Pepsi; CNE Grandstand Show 1968 [Sea to Sea: The Iron Miracle]; ‘Rodeo’ – The Royal Winnipeg Ballet, 1973; General Motors dealers show at the O’Keefe Centre 1968; Ice Princess: the Tai Babilonia Story [final title: ‘On Thin Ice: the Tai Babilonia Story’ 1990, film about Olympic figure skaters pair Tai Babilonia and Randy Gardner], some correspondence and other material related to the life and work of Frances Dafoe

Includes a complete record of the career of Frances Dafoe as a costume designer for a wide variety of projects. Includes full colour drawings, photographs, slides and rough sketches for many CBC television programs(1950s-1990s), including ‘Juliette’, ‘Tommy Ambrose Show’, ‘Front Page Challenge’, ‘The Tommy Hunter Show’, ‘Brenda Lee’, ‘One of a Kind’ – with Rita Allen Greer and Kathie McNeil, ‘Holiday Ranch’, ‘Tom Jones’, ‘Stars on Ice’, ‘The Rene Simard Show’, 1980 Genie Awards, ‘I’ll Never Get to Heaven’, and ‘Back to the Beanstalk’. Most are original full colour drawings with fabric samples and notions attached, and colour photographs of the finished design in many cases. Dafoe’s costume design has been nominated for Gemini Awards many times. Dafoe designed costumes for the Closing Ceremonies of the Calgary Olympics in 1988; various theatre productions—especially for The Charlottetown Festival; various commercial designs, including for 1960s General Motors Automobile shows and Eaton’s wedding dresses; some project-related correspondence; videotapes; posters; and other material related to her life and work. Frances Dafoe’s uncle, Dr. Allan Roy Dafoe delivered the Dionne Quintuplets with telephone assistance from Dafoe’s father, Toronto physician Dr. William A. Dafoe.

This accession contains drafts of manuscripts; costume design sketches; design booklets; figure skating files; photographs; skating memorabilia; family records; skating-related tapes and CDs; and other materials relating to the life and work of Frances Dafoe.

1. Manuscript: Figure Skating and the Arts: Eight Centuries of Sport and Inspiration
2. Exhibition: Art Forms of Skating
3. Other Writing
4. Costume Design Files
5. Design Booklets
6. Figure Skating Files
7. Figure Skating Associations and Judges
8. Awards Photographs
9. Personal and work-related files
10. Press clippings
11. Skating images and memorabilia
12. Family records
13. Other files
14. Audiovisual materials

Collection includes original colour sketches of costume designs for shows designed by Frances Dafoe: 1. West Side Story for Banff Festival of the Arts, 1984. '27 mounted and 4 rough. Also included - copy of the playbill, the script and photostats with instructions to the cutters' 2. Kiss Me Kate for Banff Festival of the Arts, 1985. '27 colour mounted plus 18 black and white for a special scene using only black and white copies of the original sketches. There are also 7 quick colour drawings for tights.' 3. The Heart's a Wonder, The Irish Play Society, 1971. '2 colour sketches mounted. Included reviews and Playbill.' Some sketches have sample textile swatches attached.

This second accession to the Frances Dafoe contains original colour sketches, fabric swatches and photographs of costume designs for shows designed by Frances Dafoe for performances as well as individual figure skaters including herself, Lloyd Eisler, Isabelle Brasseur, Brian Orser, Elizabeth Manley, Elena Bechke, Denis Petrov, Jacqueline Petr, Mark Janoschak, Ekaterina Gordeeva, Sergei Grinkov, Tracy Wilson, Rob McCall, and Jeff Langdon.

The collection consists of research notes and papers, drafts of articles and speeches, travel journals, diaries, correspondence, drawings and sketches, photographs, scrapbooks, awards and memorabilia, and papers of Henrietta Banting.