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Sous-fonds
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Martin L. Friedland personal records

Records documenting the life of Martin L. Friedland, as a student, professor of law and administrator at the University of Toronto; as an expert on legal matters and a contributor to the formation of public policy at the provincial and federal levels; and as an author of sixteen books and numerous articles.

Included in this accession is correspondence, certificates and diplomas, diaries, course and lecture notes, memoranda, minutes of meetings, notes, research material, manuscripts, transcripts of oral history interviews, audiotapes, radio scripts, book reviews, books, pamphlets, reports, press clippings, photographs and maps.

Harold Gordon Skilling sous-fonds

This sous-fonds documents the life and career of Gordon Skilling, especially his family, his formative years as a student, and his later years as an internationally recognized expert on Russia, Eastern Europe and, especially, Czechoslovakia. Researchers seeking to fill the obvious gaps in this accession should refer to the earlier accessions in the Skilling fonds in the University Archives that were donated by Professor Skilling over a period of almost two decades, beginning in 1983.

John Stratton personal papers

Sous-fonds consists of the personal papers of John Stratton, including his correspondence with record labels, other record collectors, musicians; his personal diaries; and photographs of himself, his family and friends, colleagues, and autographed photographs of various singers.

Stratton, John

Stratton-Clarke 78 rpm collection

Sous-fonds consists of the 78 rpm recordings from the Stratton-Clarke collection. The collection spans the entire history of 78 record production, including acoustic and electronic recordings, ranging from 7 to 14 inches in diameter. It consists predominantly of vocal recordings, representing the work of more than 1,000 different performers. Stratton and Clarke's collecting mandate focused on the Golden age of singing (pre-World War One), releases of the Mapleson cylinder recordings, Canadian performers, and early Russian recordings (pre-Revolution). Stratton also collected recordings by performers that he knew personally. The collection also contains miscellaneous memorabilia and ephemera related to the 78 rpm collection.