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Barrington Nevitt fonds

  • CA ON00349 1998.003
  • Fonds
  • 1931-1993

This fonds is divided into 11 series reflecting the filing system used by Nevitt during his career, and based on subject divisions. The series are: ‘Subject Files’, ‘Early Manuscripts’, ‘Northern Electric Company’, ‘Discoveries International Symposium’, ‘Management by PreVision’, ‘Published Articles and Papers’, ‘Captain Gulliver’s Interplanetary Travels’, ‘ABC’, ‘Correspondence’, ‘Who Was Marshall McLuhan’, and ‘Printed Materials’.

The first series ‘Subject Files’, consists of 57 files containing a variety of textual records including correspondence, notes, printed materials, clippings, manuscripts, typescripts, photographs, ephemera, and overhead transparencies, and a small amount of audio recordings in various formats. The records are grouped together in individual files based on subject matter divisions reflecting specific creative and academic projects that Nevitt worked on alone and in conjunction with McLuhan, and topics of interest to Nevitt. The series also contains a file of collected photographs and a file titled ‘Ephemera and Mixed Media’, which contains a small collection of audio records.

The second series ‘Early Manuscripts’ consists of typescripts, and drafts of various academic manuscripts and papers written by Nevitt. The records in this series were created between 1945 – 1965.

The third series ‘Northern Electric Company’ includes notes, seminar material, and clippings compiled by Nevitt during his time with the Northern Electric Company between 1961 and 1962. The series includes material from various seminars organized by the American Management Association and attended by Nevitt.

The fourth series ‘Discoveries International Symposium’ includes correspondence, notes, ephemera, and symposium and conference materials related to Nevitt’s participation in Discoveries International Symposiums held in 1977 and 1978.

The fifth series, ‘Management by PreVision’ includes notes, clippings, drafts, correspondence, and other textual records related to Nevitt’s book project ‘Management by PreVision’.

The sixth series ‘Published Articles and Papers’, includes a collection of chronologically arranged articles and manuscripts written and published by Nevitt and others between 1951-1994, and related correspondence.

The seventh series ‘Captain Gulliver’s Interplanetary Travels’, includes correspondence, clippings, notes, contracts, manuscripts, and other textual records related to Nevitt’s science fiction book project of the same name.

The eighth series ‘ABC of Prophecy’ includes clippings, notes, manuscripts, and other textual records related to Nevitt’s book project of the same name.

The ninth series ‘Correspondence’ includes a collection of chronologically arranged correspondence related to Nevitt and generated between 1966 – 1993.

The tenth series ‘Who Was Marshall McLuhan’ includes correspondence, notes, clippings, and other textual records related to the book of the same name that was co-authored by Nevitt and Maurice McLuhan.

The eleventh series ‘Printed Materials’, includes monographs, periodicals, and published journal articles generated between 1953 – 1994 by Nevitt, Marshall McLuhan and other writers working on topics of interest to Nevitt.

This fonds includes textual material relating to the following books and publications:

Telecommunication Equipment for Power Systems Developments and Application in Sweden (book, 1953)
Causality in the Electronic World (book, 1972)
Take Today: The Executive as Dropout (book, 1972)
Encyclopedia of the Future Under the Direction of the Hudson Institute (article, 1973)
Managing Change by Anticipating its Effects on People (article, 1973)
New Media (book, 1973)
Development and Underdevelopment in the Electric Age (article, 1974)
The Responsive Chord (book, 1974)
ABC of Prophecy (book, 1980)
Archivist as Comprehensivist (article, 1981)
The Communication Ecology (book, 1982)
The Future of Media (book, 1982)
Keeping Ahead of Economic Panic (book, 1985)
Captain Gulliver’s Interplanetary Travels (book, 1986)
Who Was Marshal McLuhan (book, 1993)
From MBO to MBP (article)
Management by PreVision (article)

Nevitt, Barrington

Barna-Alper Productions

  • CA ON00349 2004.003
  • Fonds
  • 1979-2004

This fonds consists of two series: ‘Textual’ and ‘AudioVisual’.

The first series, ‘Textual’, is divided into 27 subseries, each pertaining to a specific production or project.

Each of these subseries is further subdivided into 8 subsubseries: ‘Development’, ‘Production’, ‘Photography’, ‘PostProduction’,
‘Distribution’,‘Marketing’, ‘Business Affairs’, ‘Press and Publicity’.

The second series, ‘AudioVisual’, is also subdivided by production.

These are in turn divided into 3 subsubseries: Cinefilm (consisting of 16mm colour negative), Video Recordings (consisting of ¾ in. cassettes, Digital Betacam cassettes, BetacamSP cassettes, DVC Pro cassettes, DVCam cassettes, PAL cassettes, VHS cassettes, Hi8 cassettes, DVDs, Mini DV cassettes, CDROMs and a Zip Disc), and Audio Recordings (consisting of multitrack magnetic reels, ¼ in. magnetic reels, digital cassettes, DA88 cassettes, CDs, and Zip Discs.)

This fonds includes graphic and textual material relating to a number of productions,
including:

The Negotiator (Television, 1994)
Life and Times (Television, 1996)
The Tenure of Dr. Fabrikant (Television, 1996)
The Conjuror (Television, 1997)
Diana Kilmury: Teamster (Television, 1997)
Turning Points of History (Television, 1997)
Gambling: A Risky Business (Television, 1997)
Workweek: In Pursuit of Tomorrow (Television, 1997)
At the End of the Day: The Sue Rodriguez Story (Television, 1998)
Da Vinci’s Inquest (Television, 1998)
The Body: Inside Stories (Television, 1998)
Hard Time: The David Milgaard Story (Television, 1999)
Frontiers of Construction (Television, 1999)
The Sexual Century (Television, 1999)
Scorn (Television, 2000)
Blue Murder (Television, 2000)
Offspring (Television, 2000)
Betrayed (Television, 2001)
Human Wildlife (Television, 2002)
Unholy Water (Television, 2002)
Choice: The Henry Morgentaler Story (Television, 2003)
Ten Days in March (Television, 2003)
Open Hearts: The Cradle Will Fall (Television, 2003)
Show Me Yours (Television, 2004)
Whiskey Echo (Television, 2005)
This fonds includes audiovisual material relating to a number of productions, including:

The Negotiator (Television, 1994)
Life and Times (Television, 1996)
The Tenure of Dr. Fabrikant (Television, 1996)
The Conjuror (Television, 1997)
Diana Kilmury: Teamster (Television, 1997)
Turning Points of History (Television, 1997)
Gambling: A Risky Business (Television, 1997)
Workweek: In Pursuit of Tomorrow (Television, 1997)
At the End of the Day: The Sue Rodriguez Story (Television, 1998)
Da Vinci’s Inquest (Television, 1998)
The Body: Inside Stories (Television, 1998)
Hard Time: The David Milgaard Story (Television, 1999)
Frontiers of Construction (Television, 1999)
The Sexual Century (Television, 1999)
Scorn (Television, 2000)
Blue Murder (Television, 2000)
Offspring (Television, 2000)
Betrayed (Television, 2001)
Human Wildlife (Television, 2002)
Unholy Water (Television, 2002)
Choice: The Henry Morgentaler Story (Television, 2003)
Ten Days in March (Television, 2003)
Open Hearts: The Cradle Will Fall (Television, 2003)
Show Me Yours (Television, 2004)
Whiskey Echo (Television, 2005)

Barna-Alper Productions

Leonard Blum

  • CA ON00349 2006.004
  • Fonds
  • 1963 - 2005

This fonds consists of 15 series, divided mainly by production (these include produced and unproduced projects). These are: Go Further, Grass, Over the Hedge, Howard Stern: Private Parts, Tales of the Rat Fink, The Pink Panther, ‘Chris Rock Project’, ‘Freedom’, ‘Jackie Gleason Project’, ‘Corky’, ‘The Unprofessionals’, ‘Materials Submitted to Blum’, ‘Going to the Movies’, ‘Len and Heather Blum’s Personal Archives’, ‘General Materials’.
The first series, Go Further, includes four subseries: Textual Material, Video Material, Audio Material and Artifacts.
The first subseries includes notes, contracts, correspondence and publicity materials.
The second subseries includes video footage from the film (post production).
The third subseries consists of a CD considered for the sound track.
The fourth subseries consists of a poster.
The second series, ‘Grass’, includes four subseries: Textual Material, Video Material, Audio Material and Artifacts.
The first subseries includes correspondence, research materials, and drafts.
The second subseries includes trailers, research materials and various versions of the film.
The third subseries includes music that appeared on the soundtrack.
The fourth subseries consists of a poster.
The third series, Over the Hedge, includes four subseries: Textual Material, Video Material, Audio Material and Artifacts.
The first subseries includes scripts, notes, correspondence, outlines, legal documents and research notes.
The second subseries consists of a crew selection video.
The third subseries includes research material.
The fourth subseries consists of a poster.
The fourth series, ‘Howard Stern: Private Parts” includes five subseries: Textual Material, Photographic Material, Video Material, Audio Material and Artifacts.
The first subseries includes correspondance and advertising documents.
The second subseries includes photographs taken at the Cannes festival.
The third subseries includes publicity material.
The fourth subseries includes research and publicity material.
The fifth subseries includes a poster.
The fifth series, ‘Tales of the Rat Fink’, includes three subseries: Textual Material, Video Material, and Artifacts.
The first subseries includes a script.
The second subseries includes postproduction elements.
The third subseries consists of a poster.
The sixth series, ‘The Pink Panther’, includes two subseries: Textual Material and Artifacts.
The first subseries includes scripts, handwritten notes, correspondence, and arbitration materials.
The second subseries includes a poster.
The seventh series, ‘Chris Rock Project’, includes three subseries: Textual Material, Video Material, and Audio Material. The first subseries includes transcripts, outlines and notes.
The second subseries includes research material.
The third subseries includes research material and recorded telephone conversations with Rock.
The eighth series, ‘Freedom’, includes two subseries: Textual Material and Audio Material.
The first subseries includes research material, letters from Ivan Reitman’s parents, transcripts, and a script.
The second subseries includes original interview tapes.
The ninth series, ‘Jackie Gleason Project’, includes three subseries: Textual Material , Audio Material and Video Material.
The first subseries includes research notes.
The second and third subseries include research material.
The tenth series, ‘Corky’, includes four subseries: Textual Materials, Photographic Materials, Video Materials, and Audio Materials.
The first subseries includes a script.
The second subseries includes photographs of the Wilkinsons music group.
The third subseries includes a VHS tape of the Dini Petty Show.
The fourth subseries includes music by the Wilkinsons on commercial cassette.
The eleventh series, ‘The Unprofessionals’, includes two subseries: Textual Materials and Video Materials.
The first subseries includes research material and notes.
The second subseries includes research material.
The twelvth series, ‘Materials Submitted to Blum’, consists of textual material (primarily scripts).
The thirteenth series, ‘Going to the Movies’, consists of textual material. Included here are leather bound books of published columns, as well as original drafts.
The fourteenth series, ‘Len and Heather Blum’s Personal Archives’, consists of two subseries: Textual Material and Photographic Material.
The first subseries includes correspondence, personal accounting papers, press clippings, and a journal.
The second includes photographs of various personal events.
The fifteenth series, ‘General Materials’, consists of two subseries: Textual Material and Photographic Material.
The first subseries includes correspondence, passports, calendars, press clippings, financial documents, real estate documents.
The second subseries includes photographs of Blum at various personal and professional events.

This fonds includes textual material relating to a number of productions, including:

Howard Stern: Private Parts (Film, 1997)
Grass (Film, 1999)
Go Further (Film, 2003)
Madagascar (Film, 2005)
Thank You for Smoking (Film, 2005)
Over the Hedge (Film, 2006)
Tales of the Rat Fink (Film, 2006)
The Pink Panther (Film, 2007)
This fonds includes audiovisual material relating to a number of productions, including:

Howard Stern: Private Parts (Film, 1997)
Grass (Film, 1999)
The Making of Ivan Reitman (Television, 2002)
Go Further (Film, 2003)
Madagascar (Film, 2005)
Thank You for Smoking (Film, 2005)
Over the Hedge (Film, 2006)
Tales of the Rat Fink (Film, 2006)
The Pink Panther (Film, 2007)

Blum, Leonard

Jacob Switzer Fonds

  • CA ON00349 2008.010
  • Fonds
  • 1972-2006

This fonds consists of 5 series, divided by format. These are: Textual Material, Photographic Material, Audio Material, Video Material, and Artifacts.

The first series, Textual Materials, includes material relating to CRTC applications, specialty services, CHUM, CityTV and other organizations. The bulk of the material pertains to programming on City, MuchMusic and CHUM, though personal correspondence, journals, and administrative documents are also included.

The second series, Photographic Material, includes personal and professional material. Of particular note is a series of black and white prints from the early days of CityTV in the 1970s.

The third series, Audio Material, consists of hearings from 1970s CRTC hearings, as well as MuchMusic’s commercial compilations and original performances by Canadian and international artists.

The fourth series, Video Material, consists of informally filmed one-of-a-kind events at CityTV and MuchMusic, as well as more personal events (Switzer’s wedding, reunion shows, etc.). Also included are DVDs of CHUM international projects featuring videos by performers from around the world.

The fifth series, Artifacts, consists of a number of items used for publicity, including t-shirts, toys, a snowglobe, pins, and lunchboxes.

This fonds includes textual material relating to a number of productions, including:

20 Minute Workout (Television, 1983)
Molson’s Rock TV (Television, 1983)
Fight Night (Television, 1983)
1990 Video Music Awards (Television, 1990)
Earth: Final Conflict (Television, 1997)
This fonds includes audiovisual material relating to a number of productions, including:

Much Music: Electric Circus Old School (Album, 1995)
Much More Music: Sampler (Album, 1997)
Much Music: Made In The 80’S (Album, 1997)
Much Dance 1997 (Album, 1997)
Much: Big Shiny Tunes 3 (Album, 1998)
Much Dance 1999 (Album, 1999)
Trax (Television, 1999)
Much: Big Shiny Tunes 4 (Album, 1999)
Much Music (Album, 1999)
Much Dance 2000 (Album, 2000)
On the Nose (Film, 2001)
Much Music: Volume 7 (Album, 2001)
On the Nose (Film, 2001)
Bravo! Chill Classical (Album, 2002)
Much: Big Shiny Tunes 7 (Album, 2002)
Much Dance 2003 (Album, 2003)
Much Dance ‘90s (Album, 2003)
MuchMusic Video Awards 2004 (Film of Live Musical Performance, 2004)
Going the Distance (Film, 2004)
The Collector (Television, 2004)
Christmas Tape: The Essential Collection (Album, 2004)
Water (Film, 2005)
Bon Cop, Bad Cop (Film, 2006)
Much More Retro Presents: The Pursuit Of Happiness Live In Concert (Film of Live Musical Performance, ca. 2006)
Much More Retro Presents: Ashley MacIssac Live
At The Rehearsal Hall (Film of Live Musical Performance, ca. 2006)
Much More Retro Presents: Payola$ Live
In Concert (Film of Live Musical Performance, ca. 2006)
Much More Retro Presents: Glass Tiger Live In Concert (Film of Live Musical Performance, ca. 2006)
Much More Retro Presents: Gowan Live In Concert (Film of Live Musical Performance, ca. 2006)
Much More Retro Presents: The Spoons Live In Concert (Film of Live Musical Performance, ca. 2006)
MuchMusic Video Awards 2006 (Film of Live Musical Performance, 2006)
Much Dance 2007 (Album, 2007)

Switzer, Jacob