Affichage de 151667 résultats

Series consists of documents relating to art loans of the Donovan Art Collection, including loan agreements, receipts, shipment notices, invoices, and more. Many loan agreements also include related correspondence from artwork borrowers.

Autobiographical information.

Series consists of rough notes, lecture notes, final copies, correspondence, press releases, and photographs from books, articles, presentations, and poetry by Derek Healey.

File consists of copies of the annual Christmas newsletter from Derek and Olive Healey with personal and professional highlights and updates.

Contains printed version of the City of Toronto's declaration for 73 Queen's Park East.

Item contains dissertation by John James submitted for Bachelor of Education to the University of Wales, supplemental vocabulary documents, and correspondence.

Fonds consists of records created by Father Donovan throughout the course of his maintenance of the Donovan Art Collection and time as a professor at St. Michael’s College. Records include various administrative documents, financial documents, correspondences, research materials, publications, and lists regarding artwork in the collection and their locations on campus.

This series consists of invoices and receipts regarding financial donations, art purchases, and other expenses of the Donovan Art Collection, as well as correspondences between Father Donovan and the art collection accounting team. Other documents within the series include opening and closing balances for both the Donovan Art Collection account and Endowment Fund account.

Series consists of the subject and correspondence files of the Registrar and the Associate Registrar and cover the main activities of the office such as providing services to students, planning and organizing events including convocations and installations, administering scholarships and awards as well as acting as secretary to the Senate. The series is broken down into the following sub-series:
Sub-series 1: Academic year files, 1913-1981
Sub-series 2: Administration and General Files
Sub-series 3: Records related to Awards, Scholarships, Bursaries and Medals
Sub-series 4: Installation and Convocation Files
Sub-series 5: Records related to Admissions, Enrolment and Graduation
Sub-series 6: Special Events
Sub-series 7: Student Programs
Sub-series 8: Records related to the Board and Senate

Fonds consists of the records of the Registrar and Associate Registrar, primarily relating to Victoria College students and student records as well as awards, prizes and scholarships, convocations, registration procedures, baccalaureate services, receptions, counselling, etc. Fonds also consists of material related to the Registrar's work with the Senate. Records include correspondence, annual reports, as well as ephemera and photographs.

Fonds consists of three series: Correspondence/subject files, 1893–2013; Student records, 1837–2008; Photographs.

Series consists of miscellaneous short, non-opus compositions by Derek Healey, including manuscripts, transparencies, and master scores.

Subseries consists of miscellaneous anthems and motets set by Derek Healey, including manuscripts, transparencies, and master scores.

File consists of the typeset score for "a setting of a poem in praise of love by Christina Rossetti, the sister of the founder of the Pre-Raphaelite movement, for choir and organ."

File consists of a summary page of performances, a copy of the published edition by Jaymar Music (1972), manuscript sketch pages, Healey's performance note, reviews, programs, and correspondence.

The fonds contains archival records as well as published material, and consists of the following series:

Series 1: Literary papers and related records, 1962-2022
Series 2: Published poetry and reviews, 1962-2021
Series 3: Published research material, 1965-2008

Series consists of typed and handwritten lists outlining various visitors to the Donovan Art Collection throughout the years, as well as an inventory of the Donovan Art Collection and the location of artworks on the St. Michael's College campus.

Sub-series consists of inventory lists of the Donovan Art Collection, which also include the locations of artwork on the St. Michael's College campus.

Sub-series consists of documents relating to the Donovan Art Collection Endowment Fund. Documents include receipts of financial donations to the fund, the account's closing and opening balances, as well as correspondences between Father Donovan and St. Michael's College accounting teams.

Material is comprised mostly of textual records from the founding of the Japanese Canadian Cultural Centre, and some celebrating the success of the Momiji Seniors Centre. Some personal records from Susan Hidaka’s life are also included.

Fonds consists of records pertaining to the career of composer, organist, and teacher Derek Healey. Records include manuscripts from his original compositions (op. 1-164) and other shorter works and arrangements; rough notes for his compositions; posters, fliers, postcards, programs, and photographs from performances of his compositions; significant correspondence with colleagues, including librettist Norman Newton, with whom Healey collaborated on his opera Seabird Island, op. 46; and copies of lectures, articles, and reviews of his compositions.

File consists of a summary of performances, a copy of the published edition by Jaymar Music (1972), newspaper clippings of reviews of performances, and correspondence with performers. File includes a video of a performance by Kei Enomoto in Fukuoka, Japan (August 11, 2023).

File consists of manuscript sketches and rough draft materials, correspondence, programs, and reviews.

File consists of rough notes, rough drafts, programs, and correspondence.

File consists of correspondence, a copy of the published edition by Gordon V. Thompson Limited (1976), a summary page of performances, manuscript sketches, newspaper clippings of reviews, and programs.

File consists of a program from the premiere performance and correspondence.

Series consists of a typeset collection of Derek Healey's poetic output, including a preliminary introduction to the set, written by Healey upon compilation of the texts in 2023. The bulk of the poems were written in Maidenhead, England (1963-1968) and Brooklyn, New York (2004-present), when time permitted. Healey wrote very few poems in Guelph, Ontario and Eugene, Oregon, and wrote nothing in Victoria, British Columbia or Ruislip, England. Many of the texts were set to music. In 2004, Healey studied poetry at the Gotham Writers' Workshop in Manhattan with Mary Donnelly.

Series consists of articles about Derek Healey, scrapbooks, and other ephemera.

This series consists of the various configurations of yearbooks published by the students of St. Michael’s College. Titles include: The Year Book of St. Michael’s College (1910-1931; 1934-1935), The Thurible (1932-1933; 1937-1948; 1950), Through St. Michael's with the Camera (1940-1942; 1946-1948), Keystone (1968), Windrose (1969-1970; 1980; 1982-1985; 1987-1995, 2022, 2023), The Sword (1995-1999).

Fonds consists of the following series:

Series 1: Correspondence
Series 2: Art and records of Khoa Pham
Series 3: Writings
Series 4: Personal records and ephemera
Series 5: Professional and teaching records

The archive of celebrated Canadian film director-producer Norman Jewison contains photographs and publicity materials, papers and correspondence, shooting scripts and schedules primarily for films directed or produced by Jewison between the years 1975 and 2003. Materials related to the films Fiddler on the Roof, …And Justice for All, A Soldier’s Story, Moonstruck, The Hurricane, The Statement and others undertaken by Jewison are held in this collection.

Fonds is comprised of the following series: Series 1: Films directed by Norman Jewison, 1966–2003; Series 2: Television productions, 1994–2001; Series 3: Shooting scripts, 1981–2003; Series 4: Films produced by Norman Jewison, 1966–1994; Series 5: Film projects not undertaken, 1971–2002; Series 6: Professional activities, tributes and honours, 1968–2007; Series 7: Correspondence/subject files, 1962–2007; Series 8: Canadian Film Centre, 1987–2004; Series 9: Autobiography, 1953–2005; Series 10: Photographs and posters, [1926?]–[2003]; and, Series 11: Memorabilia and publicity material, [194–?]–2007.

Fonds consists of the records from the Upper Canada Academy and the period when Victoria University (formerly College) was situated in Cobourg. It includes records of the Academy Treasurer, John Beatty and of the Bursars/Treasurers, John Potts and George Cox.

Subsequent records are from the Bursars of Victoria University:
W.J. Little (1932-1951)
W.C. James (1951-1963)
F.C. Stokes (1963-1985)
Larry Kurtz (1985-2003)
David Keeling (2004-2009)
Ray deSouza (2009-2023)
Kenneth Chan (2023-Present)

The Bursar's responsibilities with regard to property were initially the insurance of buildings and their contents. However, as the need for regular income became more urgent and evident, and as the University expanded and required more buildings, the Bursar's work likewise increased. The Bursar became responsible for the legal negotiations and accounting over purchases, sales and leases; and the supervision and funding of alterations and renovations and the construction of new buildings. Along with this, the Bursar dealt with property tax as the University was only exempt from this in respect to its property used for academic purposes.

Series consists of correspondence, studies, reports, appraisals, financial administration, agreements, plans, specifications and other records relating to the planning, expansion, renovating, maintenance, repair and construction work on campus buildings and grounds, as well as the establishment and funding of Victoria Theatre, the Isabel Bader Theatre, and the Vic Tennis Club.

The records related to the Vic Tennis Club are available in sub-series 1.
The architectural drawings and plans are available in series 23.

Includes honorary degree recipient, Jill Heinerth's Charter Day address.

Series consists of Derek Healey's rough notes, including manuscript sketches and drafts, for his compositions, which he began to keep and maintain after a conversation with librarian Rollyn Morris at the University of Victoria. After 1999, when Healey began to compose on the computer (starting with Six Canadian Folk Songs, Set II, op. 86, these rough notes are fewer, as the majority of his "notes" were on the computer. These later compositions include printouts of the work's status about a week after it was started.

Series also contains performance records for Healey's compositions, including correspondence with performers, programs, posters, reviews, and other pertinent materials. Healey began collecting performance materials after arriving in Canada in August 1979.

Series also includes notes on Healey's compositions taken during and following lessons with Boris Porena (1962-1963) and his "favourite" notebook with sketch and reference material (e.g., Indian talas, piano struts, etc.) that he referenced and used regularly throughout his compositional career.

File consists of correspondence, programs, notes, and the original manuscript arrangement of op. 28a, arranged and re-written for organ solo.

File consists of correspondence; printouts of photographs from the premiere performance with Michael Purvis-Smith and Barrie Cabena and subsequent performances by the University of Toronto Wind Ensemble with Jeffrey Reynolds and the Royal Scottish Academy of Music and Drama Wind Orchestra, directed by Nigel Boddice; manuscript sketches and rough draft materials; scrapped movements; notes on revisions; performance notes; and programs and reviews.

File consists of printouts of photographs from a rehearsal of the piece with Saskia Klumpp (contralto), Claudio Tesorino (alto saxophone), and Ulrich Paetzholdt (piano); programs, including an autographed program from Saskia Klumpp's performance in November 2023; research notes on Christian Morgenstern; correspondence; and a copy of Derek Healey's talk on Christian Morgenstern and his Morgenstern Lieder, op. 129.

File consists of printouts of ideas for the composition, notes, rejected pages from the third movement, a rough draft of the score, harp revision pages, correspondence, and a copy of the program from the premiere performance by Gianfranco Brundo (soprano saxophone) and Alba Brundo (harp).

Series consists of Derek Healey's correspondence with publishers and conductors regarding his compositions.

File consists of correspondence with University of Toronto Wind Ensemble and Wind Symphony conductor Jeffrey Reynolds, regarding the performance of the following works by Derek Healey:

• One Midsummer Morning, op. 82 (November 2002; February 1, 2013; March 29, 2018; April 1, 2023)
• English Dances, op. 95 (February 10, 2007)
• Hunter, op. 134 (January 29, 2015).