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Albert Frank Moritz fonds

  • CA ON00399 49
  • Fonds
  • 1935-2022

The A.F. Moritz fonds contains records relating to his education, teaching, translation and editing work, journalism and other employment, and, predominantly, his work as a poet.

Fonds is comprised of the following series:
Series 1: Education, [195-?]-2002
Series 2: Teaching, 1985-2017
Series 3: Poetry manuscripts, essays and related records 1970-2022
Series 4: Correspondence, 1973-2021
Series 5: Poetry readings, 1975-2019
Series 6: Periodicals containing material by or about A.F. Moritz, 1969-2021
Series 7: Publishing and editorial work, 1979-2021
Series 8: Anthologies containing A.F. Moritz poems, 1976-2015
Series 9: Literary related activities, 1973-2022
Series 10: Translation projects, 1973-2022
Series 11: Personal material, 1935-2019
Series 12: Employment, 1969-2001

Moritz, Albert Frank

Faculty of Music collection

  • CA OTUFM 04
  • Collection
  • 1927-2022

Collection contains newsletters, monographs, articles, and other various publications dealing with the Faculty of Music.

University of Toronto. Faculty of Music

Harry and Ida Culley fonds

  • CA OTUFM 69
  • Fonds
  • 1891-1983, 2021-2022

Fonds consists of records pertaining to the two-piano, four-hands duo of Harry and Ida "Claudette" Culley, the "The Black and White Spotters". Records include annotated sheet music and manuscript parts copied by Harry Culley for performance; newspaper articles and press releases; posters; programs; photographs; and correspondence.

Culley, Henry Francis


Series consists of materials relating to Harry and Ida "Claudette" Culley, particularly as pertains to their piano duo, the "Black and White Spotters." Materials include photographs of the duo, newspaper clippings with performance announcements, a script from one of their appearances on Arkansas Salute, CKCL radio (July 26, 1934), a fan letter from Ida Baker (April 8, 1940), a poster from the performance at the Royal Opera House in London with Bebe Daniels and Ben Lyon (August 30, 1937), and articles by their granddaughter Joanne Culley about the duo and their sheet music collection (2021-2022). Series also includes a copy of Joanne's novel Claudette on the keys (Crossfield Publishing, 2021), which is based on the lives of Ida Fernley and Harry Culley.

2021-2022 concert season

Series consists of programs and recordings of events hosted by the Faculty of Music during the 2021-2022 concert season including faculty, student, and guest artists as well as ongoing concert series and faculty ensembles. The University of Toronto, including the Faculty of Music, returned to in-person events with limited capacity audiences in September 2021. Concerts were cancelled, postponed, or virtual only during January 2022 as the University shifted to predominantly remote instruction due to the COVID-19 pandemic. The University returned to in-person learning (and in-person events at the Faculty of Music resumed) as of February 7, 2022. The majority of concerts during the 2021-2022 concert season were streamed online via the Faculty's various YouTube channels.

Faculty ensembles

Subseries consists of programs and recordings of performances by ensembles in the Faculty of Music, including the University of Toronto Symphony Orchestra, conducted by Uri Mayer; Wind Ensemble, , conducted by Gillian Mackay; Wind Symphony, conducted by Jeff Reynolds; Contemporary Music Ensemble, conducted by Wallace Halladay; MacMillan Singers, conducted by Jamie Hillman; Chamber Choir, conducted by Lor-Anne Dolloff; Soprano/Alto Chours, conducted by Elaine Choi; Tenor/Bass Chorus, conducted by Thomas Burton; and Guitar Orchestra, conducted by Rob MacDonald.

Thursday at Noon series

Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. Traditionally, these events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.


Subseries consists of concerts by the Faculty of Music's jazz ensembles, directed by Jim Lewis, Jason Logue, and Christine Duncan.

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