- OTUFM 38
- Fonds
- 1830
Fonds consists of digital images of the 211 page music instruction manual.
Frost, Henry
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Fonds consists of digital images of the 211 page music instruction manual.
Frost, Henry
Collection consists of late-eighteenth, nineteenth, and early-twentieth century flutes, predominantly made by various builders and companies in London, England, as well as two from Paris, one from France, and one from Bayreuth, Germany. The collection covers the mechanization and modernization of the flute, including the addition of holes and keys, and the move from wood to metal for the body of the flute.
Fisher, Sidney T.
Fonds consists of a scrapbook with programs and press notices of Olive Scholey's performances as a contralto, at the Toronto College of Music, and in other venues in Southern Ontario.
Scholey, Olive
Fonds includes a Minute book 1898-1916, with programs pasted in; 1906 revised Constitution; correspondence to and from members, 1913-1916; undated list of members.
Toronto Clef Club
Fonds consists of sheet music used by Edith McConica when she accompanied silent films in Luseland, Saskatchewan in the 1920s, as well as some pedagogical sheet music used when she was learning piano from Leora Kridler (Mrs. Milton Herrold) in her home town of Findlay, Ohio, and teaching her children piano in Luseland.
McConica, Edith
Fonds consists of a photograph and correspondence.
Hartmann, Arthur
Fonds consists of publicity materials for the piano duo of Kathleen Irwin and Winifred Mazzoleni and manuscript scores for voice and piano by Kathleen Irwin.
Irwin, Kathleen
Conservatory Chamber Music Club fonds
Fonds consists of material relating to the meetings of Conservatory Chamber Music Club. Includes one minute book 1937-1941, including descriptions of programs and list of members.
Conservatory Chamber Music Club
Ontario Music Teachers' Association collection
Collection consists of records from early conventions of the Ontario Music Teachers' Association (OMTA), primarily from the first convention, held at the Royal York Hotel in Toronto (October 6-8, 1936). Papers include programs (1936-1944); correspondence; meeting minutes; lists of registrants; scripts for speeches, including an address by Sir Ernest MacMillan at the first convention; drafts of the OMTA constitution; and proceedings (1936, 1937).
Ontario Registered Music Teachers' Association
Hart House String Quartet collection
Collection consists of 10 scrapbooks created by the Hart House String Quartet and their business manager, Milton Blackstone, which contain programs and newspaper clippings of reviews and press releases for their concerts. Two volumes (Volume 5, 1929-1931; and, Volume 7, 1932-1934) are missing from the collection. The collection also contains two scrapbooks for the Canadian Concert Association, during the time that Milton Blackstone was the director (1933-1935 and 1936), and a small collection of annotated scores and parts for violin and piano, previously owned and annotated by Geza De Kresz.
Hart House String Quartet
Collection consists of a handwritten book of lyrics for songs written by the American composer Roy Lamont Smith, and a collection of his published and unpublished (manuscript) sheet music.
Smith, Roy Lamont
Fonds includes minute/program books (1906-1912, 1912-1922, 1922-1936, 1936-1946); cash books (1914-1928,1928-1948); file including texts of skits with parody songs, printed constitutions (1916/1917 and 1920), and typescript history of 1899-1962.
Speranza Musical Club
Fonds consists of autograph manuscript scores and parts for compositions and arrangements for orchestra, string orchestra, string quartet, and woodwind quintet by Robert G. Manson.
Manson, Robert Graham
Arnold Walter collection of lantern slides
Collection consists of glass lantern plates of musicians, cathedrals, opera houses, theatres, instruments, opera productions, and musical notations, likely created for use in Arnold Walter's lectures and classes. The slides include reproductions of paintings, caricatures, photographs, manuscripts, and copies of images from contemporary monographs. Some of the slides were manufactured by Newton & Co., London.
Walter, Arnold
Fonds consists of Emmy Heim's lecture notes for the Toronto Conservatory of Music (TCM) and Royal Conservatory of Music in Toronto (RCMT), correspondence, programs, posters, and a photograph. Fonds also includes manuscripts of songs written for, or copied by, Emmy Heim.
Heim, Emmy
Fonds consists of transcriptions and original compositions for string quartet and orchestra, copies of Frank Blachford's songs, and a program from a performance by Blachford at the Royal Conservatory of Music. Many of Blachford's transcriptions are not dated.
Blachford, Frank
Ricordi costume and set designs collection
Collection consists of set and costume designs by Nicola Benois for the following Teatro alla Scala productions: the premiere production of La Fiamma (The Flame) by Ottorino Respighi; Respighi's ballet Gli Uccelli; and Madama Butterfly by Giacomo Puccini.
G. Ricordi & Co. Ltd.
Collection contains photographs, programs, and press notices of his performances; manuscripts of songs written for him by composers including Castelnuovo-Tedesco, Lalo and Pizzetti; five collections of published songs; a scrapbook of programs from his first year as manager of the Metropolitan Opera.
Johnson, Edward
Fonds consists of a collection of signed portraits, mainly dated 1920-1924: Eva Clare, Herbert A. Fricker, Ernest Hutcheson, Isidor Philipp, Augustus S. Vogt, Paul Wells, Ernest F. White.
Coatsworth, Vida
Fonds consists of Myron Schaeffer's notes and drafts for lectures, articles, and an unpublished book on electronic music. The fonds also contains condolence correspondence following his death, his obituary, and scores and sketches for a couple of his electronic compositions.
Schaeffer, Myron
Collection consists of fifteen opera scores from the library of Andrew MacMillan, with stage directions for the Canadian Opera Company and other productions.
MacMillan, Andrew
Fonds contains materials relating to Eileen Law's career as a contralto and teacher, including programs, reviews and publicity materials of performances, photographs, and teaching materials.
Law, Eileen
Fonds includes memorabilia , photographs, correspondence, lecture notes, brochures and programs.
Lambert, George James
Fonds consists of scrapbooks and signed photographs, predominantly relating to concerts by the Toronto Conservatory Symphony Orchestra (which became the Toronto Symphony Orchestra in 1908).
Welsman, Frank Squire
Herman Geiger-Torel collection
Collection consists of Herman Geiger-Torel's library of piano-vocal scores, including his markings and notes for various opera productions, including performances that he directed in Troppau, Czechoslovakia; Teatro Colón, Buenos Aires; Montevideo, Uruguay; Teatro Municipal, Rio de Janiero; Canadian Opera Company; and the Royal Conservatory of Music Opera School.
Geiger-Torel, Herman
Fonds consists of jazz compositions, dance band arrangements, and biographical materials.
Delamont, Gordon
Canadian Broadcasting Corporation dance band collection
Collection consists of dance band arrangements of popular songs amassed by the Canadian Broadcasting Corporation. The arrangements are predominantly foxtrots, but other dance forms are also represented: beguine, bolero, bossa nova, calypso, cha cha, gavotte, guaguancó, guajira, guaracha, habanera, jig, jump dance, mambo, march, mazurka, one-step, paso doble, polka, rumba, samba, serenade, son, swing, tango, two-step, waltz, and more.
The majority of arrangements are American imprints, but the collection also includes publications from Europe, Mexico, Cuba, and Canada. Many items also include a copy of the sheet music for voice and piano, and some also include manuscript parts, created or copied by Louis Waizman, who worked as a staff arranger from 1933 to 1951 for the Canadian Radio Broadcasting Commission (CRBC, renamed CBC in 1936).
Canadian Broadcasting Corporation.
Fonds contains music manuscripts, published copies of Branscombe's arrangements and compositions with inscriptions from the composer, photographs, and programs.
Branscombe, Gena
Fonds includes catalogues of the libraries of Boyd Neel's orchestras, and catalogues of his personal scores and recordings collections. Fonds also includes recordings of performances conducted by Boyd Neel, and a photograph of Neel conducting one of his orchestras.
Neel, Boyd
Collection consists of unpublished and manuscript scores and parts of arrangements and transcriptions by Frank Harmantas, created for the University of Toronto Trombone Choir. Collection also includes two manuscript arrangements by a student member of the trombone choir, John Wilson.
Harmantas, Frank
Lee Bartel's musical stamp collection
Collection consists of 27 pages of stamps featuring composers, musicians, musical instruments, scenes from operas and ballets, folk dances, theatres, opera houses, and music conservatories and academies. Each page of stamps was arranged by Lee Bartel.
Bartel, Lee
University of Toronto Electronic Music Studio tape collection
Collection consists of electronic music compositions created at the University of Toronto Electronic Music Studio (UTEMS) and copies of tapes made at other electronic music studios around the world. The collection includes the two original card-catalogue indices for the tape collection, organized by tape number and by composer, and accompanying reports and manuals used in the studio.
University of Toronto. Electronic Music Studio
Fonds consists of compositions, programs and reviews, photographs and family documents.
Guerrero, Alberto
University of Toronto Music Library collection
Collection consists of correspondence between the Music Library and various individuals, including students, staff, faculty, librarians, and other researchers; photographs of the library space and collections; materials pertaining to special projects at the library; and memorabilia collected over the years.
University of Toronto Music Library
Collection contains correspondence, copies of sources, notes, illustrations, photographs, microfilms, and other working papers for Ezra Schabas's book Theodore Thomas : America's conductor and builder of orchestras, 1835-1905 (University of Indiana Press, 1989). The collection also contains articles and lecture notes for presentations written by Schabas about Thomas.
Schabas, Ezra
Fonds includes audio tapes, video art works, correspondence, compositions and arrangements, scrapbooks, and term papers for Taussig's graduate courses.
Taussig, Elyakim
This collection contains an indexing of selected unpublished materials related to the music theorist and philosopher Viktor Zuckerkandl (1896–1965). Included are descriptions of digitized correspondence, manuscripts, and miscellanea. The three archives that hold the physical media are cross referenced (ONB, Eranos, St. John’s).
Zuckerkandl, Victor
Sir Ernest MacMillan collection
Collection includes correspondence, notes, transcripts, and other working papers for Ezra Schabas's book Sir Ernest MacMillan: the importance of being Canadian, published by the University of Toronto Press in 1994.
Schabas, Ezra
Fonds consists of programs from his performances, a letter confirming his appointment to the Royal Conservatory of Music (RCM) in Toronto, a newspaper clipping, and his annotated copy of the Canadian Music Centre sheet music for Six Miniatures after Hokusai for violin and piano by Elliot Weisgarber (1972). The fonds also includes two catalogues for his personal music library: one current to 1976, and another current to 1997.
Kash, Eugene
Fonds consists of manuscript scores, compositional sketches, correspondence, programs, and teaching materials, related to Kenins's career as a composer and professor at the Faculty of Music, University of Toronto.
Kenins, Talivaldis
Fonds consists primarily of manuscript scores and parts for music written, arranged, and orchestrated by Phil Nimmons. Materials also include annotated scripts for incidental music that Nimmons wrote for various Canadian Broadcasting Corporation (CBC) radio and television productions. Fonds includes scores and parts for two ensembles that Nimmons led, Nimmons 'N' Nine, and its expanded version Nimmons 'N' Nine Plus Six, as well as various other ensembles.
Nimmons, Phil
Collection of jazz standards and show tunes arranged by or performed by Trudy Desmond. The majority of arrangements are for voice and rhythm (piano, guitar, bass, and/or drums). Some arrangements also include trumpet, trombone, saxophone, vibraphone, or string quartet. Collection includes manuscript parts and copies of parts annotated by the performers. Most charts do not indicate the arranger, performer, composer, lyricist, or date of arrangement.
Desmond, Trudy
Geoffrey Payzant and Eduard Hanslick collection
Collection includes correspondence, notes, typescripts, translations, photocopies of journal articles, and other working papers about Eduard Hanslick. Hanslick was the focus of Payzant's later research, which resulted in two books (published 1986 and 1991), several articles, and various lectures. The fonds consists of the research used in these writings, as well as a typescript manuscript of Payzant's translation of On the musically beautiful: a contribution towards the revision of the aesthetics of music (1986), and copies of his lectures, also titled "On the musically beautiful." The correspondence includes copies of letters between Hanslick and Robert Zimmermann (1824-1898), as well as correspondence between Payzant and other scholars about Hanslick, and correspondence between Payzant and Dietmar Strauß.
Payzant, Geoffrey
Collection consists of incoming and outgoing correspondence with Dr. Ates Tanin about recordings of pianists Sviatoslav Richter (1915-1997) and Emil Gilels (1916-1985). Tanin was a collector of piano recordings, with a focus on Richter and Gilels, and maintained a website discography of all known recordings of Richter, "Recorded Richter." Tanin also collaborated with Doremi (Willowdale, Ontario) to commercially release several recordings of Richter's live performances.
Collection includes incoming and outgoing correspondence with John Berrie and Falk Schwartz, administrators of the Friends of Sviatoslav Richter, and Dejan Sinadinovic, a member of the Friends of Sviatoslav Richter.
Tanin, Ates
Fonds includes manuscript scores of compositions and arrangements written for Boss Brass recordings. All arrangements are by Rob McConnell. The fonds also includes some original compositions by McConnell. Scores are assigned dates based on the date of recording by Boss Brass, and later by the Rob McConnell Tentet.
McConnell, Rob
Fonds consists of arrangements by Vic Centro, and related ephemera, including photographs, correspondence, publicity materials, and recordings. Much of the material relates to Centro's time performing and recording in Toronto with Phil Nimmons and CBC radio.
Centro, Vic
Fonds consists of records created during Ron Collier's career as a performer, composer, arranger, teacher, and band leader. The fonds includes manuscripts of Collier's arrangements and original compositions; correspondence with musicians; photographs; lecture notes from his career at Humber College in Toronto, Ontario; and records from his collaborations with Duke Ellington. Fonds also contains audio and video recordings of performances and lectures.
Collier, Ron
Fonds includes 110 files of sketches and final copies for many of his musical works; 3 files of theoretical and critical writings; and, 1 file of programs and press notices.
Klein, Lothar
Fonds consists of the personal and professional papers of Greta Kraus, including correspondence, photographs, programs, and some materials relating to the Kraus family.
Kraus, Greta
Fonds includes computer-generated scores and parts for his original works, as well as his many arrangements for violoncello ensembles of works by other composers, written 1965-2006. Many of the arrangements were done for The Yale Cellos; Aldo Parisot and The Yale Cellos; Shauna Rolston; The Banff Violas; Lee Armstrong and the Birmingham Cello Group. Many contain program notes.
Kenneson, Claude