Showing 100 results

Fonds contains records related to Earle Toppings' professional career as an editor, producer, news caster and educator and includes correspondence with artists and writers, radio scripts, proofs, transcripts of interviews, notebooks and audiovisual material.

Fonds is comprised of the following series: Series 1: Typescripts, proofs and other records; Series 2: Correspondence with Canadian Writers; and Series 3: Records relating to "Canadian Writers on Tape", "Canadian Poets on Tape" and "Nightfall".

Fonds consists of records related to the establishment and operation of the Virginia Woolf Society.

Fonds is comprised of the following series: Series 1: Correspondence; Series 2: Administrative Records; Series 3: Records relating to Virginia Woolf Miscellany; Series 4: Articles and news clippings; Series 5: Photographs; and Series 6: Audiovisual Records.

Fonds consists of research and other records relating to Smith's publications on the history of Aboriginal Canada, in particular Sacred Feathers and Mississauga Portraits. See the finding aid for details.

The A.F. Moritz fonds contains records relating to his education, teaching, translation and editing work, journalism and other employment, and, predominantly, his work as a poet.

Fonds is comprised of the following series: Series 1: Education, [195-?]-2002; Series 2: Teaching, 1985-2017; Series 3: Poetry manuscripts, essays and related records 1970-2017; Series 4: Correspondence, 1973-2017; Series 5: Poetry Readings, 1975-2017; Series 6: Periodicals containing material by or about A.F. Moritz, 1969-2017; Series 7: Editing and Watershed Books, 1979-2017; Series 8: Anthologies containing A.F. Moritz poems, 1976-2015; Series 9: Literary related activities, 1973-2017; Series 10: Translation projects, 1973-2016; Series 11: Personal material, 1935-2017; and Series 12: Employment, 1969-2001.

The fonds contains archival records as well as published material, and consists of the following series: Series 1: Literary papers and related records, 1962-2018; Series 2: Published poetry and reviews, 1962-2016; and Series 3: Published research material, 1965-2008.

Fonds consists of eleven sketchbooks and a copy of a presentation given by Schmid at Victoria University in December 2018.

Fonds contains records that reflect G.E. Bentley Jr.’s career and interests as a professor, a William Blake scholar, and a collector of Blake’s work. It consists of the following series: subject/correspondence files, 1954–2017; research material, 1963–2016; records relating to writings, 1956–2016; and ephemera relating to William Blake, 1955–2011.

The fonds consists of records pertaining to Ken Taylor’s career in the foreign service, as well as records related to his personal life.

Fonds is comprised of the following series: Series 1: Correspondence; Series 2: Personal records; Series 3: Records relating to diplomacy; Series 4: Media and news clippings; Series 5: Awards and honours; Series 6: Ephemera and memorabilia; Series 7: Graphic material; Series 8: Audio-visual records.

The fonds contains records of Paul Bouissac and consists of three series: Series 1: Records relating to writing and academic work, 1956–2012; Series 2: Records relating to the Debord Circus and other circuses, 1955–1985; and Series 3: Correspondence, [195-?]-2015.

Fonds consists of 6 series that follow the chronological dates of the records and illustrate the progression of Ran Ide's professional career. Other than the first series, which covers Ran Ide's family and early years, the majority of the records focus on the professional aspects of his life. The final series consists of a finding aid compiled by the donor, John Ide, Ran Ide's son and contains anecdotes and detailed explanations of all of the records at the item level. There is also a series of writings from Ran Ide's Before and After: Recollections which he wrote for his family in 1996 and several writings of memories written by John Ide.

The fonds is organized into the following series: Series 1: "The Early Years, the Pickering Years and PACI Days [and the beginnings of ETV] Records from 1919-1969"; Series 2: [Educational Television, the OECA and the Establishment of TVOntario] "Records from 1970-1975"; Series 3: [OECA, CRAB, Honorary Degrees and the Club of Rome] "Records from 1976-1979"; Series 4: [The Club of Rome, CVCC, CRAB and consulting] "Records from 1980-1983"; Series 5: [The CBC and the Club of Rome] "Records from 1984-1989"; Series 6: ['The Transparent Blackboard', The Club of Rome and Final Years] "Records from 1990-1996, 1997-2014"; and Series 7: Ran Ide Papers [Catalogue and Recollections].

These fonds consists of Michael Phillips' records relating to his academic writings, including his extensive correspondence with Blake scholars, publishers, and printers as well as records related to lectures, exhibits and research in printmaking, 1957-2015. The fonds is arranged typically by work or activity and includes the following subject headings: The Poetical Sketches of William Blake (Ph.D. Thesis, 1968); William Blake: Essays in Honour of Sir Geoffrey Keynes (published 1973); Lectures and Research, 1974-1976; Interpreting Blake: A Volume of Studies (published 1978); Modern Language Association's Special Session on the Bicentenary of Poetical Sketches (Dec. 1983); An Island in the Moon (published 1987); "The Composition of Pope's Imitation of Horace, Satire, II.i" (published in Alexander Pope: Essays for the Tercentenary, 1988); Tate Britain William Blake Exhibition and Catalogue (2000); The Creation of the Songs (published 2000); The Marriage of Heaven and Hell (published 2011); Items Relating to Geoffrey Keynes; Books Annotated by G. Wilson Knight; "The Printing of Blake's Illustrations to the Book of Job" (published 2005); "The Printing of Blake's America a Prophecy" (published March 2004); "Printing Blake's Songs, 1789-1794" (published September 1991); "William Blake and the Sophocles Manuscript Notebook" (published 1997); Research on printmaking and Blake's illuminated printing ; and "William Blake : Apprentice and Master" Exhibit at the Ashmolean Museum, University of Oxford", etc.

Photographs are of images of works by Blake, printmaking techniques and tools as well as images used in the catalogue for the Ashmolean Museum's Blake exhibition in 2014.

The fonds contains material that documents S.A. Nigosian's scholarly and teaching career, as well as his role as a minister of the Armenian Evangelical Church and a member of the Armenian community in Toronto.

Fonds is comprised of the following series: Series 1: Scholarly activities/publications records 1970-2011; Series 2: Teaching records, 1966-2013; Series 3: Armenian community and church records 1961-2005; Series 4: General correspondence, 1971-2014; and Series 5: Personal records, 1949-1976, 1996-2001.

Fonds consists of the following series: Series 1: Correspondence,1965-2008; Series 2: Art and records of Khoa Pham, 1976-2011;and Series 3: Writings, 1964-2013.

The fonds consists of Jay Macpherson's records relating to her poetry, academic career, and personal life.

The fonds contains Francis Sparshott’s records pertaining primarily to his academic career and literary endeavours. It consists of three series: Correspondence, 1957–2012; Literary records, 1942–2009; and Academic records, 1943–2007.

The fonds reflects S.P. Rosenbaum's career as an academic and published author.

Fonds is comprised of the following series: Series 1: Correspondence, 1923, 1957-1998; Series 2: Records relating to literary and lecture activities, 1953-2011, predominant 1967-2009; Series 3: Published literary articles, 1959-1994; Series 4: Book reviews, 1962-1986.

Fonds consists of records relating to Michael Bedard's career as an author, including his research and drafts, correspondence with publishers and illustrators, reviews, and awards, 1978-2009. It is arranged by work: Woodsege and Other Tales (published 1979), Pipe and Pearls (published 1980), A Darker Magic (published 1987), The Lightning Bolt (published 1989), Redwork (published 1990), The Tinder Box (published 1990), The Nightingale (published 1991), Emily (published 1992), Painted Devil (published 1994), The Divide (published 1997), Glass Town (published 1997), The Clay Ladies (published 1999), The Wolf of Gubbio (published 2000), Stained Glass (published 2001), The Painted Wall and Other Strange Tales (published 2003), William Blake: The Gates of Paradise (published 2006), and Published Texts.

Fonds consists of records relating to John Bemrose's first novel, The Island Walkers, 2003, including chapter drafts, correspondence with publishers, reviews, and awards, 2002-2009.

The fonds is comprised of Anne Tait's records pertaining to her career in writing, producing and broadcasting, and includes correspondence, manuscripts, legal and financial records, casting lists, shooting schedules, reports, publicity material and photographs.

Fonds consists of the following series: Records relating to casting direction, 1959–2003; Records relating to Yeats in Love, 1960–2004; and Records relating to “Iron Road”, 1998–2009.

Fonds consists of minutes, 2002–2009, a historical list of speakers, 2009, and an administrative/financial file, 1995–2008.

Fonds consists of four series: records relating to writing,1925-2003; diaries/journals, 1920-1991 ; correspondence, 1907-2008; and records relating to family and various activities, 1882-2008 Fonds is comprised of the following series: Series 1: Records relating to writing,1925-2003 Series 2: Diaries/journals, 1920-1991 Series 3: Correspondence, 1907-2008 Series 4: Records relating to family and various activities, 1882-2008.

Fonds is comprised of the following series: Series 1: Records relating to Profiles in Canadian Literature, 1980-1991; Series 2: Records relating to The picturesque prison: Evelyn Waugh and his writing, 1969-84; Series 3: Records relating to writing, teaching and research, 1966-1996; Series 4: Records relating to The creator as critic and other writings by E.M. Forster, 1999-2008.

The fonds consists of the following series: records relating to publications, 1961-2004; articles, addresses and related records,1950-2003; personal records, 1937-2004; records relating to professional activities and teaching, 1952-2007.

The archive of celebrated Canadian film director-producer Norman Jewison contains photographs and publicity materials, papers and correspondence, shooting scripts and schedules primarily for films directed or produced by Jewison between the years 1975 and 2003. Materials related to the films Fiddler on the Roof, …And Justice for All, A Soldier’s Story, Moonstruck, The Hurricane, The Statement and others undertaken by Jewison are held in this collection.

Fonds is comprised of the following series: Series 1: Films directed by Norman Jewison, 1966–2003; Series 2: Television productions, 1994–2001; Series 3: Shooting scripts, 1981–2003; Series 4: Films produced by Norman Jewison, 1966–1994; Series 5: Film projects not undertaken, 1971–2002; Series 6: Professional activities, tributes and honours, 1968–2007; Series 7: Correspondence/subject files, 1962–2007; Series 8: Canadian Film Centre, 1987–2004; Series 9: Autobiography, 1953–2005; Series 10: Photographs and posters, [1926?]–[2003]; and, Series 11: Memorabilia and publicity material, [194–?]–2007.

The fonds is comprised of the following series: Series 1: Correspondence/subject files; Series 2: Writing; Series 3: Research and teaching; and, Series 4: Personal.

Fonds consists of a scrapbook which contains newspaper clippings, congratulatory messages and letters, photographs and postcards related to his Rhodes Scholarship and his time at Oxford. James Carscallen's thesis from Oxford is also included along with manuscripts and notes for other works.

Fonds also contains a collection of playbills and concert bills for various performances in Toronto and overseas, as well as notices for Victoria College events including performances of the Ichthyology Ensemble, for which James Carscallen played the piano, as well as the Victoria's Winter Musical Interlude.

James Carscallen was a member of the Graduate English Renaissance Group, and the fonds contains notices for several of this group's events. There is a also a file related to an event held at Victoria College called An Evening of Romanticism in Literature, Music and Art, which contains a thank you note from Northrop Frye. Fonds also contains 2 photographs from James Carscallen's retirement from Victoria College in 1996.

Fonds consists of four small travel journals belonging to Margaret Gairns that describe several of her trips to Britain in the summers of 1936, 1938 and 1954. The fonds also contains a copy of her MA thesis from Victoria College on Mary Wollstonecraft, which she completed in the mid 1930s. The three photographs show Margaret Gairns with her lifelong friend Marjorie Mann (nee Diehl) VIC3T1, and Marjorie's daughter Susan, whom Margaret considered like her own child.

Fonds is comprised of the following series: Series 1: notebooks, [ca. 1940]-2001 Series 2: manuscripts and other records, [ca. 1940]-2003.

The Jane Millgate fonds contains records pertaining to her academic career and spans the years 1976 through 2002. It primarily includes correspondence, drafts, typescripts, research materials, reports and other records relating to her work on the novelist and poet, Sir Walter Scott.

Fonds is comprised of the following series: Series 1: Edinburgh Edition of the Waverley Novels, 1976-2000; Series 2: Siege of Malta, 1976-2001; Series 3: Sir Walter Scott's Magnum Opus, [ca.1977]-1987; Series 4: Royal Society of Canada, 1977-1991; Series 5: Walter Scott; the Making of the Novelist, [ca. 1984]-1987; Series 6: Scott's Last Edition: a Study in Publishing History, 1986; Series 7: Toronto Centre for the Book, 1994-2002; Series 8: Macaulay, 1973; Series 9: Millgate Union Catalogue of Walter Scott Correspondence, [ca. 1995]-[ca. 2002].

Fonds consists of poem collections, 1987-2002, notes and other writings, and printed material, 1952-2002, and photographs of Gwen Grant and others.

Fonds consists of correspondence, primarily incoming, 1960-2001; teaching records, including course outlines/descriptions, lecture/research notes, essay topics, transparencies, bibliographies, exam questions, research material, and term papers for French literature and film courses, 1972-2001; records, including photographs, research/biographical material, correspondence, printed publicity material and clippings relating to the Norman Jewison Lecture Series, which featured acclaimed American film directors introduced by Professor Tolton, 1983-1989.

Fonds consists of records associated with Frye's academic career in addition to some personal records. The fonds is comprised of the following series: 1) Correspondence files; 2) Literary files; 3) Personal files; 4) Professional files; 5) Audio-visual records; 6) Publications by Northrop Frye; 7) Files about Northrop Frye; 8) Artifacts; 9) Miscellaneous printed files; 10) Files relating to the estate of Northrop Frye; and 11) Collected Northrop Frye records.

The fonds consists of Janis Rapoport’s records pertaining to her activities as a writer, editor and educator, and to her personal life. The fonds includes correspondence, professional files, legal records, publications, manuscripts, and personal files including photographs and sound recordings. Douglas Donegani material is also included.

The fonds consists of the following series: Series 1: Ethos Cultural Development Foundation records; Series 2: Neighbourhood journalist files; Series 3: Writer-in-Residence; Series 4: Teaching files; Series 5: Manuscript files; and, Series 6: Personal records.

Fonds consists of letters, 1970-2000, written by Catharine Carrington to her friend Maryse Shaw, who was a bookseller in London, England. The correspondence covers a wide variety of subjects, including local and family news, cultural interests, social events, as well as persons once involved in the Bloomsbury Group; it also includes photocopies of photographs of the Carrington family, their farm, and friends, including Maryse Shaw.

The fonds consists of E.J. Pratt’s records pertaining to his activities as a teacher, minister and poet. It contains manuscripts and published works by E.J. Pratt, as well as notebooks, drafts of poems, lecture notes, letters, critical works and theses, photographs and memorabilia. The fonds is arranged in seven series; see finding aid for details.

Fonds consists of correspondence from Isabel (Overton) Bader to Alfred Bader, 1949-1951, 1975; correspondence from Alfred to Isabel, 1975; correspondence from Mrs. Overton to Alfred, 1949, 1951; and records re "A Canadian In Love", the published collection of letters with an introduction by Roseann Runte, 2000.

Fonds consists of speeches and addresses given by Kenneth R. Wilson at events and symposiums including the Citizen's Forum, World Trade Forum and the National Forum (broadcast on CBC), and to groups including the Rotary Club, the Canadian Club of Toronto, the Empire Club of Canada, and the Victoria College Reunion, etc. Also contains articles written by and about him, and reports on assignments that he was on.

Fonds also includes letters of condolence to his wife Ruth after Kenneth's death in 1952 and letters of condolence addressed to Floyd S. Chalmers, the Executive Vice-President of Maclean Hunter Publishing Company, who was the boss of Kenneth R. Wilson. Contains obituaries, published tributes and the tribute given at his memorial service. Also includes records related to his estate.

Fonds contains several photographs of Kenneth R. Wilson, including a formal portrait by Yousuf Karsh. There is also a short documentary film about Wilson's life and a scrapbook assembled by him that covers his early school days until his work in England on the Canadian War effort (http://pratt116.vicu.utoronto.ca/RS/?r=10061).

The fonds also contains a scrapbook assembled by Kenneth R. Wilson's daughter, Nora Ruth Wilson. This scrapbook mainly consists of images cut out of magazines and newspapers as well as articles related to the end of the war (WWII).

The fonds consists of manuscripts, correspondence, notes, research material and other records relating to publications and intended publications, 1957-1992, including Types of Shakespearean Romance with interpretations of Cymbeline, The Winter's Tale and The Tempest, Pericles, and Medicine and Shakespeare in the English Renaissance; manuscripts, notes, announcements, correspondence and other records relating to lectures and papers given at conferences and seminars, 1964-1997; correspondence, course notes and outlines, research material and other records relating to other academic work, 1951-1980; and photographs of illustrations used in essay in Science and the Arts in the Renaissance.

The fonds consists of Ernest G. Clarke’s records pertaining to his career as an academic and to his personal life. The fonds includes personal files, including correspondence; and professional files, including lectures, course materials, research notes and material, corrected and annotated drafts, publications, publishing contracts, and (annotated) manuscripts. The fonds also includes microfilm copies of manuscripts held in other repositories, including the British Museum.

The fonds consists of records pertaining to Keith Davey’s political career as a campaign organizer and Senator, in addition to some personal records. Fonds is comprised of the following series: 1) General correspondence 2) Political campaign files 3) Correspondence with Members of Parliament 4) Research and publication files 5) 6 & 5% anti-inflation programme files 6) Special Senate Committee on Mass Media 7) The Trudeau Years correspondence 8) Personal and political files 9) Student files 10) Business files 11) Ontario Liberal Association files 12) National Organizer (Liberal Party of Canada) files 13) Canadian Football League files 14) Senate files 15) Liberal Party publications 16) Personal files 17) Research reports 18) Graphic material

The fonds consists of records associated with Claire Pratt’s career as writer and artist, in addition to family records. Fonds is is arranged in four series.; see finding aid for details.

The fonds consists of records that reflect Jennie Huie’s career as a scholar and her research on Anne Thackeray Ritchie.

The fonds is comprised of the following series: Correspondence, 1956–1971; Records relating to research, 1956–1971; Records relating to writings, 1961-1995, predominant 1961–1964; and Graphic material and memorabilia, 1961–1965.

The fonds consists of Laure Rièse’s records pertaining to her activities as an academic and to her personal life. The fonds includes certificates; awards; contracts; correspondence with friends and with Canadian authors; manuscripts submitted by French and Canadian authors, poets and playwrights to Rièse for editing; records relating to Rièse’s activities as a member of the Advisory Board of the Northrop Frye Centre; correspondence and other material relating to Gerard Mourge; diaries; manuscripts; photographs; videocassettes for a Television Française Ontario (TFO) production entitled Mini-portrait pour le lancement de la foundation; notebooks, agenda books and engagement calendars; notes for speeches and conferences; research files; teaching files; travel journals; and drawings and prints that she collected.

Mary Rowell Jackman was a graduate of Victoria University (B.A. 1925) who was a prominent philanthropist, social activist and patron of the arts. The fonds consists of records in the following ten series: correspondence, 1824–1994; student and alumnus records, 1915–1994; family records, 1904; records relating to finances, [192–?]–1994; social activism and religion, 1913-1994; records relating to art and artists, 1928-1994; records relating to travel, 1901–1994; records relating to Sky Works documentary, 1994–2005; photographs, 1910–1989; and, memorabilia and ephemera, 1920–1994.

Fonds consists of Yvonne Housser's journals and correspondence (1931-1980), including correspondence with her husband Frederick Housser (1931-37), and Arthur Lismer (1937) and notes on Theosophy (1953-1980); lectures, book reviews and stories (1933-1980); and documents and drawings pertaining to her travels and sketching trips (1939-1975) to Europe, the United States, Mexico, and Québec.

Fonds consists of letters, postcards and an invitation from Bell to Simon Watney, 1972-1991, regarding publishing, finances, artistic matters and other topics. Also includes two letters from Anne Olivier Bell to Watney.

Fonds consists of records relating to John Norman Harris’s experiences in England, primarily his time in the Royal Air Force; his internment in a German stalag, and then his writing efforts back in Canada. The records consist of three series: personal correspondence 1935–1977, which also includes the correspondence of family members, predominantly his father and wife; manuscripts and other records relating to writing and publishing, 1946–1991, including attempts at posthumous publication by his widow; and memorabilia and obituaries, 1930–1964.

The fonds consists of records pertaining to Kathleen Coburn’s career as an academic and to her personal life. Fonds is comprised of the following series: Series 1: General correspondence Series 2: Subject correspondence Series 3: Research and editorial records Series 4: Lectures and publication files Series 5: Scrapbooks and journals Series 6: Personal files and, Series 7: Graphic materials (photographs and slides).

The John Douglas fonds documents his career as a radio drama producer for the CBC and as a writer of scripts for stage and radio plays. It consists of scripts, including drafts and plot outlines of radio and stage productions; correspondence, programme proposals, planning notes and other records relating to professional work; and personal correspondence and related records.

Fonds consists of records relating to Lectures 1818-1819 on the History of Philosophy, 1983-1985; records relating to Marginalia, [194-?]-1983; and records relating to Shorter Works and Fragments, 1968-1990.