A loan together [Alone together]
- OTUFM 74-001
- File
- n.d.
Part of Trudy Desmond collection
File consists of an arrangement of "A loan together [Alone together]" by [Arthur Schwartz and Howard Dietz] for piano, guitar, bass, drums, vibes.
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A loan together [Alone together]
Part of Trudy Desmond collection
File consists of an arrangement of "A loan together [Alone together]" by [Arthur Schwartz and Howard Dietz] for piano, guitar, bass, drums, vibes.
[Letter from Siegmund Warburg to Stefan Zweig, July 6, 1936]
Part of Victor Zuckerkandl index
Warburg refers to Zuckerkandl’s rejection of the definition of Judaism as responsible for reconciliation, peace, and justice on p. 122 of Die Weltgemeinschaft der Juden. Warburg agrees with this notion but considers it does not address the issue of a lack of leadership in the Jewish community. Warburg asks if he should send the copy back to Zuckerkandl or if he can keep it. He then alludes to a future meeting with Zweig, during which they will discuss this problem, among other things. Back of the letter reads “Weltgem d. Juden.”
Part of Rob McConnell fonds
Gabrielle : for solo violin / Murray Adaskin
Part of Jacques Israelievitch collection
The Toronto Star free concerts : The spirit of England
Part of Leslie Bell fonds
Part of Harry and Ida Culley fonds
File consists of a copy of the published solo sheet music and a manuscript copy of the same.
Part of Rob McConnell fonds
Part of Trudy Desmond collection
File consists of an arrangement of "All or nothing at all" by [Arthur Altman and Jack Lawrence], arranged by [Don Thompson] for drums, bass, rhythm (piano, guitar), [flugelhorn] Guido [Basso].
Sevilla = Sevillanas / Isaac Albeniz, arr. Felix Guenther
Part of Harry and Ida Culley fonds
File consists of arrangement of Sevilla for two pianos four hands.
The Boulevard Club Ladies War Unit Fund : A choral recital by the Alumnae Choir of Toronto
Part of Leslie Bell fonds
[Letter from Viktor Zuckerkandl to Mrs. Staudinger, March 23, 1951]
Part of Victor Zuckerkandl index
Letter from Zuckerkandl to Frau Staudinger telling her that he was shortlisted for a Guggenheim fellowship, but the results will be delayed until mid-April. Asking for advice as he had not planned past mid-March, when the results were supposed to be announced.
Sonata : padre e figlio : [for violin and marimba] / Murray Adaskin
Part of Jacques Israelievitch collection
Grand Chapter of Ontario, Order Eastern Star : Sacred concert
Part of Leslie Bell fonds
Vocalise for solo violin / Murray Adaskin
Part of Jacques Israelievitch collection
Part of Rob McConnell fonds
I'll get by (as long as I have you) / Fred E. Alhert
Part of Harry and Ida Culley fonds
File consists of copy of sheet music issued "for professional use only." Annotation in pencil at the top: "Barbara Swift, no. 2, act 8, 2 chorus".
[Letter from Otto Schulmeister to Viktor Zuckerkandl, March 30, 1955]
Part of Victor Zuckerkandl index
Schulmeister introduces himself to Zuckerkandl, suggesting that he may know him either through Zuckerkandl's sister or as editor of Wort und Wahrheit. Schulmeister explains that he is compiling a book to be entitled Spectrum Austriae, and intends to publish it in German and eventually in English. Schulmeister lists the themes to be discussed in the publication and asks if Zuckerkandl would be interested in covering “Music as the Soul of Austria” ("Die Musik als Seele Österreichs").
Part of Trudy Desmond collection
File consists of an arrangement of "Always : encore" by [Irving Berlin] for piano, guitar, bass (tacet), drums (tacet).
Piece en forme de rumba / G. Badénés
Part of Jacques Israelievitch collection
Part of Trudy Desmond collection
File consists of an arrangement of "Anyone can whistle" by [Stephen Sondheim], arranged by Roger Kellaway for voice, piano, guitar, bass (tacet), drums (tacet).
[Letter from Viktor Zuckerkandl to Otto Schulmeister, April 6, 1955]
Part of Victor Zuckerkandl index
Zuckerkandl hesitantly expresses interest in writing for Spectrum Austriae. He explains that he feels it impossible to separate Austrian music from German music and specifies that characteristics of Austrian music are inspired by the landscape of the country. Zuckerkandl further recommends Heinrich Schnitzler, director and teacher of theater history, for work on Spectrum Austriae.
Manhattan serenade / Louis Alter
Part of Harry and Ida Culley fonds
File consists of 3 annotated copies of the sheet music, and a manuscript copy of part of the piece.
Casavant Society : Maitland Farmer with Alumnae Girls' Choir of Toronto
Part of Leslie Bell fonds
Part of Rob McConnell fonds
Dance : for string trio / Maya Badian
Part of Jacques Israelievitch collection
Part of Rob McConnell fonds
Part of Trudy Desmond collection
File consists of an arrangement of "Anything gose [goes]" by [Cole Porter] for rhythm.
The Kiwanis Club of North Toronto presents the Alumnae Choir
Part of Leslie Bell fonds
[Letter from Anton Böhm to Viktor Zuckerkandl, April 20, 1955]
Part of Victor Zuckerkandl index
Böhm responds to a letter forwarded to him by Otto Schulmeister regarding Zuckerkandl's potential contribution to Spectrum Austriae. Böhm agrees with Zuckerkandl's statements but advises Zuckerkandl to avoid presenting the connection to German music in a manner that could be interpreted as political. Böhm invites Zuckerkandl to write for Spectrum Austriae and recommends that he respond directly to Schulmeister.
Les sylphes : impromptu-valse / G. Bachmann
Part of Harry and Ida Culley fonds
File consists of an excerpted piece from a larger volume, and a manuscript copy of the same piece. Also includes "Columbine" by Delahaye (G. Schirmer, 1879) in published sheet music, but no manuscript part, and the first page of "Chant sans paroles = Song without words" by Tchaikovsky (G. Schirmer, 1889)
Part of Rob McConnell fonds
Part of Trudy Desmond collection
File consists of a lead sheet and parts for an arrangement of "At the codfish ball" by Lew Pollack and Sidney D. Mitchell for voice, piano, guitar, bass, drums.
Concerto for violin and strings / Milton Barnes
Part of Jacques Israelievitch collection
[Letter from Viktor Zuckerkandl to Otto Schulmeister, May 28, 1955]
Part of Victor Zuckerkandl index
Zuckerkandl responds to Böhm and Schulmeister, agreeing to write an article for Spectrum Austriae. He clarifies that the musical history of Austria is connected to “landscape.” Zuckerkandl requests “a collection of Austrian folksongs” from Schulmeister, which is unavailable to him in the USA.
The Kodak War Effort's Clu presents the Alumnae Choir
Part of Leslie Bell fonds
Part of Harry and Ida Culley fonds
File consists of two copies of the same solo piano sheet music in cover page from Bregman, Vocco and Conn, Inc. with title added by typewriter.
The Women's Auxiliary to the Royal Canadian Army Medical Corps present the Alumnae Singers
Part of Leslie Bell fonds
Part of Rob McConnell fonds
Part of Trudy Desmond collection
File consists of an arrangement of "Baltimore oriole" by [Hoagy Carmichael] for piano guitar, drums, bass.
[Letter from Otto Schulmeister to Viktor Zuckerkandl, June 7, 1955]
Part of Victor Zuckerkandl index
Schulmeister is sending over preliminary contracts for Zuckerkandl to sign and return. Schulmeister further specifies the content desired for Spectrum Austriae. He asks that Zuckerkandl clarify what kind of folk songs he has in mind and will search for folk song collections in antique stores.
Swingin' at the daisy chain / Count Basie
Part of Harry and Ida Culley fonds
File consists of two copies of the same solo piano sheet music in cover page from Bregman, Vocco and Conn, Inc. with title added by typewriter.
Fantasy on themes of the past : for accordion and string orchestra / Walter Buczynski
Part of Jacques Israelievitch collection
Part of Trudy Desmond collection
File consists of a lead sheet and parts for an arrangement of "Being green" by [Joe Raposo] for voice, piano, guitar.
Blues in the dark / Count Basie
Part of Harry and Ida Culley fonds
File consists of two copies of the same solo piano sheet music in cover page from Bregman, Vocco and Conn, Inc. with title added by typewriter.
[Letter from Otto Schulmeister to Viktor Zuckerkandl, December 21, 1955]
Part of Victor Zuckerkandl index
Schulmeister writes to Zuckerkandl asking for an update regarding Zuckerkandl's contribution to Spectrum Austriae. Schulmeister requests that Zuckerkandl provide instructions for any visual materials he would like to include.
Part of Leslie Bell fonds
Part of Rob McConnell fonds
Hammer and bow / Michael Colgrass
Part of Jacques Israelievitch collection
Part of Leslie Bell fonds
Part of Trudy Desmond collection
File consists of an arrangement of "Better than anything" by [David Wheat and Bill Loughborough] for piano guitar, drums, bass.