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University of Toronto Music Library
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[Letter from Siegmund Warburg to Stefan Zweig, July 6, 1936]

Warburg refers to Zuckerkandl’s rejection of the definition of Judaism as responsible for reconciliation, peace, and justice on p. 122 of Die Weltgemeinschaft der Juden. Warburg agrees with this notion but considers it does not address the issue of a lack of leadership in the Jewish community. Warburg asks if he should send the copy back to Zuckerkandl or if he can keep it. He then alludes to a future meeting with Zweig, during which they will discuss this problem, among other things. Back of the letter reads “Weltgem d. Juden.”

All or nothing at all

File consists of an arrangement of "All or nothing at all" by [Arthur Altman and Jack Lawrence], arranged by [Don Thompson] for drums, bass, rhythm (piano, guitar), [flugelhorn] Guido [Basso].

[Letter from Otto Schulmeister to Viktor Zuckerkandl, March 30, 1955]

Schulmeister introduces himself to Zuckerkandl, suggesting that he may know him either through Zuckerkandl's sister or as editor of Wort und Wahrheit. Schulmeister explains that he is compiling a book to be entitled Spectrum Austriae, and intends to publish it in German and eventually in English. Schulmeister lists the themes to be discussed in the publication and asks if Zuckerkandl would be interested in covering “Music as the Soul of Austria” ("Die Musik als Seele Österreichs").

Always : encore

File consists of an arrangement of "Always : encore" by [Irving Berlin] for piano, guitar, bass (tacet), drums (tacet).

Anyone can whistle

File consists of an arrangement of "Anyone can whistle" by [Stephen Sondheim], arranged by Roger Kellaway for voice, piano, guitar, bass (tacet), drums (tacet).

[Letter from Viktor Zuckerkandl to Otto Schulmeister, April 6, 1955]

Zuckerkandl hesitantly expresses interest in writing for Spectrum Austriae. He explains that he feels it impossible to separate Austrian music from German music and specifies that characteristics of Austrian music are inspired by the landscape of the country. Zuckerkandl further recommends Heinrich Schnitzler, director and teacher of theater history, for work on Spectrum Austriae.

[Letter from Anton Böhm to Viktor Zuckerkandl, April 20, 1955]

Böhm responds to a letter forwarded to him by Otto Schulmeister regarding Zuckerkandl's potential contribution to Spectrum Austriae. Böhm agrees with Zuckerkandl's statements but advises Zuckerkandl to avoid presenting the connection to German music in a manner that could be interpreted as political. Böhm invites Zuckerkandl to write for Spectrum Austriae and recommends that he respond directly to Schulmeister.

Les sylphes : impromptu-valse / G. Bachmann

File consists of an excerpted piece from a larger volume, and a manuscript copy of the same piece. Also includes "Columbine" by Delahaye (G. Schirmer, 1879) in published sheet music, but no manuscript part, and the first page of "Chant sans paroles = Song without words" by Tchaikovsky (G. Schirmer, 1889)

At the codfish ball

File consists of a lead sheet and parts for an arrangement of "At the codfish ball" by Lew Pollack and Sidney D. Mitchell for voice, piano, guitar, bass, drums.

[Letter from Viktor Zuckerkandl to Otto Schulmeister, May 28, 1955]

Zuckerkandl responds to Böhm and Schulmeister, agreeing to write an article for Spectrum Austriae. He clarifies that the musical history of Austria is connected to “landscape.” Zuckerkandl requests “a collection of Austrian folksongs” from Schulmeister, which is unavailable to him in the USA.

Being green

File consists of a lead sheet and parts for an arrangement of "Being green" by [Joe Raposo] for voice, piano, guitar.

Better than anything

File consists of an arrangement of "Better than anything" by [David Wheat and Bill Loughborough] for piano guitar, drums, bass.

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