Collection of Canadian booksellers, bookbinders and stationers tickets
- CA OTUTF duff 04075
- Collection
- 1749-1967
Tickets and other ephemera are mounted on leaves with descriptive captions
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Collection of Canadian booksellers, bookbinders and stationers tickets
Tickets and other ephemera are mounted on leaves with descriptive captions
Collection of billheads for Canadian printers and publishers
[Collection of Canadian bookplates]
Binder 1 — A-B. - Binder 2 — C-D. - Binder 3 — E-G. - Binder 4 — H-L. - Binder 5 — M-O. - Binder 6 — P-S. - Binder 7 —T-Z.
[Collection of kibbutz and secular haggadot]
A collection of kibbutz and secular haggadot dating from the mid-1930s to the mid-1990s. Many are self-published, some are commercially printed. Most are illustrated. Among the kibbutzim represented are Giv'at Brenner, Deganyah, Ramat ha-Kovesh, and Bet ha-Shitah. The secular haggadot are put out by youth groups, army units, schools, Zionist organizations in Israel and in the diaspora, including Chile, Brazil, Australia, United States and various European countries. The collection also includes a number of Passover-related publications such as synagogue and army base newsletters published before Passover. The collection was assembled by Jerusalem collector Arnold Druck.
Part of Harley J. Spiller collection
Part of Harley J. Spiller collection
Part of Harley J. Spiller collection
Part of Harley J. Spiller collection
Part of Harley J. Spiller collection
Part of Harley J. Spiller collection
Part of Michael Colgrass fonds
Concertmasters : annotated score
Part of Michael Colgrass fonds
Part of Michael Colgrass fonds
Snow walker : organ part masters
Part of Michael Colgrass fonds
Urban requiem : original score masters
Part of Michael Colgrass fonds
Part of Michael Colgrass fonds
Part of Michael Colgrass fonds
Part of Michael Colgrass fonds
Part of Michael Colgrass fonds
Part of Michael Colgrass fonds
A flute in the kingdom of drums and bells : parts masters
Part of Michael Colgrass fonds
Dragon : worksheets and annotated score
Part of Michael Colgrass fonds
Part of Michael Colgrass fonds
Item is an annotated copy of published score.
Chaconne : orchestral score masters
Part of Michael Colgrass fonds
Winds of Nagual : part masters
Part of Michael Colgrass fonds
Arias : piano rehearsal manuscript score
Part of Michael Colgrass fonds
Bali : penultimate manuscript score
Part of Michael Colgrass fonds
Part of Michael Colgrass fonds
Side by side : worksheets and copy of score for copyist
Part of Michael Colgrass fonds
Urban nocturne : typeset score
Part of Michael Colgrass fonds
Nightingale, Inc. : full piano score and work score
Part of Michael Colgrass fonds
Item is full piano score and smaller work score (1970), 2 copies.
Part of Michael Colgrass fonds
Flashbacks : full score with edits
Part of Michael Colgrass fonds
Demon : piano reduction masters
Part of Michael Colgrass fonds
Crossworlds : unedited flute and piano masters
Part of Michael Colgrass fonds
Bach-Goldberg variations : parts masters
Part of Michael Colgrass fonds
[Collection of Brazilian literatura de cordel]
A collection of approximately 2000 “literatura de cordel” chapbooks, or “folhetos de cordel”, from 1934 to 2017. Most of the chapbooks are printed in the Northeastern provinces of Brazil; including imprints the Tipografia São Francisco (Juazeiro do Norte, Ceará), and the Tipografia Pontes (Guarabira, Paraíba), along with those of several independent poet-publishers, such as the Rodolfo Coelho Cavalcante (Salvador, Bahia), the José Francisco Borges (Bezerros, Pernambuco), and Franklin Maxado Nordestino (São Paulo). Also includes a series of woodcut illustrations printed onto broadsides from the artist Enéias Tavares dos Santos.
[Collection of culinary ephemera.]
A collection of 36 boxes of culinary ephemera, with approximately 1200 items. Consists chiefly of Canadian material.
A collection of 365 separate items with particular focus on concrete poetry and alternative publishing practices taking place in England in the 1960s and 1970s, but with international leanings. Presents the practice of Concrete Poetry as an international movement in which borders are blurred, including those between countries; between languages; and between the entites known as the author, the publisher, and the reader. Related movements such as Mail Art and Fluxus are represented. Shows a close relationship between writing and the physicality of published material through the exploration of alternative publishing practices that utilize a variety of printing and binding techniques. This materiality of the book provides a spectrum that stretches from Independent Publishing Alternatives to Fine Press Publishing through the use of offet printing, letterpress, Xerox, Mimeo, and printing by hand; binding techniques used include anything from stapled chapbooks to loose leaflets in plastic bags or custom folders, or single sheets or cards with no binding at all.
[Collection of concrete poetry titles by Ian Hamilton Finlay].
Represents Finlay's particular small press vision, which touches on, and was involved with British and International Concrete Poetry Movements, but also revolves around aspects of Fine Press Publishing. Overall, the collection highlights and reveals some of Finlay's obsessions including Military History, Nautical History and Terminology, Literary History, Etymology, Games, and the manipulation of landscape, especially his property in Dunsyre which is often represented in a publication by photographs of site specific installations. Many of the items in this collection were produced as Christmas gifts for friends and colleagues.
[Collection of caricatures and cartoons, chiefly medical.]
Accompanied by a vol. of cartoons clipped from Punch (1883-1885); slides and photographs.
Includes works by: Henry Alken, H.W. Bunbury, George, Isaac and Robert Cruikshank, James Gillray, Thomas Rowlandson, G.M. Woodward, and others.
Mainly English, but including three French, two Italian and six Japanese prints.
[Collection of nineteenth century Scottish chapbooks]
A collection of approx. 600 chapbooks, mainly from the first half of the nineteenth century, although most are undated. Most are printed in Scotland; imprints include Glasgow, Paisley, Edinburgh, Stirling, Falkirk, Aberdeen, Ayr and Kilmarnock, as well as London, Sheffield, Newcastle, Manchester, York and Coventry. Most are anonymous but some titles attributed to authors such as Hannah More, Daniel Defoe, Robert Burns, John Bunyan, James Hogg and Allan Ramsay. Many of the titles are illustrated wtih woodcuts.
The collection consists primarily of examples of cartonera books, and a few books published and bound in paper covers by Eloísa Cartonera. The collection also includes a book assembly kit, stencils, archival and publicity materials pertaining to Eloísa Cartonera, as well as video and published materials related to the Prince Claus Award received by Eloísa Cartonera in 2012.
Eloísa Cartonera
Part of Harley J. Spiller collection
Part of Harley J. Spiller collection
Part of Harley J. Spiller collection
Part of Harley J. Spiller collection
Part of Harley J. Spiller collection
Part of Harley J. Spiller collection
Part of Harley J. Spiller collection