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General files

Series consists of more than 16 000 letters received by Henri Nouwen between 1964 and 1997. Some files include photographs and other printed material sent to Nouwen as enclosures. In some instances, a copy of Nouwen's typed letter of reply is also included in the file.

Photographs

Series contains photographs collected, maintained, and/or accumulated by Kathleen Parlow. Photographs depict Kathleen Parlow's life, musical career (including photographs of the Parlow Strong Quartet), and travels to various places including Hawaii and Asia. Also includes photographs of various individuals including but not limited to: Kathleen Parlow; Minnie Parlow; Leopold Auer; Thomas Edison; Arthur Hinton; Harold Bauer; Samuel Gilbert Colt; Willen Willeke; Johan Halvorsen; Henry Scheadieck; Erich Wolff; Ernesto Consolo; Wanda De Stein; Mischa Elman; Marie Hall; and, Jascha Heifetz.

Audio and video recordings

Series consists of audio and video recordings of performances by Ron Collier and of compositions and arrangements by Collier. The series includes audio cassettes from the Duke Ellington Society that were issued to its members; audio recordings of Collier's lectures on Ellington at Humber College (1980s); performances by the Ron Collier Quintet and the Ron Collier Tentet; and records from the Canadian Broadcasting Corporation (CBC) radio transcription service of performances by Collier, his groups, and his compositions and arrangements.

Organizational records

Records document the foundation's mandate, activities, and history. They include the foundation's logo creation, "foundational statement", historic timeline, press cuttings, and newsletters.

Publications

This series includes two books written by Gila Margolin, "The Moving Swan" (2006), and "Where the Woods Meet the Water" (2014). There is one copy of the former and three copies of the latter, one in French ("La où les bois côtoient l'eau").

Gila Margolin, personal

This series is divided into two main categories:

The first contains copies of Gila Margolin's family tree (Margolin and Bergson), as well as a copy of a family photograph.

The second contains ephemera from Margolin's travels (brochures, tickets, a tote), and correspondence.

Concerts and Events

This series is divided into two main categories:

The first contains audio recordings of Gila Margolin's concerts, music sheets and lyrics from her performances, and an audio recording by Jeffrey Houghton which depicts the origins of The Little Sisters of Joy.

The second contains promotional materials from events, mainly concerts and book launches. In many cases, concerts are given in the framework of book launches.

Photographs

Photographs document Gila Margolin's travels, friends, family, and concert performances.

Photographers credited throughout. Note that Kevin Low photographed all of the prints in the album.

Records related to real estate

Series consists of correspondence, leases and other legal agreements, court documents, surveys, deeds, mortgage records, sketches, financial and other records, 1871-2009, relating to the administering of properties owned by Victoria and not used for academic purposes, and for maintaining Victoria's interest in property developments which affected the University. The records relate to insurance, including liability, and the planning and development, management and leasing, acquisition and sales of property, taxes, property disputes and litigation.

The architectural plans and drawings have been separated into Sub-Series 1.

The Bursar's responsibilities with regard to property were initially the insurance of buildings and their contents. However, as the
need for regular income became more urgent and evident, and as the University expanded and required more buildings, the Bursar's work likewise increased. The Bursar became responsible for the legal negotiations and accounting over purchases, sales and leases; and the supervision and funding of alterations and renovations and the construction of new buildings. Along with this the Bursar dealt with property tax as the University was only exempt from this in respect to its property used for academic purposes.

Records related to buildings and grounds

The Bursar's responsibilities with regard to property were initially the insurance of buildings and their contents. However, as the need for regular income became more urgent and evident, and as the University expanded and required more buildings, the Bursar's work likewise increased. The Bursar became responsible for the legal negotiations and accounting over purchases, sales and leases; and the supervision and funding of alterations and renovations and the construction of new buildings. Along with this, the Bursar dealt with property tax as the University was only exempt from this in respect to its property used for academic purposes.

Series consists of correspondence, studies, reports, appraisals, financial administration, agreements, plans, specifications and other records relating to the planning, expansion, renovating, maintenance, repair and construction work on campus buildings and grounds, as well as the establishment and funding of Victoria Theatre, the Isabel Bader Theatre, and the Vic Tennis Club.

The architectural drawings and plans are available in sub-series 1
The records related to the Vic Tennis Club are available in sub-series 2.

Concerts

Series consists of materials produced by the Aldeburgh Connection for each of their concerts, including the Sunday Afternoon Concert Series, held at Walter Hall, Faculty of Music, University of Toronto (1982-2013); the Recital Series at the Glenn Gould Studio, Toronto (1993-2013); the Discovery Series (also called the Young Artists Series), held at Walter Hall (1998-2011); the Bayfield Festival of Song (2007-2012); and various concerts performed on tour in North America and Great Britain. Each file contains the records created and used in the production of the concert, including promotional materials (programs, posters, and pamphlets); correspondence with musicians, sponsors, and venues; newspaper clippings of concert reviews; contracts with performers and venues; research notes; narrative scripts for the Sunday Afternoon Concert Series; scores annotated by Stephen Ralls and Bruce Ubukata; arrangements and transpositions of songs; stage, set, and lighting designs; subscriber lists; and ticket sales records.

Recording projects

Series consists of correspondence, rehearsal schedules, recording take lists, budgets, and research notes, regarding the production of the Aldeburgh Connection’s recording projects, including one cassette and six compact discs. The albums include recordings from various Aldeburgh Connection concerts, recordings with musicians featured in these concerts, and recordings of compositions commissioned by the Aldeburgh Connection.

Promotional events and free concerts

Series consists of records pertaining to various promotional events and free concerts produced by the Aldeburgh Connection. The series includes materials for one concert by Stephen Ralls and Bruce Ubukata prior to the official formation of the Aldeburgh Connection concert series, “Opera in the Drawing Room” (January 14, 1979). Each file consists of programs, scripts, scores annotated by Ralls and Ubukata, set and lighting designs, posters, and reviews.

Governance and finance records

Series consists of the administrative and financial records of the Aldeburgh Connection, including newsletters; correspondence regarding private donations, corporate funding, and government grants; financial ledgers and budgets; and, board minutes. As a registered charity, the Aldeburgh Connection was dependent upon donations, funding, and grants, in addition to revenue from ticket sales, to support each concert season. Donations after the end of the Aldeburgh Connection concerts in 2013 were given in support of the organization’s archival project, which included the creation of an online archive of sound recordings, digitized programs, and a database of their performance repertoire. The series also includes the letters of incorporation for “The Aldeburgh Connection Concert Society” and early promotional material used to obtain funding.

Classical scores

Series contains various classical scores and parts, many of which were arranged and/or composed by Doug Riley.

B3 quartet projects

Series contains sheet music and set lists relating to projects of the B3 Quartet from years 1980-1998.

Postmortem documents

Series consists of documents created after Leslie Bell's death, including letters of condolence written to his wife Leona Bell; copies of his obituaries; and, documents pertaining to the Leslie Bell Scholarship, which was established in his name by the Leslie Bell Singers Alumnae in 1971. The award was created to support choral conductors further their professional careers and enhance their conducting abilities. The award is managed by the Ontario Arts Council (OAC).

Publicity, correspondence, and various other documents

Series consists of newspaper articles by and about Leslie Bell, concert programs, scrapbooks, documents from the Canadian Music Educators' Association (CMEA), and photographs. Bell wrote a column for the Toronto Star from 1950 until 1961, and many of his columns are included in this series. The CMEA documents are included as Bell was a founder of the association and its executive director from 1959 until his death in 1962. He also edited the Canadian Music Educator journal during that time. The series also contains a file of correspondence, photographs, and certificates for Bell's son L. Richard Bell.

Radio scripts, indexes, and notes

Series consists of radio scripts and notes for programs written by Leslie R. Bell in his role as a radio commentator for CBC and CFRB in Toronto. The series also contains indices that accompany many of these scripts for Bell's programs, including Audio, Speaking of music, Music about town, and Music won't hurt you. The series also contains notes from Bell's research for radio programs, lectures, and from his school days, including his notes for his thesis on art education.

Compositions and arrangements

Series consists of some original compositions and many arrangements by Leslie Bell, predominantly for choral ensemble, with some scores and parts for band or orchestra.

Performance, teaching, and personal records

Series consists of records relating to Ron Collier's performance career, including photographs from his time in the Kitsilano Boys' Band in Vancouver; correspondence with various musicians; photographs of his own quartet/quintet/dixtuor/ big band; and, photographs, correspondence, and other records from Collier's collaborations with Duke Ellington. Series also contains lecture notes and other materials relating to his teaching career at Humber College, where he taught composition and arranging (1974-1994). Series also contains some personal and family photographs, scrapbooks, and correspondence.

Compositions and arrangements

Series consists of Ron Collier’s arrangements and original compositions, mostly written for various jazz formations and big band. The series includes manuscript scores, parts, and some sketches for Collier's compositions and arrangements.

Correspondence and programs

Series consists of correspondence with the Canadian Broadcasting Corporation (CBC), Canadian Music Centre (CMC), Canada Council, Ontario Arts Council, performers, representatives of performing organizations, friends, and colleagues. The series also contains programs, Polish community activities, press notices and reviews, and notebooks and journals.

Compositions

Series consists of manuscript music and scores for Buczynski's radio music and children's pieces.

Toronto music education

Series consists of materials relating to music education in Toronto, including at the Toronto Conservatory of Music and the Toronto College of Music.

Autographs

Series consists of the following autographs, collected by Florence L. Clarke, first wife of Henry John Cody, president of University of Toronto (1932-1945): Emma Abbott (1882); Teresa Carreño (1883); Emma Juch (1885); Clara Louise Kellogg (1885); Sofia Scalchi-Lolli; Ede Remenyi; Marcella Sembrich (1883); Potta (1882); Blatchford Kavanagh; Etelka Gerster Gardini (1882); Gabriella Boema; Emma Thursby (1883); Eugenia Pappenheim; Helena Modjeske (1882); Camilla Urn (1883); Mary F. Scott-Siddons (1880); Kate Claxton (1882); Zelia Trebelli; Minnie Hauk (1882); Rose Coghlan (1882); Rafael Joseffy; August Wellesley; Geneviève Ward (1882); five other illegible signatures.

Programs

Series consists of miscellaneous programs, predominantly for concerts that took place in Toronto.

Arrangements

Series consists of manuscripts scores, parts, and scripts. These arrangements were made by Phil Nimmons for various ensembles.

Interviews conducted by Ezra Schabas

Series consists of taped recordings of interviews conducted by Ezra Schabas as part of his research for his book on Sir Ernest MacMillan. Series also includes some recordings of interviews (not conducted by Schabas) with Sir Ernest MacMillan, and a recording of a performance by the Toronto Symphony Orchestra, conducted by MacMillan.

Research files and correspondence

Series consists of Ezra Schabas's textual research files for his biography of Sir Ernest MacMillan. Files include correspondence with Schabas, copies of correspondence with MacMillan, copies of newspaper articles and photographs, and copies of research on MacMillan by other individuals, including that by Keith MacMillan.

Theoretical and critical writings

Series consists of materials created for Klein's teaching at the University of Toronto, and interview with Witold Lutoslawski, and various composition studiesand exercises.

Compositions : scores, parts, and sketches

Series consists of manuscript scores and parts, and sketches, for Lothar Klein's instrumental, vocal, choral, chamber, and orchestral works. File also contains film and incidental music written by Klein.

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