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Charles Whitney Leslie fonds

  • CA ON00357 2117
  • Fonds
  • 1952-[196-]

Consists of sermons, lectures, addresses, correspondence and clippings related to Professor Charles Whitney Leslie's theological concerns, 1952-1960s.

Leslie, Charles Whitney

Eugene Haanel fonds

  • CA ON00357 2126
  • Fonds
  • 1874

Consists of address by Professor Eugene Haanel to Victoria University Physics Class concerning the presentation of some scientific equipment, 1874.

Haanel, Eugene

Frederic Newton Gisborne Starr fonds

  • CA ON00357 2127
  • Fonds
  • 1898-1934

Fonds consists of published articles, 1898-1934, and typescripts, [n.d.], written by Dr. Frederic Newton Gisborne Starr on medical subjects; photographs. Also consists of a scrapbook (compiled by unknown) with photographic portraits of Dr. Starr and his wife (Annie Callander MacKay), a copy of the testimonial to Dr. Starr upon his retirement in 1933, tributes to him by friends and students after his death, copies of invitations he received to events at Buckingham Palace, newspaper clippings and articles.

Starr, Frederic Newton Gisborne

Gary Redcliffe fonds

  • CA ON00357 2156
  • Fonds
  • 1986-2006

Consists of records, 1986-2006, relating to courses taught at Emmanuel College; includes syllabi, bibliographies, guidelines for presentations/evaluations, memoranda, essays, notes, correspondence, teaching material and learning exercises.

Redcliffe, Gary Lorne

John Alvin Surerus fonds

  • CA ON00357 2104
  • Fonds
  • 1947-1961

Fonds consists of correspondence, teaching notes and other records, 1947-1948; minutes and other records of the Senate Library Committee, 1955-1961, and Library Expansion Committee, 1957-1958.

Surerus, John Alvin

John James Maclaren fonds

  • CA ON00357 2102
  • Fonds
  • 1884-1890

Consists of correspondence of Justice John James Maclaren concerning University of Toronto federation, 1884-1890.

Maclaren, John James

University of Toronto. Department of Ophthalmology and Vision Sciences

This accession contains early records from the Department of Ophthalmology and Vision Sciences dealing particularly with eye pathology. Included are several textual records proposing the formation of an ophthalmology department and photographs of early eye pathology labs. There are also a large number of slides containing samples of eye pathologies. Some patient records are included.

University of Toronto. Department of Cell and Systems Biology

Contains records reviewed from the Department of Cell & Systems Biology, formerly known as the Department of Zoology. Contains Undergraduate Affairs Committee records, annual department reports, copies of Zoonews, event files (UofT Day, ZooWoods material), curriculum development material and several photographs and films from departmental gatherings.

University of Toronto. Department of Zoology

University of Toronto. Office of the Vice-President (Business Affairs). Administrive Officer of Trusts

Trust funds record books, Bursar's Office. Trust fund files containing wills, inventories of assets of estates, trust agreements or contracts with the University for disposal of funds. Earlier files contain student awards and research funds information. Dominion Government Grants - Black books.

John Line fonds

  • CA ON00357 2046
  • Fonds
  • 1931-1955

Fonds consists of lecture notes (photocopies, 1976); addresses, 1931, 1955; and published articles.

Line, John

John Potts fonds

  • CA ON00357 2105
  • Fonds
  • 1906-1908

Fonds consists of copies of outgoing letters primarily relating to personal matters; includes copies of letters written by others after Rev. Potts' death, relating to his personal affairs.

Potts, John

John Ratcliffe Grant fonds

  • CA ON00357 2145
  • Fonds
  • 1935-1983, predominantly 1940s and 1950s

Fonds consists of personal papers of John Ratcliffe Grant, 1942-1983, including his doctoral thesis on Ancient Roman History for Harvard University, 1946.

Grant, John Ratcliffe

John Wilson fonds

  • CA ON00357 2130
  • Fonds
  • 1847-1861

Consists of manuscript of address to the alumni (1861); diploma from Trinity College, Dublin (1847); undated lecture notes/sermons of John Wilson.

Wilson, John

Kingsley Joblin fonds

  • CA ON00357 2171
  • Fonds
  • [199–?]–[ca. 2003]

Consists of a photocopy of a manuscript of Kingsley Joblin's memoirs. Joblin reminisces about his student days and teaching career at Victoria University, 1929-2003.

Joblin, Kingsley

Richard Seymour Kelly fonds

  • CA ON00357 2100
  • Fonds
  • 1849

Consists of photocopy of a certificate regarding R.S. Kelly's teaching performance at Victoria College from President Rev. A. McNab, 1849. Also includes photocopy of manuscript titled "A Course of lectures on astronomy", 1851 (oversized).

Kelly, Richard Seymour

Roberta Irwin fonds

  • CA ON00357 2044
  • Fonds
  • 1913–1976

Fonds consists of notes, drafts and final version of biography of John Fletcher McLaughlin, [ca. 1972]; record of McLaughlin family; correspondence re McLaughlin scholarship, 1969-1970; family correspondence, 1913-1976; and photographs.

Irwin, Roberta

Viktor Zuckerkandl index

  • CA OTUFM 62
  • Collection
  • 1927-1994

This collection contains an indexing of selected unpublished materials related to the music theorist and philosopher Viktor Zuckerkandl (1896–1965). Included are descriptions of digitized correspondence, manuscripts, and miscellanea. The three archives that hold the physical media are cross referenced (ONB, Eranos, St. John’s).

Zuckerkandl, Victor

Correspondence

Series consists of personal and professional letters, postcards, and greeting cards sent to Greta Kraus. Series includes correspondence from Carl Bamberg, Emmy Heim, Jules Heim, Margarethe Kraus (mother), Sigrid Kraus, Dr. Walther Kraus (brother), Dr. Wilhelm Kraus (father), F. Langen, Lotte Leonard, Lois Marshall, Denise Restout, William Schabas, Irene Serkin, Rudolf Serkin, Teresa Stratas, Fritz Waldstein, Hans Weiss, Manfred Willfort, and Victor Zuckerkandl.

Locations of unpublished manuscripts of "Der musikalische Mensch"

Typed document stating Zuckerkandl's dates and the locations of unpublished manuscripts (New York Public Library [NYPL] and Austrian National Library [ONB]). Handwritten note about "Der musikalische Mensch" [i.e., Sound and Symbol, vol. 2: Man the Musician] shows dates of acquisition and directors at NYPL (20 July, 1994, Jean Bowen) and ONB (28 July, 1994, Helmut W. Lang).

Index, typed manuscripts

Index of Zuckerkandl's typed manuscripts, with titles and numbers of pages. Includes essays and lectures. Dates indicated range from 1930 to 1950, though many have no date indicated.

Das Leben der Töne[:] Eine neue Elementarlehre der Musik

Zuckerkandl presents music theory to non-professionals, focusing on relating listening experience to concepts from music theory. In the first half of this book, Zuckerkandl describes the behaviour of pitches within the diatonic system, explains major/minor modality, explores intervals, shows the construction of tertian chords, and introduces the relationship between rhythm, meter, and pitch. Zuckerkandl then builds on this foundation in the second half of the book, discussing ornamental tones and Schenkerian concepts such as "the fundamental line" and foreground, middleground, and background layers.

Das deutsche Volkslied (The German Folk-Song)

Zuckerkandl compiles music examples. Page one contains [8?] examples; several are copied from the journal "Das deutsche Volkslied: Zeitschrift für seine Kenntnis und Pflege," edited by Josef Pommer. Page two contains a version of "Brader Tantz zu Wien" from the Partitur ex Vienna, [transcribed?] from an unspecified source.

The educational power of music

Zuckerkandl presents music theory to non-professionals. He begins by working "one note at a time," introducing concepts such as the construction of scales, major and minor modality, scale degrees, and meter and rhythm. Zuckerkandl then builds on this foundation, discussing ornamental tones and introductory Roman numeral analysis. By the end of the book, readers should be able to read simple [Schenkerian] “skeletons.”

[Thoughts after Faust Seminar]

Possibly a letter draft (to Jung?), written after a seminar on Faust. Zuckerkandl writes that Faust refuses to be understood as part of certain fundamental categories; not because he is an exception, but because he reflects the reality of experience. Goethe thus provides an alternative framework to understanding the self, of polarity, i.e. a dynamic event or interaction between two poles, rather than dualism, i.e. a static identification with one of the two poles. To this Goethe adds a vertical axis of "Steigerung" (increase or improvement). Zuckerkandl then lists examples of events which establish Faust as a character defined as tension between two poles. Zuckerkandl corrected typos and added page numbers in pen.

Journal clipping

First page of Erich von Kahler's "Was ist Musik? Zum Lebenswerk von Viktor Zuckerkandl" published in Merkur.

Journal clipping

92-word abstract of the second volume of Sound and Symbol [Man the Musician] and publisher details.

Report by an anonymous reviewer

A reviewer for Princeton University Press notes their impressions of Zuckerkandl's Law and freedom in the tonal world (eventually published as The Sense of Music). They suggest corrections to the manuscript. Zuckerkandl's responses to the suggestions appear as marginalia.

[Appendices for The educational power of music]

Appendix A provides a visual way of explaining the creation of seven-note scales. Appendix B supplies an introductory discussion of rhythm and meter. Appendix D is a supplementary pedagogical example in which Zuckerkandl demonstrates how he would approach presenting the first movement from Beethoven's Appassionata to students. Appendix D contains many score examples and [Schenkerian] "skeletons" from the movement.

Memorandum of agreement between Viktor Zuckerkandl and Princeton University Press for The Sense of Music

The memorandum of agreement outlines the terms agreed upon between Zuckerkandl and Princeton University Press. 1. Zuckerkandl grants exclusive rights to publish and 2. guarantees that he is the sole author of the work and the work does not infringe any copyright, contain any unlawful or libelous matter, and does not invade the privacy of any other individual. 3. The Press assumes all publishing and printing expenses. 4. Zuckerkandl agrees not to publish the same or similar material with any other publisher and 5-6. commits to deliver the entire manuscript and associated materials. 7. Both Zuckerkandl and the Press agree to full cooperation in the editing process, as well as in the event of 8. author’s alterations or editing errors. 9. Zuckerkandl agrees to revise subsequent editions and to supply additional material if necessary. 10. The Press provides insurance of materials to the amount provided by Zuckerkandl. 11. Zuckerkandl and the Press agree to a bi-annual royalty payment rate and schedule on U.S. and international sales. 12. Zuckerkandl grants exclusive sales and licensing rights to the Press. 13. Zuckerkandl is entitled to 10 free copies and discounted copies. 14. Zuckerkandl and the Press agree to the terms of termination of contract. 15. Zuckerkandl agrees to present the Press the first offer of publication on his next work. 16. Zuckerkandl and the Press agree to the terms of transfer or assignment of rights to heirs and/or others.

Agreement of Sale

Document of sale of Zuckerkandl's property in Anne Arundel County, Maryland, to William H. Russell for $23,000.

Memorandum of agreement between Hermine Müller-Hofmann [born Zuckerkandl] and Princeton University Press for the second volume of Sound and Symbol [Man the Musician].

The memorandum of agreement outlines the terms agreed upon between Müller-Hofmann and Princeton University Press. 1. Müller-Hofmann grants exclusive rights to publish and 2. guarantees that [Viktor] Zuckerkandl is the sole author of the work and the work does not infringe any copyright, contain any unlawful or libelous matter, and does not invade the privacy of any other individual. 3. The Press assumes all publishing and printing expenses [paragraph substantially crossed out]. [Fourth point in the contract missing or omitted, see Memorandum of 1956-06-12]. 5-6. Müller-Hofmann commits to deliver the entire manuscript and associated materials [Both paragraphs completely crossed out]. 7. Both Müller-Hofmann and the Press agree to full cooperation in the editing process, as well as in the event of 8. author’s alterations or editing errors [both paragraphs completely crossed out]. 9. Müller-Hofmann agrees to revise subsequent editions and to supply additional material if necessary [paragraph completely crossed out]. 10. The Press provides insurance of materials to the amount provided by Müller-Hofmann. 11. Müller-Hofmann and the Press agree to a bi-annual royalty payment rate and schedule on U.S. and international sales. 12. Müller-Hofmann grants exclusive sales and licensing rights to the Press. 13. Müller-Hofmann is entitled to 10 free copies and discounted copies. 14. Müller-Hofmann and the Press agree to the terms of termination of contract. 15. Müller-Hofmann agrees to present the Press the first offer of publication on Zuckerkandl’s next work [paragraph completely crossed out]. 16. Müller-Hofmann and the Press agree to the terms of transfer or assignment of rights to heirs and/or others [signed by Müller-Hofmann and Rudolf Ritsema].

Biographical note

Biographical note on Viktor Zuckerkandl and his works. Top of first page reads “for last page(s) of book” [possibly Sound and Symbol II: Man the Musician].

Report by Roger Sessions

Sessions completes a Princeton University Press Reader's Report regarding Zuckerkandl's manuscript, Law and freedom in the tonal world (eventually published as The Sense of Music). He recommends that the manuscript should be published, suggesting that Zuckerkandl revise the chapter on "meter and rhythm." Sessions states that he has been in contact with Zuckerkandl about this issue.

Reviews

Subseries contains digitized review manuscripts by Zuckerkandl.

Das Staunen. Zum Verhaltnis von Mensch und Musik

Essay on the relationship of man and music. Amazement at music is different from amazement at nature and other forms of art because music contains an element of humanity but is not decipherable. Music today is divided between specialist creators and layperson audiences, which implies a division of people into musical and non-musical. A truer vision of music's power can be seen in its origins (replicated in folk music), wherein everyone shares the functions of music, and music-making is communal and expresses the inner essence of humanity. Minor edits in pencil correcting typos.

To the Editor of the New York Times (Music Section)

Letter addressed to the editor of the music section of the New York Times, arguing against the critic's disappointment with Karajan and the Berlin Philharmonic's first of five all-Beethoven programs. Zuckerkandl writes that modern audiences have lost sight of the "impersonal spiritual event" of musical performances. Orignal article published in the Times on January 20, 1965.

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