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Professional activities

This series documents various professional activities and research including participation in conferences, film festivals and screenings, and particularly Prof. Armatage’s work within the Major Collaborative Research Initiatives Program. The series includes her correspondence with a small number of notable women filmmakers, including Dorothy Arzner and Tracey Moffatt, as well as posters, programs, and pamphlets on women and cinema collected over the course of her professional career. There is also one file relating to her time teaching in Japan in 2002.

Kay Armatage fonds

  • UTA 1016
  • Fonds
  • 1937-2011

This fonds documents various facets of Prof. Armatage’s career as a filmmaker, senior programmer for the Toronto International Film Festival, and a professor of Cinema Studies and Women’s Studies at the University of Toronto. The academic activity files in Series 1 give an overview of the breadth of her interests, achievements and promotions. Lecture notes and other course materials in Series 2, along with comments on student works found in Series 3, document her teaching role. These will be especially useful to researchers interested in understanding the early beginnings of both women studies and cinema studies and how these developing academic disciplines were being taught to students. Prof. Armatage’s role as a programmer for the Toronto International Film Festival is documented in her extensive notes found in notebooks where she recorded critiques of films she was screening. These are found in Series 4. The extent of her filmmaking is documented in Series 7 and contains preserved original film elements to several of Prof. Armatage’s films, along with a limited amount of related documentation on the making of these films. Unfortunately, this fonds does not contain release prints for these titles.

This fonds has only a small amount of records relating to her published academic works as well as files relating to conferences she organized and associations in which she was active. These can be found in Series 5 and Series 6.

Armatage, Kay

Victoria University (Toronto, Ont.). Ryerson House fonds

  • CA ON00357 2047
  • Fonds
  • 1959–1992

Fonds consists of general files containing minutes, correspondence, memoranda, lists of residents and other records, 1959–1961, 1966–1967, 1970–1981; minutes, 1981–1987; minutes, 1990–1991, and minutes and other records, 1991–1992; and photographs.

Victoria University (Toronto, Ont.). Ryerson House

Victoria University (Toronto, Ont.). North House fonds

  • CA ON00357 2080
  • Fonds
  • [ca. 1912]–1977

Fonds consists of minutes, 1955-1976; financial record book, 1966-1972; and other material relating to North House and an invitation to a party and song sheets [between 1912 and 1916].

Victoria University (Toronto, Ont.). North House

Victoria University (Toronto, Ont.). Dean of Students fonds

  • CA ON00357 2143
  • Fonds
  • 1975-2005

Fonds consists of the following series: Residence committees, 1990-2001; Other records concerning University bodies, 1989-2002; and Subject/correspondence files, 1975-2005.

Victoria University (Toronto, Ont.). Dean of Students

Victoria University (Toronto, Ont.). Dean of Women fonds

  • CA ON00357 2067
  • Fonds
  • 1884-1990

Fonds consists of seven series: Correspondence, 1894-1939; Subject/correspondence files, 1887-1990; Minutes and other records of committees and associations, 1903-1988; Records concerning students and dons, 1884-1989; Records concerning the anniversary of Annesley Hall, 1974-1979; Records relating to Annesley Hall and women's Residences, 1902-1969; and Records of the Annesley Student Government Association, 1903-1963.

Victoria University (Toronto, Ont.). Dean of Women

Robert Milne, Gabrielle Prata, Christopher Coyea, and Keith Boldt in Il Ritorno d'Ulisse in patria

Item is a publicity photograph of baritone Robert Milne as Antinoo, mezzo-soprano Gabrielle Prata as Penelope, baritone Christopher Coyea as Iro and tenor Keith Boldt as Pisandro in the Canadian Opera Company's 1989 production of Il Ritorno d'Ulisse in patria at the Texaco Opera Theatre and The Joey and Toby Tanenbaum Opera Centre (February 25, 27, March 1, 3, and 5, 1989).

Aprle Millo and Ermanno Mauro in Andrea Chenier

Item is a publicity photograph of soprano Aprile Millo as Maddalena and tenor Ermanno Mauro in the title role in the Canadian Opera Company premiere of Giordano's Andrea Chenier at the O'Keefe Centre in Toronto (April 5, 8, 13, 16, 18, and 21, 1989).

Patrick Timney in Il Ritorno d'Ulisse in patria

Item is a publicity photograph of baritone Patrick Timney as Ulisse in the Canadian Opera Company's 1989 production of Monteverdi's Il Ritorno d'Ulisse in patria at the Texaco Opera Theatre and The Joey and Toby Tanenbaum Opera Centre (February 25, 27, March 1, 3, and 5, 1989).

Robert Milne, Gabrielle Prata, Christopher Coyea, and Keith Boldt in Il Ritorno d'Ulisse in patria

Item is a publicity photograph of baritone Robert Milne as Antinoo, mezzo-soprano Gabrielle Prata as Penelope, baritone Christopher Coyea as Iro and (background) tenor Keith Boldt as Pisandro in the Canadian Opera Company's 1989 production of Il Ritorno d'Ulisse in patria at the Texaco Opera Theatre and The Joey and Toby Tanenbaum Opera Centre (February 25, 27, March 1, 3, and 5, 1989).

Patrick Timney and Mary Anne Barcellona in A Expensive Embarrassment

Item is a publicity photograph of baritone Patrick Timney as Stockmayer and soprano Mary Anne Barcellona as Thessaly in An Expensive Embarrassment by Composer-in-Residence at the Canadian Opera Company Denis Gougeon. The opera was performed at the Texaco Opera Theatre and the Joey and Toby Tanenbaum Opera Centre (May 16-18, 1989).

Ermanno Mauro as Canio in Pagliacci

Item is a publicity photograph of tenor Ermanno Mauro as Canio in the 1991 Canadian Opera Company production of Leoncavallo's Pagliacci at the O'Keefe Centre in Toronto (April 6, 11, 14, 17, 19, 22, and 25, 1991).

Janet Stubbs, Irena Welhasch, and Maureen Forrester in Dialogues of the Carmelites

Item is a publicity photograph of Toronto mezzo-soprano Janet Stubbs (standing) as Mother Marie; former Canadian Opera Company (COC) Ensemble member Irena Welhasch as Blanche de la Force (kneeling); and internationally-renowned Canadian contralto Maureen Forrester as Madame de Croissy in the COC's 1985-1986 season production of Francois Poulenc's Dialogues of the Carmelites at the O'Keefe Centre in Toronto (April 11, 15, 17, 20, 23, and 26, 1986).

Yoko Watanabe and Stephanie Applin in Madama Butterfly

Item is a publicity photograph of soprano Yoko Watanabe as Cio-Cio-San and Stephanie Applin as Trouble, Cio-Cio-San's child, in the 1990 Canadian Opera Company production of Puccini's Madama Butterfly at the O'Keefe Centre in Toronto (September 20, 21, 28, October 1, 3, 6, 11, 13, and 14, 1990).

Enid Hartle and Carol Vaness in Eugene Onegin

Item is a publicity photograph of mezzo-soprano Enid Hartle as Filipyevna and soprano Carol Vaness as Tatyana in the 1990 Canadian Opera Company production of Tchaikovsky's Eugene Onegin, at the O'Keefe Centre in Toronto (September 29, October 2, 4, 7, 10, and 12, 1990).

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