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Consists of sermons, lectures, addresses, correspondence and clippings related to Professor Charles Whitney Leslie's theological concerns, 1952-1960s.

Consists of address by Professor Eugene Haanel to Victoria University Physics Class concerning the presentation of some scientific equipment, 1874.

Consists of diary of Francis Louis Barber's Mediterranean Cruise on the SS. Empress of Scotland, 1928.

Fonds consists of published articles, 1898-1934, and typescripts, [n.d.], written by Dr. Frederic Newton Gisborne Starr on medical subjects; photographs. Also consists of a scrapbook (compiled by unknown) with photographic portraits of Dr. Starr and his wife (Annie Callander MacKay), a copy of the testimonial to Dr. Starr upon his retirement in 1933, tributes to him by friends and students after his death, copies of invitations he received to events at Buckingham Palace, newspaper clippings and articles.

Consists of records, 1986-2006, relating to courses taught at Emmanuel College; includes syllabi, bibliographies, guidelines for presentations/evaluations, memoranda, essays, notes, correspondence, teaching material and learning exercises.

Fonds consists of personal correspondence/subject files of Professor John Irving, 1948–1962.

Fonds consists of correspondence, teaching notes and other records, 1947-1948; minutes and other records of the Senate Library Committee, 1955-1961, and Library Expansion Committee, 1957-1958.

Collection consists of electronic music compositions created at the University of Toronto Electronic Music Studio (UTEMS) and copies of tapes made at other electronic music studios around the world. The collection includes the two original card-catalogue indices for the tape collection, organized by tape number and by composer.

Among the tapes that originated at UTEMS are compositions by faculty and students from the Faculty of Music, independent composers who were granted access to the studio, and compositions created by visiting artists, scholars, and composers. Composers at UTEMS included Robert Aitken, John Beckwith, Brian Cherney, Gustav Ciamaga, Richard Henninger, David Jaeger, Larry Lake, John Mills-Cockell, James Montgomery, Harvey Olnick, Dennis Patrick, Myron Schaeffer, David Williams, and many others. Composers from other studios include Milton Babbitt, Henk Badings, Luciano Berio, Hugh Le Caine, Douglas Lilburn, Pierre Schaeffer, Karlheinz Stockhausen, and Vladimir Ussachevsky.

In addition to tapes created at UTEMS, the collections includes compositions created at the following studios, listed alphabetically:

• APELAC (Brussels, Belgium)
• Bell Telephone Laboratories (Murray Hill, New Jersey)
• Brandeis Electro-Acoustic Music Studio (Waltham, Massachussetss)
• Bregman Electronic Music Studio (Hanover, New Hampshire)
• California State University, Northridge. Electronic Music Studio (Los Angeles, California)
• Canadian Broadcasting Corporation. (Vancouver, Canada ; Montreal, Canada ; Toronto, Canada)
• Colgate Computer Music Studio (Hamilton, New York)
• Columbia-Princeton Electronic Music Centre (New York, New York)
• Cooperative Studio for Electronic Music (Ann Arbor, Michigan)
• East Carolina University. School of Music. Electronic Music Studio (Greenville, North Carolina)
• Electronic Music Studios (London) Ltd. (London, England ; Putney, England ; Oxfordshire, England)
• Electronic Music Studios of Victoria University (Wellington, N.Z.) (Wellington, New Zealand)
• Elektronmusikstudion (EMS) (Stockholm, Sweden)
• Germany (East). Rundfunk- und Fernsehtechnisches Zentralamt. Studio für Künstliche Klang- und Geräuscherzeugung (Berlin, Germany)
• Gotham Recording Studios (New York, New York)
• Groupe de musique expérimentale de Bourges (Bourges, France)
• Hartt College of Music (Hartford, Connecticut)
• Independent Electronic Music Center (Trumansburg, N.Y.) (Trumansburg, New York)
• Institut de recherche et coordination acoustique musique Paris (Paris, France)
• Institut national de l'audiovisuel (France). Groupe de recherches musicales (Paris, France)
• Instituut voor Psychoakoestiek en Elektronische Muziek (Ghent, Belgium) (Ghent, Belgium)
• Internationale Ferienkurse für Neue Musik. (Darmstadt, Germany)
• Israel Center for Electronic Music (Jerusalem, Israel)
• M.I.T. Experimental Electronic Music Studio (Cambridge, Massacusetts)
• McGill University. Electronic Music Studio (Montreal, Canada)
• National Research Council of Canada. Electronic Music Laboratory (Ottawa, Canada)
• National University of Córdoba. Centro de Música Experimental (Córdoba, Argentina)
• New Zealand Broadcasting Corporation (Auckland, New Zealand)
• Nihon Hōsō Kyōkai. Electronic Music Studio (Tokyo, Japan)
• Norsk rikskringkasting (Oslo, Norway)
• Philips Natuurkundig Laboratorium (Eindhoven, Netherlands)
• Princeton University. Computer Center (Princeton, New Jersey)
• Princeton University. Department of music (Princeton, New Jersey)
• Rijksuniversiteit te Utrecht. Instituut voor Sonologie (Utrecht, Netherlands)
• S 2F M (Electronic music studio) (Florence, Italy)
• Siemens-Studio für Elektronische Musik (Munich, Germany)
• Simon Fraser University. Centre for the Arts (Burnaby, British Columbia)
• Southern Illinois University. Electronic Music Studio (Carbondale, Illinois)
• State University of New York at Albany. Electronic Music Studio (Albany, New York)
• Studio Apsome (Paris, France)
• Studio de recherches et de structurations électroniques auditives de Bruxelles (Brussels, Belgium)
• Studio di fonologia RAI Milano (Milan, Italy)
• Studio di Musica Elettronica di Torino (Torino, Italy)
• Studio Eksperymentalne Polskiego Radia (Warsaw, Poland)
• Tulane University. Electronic Music Studio (New Orleans, Louisiana)
• University of Illinois (Urbana-Champaign campus). Electronic Music Studio (Champaign, Illinois ; Urbana, Illinois)
• University of New Mexico. Electronic Music Laboratory (Albuquerque, New Mexico)
• Westdeutscher Rundfunk. Studio für Elektronische Musik (Cologne, Germany)
• York University Electronic Music Studio (York, England) (York, England)

Performers : Doug Perry, viola

Consists of correspondence of Justice John James Maclaren concerning University of Toronto federation, 1884-1890.

Performers : David Zafer, violin

Performers : Barbara Bolte, oboe

This accession of records from New College contains historical overviews of the College, opening ceremony and cornerstone laying material, New College Council minutes, and miscellaneous pamphlets and brochures for events.

This accession contains early records from the Department of Ophthalmology and Vision Sciences dealing particularly with eye pathology. Included are several textual records proposing the formation of an ophthalmology department and photographs of early eye pathology labs. There are also a large number of slides containing samples of eye pathologies. Some patient records are included.

Contains records reviewed from the Department of Cell & Systems Biology, formerly known as the Department of Zoology. Contains Undergraduate Affairs Committee records, annual department reports, copies of Zoonews, event files (UofT Day, ZooWoods material), curriculum development material and several photographs and films from departmental gatherings.

Five photographs collected by Dr. Edward Shorter, History of Medicine Program. The photographs include a photograph of the Meds class of 1897, who destroyed a lecture hall in 1895. Other items include portraits of Dr. Llewellyn Thomas, Professor Vincent Bladen, Marion Powell and Dr. W.E. Gallie.

Trust funds record books, Bursar's Office. Trust fund files containing wills, inventories of assets of estates, trust agreements or contracts with the University for disposal of funds. Earlier files contain student awards and research funds information. Dominion Government Grants - Black books.

Copy of the proceedings of the Conference and tapes of all the sessions. Includes both plenary and discussion groups.

Fonds consists of lecture notes (photocopies, 1976); addresses, 1931, 1955; and published articles.

Fonds consists of copies of outgoing letters primarily relating to personal matters; includes copies of letters written by others after Rev. Potts' death, relating to his personal affairs.

Fonds consists of personal papers of John Ratcliffe Grant, 1942-1983, including his doctoral thesis on Ancient Roman History for Harvard University, 1946.

Consists of manuscript of address to the alumni (1861); diploma from Trinity College, Dublin (1847); undated lecture notes/sermons of John Wilson.

Consists of a photocopy of a manuscript of Kingsley Joblin's memoirs. Joblin reminisces about his student days and teaching career at Victoria University, 1929-2003.

Consists of photocopy of a certificate regarding R.S. Kelly's teaching performance at Victoria College from President Rev. A. McNab, 1849. Also includes photocopy of manuscript titled "A Course of lectures on astronomy", 1851 (oversized).

Fonds consists of notes, drafts and final version of biography of John Fletcher McLaughlin, [ca. 1972]; record of McLaughlin family; correspondence re McLaughlin scholarship, 1969-1970; family correspondence, 1913-1976; and photographs.

Series contains miscellaneous documents related to Zuckerkandl's life and work.

Series contains digitized copies of readers' reports.

This collection contains an indexing of selected unpublished materials related to the music theorist and philosopher Viktor Zuckerkandl (1896–1965). Included are descriptions of digitized correspondence, manuscripts, and miscellanea. The three archives that hold the physical media are cross referenced (ONB, Eranos, St. John’s).

Series consists of personal and professional letters, postcards, and greeting cards sent to Greta Kraus. Series includes correspondence from Carl Bamberg, Emmy Heim, Jules Heim, Margarethe Kraus (mother), Sigrid Kraus, Dr. Walther Kraus (brother), Dr. Wilhelm Kraus (father), F. Langen, Lotte Leonard, Lois Marshall, Denise Restout, William Schabas, Irene Serkin, Rudolf Serkin, Teresa Stratas, Fritz Waldstein, Hans Weiss, Manfred Willfort, and Victor Zuckerkandl.

Typed document stating Zuckerkandl's dates and the locations of unpublished manuscripts (New York Public Library [NYPL] and Austrian National Library [ONB]). Handwritten note about "Der musikalische Mensch" [i.e., Sound and Symbol, vol. 2: Man the Musician] shows dates of acquisition and directors at NYPL (20 July, 1994, Jean Bowen) and ONB (28 July, 1994, Helmut W. Lang).

Index of Zuckerkandl's printed essays, with titles, date and publication information, number of examples. From 1944 to 1965.

Index of Zuckerkandl's typed manuscripts, with titles and numbers of pages. Includes essays and lectures. Dates indicated range from 1930 to 1950, though many have no date indicated.

German manuscript of Man the Musician Part III: Musical thought. Includes voice-leading graphs and musical examples.

Zuckerkandl presents music theory to non-professionals, focusing on relating listening experience to concepts from music theory. In the first half of this book, Zuckerkandl describes the behaviour of pitches within the diatonic system, explains major/minor modality, explores intervals, shows the construction of tertian chords, and introduces the relationship between rhythm, meter, and pitch. Zuckerkandl then builds on this foundation in the second half of the book, discussing ornamental tones and Schenkerian concepts such as "the fundamental line" and foreground, middleground, and background layers.

Subseries contains fragments of manuscripts.

The Julliard quartet is playing Schubert, and the concert is dedicated to the memory of Viktor Zuckerkandl [died on April 24 1965].

List of contacts associated with Princeton University Press.

Zuckerkandl compiles music examples. Page one contains [8?] examples; several are copied from the journal "Das deutsche Volkslied: Zeitschrift für seine Kenntnis und Pflege," edited by Josef Pommer. Page two contains a version of "Brader Tantz zu Wien" from the Partitur ex Vienna, [transcribed?] from an unspecified source.

German manuscript of Man the Musician Foreword and Part I: Musicality.