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This sub-series contains books and booklets of stories, poems, letters, and memoirs written by Bliss Users in Blissymbols and various languages.

This sub-series contains documents relating to workshops and seminars held outside of Canada. Contents include event resources, schedules, memos, research, and presentations.

This collection of Polish uncensored publications and Solidarity/[Solidarność] material includes non-periodical publications, graphics, photographs, cassettes, medals, stamps, artifacts, posters as well as other material generated by "Solidarność” and related organizations in Poland and internationally. Periodicals, books and pamphlets which initially constituted the largest part of the collection, have been catalogued separately.

Some of the collection highlights include bulletins and documents issued by the Coordinating Office Abroad of NSZZ “Solidarność” and by international groups organized in support of NSZZ “Solidarność.” Canadian organizations and initiatives are represented extensively. In 1983, the call to expand the collection was issued to private donors to donate Polish Solidarity material in their possession, and the collection has grown since then.

Series consists of brochures on the Toronto Wagner society, blank membership cards, blank letterhead, and Brian Corman's notes on the history of the society, including past chairs, speakers, and performers for the Society's annual Wagner birthday concert.

Fonds consists of newsletters and ephemera produced by the Toronto Wagner Society.

Series consists of various programs for concerts and recitals presented by the Toronto Wagner Society (TWS), including their annual birthday programme for Richard Wagner, and conferences on Wagner arranged by the TWS in cooperation with the Canadian Opera Company, Toronto Arts and Letters Club, and the University of Toronto. Performers at TWS concerts include: Jean MacPhail, mezzo-soprano ; Richard Fisher, piano ; Kathleen Brett, soprano ; Cori Martin, mezzo-soprano ; Hannibal Hamlin, baritone ; Stephanie Martin, piano ; Michael Aspinall, soprano ; Courtney Kenny, piano ; Anna Russell, soprano and piano ; Celine Papizewska, soprano ; Jackie Lynn Fidlar, mezzo-soprano, and Robin Wheeler, piano ; Robert Martin-Reid, tenor ; Sandra Horst, piano ; Leslie Ann Bradley, soprano ; Stephen Ralls, piano ; Stephen Erickson, tenor ; Andrea Grant, piano.

Series consists of agendas and minutes for the Toronto Wagner Society's meetings, treasurer's reports, and correspondence regarding the administrative operations of the Society (room bookings and guests). Series also includes a membership list from 1986, and a copy of the Society's constitution.

Series consists of issues of the newsletter issued by the Toronto Wagner Society. The newsletter, issued 3-4 times per year to the Society membership features articles, reviews, overview of events organized by the Society, and information about Wagner performances worldwide. The newsletter was initially titled "Society Notes". In September 1989, it was renamed "Wagner News" with volume and issue numbers (starting at vol. 1, no. 1).

File consists of the autograph manuscript parts for Manson's first symphony, including multiple manuscript copies for some instruments (e.g., violin, viola, violoncello, bass, oboe, clarinet). Manson composed his "magnum opus" in 1936 and it was premiered privately in April 1937 by members of the Toronto Symphony Orchestra, conducted by Donald Heins.

File consists of two autograph manuscript scores for Manson's Canadian Fantasy (initially titled Rhapsody Canadienne) for 25-piece orchestra. One version is heavily annotated. The piece was originally written for a contest in connection with the Canadian Folksong Festival in Quebec (1928) named for President E.W. Beatty of the Canadian Pacific Railway and later re-arranged for a larger orchestra [1929]. The Toronto Symphony Orchestra, conducted by Dr. Luigi von Kunits, premiered the work in a concert at Massey Hall (February 12, 1929). At the time, Robert Manson was the leader of the orchestra's second violins.

File consists of the autograph manuscript parts for Manson's arrangement of his first symphony for two pianos, four hands. This arrangement was privately performed by Evlyn Howard-Jones and Healey Willan, according to an article in The Globe and Mail (October 16, 1937). File includes two manuscript versions of each part.

File consists of autograph manuscript scores and parts for Manson's arrangement for string orchestra of the second movement of Pietro Domenico Paradies' (1707-1791) Harpsichord Sonata in A major, P. 893.06. One of the manuscript scores includes an unidentified arrangement or composition for choir (SATB) in Robert Manson's hand.

File consists of an autograph manuscript score and parts for Manson's arrangement of the second movement of his own wind quintet in F major for string orchestra.

File consists of two autograph manuscript parts for Manson's two piano, four hands arrangement of his Canadian Fantasy. The parts are annotated, possibly for performance.

File consists of autograph manuscript parts for Manson's wind quintet in F major, including a part for clarinet in B-flat and for clarinet in C.

Fonds consists of autograph manuscript scores and parts for compositions and arrangements for orchestra, string orchestra, string quartet, and woodwind quintet by Robert G. Manson.

File consists of the autograph manuscript score for Manson's second symphony and two autograph manuscript parts for flute and second oboe.

File consists of autograph manuscript parts and score for Manson's string quartet in D major. The file includes multiple copies of each part, all in Manson's hand, including a separate set of parts of the fourth movement only.

File consists of an autograph score and parts for Robert Manson's arrangement for string orchestra.

File consists of a manuscript score for string quartet.

File consists of two folded folios of manuscript paper with various sketches.

Consists of Victoria College Union Council freshman orientation material, financial records, agenda, correspondence, election material and social calendar, 1958-1960. Also contains a small amount of ephemera from the 1958 initiation events.

Contains two newspaper clippings, one initiation week schedule and one initiation ticket from 1958.

Fonds consists of records related to the establishment and operation of the Virginia Woolf Society.

Fonds is comprised of the following series:
Series 1: Correspondence
Series 2: Administrative Records
Series 3: Records relating to Virginia Woolf Miscellany
Series 4: Articles and news clippings
Series 5: Photographs
Series 6: Audiovisual Records.

Fonds consists of Yvonne Housser's journals and correspondence (1931-1980), including correspondence with her husband Frederick Housser (1931-37), and Arthur Lismer (1937) and notes on Theosophy (1953-1980); lectures, book reviews and stories (1933-1980); and documents and drawings pertaining to her travels and sketching trips (1939-1975) to Europe, the United States, Mexico, and Québec. Also included is a cassette tape of a conversation between Housser and Lora Senechal Carney.

Series consists of programs and recordings of events hosted by the Faculty of Music during the 2022-2023 concert season including faculty, student, and guest artists as well as ongoing concert series and faculty ensembles. All concerts were performed to live audiences in Walter Hall or MacMillan Theatre.

File consists of a recording of an event that took place in MacMillan Theatre. See program for list of full cast and members of the University of Toronto Symphony Orchestra. Recorded in two parts.

Performers: Sandra Horst, conductor ; Kelly Robinson, director ; Scott Reid, set designer ; Gabriel Cropley, projection designer ; Andrew Nasturzio and Alessia Urbani, costume designers ; Kelly Robinson, choreographer ; Susan Monis Brett, stage manager ; Mabel Wonnacott ; assistant director ; Joy Castro, assistant stage manager ; Spencer Kryzanowski, assistant conductor ; Lisa Stevens, intimacy coach ; Christine Bae, Spencer Kryzanowski, repetiteurs ; John Sharpe, surtitles ; Faculty of Music Opera Division.

Program:

• A tale of two cities / Arthur Benjamin : part 1
• A tale of two cities / Arthur Benjamin : part 2.

File consists of a recording of an event that took place in MacMillan Theatre. See program for list of full cast and members of the University of Toronto Symphony Orchestra. Recorded in two parts.

Performers: Sandra Horst, conductor ; Kelly Robinson, director ; Scott Reid, set designer ; Gabriel Cropley, projection designer ; Andrew Nasturzio and Alessia Urbani, costume designers ; Kelly Robinson, choreographer ; Susan Monis Brett, stage manager ; Mabel Wonnacott ; assistant director ; Joy Castro, assistant stage manager ; Spencer Kryzanowski, assistant conductor ; Lisa Stevens, intimacy coach ; Christine Bae, Spencer Kryzanowski, repetiteurs ; John Sharpe, surtitles ; Faculty of Music Opera Division.

Program:

• A tale of two cities / Arthur Benjamin : part 1
• A tale of two cities / Arthur Benjamin : part 2.

File consists of a recording of an event that took place in MacMillan Theatre. See program for list of full cast and members of the University of Toronto Symphony Orchestra. Recorded in two parts.

Performers: Sandra Horst, conductor ; Kelly Robinson, director ; Scott Reid, set designer ; Gabriel Cropley, projection designer ; Andrew Nasturzio and Alessia Urbani, costume designers ; Kelly Robinson, choreographer ; Susan Monis Brett, stage manager ; Mabel Wonnacott ; assistant director ; Joy Castro, assistant stage manager ; Spencer Kryzanowski, assistant conductor ; Lisa Stevens, intimacy coach ; Christine Bae, Spencer Kryzanowski, repetiteurs ; John Sharpe, surtitles ; Faculty of Music Opera Division.

Program:

• A tale of two cities / Arthur Benjamin : part 1
• A tale of two cities / Arthur Benjamin : part 2.

Subseries consists of programs and recordings of performances presented by University of Toronto Opera.

Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. Traditionally, these events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.

Subseries consists of programs and recordings of concerts of works written by student composers.

Subseries consists of events that were part of the University of Toronto New Music Festival (UTNMF), an international festival of contemporary music presented annually by the University of Toronto Faculty of Music. The festival was coordinated by Norbert Palej.