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File consists of a recording of an opera by Nina Rota, which took place in MacMillan Theatre.

Production team: Russell Braun, conductor ; Jennifer Tarver, director ; Michelle Tracey, set design ; Jason Hand, lighting design ; Andrew Nasturzio, Alessia Urbani, costume design ; Sandra Horst, chorus master ; Anna Theodosakis, choreographer and movement director ; Susan Monis, stage manager ; Mabel Wonnacott, assistant director ; Meghan Specht, assistant stage manger ; Christine Bae, Spencer Kryzanowski, répétiteurs ; John Sharpe, surtitles.

Cast: Lyndon Ladeur, Fadinard ; Jordana Goddard, Elena ; Ana Isabella Castro, Anaide ; George Theodorakopoulos, Emilio ; Dante Mullin-Santone, Beaupertuis ; Carlo Cormier, Lo zio Vezinet ; James Coole-Stevenson, Nonancourt ; Nathania-Rose Chan, La Baronessa di Champigny ; Aemilia Moser, La modista Minardi ; William Salinas Crosby, Felice ; Frank Yu, Achille di Rosalba ; Ben Wallace, Un caporale delle guardie.

File consists of a recording of an opera by Nina Rota, which took place in MacMillan Theatre.

Production team: Russell Braun, conductor ; Jennifer Tarver, director ; Michelle Tracey, set design ; Jason Hand, lighting design ; Andrew Nasturzio, Alessia Urbani, costume design ; Sandra Horst, chorus master ; Anna Theodosakis, choreographer and movement director ; Susan Monis, stage manager ; Mabel Wonnacott, assistant director ; Meghan Specht, assistant stage manger ; Christine Bae, Spencer Kryzanowski, répétiteurs ; John Sharpe, surtitles.

Cast: Lyndon Ladeur, Fadinard ; Jordana Goddard, Elena ; Ana Isabella Castro, Anaide ; George Theodorakopoulos, Emilio ; Dante Mullin-Santone, Beaupertuis ; Carlo Cormier, Lo zio Vezinet ; James Coole-Stevenson, Nonancourt ; Nathania-Rose Chan, La Baronessa di Champigny ; Aemilia Moser, La modista Minardi ; William Salinas Crosby, Felice ; Frank Yu, Achille di Rosalba ; Ben Wallace, Un caporale delle guardie.

File consists of a recording of of an opera by Nina Rota, which took place in MacMillan Theatre.

Production team: Russell Braun, conductor ; Jennifer Tarver, director ; Michelle Tracey, set design ; Jason Hand, lighting design ; Andrew Nasturzio, Alessia Urbani, costume design ; Sandra Horst, chorus master ; Anna Theodosakis, choreographer and movement director ; Susan Monis, stage manager ; Mabel Wonnacott, assistant director ; Meghan Specht, assistant stage manger ; Christine Bae, Spencer Kryzanowski, répétiteurs ; John Sharpe, surtitles.

Cast: Cameron Mazzei, Fadinard ; Teresa Tucci, Elena ; Chihiro Yasufuku, Anaide ; George Theodorakopoulos, Emilio ; Dante Mullin-Santone, Beaupertuis ; Carlo Cormier, Lo zio Vezinet ; James Coole-Stevenson, Nonancourt ; Lissy Meyerowitz, La Baronessa di Champigny ; Aemilia Moser, La modista Minardi ; William Salinas Crosby, Andrew Woodmass-Calvert, Felice ; Frank Yu, Achille di Rosalba ; Ben Wallace, Un caporale delle guardie.

Subseries consists of programs and recordings of performances presented by the University of Toronto Opera Division.

File consists of a recording of the Kenneth H. Peacock Lecture by Dr. André de Quadros, Brandon University that took place in Room 130 of the Edward Johnson Building.

File consists of a recording of an event that took place in Walter Hall.

Program:

• Les chemins de l'amour (Claudia Wong, Charlotte Chau, Kannan Bloor)
• Xs ; Through me (Surround Sound, Cassandra Hemasurya, Victor Kehdi)
• Last breath (Lucas White)
• Golden hour (Griffin Hook, Allison But)
• Various jazz standards (Cold Cace quintet)
• Various jazz tunes by John Coltrane (Jordan Middleton Quartet)
• Ballade no. 1, op. 23 in G minor (Steven Zhai)
• Andante et rondo (Yunfei Xie, Josh Chong, Angela Ng)
• Abschied vom Walde ; Fair Phyllis I saw (Victoria Chan, Jereney Shen, Lorraine Ma, Joaquin Justo, Sylvia Sass, Toby Moritz, Jean-Paul Feo, Eric Yang, Rocco Marciano, Matthew Chow, Owen Phillipson).

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Subseries consists of programs from performances by students in the University of Toronto Opera Division at the Faculty of Music.

Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists.

Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists.

Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists.

Subseries consists of programs and recordings of concerts in the Thursday Afternoon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music.

Subseries consists of programs and recordings of performances by ensembles in the Faculty of Music.

Personal records of Professor Peter W. Nesselroth, documenting his career as a professor of French literature for the Centre of Comparative Literature at the University of Toronto and his published academic work on subjects covering French literature, Isidore Ducasse, Surrealism, literary theory, semiotics and psychoanalytics. The emphasis is on his academic writing from the 1970s through to the 2010s, with Isidore Ducasse (Lautréamont) and Jacques Derrida figuring prominently as subjects. Academic honours and teaching material for graduate courses at the University of Toronto and professional correspondence are also included.

Included are Professor Nesselroth’s MA and PhD theses, correspondence, course readings lists and syllabi, drafts and off-prints of academic articles, drafts of addresses, conference programs and photographs.

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Records assembled by the Reverend Harold J. Nahabadian while a member of the Campus Chaplains' Association between 1981 and 1988. Included are minutes, correspondence, address lists, financial records, surveys, brochures and press clippings.

Course notes in gynaecology, obstetrics and pathology taken by Leslie Lloyd Murray while a student in the fifth and sixth years of the six-year programme in medicine at the University of Toronto. His teachers included: for gynaecology, W. A. Scott (associate); for obstetrics, W. B. Hendry (professor) and H. B. VanWyck (junior demonstrator); and for pathology, D. E. Robertson (associate), H. W. Wookey (junior demonstrator), 'Nuts', and Duncan Graham (professor).

Correspondence, minutes anad reports of the Federal-Provincial Study on Public Housing and Urban Renewal assembled by its Director, Professor James A. Murray. The Study was conducted for the Ontario Association of Housing Authorities through the School of Architecture. Includes also correspondence and programme for the 12th Annual Conference of the Association.

Fonds consists of a portfolio of technical drawings, maps and charts prepared by William Campbell Murdie while a student of engineering at the University of Toronto, 1913-1914, and 2 photographs.

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Subseries consists of programs and recordings from the Faculty of Music's New Music Festival, a series of concerts that take place each year in January.

Records of Mulock Trust Fund established in 1898 by Sir William Mulock on the failure and winding up of The Farmers' Loan and Savings Company. Includes minute book, financial statements, correspondence with applicants for funding; receipts for donations to Fund.

Certificates, degrees, photoprints, maps and related material documenting the activities of Charles Park Muckle and his daughter, Alice May Muckle, as students and alumni of the University of Toronto; includes University of Toronto Campus Map. ["designed, drawn, and animated A.D. 1932 by Helen G. Kemp and published by J.M. Dent and Son limited 224 Bloor Street West, Toronto"]

Subseries consists of programs and recordings from the Faculty of Music's New Music Festival, a series of concerts that take place each year in January.

Correspondence regarding the "Ritual of the Calling" along with six photographs document student R.G.K. Morrisson, a graduate from the Faculty of Applied Science and Engineering in 1923. Included are: a group photo of the class of 2T3 in 1920, two composites of the Engineering Society Executive for 1921-23, two group photographs of residence of North House, Devonshire residence and a 1973 photograph of the 50th Anniversary Re-union of the class of 1923 at Hart House.

Memorabilia belonging to George Robert Morrison, BscF 1948, consisting of: Phi Kappa Sigma Pledge Manual (1947), with annotated typed pledge list, the fraternity’s formal group photo for 1947-1948 and a casual photo of members around a piano (1949); ‘Forestry’ pennant, with University of Toronto crest; Faculty of Forestry graduating class photograph, 1948; Morrison’s copy of his University of Toronto Alumni Association Florida-Gulf Coast Branch “25 years of service to the U of T” medal (circa 1993).

Correspondence, notes, memoranda, minutes of meetings and reports documenting the activities of Professor Carl Morey in the Faculty of Music, including the Faculty's Curriculum Review Task Force, 1974-1975; the discontent in the Department of History and Literature (Musicology), 1974-1976; the campaign to remove Paul Peterson from the deanship of the Faculty of Music, 1990-1992; and the Provostial Committee on the Governance of the Faculty of Music, 1992-1993. With covering notes by Carl Morey.