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Clara Cynthia Benson fonds

  • UTA 1052
  • Fonds
  • [186-] - 1964

These personal records consist mainly of records documenting Clara Benson’s non-professional activities such as work with the Women’s Athletic Association of the University of Toronto, the YWCA and her relationship with family members and friends. The personal correspondence in Series 2 provides the most detailed information about her relationship with family, friends and activities. Letters from her parents and siblings provide an insight into her activities and progress at the University of Toronto during her undergraduate years. A few letters, however, will be found from colleagues at the university such as Prof. A.B. Macallum, Prof. Annie Laird and others.

Unfortunately documentation relating to her academic activities is limited to some correspondence and notes found in Series 5 relating to her efforts from 1920s onwards to have the Women’s Athletic Building built. Her early education in Port Hope is documented in the school books, essays and other records in Series 4. Series 4 also contains her framed diplomas for B.A. and Ph.D. No manuscripts of her publications, including her Ph D. thesis appear to have survived. The lecture notes in Series 7 do provide some indication of the content of her courses in food chemistry, and were probably used repeatedly, year after year.

Dr. Benson also recorded her travel and sightseeing activities both abroad and in Canada on film. Series 10 contains 50 rolls of 16mm film documenting her trips to Egypt (1926), England (1937 and late 1940’s and early 1950’s), South America (1939) and the United States (1939, 1948). Some of her leisure time, both while at the University of Toronto and after her retirement, was spent filming events and scenery in Toronto in general, and the University in particular, as well as her family at home in Port Hope.

Benson, Clara Cynthia

Christian Bay fonds

  • UTA 1047
  • Fonds
  • 1938-1997

This accession documents Professor Bay’s personal and professional life. A little over half of the material consists of correspondence to and from Bay of a professional and personal nature. Some of the personal letters include frank opinions of situations in his professional life. Approximately half of the correspondence includes carbon copies and originals written by Bay. The principal years covered are the 1960s to the 1980s. There is also a great deal of material on the Norwegian resistance movement.

The addresses, publications and manuscripts form the second and third largest grouping of material. The latter consists of final copies, drafts, and correspondence related to tributes, letters to the editor, book reviews, as well as books, book chapters, and articles written by Bay from 1949 to 1987.

The remainder of the material consists of personal and biographical documents ( his “personal collections” include ‘illegal’ papers of the Norwegian resistance during World War II); annotated books and offprints sent to Bay; some of his teaching material at the following universities: Michigan State, the University of California Berkley, Stanford, Alberta, and Toronto; material related to his activities in professional associations such as the American Political Science Association and the Caucus for a New Political Science; photographs; and special media which mainly includes recordings of addresses.

This fonds also includes a small sous-fonds on the personal and professional life of his wife, Juanita Bay.

Bay, Christian

Kay Armatage fonds

  • UTA 1016
  • Fonds
  • 1937-2011

This fonds documents various facets of Prof. Armatage’s career as a filmmaker, senior programmer for the Toronto International Film Festival, and a professor of Cinema Studies and Women’s Studies at the University of Toronto. The academic activity files in Series 1 give an overview of the breadth of her interests, achievements and promotions. Lecture notes and other course materials in Series 2, along with comments on student works found in Series 3, document her teaching role. These will be especially useful to researchers interested in understanding the early beginnings of both women studies and cinema studies and how these developing academic disciplines were being taught to students. Prof. Armatage’s role as a programmer for the Toronto International Film Festival is documented in her extensive notes found in notebooks where she recorded critiques of films she was screening. These are found in Series 4. The extent of her filmmaking is documented in Series 7 and contains preserved original film elements to several of Prof. Armatage’s films, along with a limited amount of related documentation on the making of these films. Unfortunately, this fonds does not contain release prints for these titles.

This fonds has only a small amount of records relating to her published academic works as well as files relating to conferences she organized and associations in which she was active. These can be found in Series 5 and Series 6.

Armatage, Kay

University of Toronto. University College fonds

  • UTA 0213
  • Fonds
  • ca. 1820s - ca. 2000

This fonds contains 16 accessions of records. See accession-level descriptions for more details.

University of Toronto. University College

Royal Conservatory of Music fonds

  • UTA 0185
  • Fonds
  • 1887-1984

This fonds contains 8 accessions of records. See accession-level descriptions for more details.

Royal Conservatory of Music

Hart House fonds

  • UTA 0120
  • Fonds
  • 1870s - 2018

This fonds contains 73 accessions of records. See accession-level descriptions for more details.

University of Toronto. Hart House

University of Toronto Communications fonds

  • UTA 0040
  • Fonds
  • 1895-2005

This fonds contains 52 accessions of records. See accession-level descriptions for more details.

University of Toronto. Strategic Communications and Marketing

David Dunlap Observatory fonds

  • UTA 0023
  • Fonds
  • 1910-1996

This fonds contains 3 accessions of records. See accession-level descriptions for more details.

David Dunlap Observatory

University of Toronto. Caput fonds

  • UTA 0008
  • Fonds
  • 1907-1978

This fonds contains 3 accessions of records. See accession-level descriptions for more details.

University of Toronto. Caput

Gallery 345 fonds

  • OTUFM 67
  • Fonds
  • 2005-2019, predominant 2008-2019

Fonds consists of recordings of performances and related ephemera, including programs and posters, from events at Gallery 345 in Toronto, from its opening in 2005 to its closure in 2019.

Epstein, Edward

Collection of interviews with BIPOC musicians

  • OTUFM 65
  • Collection
  • 2020

Collection consists of 9 recorded interviews, both audio and video. The interviews were held by members of the design team for the exhibit Polyphony: Diversity in Music, and feature students and faculty from the University of Toronto Faculty of Music and musicians based in Ottawa, Ontario; Toronto, Ontario; and Regina, Saskatchewan. Interviewers used questions to help the interviewers share their experiences with diversity in music. Questions included whether they identified with current categories in racial discourse (i.e. BIPOC), whether their culture or identity has impacted their opportunities, and what advice they would offer to emerging BIPOC musicians. Themes within the interviews cover a broad range of topics, including systemic discrimination, imposter syndrome, racism, identity, and music pedagogy.

University of Toronto Music Library

Michael Colgrass fonds

  • OTUFM 64
  • Fonds
  • 1949-2019

Fonds consists of the professional and personal records of composer Michael Colgrass. The collection includes manuscripts of his compositions; administrative and financial documents relating to commissions with orchestras, performers, and publishers; and materials generated from the performance of these compositions (including recordings, programs, reviews, and program notes). Other records relate to workshops that Colgrass led, particularly his Neuro Linguistic Programming (NLP) workshops and Colgrass' writings, including poetry, articles, manuscripts and notes for his books, and correspondence with friends and colleagues.

Colgrass, Michael

Greta Kraus fonds

  • OTUFM 59
  • Fonds
  • 1898-2006, predominant 1938-1997

Fonds consists of the personal and professional papers of Greta Kraus, including correspondence, photographs, programs, and some materials relating to the Kraus family.

Kraus, Greta

University of Toronto Electronic Music Studio tape collection

  • OTUFM 54
  • Collection
  • 1949-1988, predominant 1959-1979

Collection consists of electronic music compositions created at the University of Toronto Electronic Music Studio (UTEMS) and copies of tapes made at other electronic music studios around the world. The collection includes the two original card-catalogue indices for the tape collection, organized by tape number and by composer, and accompanying reports and manuals used in the studio.

University of Toronto. Electronic Music Studio

Music Library collection of faculty events

  • OTUFM 51
  • Collection
  • 1946-present, 1965-present predominant

Collection consists of recordings and programs of performances by by faculty members, students, student ensembles, and guest artists, at one of the Faculty of Music theatres (Walter Hall and MacMillan Theatre), and at other University venues.

University of Toronto. Faculty of Music

Derek Holman fonds

  • OTUFM 49
  • Fonds
  • 1933-2016

Fonds consists of the compositions, recordings, and papers of Derek Holman, a former professor at the Faculty of Music, University of Toronto. The fonds contains manuscript scores and parts by Derek Holman, including original compositions, arrangements and realizations, juvenilia, and sketch materials; audio and video recordings of Holman’s compositions and performances; papers and photographs from Holman’s work with various choirs and churches (including at the University of London, University of Toronto, University of Trinity College, Bishop-Strachan, Royal School of Church Music, St. Simon’s, Concord Singers, Croydon Bach Society, Grace Church-on-the-Hill, and the Canadian Children’s Opera Company); and, Holman’s personal papers, including awards, certificates, degrees, and notebooks.

Holman, Derek

Ron Collier fonds

  • OTUFM 35
  • Fonds
  • 1929-2004

Fonds consists of records created during Ron Collier's career as a performer, composer, arranger, teacher, and band leader. The fonds includes manuscripts of Collier's arrangements and original compositions; correspondence with musicians; photographs; lecture notes from his career at Humber College in Toronto, Ontario; and records from his collaborations with Duke Ellington. Fonds also contains audio and video recordings of performances and lectures.

Collier, Ron

New Music Concerts fonds

  • OTUFM 19
  • Fonds
  • 1971-2020

Fonds consists of the administrative records of New Music Concerts (NMC), from its first concert in 1972 to 2020. Records consist of administrative and financial records, including correspondence with composers, performers, and concert venues, budgets, grant applications, and board meeting minutes; concert planning documents, including touring records; and promotion and publicity documents, including programs, brochures, posters, reviews, advertisements, and press releases. The fonds also includes select audio and video recordings of NMC concerts.

New Music Concerts

John Beckwith fonds

  • OTUFM 10
  • Fonds
  • 1888-2024, 1936-2022 predominant

Fonds consists of records created by John Beckwith during his career as a composer, writer, music critic, radio broadcaster, administrator, educator, and performer. Records include sketches, drafts, and manuscripts of his compositions and arrangements, as well as programs, posters, reviews, correspondence, recordings, and other materials from premieres and other performances of his works.

Fonds also includes records relating to Beckwith's work as a radio commentator and script writer for the Canadian Broadcasting Corporation (CBC); music critic for the Toronto Star; professor and dean of the University of Toronto Faculty of Music; and writer of numerous lectures, articles, and books.

Beckwith, John

Guido Pugliese fonds

  • CA UTM F003
  • Fonds
  • 1969-2019

Fonds consists of material documenting the career of Prof. Guido Pugliese as Associate Professor in the Department of Language Studies at the University of Toronto Mississauga (UTM), and to a limited extent, his involvement in the local Italian Canadian community. Records include textual records such as CVs, correspondence, course material, play scripts and programs, as well as photographs and video recordings mostly related to Italian plays at UTM.

Pugliese, Guido

Queer Peel Oral History Project collection

  • CA UTM C002
  • Collection
  • 2020

Collection consists of seven oral history interviews of LGBTQ2+ activists, UTM students and alumni, and residents of the Peel Region (Mississauga and Brampton) in Ontario, Canada. Interviews were conducted by students enrolled in the undergraduate course HIS395S LGBTQ2+ Oral History: Queer Peel offered at the University of Toronto Mississauga in the 2020 winter term.

Queer Peel Oral History Project

South Asian Oral Histories in Peel collection

  • CA UTM C001
  • Collection
  • 2021

Collection consists of 14 oral history interviews with members of the South Asian diaspora residing within the Peel Region (Mississauga and Brampton) in Ontario, Canada. Interviews were conducted by students enrolled in the senior undergraduate course RLG360 Special Topics in South Asian Religions: South Asian Oral Histories in Peel offered at the University of Toronto Mississauga in the 2021 winter term during the global COVID-19 pandemic.

South Asian Oral Histories in Peel Project

[Collection of British royal family clippings and ephemera]

  • CA OTUTF T-10 00097
  • Collection
  • 1898-2005

Collection of issues of various Canadian, American and British periodicals; newspaper clippings (mounted in scrapbooks and loose), plus commemorative pamphlets and other souvenirs. Also includes one manuscript journal by Norah McMurray, and a small number of stamps and original photographs. All material is related to the British royal family ca. 20th century.

Robertson Davies Papers

  • CA OTUTF MS Coll. 00050
  • Manuscript Collection
  • 1929 - 2008

Collection contains personal and professional papers pertaining to Robertson Davies. This includes material relating to Davies’ early life, including writing and acting as a student at Upper Canada College (1929-1932), his studies at Baillol College at Oxford (1935-1938), and participation in theatrical performances in Kingston, Oxford, the Old Vic Theatre, Peterborough and the Stratford Festival (1934-1960). The papers contain a small amount of material related to Davies’ career as a journalist at Saturday Night magazine and the Peterborough Examiner. These papers contain extensive material on the novels, books and writing of Davies. This includes drafts, proofs, correspondence, reviews, clippings and any stage adaptations of his novels from The Salterton Trilogy (Tempest-Tost, Leaven of Malice and A Mixture of Frailties), The Deptford Trilogy (Fifth Business, The Manticore and World of Wonders), The Cornish Trilogy (The Rebel Angels, What’s Bred in the Bone and The Lyre of Orpheus) and the incomplete Toronto Trilogy (Murther and Walking Spirits and The Cunning Man). Also included are a complete set of original drafts and woodcuts for the Penguin edition covers of Davies’ novels, which were designed by the American printmaker Bascove. Limited material related to his essays, short stories and non-fiction publications, notably including Shakespeare’s Boy Actors, A Voice from the Attic, High Spirits and his books of fictional essays by Samuel Marchbanks are a part of the papers. Additionally, the collection includes considerable records relating to Davies’ contributions to anthologies as well as professional writing in academic journals, newspapers and magazines. These papers encompass Davies’ career as a playwright, including material related to twenty-two original works including drafts, scripts, photographs, posters, playbills and clippings, as well as the complete papers relating to the production of The Golden Ass which was staged after Davies’ death. The collection contains a large sampling of correspondence of both a professional and personal nature spanning from 1934 to his death in 1995. Also included in the collection is material related to the professional career of Davies’ as a well-known Canadian writer, this includes photographs and press clippings as well as speeches and commentaries made by Davies and his awards. Records also pertain to academic and trade writing on Davies and his work, most notably a complete set of interviews conducted with family, friends, colleagues and acquaintances by Val Ross during the course of her writing Robertson Davies: A Portrait in Mosaic (2009). Papers also relate to the eighteen years Davies spent as the Master of Massey College beginning in 1963. Including articles on the founding of Massey College, the death of Vincent Massey, newsletters, teaching material and invitations and programmes for the annual Christmas Gaudy, printed on the Massey College Press. Also included is a small amount of personal records including travel records, calendars, real estate and list of personal effects. Finally, the collection contains a series dedicated to the collecting practices of Dr. Rick Davis, who collected and assembled these papers. This includes Davis’ invoices and notes for his Davies material, as well as correspondence including exchanges with Robertson Davies, Moira Whalon, Brenda Davies and Jennifer Surridge.

Davies, Robertson

Howard Engel Papers

  • CA OTUTF MS COLL 00779 (Downsview Offsite)
  • Manuscript Collection
  • 1945-2019

Collection contains personal and professional papers relating to Howard Engel. These papers contain extensive material on the novels,
books, screenplays, playscripts and radio episodes of Engel. This notably includes drafts for all fourteen novels in the Benny Cooperman series, many including prolific drafts with holograph and editorial revisions. Also included in the collection are extensive drafts for Engel’s final Cooperman novel, Over the River, which was slated to be published in both 2016 and 2018 but was eventually cancelled by the publisher, along with the complete drafts for two unpublished Benny Cooperman novels, and partial drafts and outlines for three additional novels. In addition to his fictional writing, the archives include poetry, articles, reviews, and drafts and proofs for his works of non-fiction. In particular, there are extensive drafts for the memoir of his 2001 stroke, The Man Who Forgot How to Read, the book was originally intended as an autobiography and several earlier drafts exist which detail Engel’s childhood, adolescence and adulthood. During the process of recovering from his stroke, Engel became acquainted with Oliver Sacks, who would later pen an article on Engel in The New Yorker and would go-on to write the afterword of Engel’s memoir. Their extensive correspondence, along with several drafts of Sacks is also present. In addition to material related to Engel’s professional career as a writer, including photographs and press clippings, as well as speeches given over the course of several decades. Engel’s career as a journalist, writer and producer at the CBC is well-documented through scripts and research written or produced by Engel, which is further augmented by audio tapes and reels. The personal life of Engel is well-documented through a nearly complete set of diaries dating between 1991 and 2019, with additional diaries dating from the 1940s, 1950s, 1960s and 1980s, as well as photographs, mementos and through correspondence of a personal and professional nature. The collection contains manuscripts written by other writers, often sent to Engel for feedback or as gifts, this includes drafts or proofs from Kildare Dobbs, Mavis Gallant, Eric Wright and Jack Batten.

Engel, Howard

Sharon Abron Drache Papers

  • CA OTUTF MS COLL 00684 (2B annex)
  • Manuscript Collection
  • 1974-2013

Includes extensive correspondence, manuscripts, etc. with Joe Rosenblatt, David Gurr; drafts, research and correspondence related to Barbara Klein-Muskrat: Then and Now; The Lubavitchers Are Coming to Second Avenue; Ritual Slaughter; The Mikveh Man; The Golden Ghetto; The Magic Pot; correspondence, research and drafts for piece on Richard Landon and the Thomas Fisher Rare Book Library; Arthur Drache material; unpublished children’s stories; family material; ghost writing; mentoring and other material related to the life and work of Sharon Abron Drache.

Drache, Sharon Abron

Klement Family Papers

  • CA OTUTF MS COLL 00610
  • Manuscript Collection
  • 1933-2004

Papers consist of “birthday books”- albums created by Anna Pachner Klement for her grandson, Tomaš (Tomi), beginning at age two, when he was diagnosed with Sydenham’s chorea. Albums depict stories of a young boy and his adoring grandmother and the life of one Jewish family during the 1930’s. Two years after Tomi’s birth, Adolf Hitler came to power, and the albums begin to record the changing attitude towards Jews in Czechoslovakia. The last album was written in 1940 and in it Mrs. Klement describes how they are forbidden to go to the theatre or the movies. Also included in the family papers are photo albums, photographs, Anna Klement’s diaries, poems by Anna Klement, family papers including obituaries, marriage certificates, etc., and Olga Klement’s diaries as well as her art work, autobiography, correspondence, notebooks and betacam tapes.

Klement Family

James Bacque Papers

  • CA OTUTF MS COLL 00588
  • Manuscript Collection
  • 1962-2007

This collection consists of the bulk of material including the research, manuscript drafts, proofs and correspondence for most of Bacque's fiction and non-fiction works, both published and unpublished. It also includes a large collection of POW correspondence Bacque received after publishing his book Other Losses, which he used for research into his follow-up, Crimes and Mercies. Other material in the collection include manuscripts for Bacques journalism work, along with correspondence and editing work he did with Seal Books in the 1970s.

Bacque, James

Alan Lund Papers

  • CA OTUTF MS COLL 00571
  • Manuscript Collection
  • 1960-1989

Collection scripts, music and film of productions by Alan Lund, primarily at the Charlottetown Festival in Prince Edward Island, the Stratford Festival and the Canadian National Exhibition (CNE).

Lund, Alan

John Reid Papers

  • CA OTUTF MS COLL 00544
  • Manuscript Collection
  • [195-]-

Collection consists primarily of manuscript drafts of John Reid's various writing projects, including novels, short stories, poetry, memoirs and librettos. It also contains some material related to a proposed biography he wished to write on Wyndham Lewis.

Reid, John

Camilla Gibb Papers

  • CA OTUTF MS COLL 00515
  • Manuscript Collection
  • 1970-2006

Collection consists of manuscripts, drafts and research for her books, articles and Ph.D. thesis, as well as correspondence and other materials - including scholarly articles and papers on social anthropology; day planners; address books; Harar language material; early writings (high school); audio/visual material; books; music scores for viola; photographs; translations of published works (many languages); short pieces; printed appearances/journals; personal journals; book designs; ephemera; and posters - related to Gibb's work and life.

Gibb, Camilla

Ernest J. Schwarz Papers

  • CA OTUTF MS COLL 00276 2B Annex
  • Manuscript Collection
  • 1981-1986

The collection consists of originals and copies of correspondence, proposals for productions, investors' agreements, contracts between the producers and the theatres as well as between the producers and actors; scripts, financial statements (including expenses, revenues, pre-production and production budgets, balance sheets); investors' kits, publicity, production and casting notes, programmes, flyers, newspaper and magazine reviews, resumes and photographs of actors, directors, choreographers and technical crews; videocassettes of some of the productions and a few properties.
The collection also contains the papers (contracts, proposals, financial statements, correspondence, notes, scripts, reviews of past productions, publicity and productions notes) of unrealized project possibilities.

Schwarz, Ernest J.

Mark Gayn Papers

  • CA OTUTF MS COLL 00215
  • Manuscript Collection
  • 1930-1980

The collection consists of notebooks, diaries, drafts for writings, lectures, broadcasts, correspondence, pamphlets, newspapers clippings, films and photographs related to the journalistic career of Gayn.

Gayn, Mark

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