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Hide Shimizu Papers

  • CA OTUTF MS COLL 00701
  • Manuscript Collection
  • 1898-1999

Contains official documents, newspaper clippings, scrapbooks, photographs and other biographical material related to the life of Japanese Canadian Hide Shimizu and her family members. Includes material related to Shimizu's awards from the Order of Canada, the Order of the Precious Crown (Government of Japan) and the National Association of Japanese Canadians (NAJC).

Shimizu, Hide

Shirley Yamada Papers

  • CA OTUTF MS COLL 00673
  • Manuscript Collection
  • 1987

Photographs, slides and negatives taken during Japanese Canadian redress campaign rallies in B.C., Ottawa and Washington, plus audio recordings of redress-related radio programs.

Yamada, Shirley

Stuart Grenville Hennessey fonds

  • UTA 1371
  • Fonds
  • 1920-1985

Personal records of Dr. Hennessey documenting his academic activities as professor in Dept. of Political Economy, especially with Extension and Professional Association education. Includes correspondence (1949-1985), lecture notes and course outlines (1933-1983); student assignments, student marks, essays and examinations (printed) (1924-1983); subject files; photographs.

Hennessey, Stuart Grenville

Photographs

Portraits of C.A. Ashley, James Mavor, and W.T. Easterbrook ; Business and Economic students, graduating classes 1945-1947; Economics and Commerce students, graduating classes 1954-1976 (not complete); members of the Commerce Club including its executive for 1934-1935.

Marion Walker fonds

  • UTA 1930
  • Fonds
  • [1920?]-1998

This accession consists of the personal records of Marion Dorothy Walker. The records document Ms. Walker’s activities as a production assistant for Hart House Theatre, as a professor in the University of Toronto Department of Fine Art and as a creative writer. Types of records include: personal correspondence, manuscripts, theatre programmes, playbills, lecture notes, research notes, scrapbooks, costume designs, stage designs, photographs and slides. This accession is arranged in the following 5 series:

Series 1: Early Biographical Information
Series 2: Personal Correspondence
Series 3: Hart House Theatre
Series 4: Department of Fine Art
Series 5: Fiction

Walker, Marion Dorothy

Hart House Theatre

Marion Walker was Production Assistant at Hart House Theatre from 1946 to 1957. Under the directorship of Robert Gill, she designed sets and costumes for each of the Theatre’s annual four plays. Her first production was St. Joan, starring Charmian King. Other early performers who worked with Ms. Walker at Hart House Theatre included Kate Reid, Donald Sutherland, and William Hutt.

The records in this series pertain to Ms. Walker’s involvement with Hart House Theatre. Textual records include scripts 1946, annotated Hart House Theatre programmes 1946 – 1957, and obituaries for Robert Gill, 1974.

Series also includes approximately 100 photographs of various productions for which Ms. Walker designed costumes and sets. The photographs depict various scenes, actors and set designs. Productions represented are: Romeo and Juliet, 1947; Julius Caesar, 1948; the Seagull, 1948; The Skin of Our Teeth, 1948, The Doctor’s Dilemma, 1948; Crime and Punishment, 1949; Othello, 1949; Fortune My Foe, 1950; The Guardsman, 1950; Captain Brassbound’s Conversion, 1950; Medea, 1950; Henry IV, 1950; Marco Millions, 1950; Richard II, 1951; Pygmalion, 1951; The Madwoman of Chaillot, 1951; The Admirable Crichton, 1952; The Winslow Boy, 1952; Macbeth, 1952; The Wild Duck, 1953; The School for Wives, 1956; and The Innocent, 1957.

Series also contains 8 sketchbooks of costume designs for the following Hart House productions: The Internal Machine, 1946; Othello, 1949; Medea, 1950; Richard II, 1951; School for Wives, 1956; Hamlet, [n.d.]; and King Lear, [n.d.].

Photographs

Photographs of Dr. Rhodes at various professional meetings and functions. There are also several portraits of Dr. Rhodes in his office and at his desk as well as passport shots of himself and his wife Harriette.

Photographs

Photographs include a portrait of Prof French from 1990, several images of experimental equipment at UTIAS, a group shot of participants of a course on molecular beam methods at the New Hampton School (1965) and contact prints from the opening of the new wing at UTIAS in 1989.

Harold Scott Macdonald Coxeter fonds

  • UTA 1183
  • Fonds
  • 1891-2004 (predominant 1930-2003)

This fonds contains several series of records that document both Coxeter’s professional and personal life. Much of the professional correspondence in Series 2, as well as awards, tributes and obituaries found in Series 1 document his role as a mathematical mentor who influenced and inspired professional and amateur mathematicians alike. The bulk of the correspondence however mainly post dates his official retirement in 1980 and is therefore incomplete in documenting his extensive relationships with many mathematicians around the world throughout his lengthy career.

Four decades of correspondence, (1930s -1980), is not the only gap in the Coxeter fonds. Also missing is the voluminous amount of manuscripts for his articles and books along with research notes and drafts that would accompany such records. Nevertheless, what does exist of the professional correspondence, along with lectures in Series 5, course teaching notes in Series 7 and the few manuscripts and many geometrical drawings in Series 6, give researchers a window into his mathematical genius. There are also a full run of diaries, Series 4, that briefly record Coxeter’s day to day activities and thoughts.

Personal correspondence in Series 3, early family photographs in Series 9, early creative works in Series 10, diaries in Series 4 and Ph.D. records in Series 8 shed light onto various aspects of Coxeter’s life before arriving at the University of Toronto in 1936. These documents give researchers glimpses of his early childhood and upbringing, his early mastering of music, as well as, his research at Cambridge. His role as a father and husband as well as the relationships within the extended Coxeter family are best documented in a substantial part of the personal correspondence found in Series 3 as well in the daily diaries in Series 4.

The Coxeter fonds also includes some original items from other important mathematicians. There is a scrapbook of geometric drawings that belonged to fellow mathematician Alicia Boole Stott. This item dated 1899 makes up the entire Series 11. Also Coxeter acquired some of the papers belonging to 19th century British mathematician W.W. Rouse Ball presumably when he was producing further editions of one of Ball’s publications. This has been placed in Series 12.

Fonds also includes copies of Professor Coxeter's publications on mathematical problems that have been translated into other languages, and copies of Canadian and American counter-memorials and annexes to the International Court of Justice's "Delimitation of the Maritime Boundary in the Gulf of Maine Area, with covering correspondence (Coxeter was an adviser to the Canadian government).

Coxeter, Harold Scott Macdonald

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