Showing 159 results

Collection consists of miscellaneous leaflets, pamphlets, bumper stickers, newspapers, posters, and ribbons issued during the protests in Kiev, Ukraine from November 2013 to March 2014.

This first accession of Tony Calzetta’s papers include proofs, drafts, and process work for his two books: Peculiar Practices (November 2009) and co-authored book with Leon Rooke: How God Talks in His Sleep And Other Fabulous Fictions (2009).

Includes early correspondence, travel, European horticultural materials, materials, photographic slides, and drafts of his book: 150 Years of Canadian Beer Labels (2016).

Terry Watada’s second accession primarily contains material relating to his publications, most notably drafts and proofs for two novels: Kuroshio: The Blood of Foxes and The Three Pleasures. The papers also include drafts and correspondence pertaining to individual

poetry submissions as well as his published work: Ten Thousand Views of Rain, Obon: The Festival of the Dead and The Game of 100 Ghosts. The collection includes correspondence, drafts and promotional material for Watada’s contribution to anthologies, as well as his involvement in cultural and academic conferences and events.

Collection includes correspondence and other material related to the various stages of preparation and completion of Canadian Book Exhibitions by Kati Rekai around the world on behalf of the Writers Union of Canada and Canadian authors and publishers.

The collection consists of seven diaries detailing the life John George Mudge. When the diaries open, Mudge is living in Ireland where he owns a creamery at Ballygrenane, near Listowell. By 1904, he has moved to Devon and by 1906 he is working at Oxford House in East London. In the summer of 1907, he journeys to Canada, visiting Montreal, Ottawa, Winnipeg and Vancouver. The latter years of the diaries are illustrated with numerous photographs, postcards and ephemera.

The collection consists of drawings in pen and ink for the book Anatomy of the Dromedary by Malie M.S. Smuts and A.J. Bezuidenhout (1987).

Contains drafts, manuscripts, correspondence and other material pertaining to the life, education, poetry and published work of Jay MillAr (1971-). The collection also includes his involvement and interaction with the Toronto experimental poetry community and other poets and writers, notably Brian T. Francis, John Barlow, Rob Ruzic and Rob McLennan. In addition, the collection also includes publications, correspondence and manuscript material from the two literary presses – Boondoggle Books (1992-1997) and BookThug (1997-) – that he founded and operates.

Included are correspondence, mainly with James Fraser or copies made for James Fraser; articles about DePol; promotional materials for his work and exhibitions; original prints and artist’s proofs; a collection of lithographs (artist’s signed proofs) drawn and printed by DePol at the College of Art, School of Technology in Belfast in early 1944; prints portraying Irish subjects, etched by DePol in New York in 1947; printed ephemera; and newspaper clippings.

The collection consists of originals and copies of correspondence, proposals for productions, investors' agreements, contracts between the producers and the theatres as well as between the producers and actors; scripts, financial statements (including expenses, revenues, pre-production and production budgets, balance sheets); investors' kits, publicity, production and casting notes, programmes, flyers, newspaper and magazine reviews, resumes and photographs of actors, directors, choreographers and technical crews; videocassettes of some of the productions and a few properties.
The collection also contains the papers (contracts, proposals, financial statements, correspondence, notes, scripts, reviews of past productions, publicity and productions notes) of unrealized project possibilities.

Collection is largely comprised of papers from Terry Schott, an orinthological artist and author and chief artist at the Royal Ontario Museum until his retirement. It contains Schott's notes on his field sketches and trip to Madagascar, as well as his draft typescript for two chapters in a planned book on wildlife and art. It also contains Lank's typescript draft of an article on Shortt.

Consists of a master copy, with extra illustrations and documents, of In Good Faith, being the story of some Jarvises, namely Stephen Jarvis, and his ancestors, along with an appendix containing the two elder branches of United Empire Loyalist families, namely Munson Jarvis and some family and William Jarivs and some family. Based on family papers, some of which were subsequently deposited in the Metro Toronto Public Library and in the Anglican Church Archives.

Papers consist of editorial files for Impulse magazine from 1975-1990. Files for each volume include submissions to the journal, drafts with editorial corrections and page proofs. Many files include additional editorial material, such as advertising, cover art, rejected submissions and correspondence. The collection includes an office archive, which contains correspondence, financial information (with grant proposals), advertising and promotional material, and circulation and distribution records. There is a large number of original art boards and other oversized materials, such as posters. The editorial records of I Shot Mussolini by Eldon Garnet is also included along with related correspondence.

Includes extensive correspondence, manuscripts, etc. with Joe Rosenblatt, David Gurr; drafts, research and correspondence related to Barbara Klein-Muskrat: Then and Now; The Lubavitchers Are Coming to Second Avenue; Ritual Slaughter; The Mikveh Man; The Golden Ghetto; The Magic Pot; correspondence, research and drafts for piece on Richard Landon and the Thomas Fisher Rare Book Library; Arthur Drache material; unpublished children’s stories; family material; ghost writing; mentoring and other material related to the life and work of Sharon Abron Drache.

The collection consists of holograph drafts of poems and workbooks for Layton's Lovers and Lesser Men and page proofs of A Wild Peculiar Joy. It also includes two photographs of Layton.

Contains series:

1. Handwritten correspondence from Nelson Adams to Shelley Freeman, c.1976-1979. Includes postcards, printed cards, letters and attachments including samples of cards and other materials hand-printed by Nelson Adams at the Commonplace Press.
2. Letterpress materials hand-printed by Shelley Freeman during her time as a student and employee at CHP, as well as related project materials
3. Photographs of the space and staff at CHP and York University between 1973-1975. All black and white, unless otherwise noted. Extent: 23 photographs.

Collection includes correspondence with Lil Greene, Robert Kenny, Ursula Herzberg; material related to the life and work of Bea Ferneyhough, including Singing in the Night. Also included are cards, photographs, clippings and records relating to communism in Canada.

Papers consist of research notes , manuscript drafts, final manuscripts, galleys, correspondence for her published works: The Space a Name Makes; Blue Panic; By Heart: Elizabeth Smart, A Life; Shadow Maker: Gwendolyn MacEwen; The Red Shoes; Margaret Atwood Starting Out; The Home Ladder; published writings in journals and anthologies; research material relating to her two biographies, Gwen MacEwen and Elizabeth Smart. 7 VHS and 30 cassette tapes; 34 photos.

Contains drafts of work; correspondence with various writers; photographs; files from 1982-1984 (re: Writer-in-Residence program, Massey College).

Collection consists of manuscripts, drafts and research for her books, articles and Ph.D. thesis, as well as correspondence and other materials - including scholarly articles and papers on social anthropology; day planners; address books; Harar language material; early writings (high school); audio/visual material; books; music scores for viola; photographs; translations of published works (many languages); short pieces; printed appearances/journals; personal journals; book designs; ephemera; and posters - related to Gibb's work and life.

The collection consists of manuscript drafts and proofs of her novels and novellas, as well manuscripts of unpublished work and some non-fiction. It also includes correspondence (editorial as well as fan mail), and marketing and publicity material.

The collection consists of typescripts of West's two books, Toronto (1967, revised in 1979) and The Firebirds: An Account of the First Fifty Years of the Ontario Provincial Air Service (1974), along with photographs, galleys, editorial notes, newspaper clippings, articles and reports relating to the City of Toronto.

Contains anatomical drawings and illustrations from Stephen Gilbert’s publications and professional life as an anatomical illustrator. Collection notably includes anatomical drawings of the adult human, adult embryo, cat, fetal pig, dogfish, necturus, frog and other assorted zoology. Includes accessions from 1993, 1994, 1995, 1996, 1997, 1999, 2000, 2005, 2006, 2007, 2008 and 2015. Accessions from the gifts of 2001 and 2003 were catalogued separately. For additional drawings and illustrations from Outline of Cat Anatomy with Reference to the Human (University of Toronto Press, 2000) and Atlas of General Zoology (Burgess Publishing Co., 1991), Anatomy of the Fetal Pig (University of Washington Press, 1963). These accessions were amalgamated into finding aid in 2018 and the entire collection was given the number of MS Coll. 413. The collection previously had the number of MS Coll. 289.

Contains materials generated and collected in the course of business by the Toronto Anti-Draft Programme (TADP), 1964-1977. Includes individual case files, intake and housing records, sales records for the Manual for Draft-Age Immigrants to Canada, counseling materials, lobbying and public relations files, materials from other activist, religious and anti-war groups, TADP administrative records, and a collection of printed items.

Includes several drafts of published and unpublished poems, lyrics, short stories and novels from the author’s youth to 2010; mockups and original artwork for books; correspondence (in particular, letters exchanged between RP and members of The League of Canadian Poets, 1980-1999); pamphlets and magazines by other poets and writers; promotional material for poetry and music events held in the greater Toronto area. Also contains manuscript drafts for his children’s book series Spell Crossed including The Paper Sword (2014), Second Kiss (2015) and Missing Piece (2016); drafts of poetry, song lyrics and articles; professional files; correspondence, and other files relating to his life and work.

Collection of six drawings in pencil, signed, by Goodall that were commissioned by the Illustrated London News for its series on famous Canadian universities and schools, including the University of Toronto. His drawings appeared in the May 6, 1961 issue.

Including manuscripts, proofs and correspondence – related to Follett’s small press imprint, Pedlar Press, which she founded in 1997. It also includes manuscript drafts for Follett’s first published novel, Tell it Slant (Toronto: Coach House Press, 2001), as well as other professional and personal material relating to the life and work of Beth Follett.

Collection includes manuscript drafts, research notes, correspondence and photos relating to: Dr. Peter Charlebois' 'The Life of Louis Riel.' Toronto: New Canada Publications, 1975; the history of the Northwest Rebellion of 1885; and the history of the Metis in Canada. Also includes several albums of riverboat photographs for his 'Sternwheelers & Sidewheelers: the romance of steamdriven paddleboats in Canada.' Toronto: NC Press, 1978.

Collection of Bevington's papers related to the founding and running of Coach House Press, includes professional and personal correspondence and material collected by Bevington. Contains material from his time at Rochdale College and the files for SoftQuad, the company co-founded by Bevington that was at the forefront of the digital age in publishing. Library and Archives Canada also holds a significant amount of Coach House Press materials.

Collection documents Levine’s writing process for several publications, poems, and short stories. This includes drafts, edited manuscripts, and handwritten notes. Collection also contains personal and professional correspondence, educational records, documents from promotional events, familial records, and teaching materials. Additionally, the collection contains publications of Levine’s work.

Collection consists primarily of manuscript drafts of John Reid's various writing projects, including novels, short stories, poetry, memoirs and librettos. It also contains some material related to a proposed biography he wished to write on Wyndham Lewis.

The collection consists of material relating to Canadian theatre history and to Gardner's acting and directing career. It includes theatre programmes, articles and press clippings concerning the history of theatre in Canada, especially for the Toronto area (1974 to 1999); audio tapes of Association for Canadian Theatre Research conferences; videotapes of ten television productions directed by him, and more than fifty production photographs; tapes of his television and film performances; scrapbooks (1935-1955), that document his career on stage (Hart House Theatre, Straw Hat Players, Crest Theatre, New Play Society, Jupiter Theatre, Stratford Festival) and in radio and television; other papers and photographs; other directors' prompt books; diaries; correspondence; playbills and broadsides. John Holden's collection of 19th and 20th century playscripts as well as Holden's production scripts for Canadian theatres, mainly in the 1950s and early 1960s, are also in the collection.

Includes sketches and book jackets.

The bulk of the materials related to Daisy Dotsch’s professional life: the running of Vaughan Cooperative Nursery School (particularly after it moved to Vaughan Road in 1950 through Dotsch’s retirement in 1972.), materials related to Dotsch’s teaching and professional development, and materials related to the nursery school organizations she belonged to. This include correspondence, notes, Vaughan School schedules, calendars, fundraising materials, curriculum materials, published materials, photographs, ephemera, and one phonographic audiorecording disc. It also includes a substantial amount of published resources on early childhood education and running nursery schools.

Contains series:

1. Correspondence, notes, and calendars.
2. Professional development materials, materials for lectures and courses.
3. Nursery school organizations.
4. Periodicals.
5. Vaughan Cooperative Nursery School (Includes York Township Nursery Schools
   Association).
6. Vaughan Cooperative Nursery School child observations and reports.
   RESTRICTED
7. Parent/teacher resources.

Includes correspondence and other print material related to Hungarian-American playwright and novelist Ferenc Molnar (1878-1952) and his legal wife, the actress Lili Darvas (1902-1974), with some letters addressed to Kati Rekai (1921-2010). Rekai’s aunt, Wanda Bartha, was Molnar’s private secretary, literary advisor and soul mate who died prematurely at the age of 38, and was also best friends with Darvas. Most material is in Hungarian. Molnar wrote Companion in Exile (1950) to honour the memory of his life with Wanda Bartha. Also includes a variety of material related to Kati Rekai, including a typescript account by Dr. John Rekai of the Rekai family’s experience emigrating to Canada in 1950, print items and some correspondence.

Includes photographs, Toronto Gilbert and Sullivan Society documents, 1940s – 2000s, including The Canadian Savoyard and ToRonToRa; miniature set designs; programmes; St. Anne’s productions; ‘pre-history’ from Harbord Collegiate productions, courtesy of Mort Greenberg and other material related to the Toronto Society and to Gilbert and Sullivan, London, including the D’Oyly Carte Company

Collection contains personal and professional papers relating to Howard Engel. These papers contain extensive material on the novels,
books, screenplays, playscripts and radio episodes of Engel. This notably includes drafts for all fourteen novels in the Benny Cooperman series, many including prolific drafts with holograph and editorial revisions. Also included in the collection are extensive drafts for Engel’s final Cooperman novel, Over the River, which was slated to be published in both 2016 and 2018 but was eventually cancelled by the publisher, along with the complete drafts for two unpublished Benny Cooperman novels, and partial drafts and outlines for three additional novels. In addition to his fictional writing, the archives include poetry, articles, reviews, and drafts and proofs for his works of non-fiction. In particular, there are extensive drafts for the memoir of his 2001 stroke, The Man Who Forgot How to Read, the book was originally intended as an autobiography and several earlier drafts exist which detail Engel’s childhood, adolescence and adulthood. During the process of recovering from his stroke, Engel became acquainted with Oliver Sacks, who would later pen an article on Engel in The New Yorker and would go-on to write the afterword of Engel’s memoir. Their extensive correspondence, along with several drafts of Sacks is also present. In addition to material related to Engel’s professional career as a writer, including photographs and press clippings, as well as speeches given over the course of several decades. Engel’s career as a journalist, writer and producer at the CBC is well-documented through scripts and research written or produced by Engel, which is further augmented by audio tapes and reels. The personal life of Engel is well-documented through a nearly complete set of diaries dating between 1991 and 2019, with additional diaries dating from the 1940s, 1950s, 1960s and 1980s, as well as photographs, mementos and through correspondence of a personal and professional nature. The collection contains manuscripts written by other writers, often sent to Engel for feedback or as gifts, this includes drafts or proofs from Kildare Dobbs, Mavis Gallant, Eric Wright and Jack Batten.

Collection includes extensive correspondence with friends, family, fans, editors and publishers; drafts of manuscripts and notes for Passing Ceremony, Basic Black with Pearls, A View From the Roof, Bridge of Sighs, A Classical Education (including Dave Carleys scripts for theatre) and other short stories and pieces, such as The Zurich Years: a memoir of my mother, also My Mothers Luck; haiku; Zen Buddhism material; lectures; reviews; appearances; extensive typed and holograph personal journal, 1958-2000s, including from various travels (China, Japan, Europe, Indonesia, Mexico, Cuba, Canada and the United States) and at home; photographs; books; print ephemera; her typewriter and other material related to her life and work.

Nature notes on the Toronto area; Franklin Camp, Ont.; Victoria, B.C.; Flamingo Isle and Trinidad, B.W.I.; Florida; Texas etc. With many fine photos, drawings and plant specimens.

Correspondence; drafts of poems; typescripts and proofs of books of poems; drafts and typescripts for published and unpublished novels.

Includes correspondence 2000s (not extensive), drafts and edited proofs for : Rags, Bones and Bottles; Easy Does It; Never Counting the Cost; Captain Scott of the Antarctic; A Little of Everything; On the Way to the River; last holograph notebooks written with CNIB writing guide, notebooks with last poems dictated by Raymond Souster to Donna Dunlop; appearances and ephemera related to the life and work of Raymond Souster. A few computer and audio discs included.

The gift includes personal documents, photographs, a few DP camp periodicals, scripts for plays, and poems.

Contains series:
1) Documents and publications
2) Photographs

Collection consists of three cycles of original pen on paper drawings by Margaret Bloy Graham compiled into portfolio-style binders by the artist. The drawings in Look Out Browning: the British Poets Revisited and More Victoriana are illustrations for famous British poems selected from Palgrave’s Golden Treasury, a popular anthology of Victorian poetry originally published in 1861. The drawings are numbered and correspond to an accompanying list with excerpts from the poems illustrated, totaling thirty-six poems by twelve poets including Robert Browning, Percy B. Shelley and Alfred Tennyson, among others. The cycle Pictures with Morals features darkly comedic punishments for children who make mistakes like being too curious, sledding on Sunday, not reading the Bible daily, and trespassing.

Collection of letters exchanged between William Brown (1917-1948), Royal Canadian Engineers Lieutenant, and Wilma Brown (née Perry) (1921-2003), Royal Canadian medical Corps Lieutenant, during World War II, in addition to related photographs.

William Brown (1917-1948) and Wilma Brown (née Perry) (1921-2003) met aboard the S. S. Bayano, a 6800-ton banana boat converted to transport troops from Halifax, Nova Scotia, to Britain, in November 1943. Bill and Wilma were stationed in different parts of Europe, but stayed in contact by mail over the next two years. The couple married in 1945 and returned to Canada after the War, settling in Val d’Or, Quebec, where Bill worked as an engineer at the East Sullivan Gold Mine. They had one child together. Bill was killed in a mine accident on April 15, 1948. Wilma became a Professor of Anatomy at the University of Toronto, where she retired from in 1985. She passed away November 20, 2003.

The collection includes typescript drafts of Halliday's columns on birds and nature for The Toronto Star Weekly and other publications; alphabetical subject files; reader correspondence and correspondence with naturalists, birders, publishers, editors and friends (including extensive correspondence with Al Oeming, founder and director of the Alberta Game Farm, and one letter from John Diefenbaker); photographs of mushrooms, insects, animals and birds by Halliday; notes and sketches; print and ephemera.