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In 1975 Moggridge was appointed to assist the executors of the Hawtrey’s estate with respect to managing literary rights. This series contains correspondence re. the Hawtrey estate and disposition of his papers and also contains a few draft writings of the famous British economist including an unpublished and undated manuscript entitled ‘Thoughts and Things’.

This series is a fairly good representation of the courses Prof. Moggridge taught in the Department of Economics, both undergraduate and graduate courses. For some courses, there is a complete or near complete set of lectures. There are also course materials such outlines, tests, assignments, essay topics and reading lists. Some the courses were given at Scarborough College in the 1970s and 1980s including North American History (B81Y), International Finance (B61S) and Literature of Political Economy II (B21S). There are three sets of lectures for Prof. Moggridge’s course on Economic History (342Y) and one set for the History of Economic Thought (429Y).

Most aspects of Prof. Moggridge’s career are well documented in this fonds except for his role as a university administrator for which there are no records. Much of his published and unpublished works are documented in Series 3, 4, and 5 through drafts and correspondence. His significant role as editor, especially with respect to The Collected Writings of John Maynard Keynes is extensively documented in correspondence found in Series 6.

It is clear that Prof. Moggridge’s expertise in the field of economic history and Keynes was widely sought after in the number of reviews, referee and comments he was routinely asked to do. Many of these are documented in Series 8 and 9.

Finally, his teaching role is well documented in the lectures for most of the courses he taught at different times in his career including early courses at Scarborough College. These are found in Series 10.

Series includes references for past students and colleagues mainly seeking support for appointments, awards and promotions. Also included in this series are correspondence files with a few of Prof. Moggridge’s graduate students. These files can contain not only references but also comments on research and theses.

This series provides extensive documentation of Prof. Moggridge’s role as a peer reviewer or referee for many publications, research projects and grant applications. Correspondence, referee reports, notes and applications are found throughout these files often titled “Comments on others”. Records are filed chronologically.

This series documents Prof. Moggridge’s active involvement in a few key organizations and committees. There are files relating to his various executive positions he held in the History of Economic Society, his active role in organizing the HES conference at the University of Toronto and his participation at other HES conferences. There is also documentation relating to the Keynes Memorial Committee 1966-1968, the Pressnell Festschrift 1983-1988, and the Conference on Editorial Problems 1984-1988, the period for which he served as treasurer. Finally, filed in chronological order at the end of this series are files documenting attendance and participation at conferences, seminars, and workshops worldwide, sponsored by a variety of professional associations.

In addition to his original writings, Prof. Moggridge’s international contribution to the field in economic history is also supplemented with his editing projects and in particular the Collected Writings of the John Maynard Keynes with the Royal Economic Society. Prof. Moggridge was managing editor for twenty-four of the thirty volume series. Files contain extensive correspondence, notes and minutes of meetings that detail the projects from their inception to their distribution. Some the key economists with which Prof. Moggridge’s worked include Cambridge economists Lord Richard Kahn and Sir Austin Robinson, Don Patinkin of Hebrew University of Jerusalem, polish-born English economist Tadeusz Rabczynski. There is also extensive correspondence with publishers Macmillan and Cambridge University Press.

B2019-00039 added some original Keynes writings collected for this project include typescripts and proofs. Where possible, the original folders were kept to confirm provenance. There is also additional correspondence as well as a file relating to Keynes Centenary which includes clippings.

This series also documents other editorial projects and positions including: the editing of the J.E. Meade diaries and Lionel Robbins diaries with fellow University of Toronto economist Susan Howson; History of Economics Society (HES) proceedings from 1988 conference entitled Perspective in the History of Economic Thought; his role as managing editor for the HES journal Studies in the History of Economic Thought; as well as his work the Editorial Board and as Review Editor for the journal History of Political and Economy (HOPE). One file relating to Laughlin Currie was added to HOPE. B2019-0040 added one file relating to HOPE (1977-1983) and correspondence relating to the edition of Correspondence of D. H. Robertson sponsored by the Royal Economic Society (1992-1999)

Throughout his career, Prof. Moggridge wrote over 100 reviews in such journals as Cambridge Review, Choice, Economic History Review, International Journal of Economic Literature, to list only a few. This small series contains some of these reviews, either as drafts or copies from the publication itself. It contains far more requests for reviews for which there is no further documentation.

This series further documents Prof. Moggridge academic publishing and output. Included are non refereed articles and papers, as well as unpublished works such as talks, seminars, and papers presented at conferences. Files contain at least one draft of article or paper and possibly some related notes and/or correspondence. They are arranged chronologically.

The archive of celebrated Canadian film director-producer Norman Jewison contains photographs and publicity materials, papers and correspondence, shooting scripts and schedules primarily for films directed or produced by Jewison between the years 1975 and 2003. Materials related to the films Fiddler on the Roof, …And Justice for All, A Soldier’s Story, Moonstruck, The Hurricane, The Statement and others undertaken by Jewison are held in this collection.

Fonds is comprised of the following series: Series 1: Films directed by Norman Jewison, 1966–2003; Series 2: Television productions, 1994–2001; Series 3: Shooting scripts, 1981–2003; Series 4: Films produced by Norman Jewison, 1966–1994; Series 5: Film projects not undertaken, 1971–2002; Series 6: Professional activities, tributes and honours, 1968–2007; Series 7: Correspondence/subject files, 1962–2007; Series 8: Canadian Film Centre, 1987–2004; Series 9: Autobiography, 1953–2005; Series 10: Photographs and posters, [1926?]–[2003]; and, Series 11: Memorabilia and publicity material, [194–?]–2007.

This series contains files relating to the research, writing and publishing of refereed articles and chapters in books, and thus contains extensive evidence of Prof. Moggridge’s written contribution to the field of economic history. Files often contain drafts starting with the papers as presented at conferences as well as additional drafts for publication. There is also correspondence with other economists relating to research, comments on drafts, outlines and correspondence with publishers.

Apart from many articles and chapters, three of Prof. Moggridge’s books are well documented as well: Keynes (1976 and 2nd edition, 1980, 3rd 1993), Maynard Keynes An Economist’s Biography (1992) and Harry Johnson: A Life in Economics (2008). There is correspondence with publishers and other economists for all three titles as well as drafts of all but the 2nd edition of Keynes.

The second accrual of Moggridge papers (B2019-0040) included publication agreements for many published works, research notes on Keynes, collected images of Keynes from various sources used in his books, correspondence and drafts relating to Harry Johnson: A Life in Economics as well as several other smaller publications.

This series contains professional correspondence files arranged chronologically. Some files have a subject heading or the name of correspondent while other files are simply marked miscellaneous. Correspondence details mainly research, publishing, reviewing and other professional activities and should be seen as supplemental to correspondence found in related series that document the same.

This series gives a good overview of Prof. Moggridge’s career. Correspondence and personnel documents discuss appointments, applications, leaves and promotions. There are also several files relating to awards and fellowships as well as research grant applications. Finally, there is a copy of an unpublished autobiography with related notes.

Documents relating to his education at Trinity and Cambridge were added in the 2019 accrual along with additional correspondence re. appointments and honours.

This collection of Polish uncensored publications and Solidarity/[Solidarność] material includes non-periodical publications, graphics, photographs, cassettes, medals, stamps, artifacts, posters as well as other material generated by "Solidarność” and related organizations in Poland and internationally. Periodicals, books and pamphlets which initially constituted the largest part of the collection, have been catalogued separately.

Some of the collection highlights include bulletins and documents issued by the Coordinating Office Abroad of NSZZ “Solidarność” and by international groups organized in support of NSZZ “Solidarność.” Canadian organizations and initiatives are represented extensively. In 1983, the call to expand the collection was issued to private donors to donate Polish Solidarity material in their possession, and the collection has grown since then.

Includes drafts and proofs of The Tree of Life [Der Boym Fun Lebn]; Bociany [a novel about life in a Polish shtetl] and Of Lodz and Love; Survivors [translated from the Yiddish by Goldie Morgentaler]; address and daybooks; most of the printed manuscript of Briv tsu Abrashn; Bird of the Ghetto; correspondence with family, friends, authors, editors and publishers, including Isaac Bashevis Singer, printer and publisher Israel London, Elaine Kalman Naves, and other material related to the life and work of author Chava Rosenfarb.

This sub-series contains books and booklets of stories, poems, letters, and memoirs written by Bliss Users in Blissymbols and various languages.

This sub-series contains documents relating to workshops and seminars held outside of Canada. Contents include event resources, schedules, memos, research, and presentations.

Series consists of brochures on the Toronto Wagner society, blank membership cards, blank letterhead, and Brian Corman's notes on the history of the society, including past chairs, speakers, and performers for the Society's annual Wagner birthday concert.

Fonds consists of newsletters and ephemera produced by the Toronto Wagner Society.

Series consists of various programs for concerts and recitals presented by the Toronto Wagner Society (TWS), including their annual birthday programme for Richard Wagner, and conferences on Wagner arranged by the TWS in cooperation with the Canadian Opera Company, Toronto Arts and Letters Club, and the University of Toronto. Performers at TWS concerts include: Jean MacPhail, mezzo-soprano ; Richard Fisher, piano ; Kathleen Brett, soprano ; Cori Martin, mezzo-soprano ; Hannibal Hamlin, baritone ; Stephanie Martin, piano ; Michael Aspinall, soprano ; Courtney Kenny, piano ; Anna Russell, soprano and piano ; Celine Papizewska, soprano ; Jackie Lynn Fidlar, mezzo-soprano, and Robin Wheeler, piano ; Robert Martin-Reid, tenor ; Sandra Horst, piano ; Leslie Ann Bradley, soprano ; Stephen Ralls, piano ; Stephen Erickson, tenor ; Andrea Grant, piano.

Series consists of agendas and minutes for the Toronto Wagner Society's meetings, treasurer's reports, and correspondence regarding the administrative operations of the Society (room bookings and guests). Series also includes a membership list from 1986, and a copy of the Society's constitution.

Series consists of issues of the newsletter issued by the Toronto Wagner Society. The newsletter, issued 3-4 times per year to the Society membership features articles, reviews, overview of events organized by the Society, and information about Wagner performances worldwide. The newsletter was initially titled "Society Notes". In September 1989, it was renamed "Wagner News" with volume and issue numbers (starting at vol. 1, no. 1).

File consists of the autograph manuscript parts for Manson's first symphony, including multiple manuscript copies for some instruments (e.g., violin, viola, violoncello, bass, oboe, clarinet). Manson composed his "magnum opus" in 1936 and it was premiered privately in April 1937 by members of the Toronto Symphony Orchestra, conducted by Donald Heins.

File consists of two autograph manuscript scores for Manson's Canadian Fantasy (initially titled Rhapsody Canadienne) for 25-piece orchestra. One version is heavily annotated. The piece was originally written for a contest in connection with the Canadian Folksong Festival in Quebec (1928) named for President E.W. Beatty of the Canadian Pacific Railway and later re-arranged for a larger orchestra [1929]. The Toronto Symphony Orchestra, conducted by Dr. Luigi von Kunits, premiered the work in a concert at Massey Hall (February 12, 1929). At the time, Robert Manson was the leader of the orchestra's second violins.

File consists of the autograph manuscript parts for Manson's arrangement of his first symphony for two pianos, four hands. This arrangement was privately performed by Evlyn Howard-Jones and Healey Willan, according to an article in The Globe and Mail (October 16, 1937). File includes two manuscript versions of each part.

File consists of autograph manuscript scores and parts for Manson's arrangement for string orchestra of the second movement of Pietro Domenico Paradies' (1707-1791) Harpsichord Sonata in A major, P. 893.06. One of the manuscript scores includes an unidentified arrangement or composition for choir (SATB) in Robert Manson's hand.

File consists of an autograph manuscript score and parts for Manson's arrangement of the second movement of his own wind quintet in F major for string orchestra.

File consists of two autograph manuscript parts for Manson's two piano, four hands arrangement of his Canadian Fantasy. The parts are annotated, possibly for performance.

File consists of autograph manuscript parts for Manson's wind quintet in F major, including a part for clarinet in B-flat and for clarinet in C.

Fonds consists of autograph manuscript scores and parts for compositions and arrangements for orchestra, string orchestra, string quartet, and woodwind quintet by Robert G. Manson.

File consists of the autograph manuscript score for Manson's second symphony and two autograph manuscript parts for flute and second oboe.

File consists of autograph manuscript parts and score for Manson's string quartet in D major. The file includes multiple copies of each part, all in Manson's hand, including a separate set of parts of the fourth movement only.

File consists of an autograph score and parts for Robert Manson's arrangement for string orchestra.

File consists of a manuscript score for string quartet.

File consists of two folded folios of manuscript paper with various sketches.

Consists of Victoria College Union Council freshman orientation material, financial records, agenda, correspondence, election material and social calendar, 1958-1960. Also contains a small amount of ephemera from the 1958 initiation events.

Contains two newspaper clippings, one initiation week schedule and one initiation ticket from 1958.

Fonds consists of records related to the establishment and operation of the Virginia Woolf Society.

Fonds is comprised of the following series:
Series 1: Correspondence
Series 2: Administrative Records
Series 3: Records relating to Virginia Woolf Miscellany
Series 4: Articles and news clippings
Series 5: Photographs
Series 6: Audiovisual Records.

Fonds consists of Yvonne Housser's journals and correspondence (1931-1980), including correspondence with her husband Frederick Housser (1931-37), and Arthur Lismer (1937) and notes on Theosophy (1953-1980); lectures, book reviews and stories (1933-1980); and documents and drawings pertaining to her travels and sketching trips (1939-1975) to Europe, the United States, Mexico, and Québec. Also included is a cassette tape of a conversation between Housser and Lora Senechal Carney.

Series consists of programs and recordings of events hosted by the Faculty of Music during the 2022-2023 concert season including faculty, student, and guest artists as well as ongoing concert series and faculty ensembles. All concerts were performed to live audiences in Walter Hall or MacMillan Theatre.

File consists of a recording of an event that took place in MacMillan Theatre. See program for list of full cast and members of the University of Toronto Symphony Orchestra. Recorded in two parts.

Performers: Sandra Horst, conductor ; Kelly Robinson, director ; Scott Reid, set designer ; Gabriel Cropley, projection designer ; Andrew Nasturzio and Alessia Urbani, costume designers ; Kelly Robinson, choreographer ; Susan Monis Brett, stage manager ; Mabel Wonnacott ; assistant director ; Joy Castro, assistant stage manager ; Spencer Kryzanowski, assistant conductor ; Lisa Stevens, intimacy coach ; Christine Bae, Spencer Kryzanowski, repetiteurs ; John Sharpe, surtitles ; Faculty of Music Opera Division.

Program:

• A tale of two cities / Arthur Benjamin : part 1
• A tale of two cities / Arthur Benjamin : part 2.

File consists of a recording of an event that took place in MacMillan Theatre. See program for list of full cast and members of the University of Toronto Symphony Orchestra. Recorded in two parts.

Performers: Sandra Horst, conductor ; Kelly Robinson, director ; Scott Reid, set designer ; Gabriel Cropley, projection designer ; Andrew Nasturzio and Alessia Urbani, costume designers ; Kelly Robinson, choreographer ; Susan Monis Brett, stage manager ; Mabel Wonnacott ; assistant director ; Joy Castro, assistant stage manager ; Spencer Kryzanowski, assistant conductor ; Lisa Stevens, intimacy coach ; Christine Bae, Spencer Kryzanowski, repetiteurs ; John Sharpe, surtitles ; Faculty of Music Opera Division.

Program:

• A tale of two cities / Arthur Benjamin : part 1
• A tale of two cities / Arthur Benjamin : part 2.

File consists of a recording of an event that took place in MacMillan Theatre. See program for list of full cast and members of the University of Toronto Symphony Orchestra. Recorded in two parts.

Performers: Sandra Horst, conductor ; Kelly Robinson, director ; Scott Reid, set designer ; Gabriel Cropley, projection designer ; Andrew Nasturzio and Alessia Urbani, costume designers ; Kelly Robinson, choreographer ; Susan Monis Brett, stage manager ; Mabel Wonnacott ; assistant director ; Joy Castro, assistant stage manager ; Spencer Kryzanowski, assistant conductor ; Lisa Stevens, intimacy coach ; Christine Bae, Spencer Kryzanowski, repetiteurs ; John Sharpe, surtitles ; Faculty of Music Opera Division.

Program:

• A tale of two cities / Arthur Benjamin : part 1
• A tale of two cities / Arthur Benjamin : part 2.