The Paris Posters
The Paris Posters
The Bloomsbury Group & Hogarth Press Collections
Coleridge, Samuel Taylor
The Collection consists of clippings, catalogues, flyers, dust jackets, advertisements, images, newsletters, and miscellaneous items relating in some way to Virginia and Leonard Woolf, The Bloomsbury Group and the Hogarth Press. They are organized into 19 series based on the origins and purpose of the materials, including those relating to exhibitions, conferences, the publishing industry, Charleston (UK), The Bloomsbury Workshop and the Bloomsbury “industry”.
The Woolf/Bloomsbury Group/Hogarth Press Ephemera Collection
A collection of rare books, pamphlets, and periodicals particularly strong in nineteenth and twentieth-century literature, poetry, and drama, mostly composed in English. Many of the titles are unique. Also includes historical and geographical works with a number of rare gazetteers and nineteenth century travel books, bibliographies, memoirs, and biographies.
The collection consists of numerous first and early editions of Canadian historical, literary, and poetic classics: Lucy Maud Montgomery’s Anne of Avonlea (L.C. Page & Company, 1909), John McCrae’s In Flanders Fields: And Other Poems (with a preface by Sir Andrew Macphail; William Briggs, 1919), W.O. Mitchell’s Who Has Seen the Wind (Macmillan Company of Canada), and Donald Creighton’s Dominion of the North: A History of Canada (Houghton Mifflin Company, 1944), among other prominent titles.
The collection is rich in the first English and American editions of Tennyson’s works, including Poems by Two Brothers (1827), In Memoriam A.H.H. (1850), Maud: And Other Poems (1855), Idylls of the King (1859), and Demeter: And Other Poems (1889), among others. It is also a very good general collection of Tennysoniana, containing concordances, pamphlets, periodicals, indexes, biographical essays, and studies of individual poems.