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Including manuscripts, proofs and correspondence – related to Follett’s small press imprint, Pedlar Press, which she founded in 1997. It also includes manuscript drafts for Follett’s first published novel, Tell it Slant (Toronto: Coach House Press, 2001), as well as other professional and personal material relating to the life and work of Beth Follett.

File consists of programs, tickets, and newspaper clippings relating to the 60th Birthday Tribute concert (November 2, 1996) for Derek Healey at the Dublin Street United Church, arranged by Barrie Cabena. The program included the following works by Healey:

• Cantata "Praise the Lord" : for SATB chorus and solos, recorders, harpsichord
• In Flanders Fields : for choir and organ
• The Shepherd Boy's song : for choir and organ
• Sonata barocca, op. 61 : for soprano instrument, bass Baroque instrument, and clavier
• Twelve preludes, op. 6 : for piano
• Sonata II, op. 75 : for organ
• Sonata III, op. 80 : for organ (premiered by Jonathan Oldengarm).

File consists of newspaper clippings regarding Derek Healey's move to Canada to take on a lecturer position at Victoria University, British Columbia.

File consists of copies of the annual Christmas newsletter from Derek and Olive Healey with personal and professional highlights and updates.

File consists of a scrapbook compiled for Derek Healey's 80th birthday, collected and compiled by Olive Healey with support from Jacqueline Healey. It consists contributions from family, friends, colleagues, and musicians, and includes an index of contributors and their relationship to Healey. Materials include a portrait of Derek Healey by Akwesi M. Asante in charcoal and chalk, photographs, correspondence, and other memorabilia.

File consists of drafts and copies of biographical articles about Derek Healey, and related correspondence:

• Michael Schulman, "Country of residence an influence on Healey's music," The Music Scene (November-December 1973)
• "Meet the Composer," interview with Derek Healey by Mark Hopkins, Canadian Winds (Spring 2009)
• Sheila M. MacRae, "Introduction to Derek Healey," CAMMAC Toronto Region Newsletter (September 2016)
• Interview with Elizabeth Newton, Creators Vancouver (April 18, 2017).

File consists of advertisements for Derek Healey's orchestral works in the Symphony magazine (2004-2005); announcements in The Music Scene for performances of Healey's op. 41b, 45, 47, 48, and 53 (1977); and various announcements and advertisements for Healey's music for wind ensembles and bands, choral music, and organ music.

File consists of a copy of Derek Healey's degree as a Fellow of the Royal College of Organists (RCO, 1958) and a copy of the RCO Year Book (1986-1987), which lists Healey as a life member and fellow of RCO.

File consists of programs from performances by Derek Healey and performances of his compositions at the University of Victoria, where he was a lecturer in the Music Department, teaching musicianship, aural training, and composition. He also founded and directed the University Orchestra.

File consists of the announcement of Derek Healey's appointment as a Visiting Special Lecturer at the University of Toronto (September-October 1971) and materials from his collaborations with Doreen Hall while teaching at the University of Toronto, which resulted in the educational music tape "Music for Children." Healey taught musicianship, counterpoiunt, orchestration, and band and choral arranging.

File consists of the convocation program, announcements, an excerpt from the School of Graduate Studies, and confirmation of Derek Healey's fulfillment of the requirements for the Doctor of Music at the University of Toronto (1974).

File consists of correspondence relating to Derek Healey's time as an Academic Professor for the Royal Air Force (RAF) in Uxbridge, Middlesex, England. He taught harmony, counterpoint, analysis, composition, orchestration, history, and aural and keyboard skills.

File consists of programs, reviews, and other materials relating to Derek Healey's career as an organist, including his time at the following institutions:

• Organist and Choirmaster: St. Peter and St. Paul's Church, Shiplake, Oxfordshire, England (1952-1956)
• Organist and Choirmaster: All Saints' Church, Wandsworth, London, England (1956-1959)
• Continuo organist for concerts: Maidenhead Christian Council (1968-1969)
• CBC Organist in recital announcements: Canadian Broadcasting Corporation (1969, 1976)
• Organist and Choirmaster: St. George's Church, Guelph, Ontario (1972-1973)
• Interim organist: All Saint's Church, Richmond Hill, Queens, New York (August - November 1996)
• Organist and Choirmaster: St. Alban's Church, Eltingville, Staten Island, New York (1996-1998)
• Director of Music: St. Peter's, St. Paul's, and Out Lady of Pilar Church, Brooklyn, New York (1998-1999)
• Organist and choirmaster: St. Stephen's Church, Jamaica, New York (1999-2002).

File consists of lists of Derek Healey's works that were broadcast on the Canadian Broadcast Corporation (CBC), recordings by CBC of his compositions, and "Organists in Recital" broadcasts that featured Healey as a soloist.

File consists of a scrapbook (1947-1969) of newspaper clippings, programs, reports, collected by Derek Healey. The scrapbook includes comments from Dr. Herbert Howells on Healey's Royal College of Music (RCM) reports, and the program from "The President's Concert" (November 7, 1957) at RCM for Her Majesty Queen Elizabeth the Queen Mother, who presented medals and prizes, including the Farrar Prize for Composition to Derek Healey. Healey selected a copy of the vocal score for Benjamin Britten's The Turn of the Screw, op. 54 (Hawkes & Son (London) Ltd., 1957); the specially-bound score is also included in this file. The scrapbook also includes programs from Composers Concerts at RCM that Healey organized, often filling in for last-minute cancellations; programs and newspaper clippings from his time in Italy at the Accademia Musicale Chigiana, where he studied with Boris Porena (1961-1963), and programs and newspaper clippings relating to the Cookham Arts Festival (1967) that Healey organized. A complete contents listing is included inside the front cover of the scrapbook.

File consists of a program for a football match in the Berkshire Schools' Rugby Football Union (November 13, 1950). Derek Healey played rugby for Oxfordshire in the under 15 year group. The match was at The Grove, Surley Row, Emmer Green.

File consists of a copy of the University of Durham Gazzete supplement, which includes announcements of conferred degrees, including Derek Healey's Bachelor of Music (1961); the convocation program; and certificates of Healey's examination results for the Bachelor of Music degree.

File consists of programs, copies of photographs, and copies of certificates from Derek Healey's time at the Accademia Musicale Chigiana in Siena, Italy (Summers of 1961, 1962, 1963, 1966. At the Accademia, Healey studied with Vito Frazzi (composition), Goffredo Petrassi (composition), Francesco Lavagnino (film music), and Sergio Celibidache (conducting).

File consists of charts keeping record of works by Derek Healey that were sent to publishers (2001-2007) and performers and competitions (2002-2008). Olive Healey maintained these charts following her retirement in 2001 to help promote Derek's music in various ways.

File consists of programs, Derek Healey's entrance exam result and acceptance into the Royal College of Music (RCM), copies of testimonials from his teachers, a copy of his transcript, and newspaper clippings.

File consists of programs from performances as part of Derek Healey's time teaching at various English state and private schools as a music specialist, including:

• West Borough School, Maidstone, Kent (1957-1959)
• Shiplake College, Shiplake, Henley-on-Thames, Oxfordshire (1959-1962)
• Gordon School, Maidenhead, Berkshire (1964-1969).

Healey formed orchestras and choirs; taught music classes to all students in each school; and conducted many concerts, including a version of The Beggar's Opera (1968) and his own opera for children Mr. Punch (1969).

File consists of programs, newspaper clippings, and an overview of the Cookham Festival. Derek Healey was the founder and music director of the national arts festival, which included the commission and premier of Malcolm Williamson's opera Dunstan and the Devil.

File consists of announcements, programs, newspaper clippings, and bulletins relating to Derek Healey's time at the University of Guelph, where he was an Assistant Professor and then Associate Professor. Healey taught musicianship (harmony and counterpoint), electronic music, and world music, and formed and directed the Orchestra and the Collegium and Chamber Singers.

File consists of programs from concerts of Derek Healey's music and a representative selection of concerts by Healey's students while at the University of Oregon. Healey was appointed as an Associate Professor and promoted to full professor of theory and composition at the School of Music. He taught composition, counterpoint and ethnic music. File also includes programs from concerts at the American Guild of Organists (AGO), American Society of University Composers (ASUC), and other regional concerts.

Item is a poster from the premiere performance of Healey's A Mass for San Corrado, op. 116 as performed by Carmelo Corrado Caruso, baritone; the G. De Cicco choir, directed by Carmelo De Cicco; Quartetto do Sassofoni ARCADIA; Sikelia Saxophone Quartet; Barbara Rosana, flute; Sebastiano Nane, friscaletto (Sicilian flute); Salvatore Scucces and Andrea Ferraguto, percussion; Cunegonda De Cicco, organ; and Gabriele Verdinelli, conductor. The performance took place at the Cathedral of SSan Nicolo, Noto, Sicily.

Series consists of rough notes, lecture notes, final copies, correspondence, press releases, and photographs from books, articles, presentations, and poetry by Derek Healey.

File consists of records relating to Derek Healey's second study on the influence of African-American music on the works of Frederick Delius. The study led to a lecture (in Philadelphia and Jacksonville) and a monograph, published by The Delius Society (2003).

File includes:

• Letters and e-mails (2001-2015) concerning Healey's monograph The Influence of African-American music on the works of Frederick Delius (The Delius Society, 2003).
• Healey's lecture "The Influence of African-American music on the works of Frederick Delius", conference program, handouts, and related notes for a talk that Healey gave at The 44th Annual Delius Festival in Jacksonville (March 6, 2004). Healey had previously presented this lecture in Philadelphia at St. Mary's Episcopal Church for a meeting of the Delian Society (February 20, 2004).
• Research notes, rough notes, and correspondence for Healey's lecture and monograph. The notes for each were previously stored in two three-ringed binders.
• Reviews of Healey's lecture and monograph, as they appeared in The Delian [newsletter] (April 2004), the AAMP Calendar (June-September 2001), and The Delius Society Journal (Fall 2003).

File consists of a copy of the lecture, correspondence, and other notes for a lecture-recital at the College Music Society's 51st National Conference (Atlanta, Georgia, September 25-28, 2008), with Mei Zhong, soprano and James Helton, piano, introduced by Derek Healey.

File consists of a copy of the article and related correspondence that Derek Healey prepared for Mary Costello for her project "The Use of Indigenous Native Music in Canadian Composition," March 1, 2010.

Item is a poster from a concert by the University of North Carolina Greensboro, which included the premiere performance of Healey's Latino preludes, op. 89h.

Item is a poster advertising five concerts at the conference. Concert 2, featuring the Hamilton College Choir, included the premiere performance of Healey's Pioneering days: six American folk songs, op. 91, directed by G. Robert Kolh.

Item is a poster from a concert at Bodyvox, Portland, Oregon, featuring the premiere of The Coast of Oregon: The Quest for Aztian, op. 128 by Nancy Wood, soprano; Paul Safar, piano; Sydney Carlson, flute; Diane Chaplin, cello; Florian Canzetti, percussion; Keith Clark, conductor.

File consists of a copy of the article and related correspondence that Derek Healey wrote for the CAMMAC Toronto Region Newsletter, February-March 2022.

Item is a poster from a concert with Claudia Tesorino, saxophone and Lukas Storch, organ, which featured the premiere performance of Healey's from the Spanish: 7 preludes on Latino hymns, op. 133 or soprano saxophone and organ, during the Musikalische Vesper at Französische Friedrichstadtkirche in Berlin.

Series consists of a typeset collection of Derek Healey's poetic output, including a preliminary introduction to the set, written by Healey upon compilation of the texts in 2023. The bulk of the poems were written in Maidenhead, England (1963-1968) and Brooklyn, New York (2004-present), when time permitted. Healey wrote very few poems in Guelph, Ontario and Eugene, Oregon, and wrote nothing in Victoria, British Columbia or Ruislip, England. Many of the texts were set to music. In 2004, Healey studied poetry at the Gotham Writers' Workshop in Manhattan with Mary Donnelly.

File consists of a copy of the handout, photograph of performers with Derek Healey, and related correspondence for a concert by the choir of Church on the Hill, Flushing, New York, with organist Andrew Andela. Healey presented a paper at this concert for the American Guild of Organists, Queens Chapter. The concert took place at Christ Evangelical Church, Little Neck, Queens, New York, February 9, 2003.

File consists of a copy of the unpublished article that Derek Healey wrote at the request ofMei Zhong, Professor of Voice, School of Music, Ball State University, Muncie, Indiana.

Series consists of articles about Derek Healey, scrapbooks, and other ephemera.

Item is a poster advertising two concerts at the Dublin Street United Church, including the 60th Birthday Tribute to Derek Healey "featuring selections of his music for choir, organ, piano, and recorder including a world premiere composed and performed by Dr. Healey with Boyd McDonald, Matthew Jones, Jan Overduin, Barrie Cabena, and Dublin Street Senior Choir."

Item is a poster from a concert at the Central Lutheran Church, Eugene, Oregon, which featured the world premiere of Thy Distant Fire: an Edgar Allen Poe Songbook performed by Nancy Wood, soprano and Paul Safar, piano.

Item is a poster from the premiere performance of Restoration: homage to Purcell, op. 148 for saxophone octet by the Saxophone Orchestra of Dr. Hoch's Conservatorium, conducted by Achim Rinke-Bachmann, at a concert at the Conservatorium in Frankfurt, Germany.

File consists of a copy of a paper that Derek Healey presented at The College Music Society 27th Annual Meeting, Nashville, Tennessee, October 5, 1984. This was the first of two studies of the influence of African-American music on the compositions of Frederick Delius.

File consists of a copy of the article and related correspondence that Derek Healey wrote for the CAMMAC Toronto Region Newsletter, December 2016-January 2017.

File consists of a copy of the article and related correspondence that Derek Healey wrote for the CAMMAC Toronto Region Newsletter, October 2021.

File consists of correspondence and publishing schedules for Paraclete Press. The following of Healey's works were published by Paraclete Press:

• The Garden (2012)
• The Prayer of St. Francis (2009)
• Shepherds, Keeping Watch by Night (2011)
• Thou Whose Birth on Earth (2008)
• Liber Natalis, op. 84. Ye Angels, Whose Harmonious Strains (2008).

File consists of correspondence with Chappell & Co. Ltd. regarding the publication of op. 4, 17a, 17b, and 17c.

File consists of correspondence with Novello and Company Limited regarding the publication of op. 15c, 18, 23, and 25.

Item is a poster from a concert by Derek Healey and the Cookham Church Choir, whichs included the premiere performance of Healey's Partita '65 as well as some of his settings of anthems, and music by Johann Sebastian Bach, Vivaldi, Boyce, Mozart, Vittoria.

Item is a poster from a recital at the Holy Trinity Church in Cookham, England, which included the premiere performance of Healey's Cookham Notebook as well as works by Purcell, Handel, Dunstable, Bruckner, Howells, and Stanford.

Item is a poster for a recital at St. Paul's Church, Maidenhead by Derek Healey and the Choir of Cookham Parish Church, which included the premiere performance of Healey's The Eternal Gifts of Christ the King, as well as music by Handel, Vivaldi, Vittoria, Palestrina, Mozart, Schutz, and Dunstable.