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Bata Shoe Company Papers

Includes corporate files from the Canadian Bata Shoe Company (including correspondence; legal and financial records; product development, marketing and promotional files; technical and production-related files, and human resources files). The bulk of the material was created by the Canadian Bata company, however many records relate to several of the organization’s international outposts, including companies headed in Africa, India, Asia and Europe. The collection also includes press clippings and other publications about the Bata Company and its historical significance. There are also a small number of Bata family records, primarily for Thomas J. Bata (1914-2008), Sonja I. Bata, Tomáš Baťa (1876-1932) and Marie Bata.

Celebrating our diversity : the road home

File consists of a program from the concert, presented by Voice Studies at the University of Toronto. The concert was broadcast online.

Program:

  • Linstead market / Traditional Jamaican mento song, arr. Anne Louise-Turgeon, inspired by Miss Lou (Gabrielle Turgeon, soprano ; Anne Louise-Turgeon, piano ; Corinne Turgeon, cello)
  • Ninveh / William Dnaiel (Janelle Yausif, soprano ; Narmina Efendiyeva, piano)
  • Pari Arakil / Aleqsey Heqimyan, Ashod Krashi (Taline Yeremian, mezzo-soprano ; Narmina Efendiyeva, piano)
  • Becha = Spring / Pyotr Ilyich Tchaikovsky, Aleksey Pleshcheyev (Dasha Tereschenko, soprano ; Narmina Efendiyeva, piano)
  • Drei jiddische Lieder, op. 53. Margaritkelech ; Mejdl in di Johren / Viktor Ullman (Carly Naimer, mezzo-soprano ; Narmina Efendiyeva, piano)
  • Marie / Ron Hynes (Megan O'Donnell, soprano ; Narmina Efendiyeva, piano)
  • Le Le Yaman / Komitas Vardapet (AlexaFrankian, soprano ; Narmina Efendiyeva, piano)
  • Steal away / Traditional African-American spiritual, arr. Harry T. Burleigh (Ineza Mugisha, soprano ; Narmina Efendiyeva, piano)
  • Over the rainbow / Harold Arlen, Yip Harburg (William Salinas-Crosby, tenor ; Narmina Efendiyeva, piano).

Coach House Press Papers

This is the first accession of the Coach House Press (CHP) papers by the Fisher Library. It primarily includes files accumulated and maintained by Stan Bevington, founder of the CHP. (While Library and Archives Canada holds a significant amount of Coach House Press materials, Bevington held back many of his own personal files related to CHP, with the intention of donating them to the Fisher Library). The papers include accounting materials for the Press–price quotes, sales invoices, payroll information, etc. –and other materials related to the running of the CHP. It also includes material collected by Bevington, dubbed “Stan’s ephemera,” which contain handwritten notes written by Bevington, as well as correspondence, programs and other assorted and interesting items.
The collection is particularly noteworthy for its extensive collection of computer-related material, including the files for SoftQuad, the company co-founded by Bevington that was at the forefront of the digital age in publishing. Bevington is considered a publishing pioneer in the transition to digital technology from traditional typesetting.

Coach House Press

David Young Papers

  • CA OTUTF MS COLL 00327 (Downsview Offsite)
  • Accession
  • 1968-1995
  • Part of David Young Papers

A collection of David Young's correspondence, literary manuscripts, business papers, and ephemera. Correspondence includes both business and personal matters from the late 1960s to 1995. The literary papers include multiple drafts and the galleys for his novels Incognito and Agent Provocateur, the notes and drafts for some of his most successful dramatic works, among them Fire, and Glenn, and many TV scripts. Also included are several of his adaptations of works by other authors for radio, such as Carol Shield's Swann, and Michael Ondaatje's In the Skin of a Lion and The English Patient. Drafts of works by other authors edited by Young and his own manuscripts edited by others, including Michael Ondaatje, are also included. The business papers relate to The Writer's Union of Canada, The Writers' Trust, The For/Words Foundation, Coach House Press and The Baffin Island Project. The ephemera documents the Toronto arts scene.

Don Bailey Papers

This accession includes personal correspondence; audiovisual materials; and 160 floppy disks containing manuscript drafts, story drafts, journal entries, projects, notes, correspondence, foster children’s files, and other items relating to the life and work of Don Bailey.
Contains series:

-Correspondence
-Other Files
-Audiovisual Materials

Elspeth Cameron Papers

This accession of Elspeth Cameron’s papers includes manuscript drafts, research and other files for A Tale of Two Divas: The Curious Adventures of Jean Forsyth and Edith J. Miller in Canada’s Edwardian West (2016), and other professional and personal files relating to her life and work.

Contains series:

  1. Manuscript and files relating to A Tale of Two Divas: The Curious Adventures of Jean Forsyth and Edith J. Miller in Canada’s Edwardian West
  2. Research for A Tale of Two Divas: The Curious Adventures of Jean Forsyth and Edith J. Miller in Canada’s Edwardian West
  3. Other writing
  4. Personal and professional files
  5. Audiovisual materials and other files

Eric Ormsby Papers

Includes proofs, photographs (New York City, 1967), holograph notebooks, printed appearances in numerous journals such as The New Criterion; Books in Canada; videotaped appearance at Bentley College, September 2, 2002; David Solway manuscripts; Correspondence with other writers, editors and publishers: John Black; Richard Outram; David Solway; Karen Mulhallen/Descant; Shlomo Dov Goitein; PhD thesis, Princeton; drafts and proofs of Al-Ghazali; gallies, correspondence and cover art for Daybreak at the Straits and Other Poems.

Eric Wright Papers

Includes, variously, drafts and edited drafts of published and unpublished works, correspondence, reviews, notes, and other material related to a number of short stories and the following novels: “The Kidnapping of Rosie Dawn”, “A Likely Story”, “Finding Home”, “Dempsey’s Lodge”, and “The Land Mine” (1998-2015). Also includes business correspondence with, and royalty reports from publishers, correspondence and other materials related to a proposed film/television adaptation of “The Night the Gods Smiled”, a number of clippings of Wright’s short stories and essays that appeared in magazines and newspapers (including three translated stories from European publications), clippings of feature articles about or mentioning Wright from newspapers and magazines, and cassette tapes containing interviews with Wright and a 1985 CBC reading of “The Night the Gods Smiled” (1984-2015). This collection also includes some personal correspondence, fan mail, photographs, and memorabilia (193?-199?), personal/travel journals ranging between 1976 and 2010, and appointment calendars for 1991- 2015.

Festival of song presents Songs of hope and comfort

File consists of a program from the concert, which featured pre-recorded performances by U of T Music Students, under the guidance of Steven Blier, guest coach and a John R. Stratton Visitor in Music. The concert was streamed on YouTube.

Program:

  • Six songs from a Shropshire lad. Loveliest of trees / George Butterworth, A.E. Housman (Dnate Mullin Santone, baritone ; Pascal Menke, piano)
  • Three Browning songs. The year's at the Spring / Amy Beach, Robert Browning (Alina Tigelman, soprano ; Bryn Blackwood, piano)
  • The house of life. Silent noon / Ralph Vaughan Williams, DanteGabriel Rossetti (Cameron Martin, baritone ; Joy Lee, piano
  • Reve d'amour, op. 5, no. 2 / Gabriel Faure, Victor Hugo (Chihiro Yasufuku, soprano ; Ryoko Hou, piano)
  • Du bist die Ruh, D. 776 / Franz Schubert, Friedrich Ruckert (Roanna Kitchen, soprano ; Gina Lee, piano)
  • Im Haine, D. 738 / Franz Schubert, Franz von Bruchmann (Anna Boyes, soprano ; Dakota-Scott Digout, piano)
  • The poet and the war. Dark lullaby / Norbert Palej, Krzysztof Kamil Baczynski (Amanda Singh, soprano ; Grace Shin, piano)
  • Soir d'hiver / Nadia Boulanger (Stephanie McKay-Turgeon, soprano ; Joy Lee, piano)
  • Genius child. To be somebody / Rick Ian Gordon, Langston Hughes (Rhian Merritt, soprano ; Anna Han, piano)
  • Six songs. Oh, you whom I often and silently come / James Rolfe, Walt Whitman (Francesca Hauser, mezzo-soprano ; Charlie Carrier, piano)
  • Natural selection. Joy alone (connection) / Jake Heggie, Gini Savage (Madelaine Battista, soprano ; Dakota Scott-Digout, piano)
  • Sure on this shining night, op. 13, no. 3 / Samuel Barber, James Agee (Ana-Isabella Castro, soprano ; Charlie Carrier, piano)
  • Die Liebende schreibt, op. 86, no. 3 / Felix Mendelssohn, Johann Wolfgang von Goethe (Rayna Crandlemire, soprano ; Joy Lee, piano)
  • Ariette, op. 1, no. 4 / Amy Beach, Percy Shelley (Grace Liang, soprano ; Ryoko Hou, piano)
  • Shadow of the blues. Litany / John Musto, Langston Hughes (Kristian Lo, baritone ; Vladimir Soloviev, piano)
  • The faces of love. I shall not live in vain / Jake Heggie, Emily Dickinson (Alexa Frankian, soprano ; Pascal Menke, piano)
  • Miss. Wheatley's garden. Songs for the people / Rosephanye Powell, Frances Ellen Watkins Harper (Amelia Depiero, soprano ; Vladimir Soloviev, piano).

George Elliott Clarke Papers

Includes original holograph notebooks, drafts, research, voluminous correspondence (129 boxes), ephemera, and all manner of material related to the life and work of poet, performer, activist and professor George Elliott Clarke. Major works included: The Motorcyclist; Canticles; Gold; Trudeau; Red/I & I; as well as short pieces; reviews, essays, remarks, lectures, editorial work.

Interview with Andrew Adridge conducted by Rosemonde Desjardins

Item is a video recorded interview between Rosemonde Desjardins (interviewer, representative of FoMARA) and Andrew Adridge (interviewee). Andrew Adridge is a Guyanese-Canadian vocal performer, and a graduate from the University of Toronto opera program. He works as the Operations Associate for Opera.ca, and is the Co-Founder of Opera InReach, an initiative aimed at examining the civi impact of opera, creating an authentic Canadian identity for it, and engaging the next generation of performers with equitable and diverse digital programming and mentorship. Andrew and Rosemonde's conversation covers topics including tokenization and diversity, the arts, Black Lives Matter, and systemic discrimination.

Interview with Andrew Balfour conducted by Hillary Chu

Item is a video recorded interview between Hillary Chu (interviewer, representative of FoMARA) and Andrew Balfour (interviewee). Andrew Balfour is a Cree composer, conductor, singer, and sound designer whose works include choral, instrumental, and orchestral music. As a result of the Sixties Scoop, Andrew was raised in a non-Indigenous family in Alberta. Today he is a highly sought-after composer known for fusing Classical music traditions with Indigenous texts and themes to highlight the unsettling sociopolitical pressures and commentary that have surrounded Indigenous peoples in Canada for many years. Andrew and Hillary's conversation covers topics including education, equitable access to opportunities, violence against Indigienous peoples, and systemic discrimination. Trigger warning: the interview includes discussion of Residential Schools, and mentions of addiction.

Interview with Beverley McKiver conducted by Elizabeth Robinson

Item is a video recorded interview between Elizabeth Robinson (interviewer, representative of the U of T Music Library) and Beverley McKiver (interviewee). Beverley McKiver is a music teacher, composer, accompanist, and performer based in Ottawa, Ontario. Beverley's compositions have been performed at Native Earth Performing Arts, Jumblies Theatre, and Soundstreams. In 2020 she premiered a suite of piano solos representing the provincial and territorial emblems, which she composed as a result of a Digital Originals grant from the Canada Council. Beverley and Elizabeth's conversation covers topics including economic disparity, music pedagogy, and violence towards Indigenous communities. Trigger warning: this interview includes discussion of Residential Schools.

Interview with Bruce A. Russell conducted by Elizabeth Robinson

Item is a video recorded interview between Elizabeth Robinson (interviewer, representative of the U of T Music Library) and Bruce A. Russell (interviewee). Bruce A. Russell, (aka Ibrahim El Mahboob) is a composer and self-taught pianist living and working in Toronto. He studied at York University with James Tenney and Phillip Werren, and has composed music for the Madawaska String Quartet, Modetn Times Stage Company, and McMaster dancers and choreographers Pan Johnson and Tracy Renee Stafford. Bruce is particularly interested in 20th and 21st century music, especially posminimalism, and music of the African diaspora, including notated and non-notated forms. Bruce and Elizabeth's conversation covers topics including tokenization, performative diversity, Black Lives Matter, racial politics, and police violence. Tigger warning: this interview includes discussion of discriminatory terminology used to classify Black people. The interview includes mentions of suicidal depression, mental health, and institutionalization.

Interview with Dr. Farzaneh Hemmasi conducted by Claire Latosinsky

Item is a video recorded interview between Claire Latosinsky (interviewer, representative of FoMARA) and Dr. Farzaneh Hemmasi (interviewee). Dr. Farzaneh Hemmasi (in Persian orthography فرزانه حمصی ) is as Associate Professor of Ethnomusicology at the University of Toronto. Her research interests include Iranian popular music, the politics of popular culture, and transnationality. Her book, Tehrangeles Dreaming: Intimacy and Imagination in Southern California’s Iranian Pop Music, published in April 2020, examines the postrevolutionary pop music of the Iranian diaspora in Los Angeles as a site of transnational identity creation. She holds a doctorate from Columbia University and has held fellowships with the University of Pennsylvania’s Penn Humanities Forum and Columbia University’s Middle East Institute as well as its Institute of Social and Economic Policy and Research. In the summer of 2020, Prof. Hemmasi was co-chair of the Faculty of Music’s Anti-Racism, Equity, Diversity and Inclusion (AREDI) Workgroup. Dr. Hemmasi and Claire's conversation covers topics including performative diversity, tokenization, music pedagogy, and Black Lives Matter.

Interview with Dr. Melissa Morgan conducted by Claire Latosinsky

Item is a video recorded interview between Claire Latosinsky (interviewer, representative of FoMARA) and Dr. Melissa Morgan (interviewee). Dr. Melissa Morgan is the Assistant Professor of Choral Music in the department of Media, Arts, and Performance at the University of Regina, where she conducts the Chamber Singers and Concert Choir, in addition to teaching courses in vocal diction and choral conducting. Previously, she was the Pfeifer Memorial Chair of Music at Luther College High School, and was founder and artistic director of the former community ensemble, Prairie Chamber Choir. Dr. Morgan holds a doctorate of Music Performance in Choral Conducting from the University of Toronto, and is also an Associate of the Toronto Royal Conservatory of Music in piano, voice, and flute. Dr. Morgan and Claire's conversation covers topics including access to information, music pedagogy, and racism.

Interview with Leighton Harrell conducted by Hillary Chu

Item is a video recorded interview between Rosemonde Desjardins (interviewer, representative of FoMARA) and Leighton Harrell (interviewee). Leighton Harrell is a bassist and composer from Raleigh, North Carolina, currently attending the University of Toronto's Jazz Performance program. Leighton has held a biweekly residency at Poetry Jazz Cafe with his quartet since 2019. He has also performed at venues such as The Toronto Jazz Festival, the Kensington Market Jazz Festival, and Toronto Meridian Centre for the Arts. As a composer and artist, Leighton draws inspiration from hymns and spirituals, folk music, and various traditions of Black American Music. Leighton and Hillary's conversation covers topics including Black AMerican Music, colonialism, cultural appropriation, performative diversity, and music pedagogy.

Interview with Ricardo Ferro conducted by Rosemonde Desjardins

Item is a video recorded interview between Rosemonde Desjardins (interviewer, representative of FoMARA) and Ricardo Ferro (interviewee). Ricardo Ferro is a Venezuelan-Canadian composer and multi-instrumentalist based in Toronto, Ontario. As an emerging composer, Ricardo has written music for and worked with North American ensembles and performers such as the Calidore String Quartet, Oakville Youth Symphony Orchestra, and Younggun Kim. He has written award-winning music for film and theatre for the Sundeis Film Fastival in Boston and the National Theatre School Festival in Canada. In 2019, Ricarod co-founded the Green Room Sound Collective, a contemporary music organization dedicated to the creation and performance of new dramatic and multimedia works of music, and is currently their artistic director. Ricardo is currently pursuing a degree in composition at the University of Toronto Faculty of Music. Ricardo and Rosemonde's conversation covers topics including eurocentrism in music, music pedagogy, Black Lives Matter, and representation.

Interview with Tara Kannangara conducted by Hillary Chu

Item is a video recorded interview between Hillary Chu (interviewer, representative of FoMARA) and Tara Kannangara (interviewee). Tara Kannangara is a vocalist and instrumentalist known for her diverse sound. She is a Juno-nominated artist, and holds a degree in Jazz studies from the Unviersity of Toronto. Tara has performed across North America at venues including the Smithsonian Institute in Washington, D.C., and New York City's Jazz Gallery. Tara is currently a sessional teacher at the University of Toronto in the Faculty of Music's Jazz program. Tara and Hillary's conversation covers topics including assimilation, gender disparity, music pedagogy, racial inequity, and systemic discrimination.

Jo Beverley Papers

This accession of Jo Beverley’s papers includes manuscript drafts for A Lady’s Secret (2008), The Secret Wedding (2009), The Raven and the Rose (2014), The Viscount Needs a Wife (2016) and other writing drafts; research and other files for novels; promotional materials; correspondence; personal documents including drawings; memorabilia; contracts; royalties; audiobooks; and a USB hard drive containing thousands of files; and other material relating to her life and work.

Contains series:

  1. Manuscripts
  2. Research and other files relating to novels
  3. Promotional materials, reviews, book covers
  4. Correspondence
  5. Personal documents and memorabilia
  6. Contracts and royalties
  7. Audiovisual and other files

Joyce El-Khoury : Riki Turofsky master class in voice

File consists of a program from a master class led by Joyce El-Khoury, the Riki Turofsky Master Class in Voice.

Program:

  • Rigoletto. Caro nome che il mio cor / G. Verdi (Heidi Duncan, soprano ; Sandra Horst, piano)
  • Don Pasquale. Bella siccome un angelo / G. Donizetti (Alex Mathews, baritone ; Andrea Grant, piano)
  • Cendrillon. Coeur sans amour / J. Massenet (Alessia Vitali, mezzo-soprano ; Sandra Horst, piano)
  • La rondine. Chi il bel sogno di Doretta / G. Puccini (Juliana Krajcovic, soprano ; Andrea Grant, piano)
  • Herodiade. Vision fugitive / J. Massenet (Danlie Rae Acebuque, baritone ; Sandra Horst, piano)
  • Ariadne auf Naxos. Lieben, hassen / R. Strauss (Nicholas Higgs, baritone ; Andrea Grant, piano).

Judith Robertson Papers

This third accession of Judith Robertson’s papers is made up of two major components: material relating to the life and work of Canadian diplomat Charles Ritchie, and material relating to Robertson’s family, and to her own work. The Charles Ritchie material includes some of his original correspondence with his niece, Elizabeth Ritchie, along with extensive diary entries (1920-1973), made while he was working abroad with the Canadian Department of External Affairs. This collection also contains a number of original photographs from the same period, featuring numerous noteworthy Canadians, along with material relating to Ritchie’s literary estate. Also included are a number of books and periodicals owned by Ritchie, as well as a number of Irish novelist Elizabeth Bowen’s published works, inscribed to Ritchie by Bowen.

The material relating to Judith Robertson revolves mainly around her work as the executor of Charles Ritchie’s literary estate, as well as around her role as co-editor of the work Love's Civil War: Elizabeth Bowen and Charles Ritchie (Toronto: McClelland & Stewart, 2008). In addition, this collection includes correspondence and documents kept by Norman A. Robertson, Judith Robertson’s father, who also worked as a diplomat in the Department of External Affairs with Charles Ritchie.

Contains Series:
Charles Ritchie Material:

  1. Correspondence
  2. Diaries
  3. Writing and original documents
  4. Photographs
  5. Charles Ritchie’s literary estate
  6. Miscellaneous material
  7. Books and periodicals

Judith Robertson Material:

  1. Love’s Civil War
  2. Material relating to Norman A. Robertson [Judith Robertson’s father]
  3. Oversized material

Karen Mulhallen Papers

January Accession, Boxes 1-9:

A collection of papers relating to the edition and publication of Descant, issues 111-115 (2000-2001). Includes author correspondence, manuscripts, proofs, production files, editorial correspondence and notes, subscription lists, and distribution files. Also includes materials relating to Mulhallens trip to Hungary in 2000, a manuscript of Stan Jonnanesen's "Sister Patsy", author photographs for use in Paper Guitar, a proof of the Descant index, donor files, photographs of events, and magnetic tape backups of computer files (issues 88-99 with gaps).

April-May Accession, Boxes 10-16:

Manuscripts and background materials for Mulhallen's War Surgery (1996), and materials for Descant 113-116, including author correspondence, manuscripts and editorial files.

June Accession, Boxes 17-23:

Manuscripts, correspondence, notes, and background materials relating to Mulhallen's writings, including The Grace of Private Passage, individual poems, essays, reviews, juvenalia, and other writing. Also includes a collection of her printed appearances 1960-2002.

Karen Mulhallen Papers

Consists of manuscripts, general correspondence, and various papers relating to Descant magazine. The gift also consists of some of Mulhallen's professional and personal correspondence. Also included are correspondence and manuscripts relating to Modern Love, Herm on Tour, War Surgery and In The Era of Acid Rain.

Lawrence Hill Papers

Includes drafts, research, correspondence and other material related to The Book of Negroes, including the screenplay for the televised series and the illustrated edition; interviews for Black Berry, Sweet Juice; notes, drafts, proofs, copy-editing and other material for The Illegal (early title ‘Underground’) forthcoming novel Fall 2015 (fourth novel and tenth book); personal and professional correspondence; appearances; extended family material; awards; photographs; notebooks; community activities; short pieces, including ‘Africville Forever’; Karen Hill’s Café Babanussa; research, various drafts, proofs and appearance material related to The Massey lectures: Blood: the Stuff of Life; The Deserter’s Tale; and other material related to the life, work and family of Lawrence Hill.

Lorna Goodison Papers

Includes early, unpublished and other drafts of From Harvey River, Controlling the Silver, Turn Thanks, Collected Poems and other material related to the life and work of Lorna Goodison. Includes Goodison’s original sketchbook, and photograph of Lorna Goodison with Lemuel Johnson.

Mansfield park / Jonathan Dove

File consists of a program for the University of Toronto Opera production of Mansfield Park by Jonathan Dove, libretto by Alasdair Middleton. The opera was scheduled for 4 performances (March 12-15) in MacMillan Theatre but the March 14 and 15 performances were cancelled due to the COVID-19 pandemic.

Performers: Sandra Horst, conductor ; Tim Albery, director ; Michelle Tracey, set design ; Lisa Magill, costume design ; Wesley McKenzie, lighting and video design ; John Sharpe, surtitles ; Kristin McCollum, stage manager ; Kate Carver, assistant conductor ; Mario Pacheco, assistant director ; Ardavan Taraporewala, assistant stage manager ; Brandon Tran, Benjamin Zsoldos, repetiteurs.

Margaret Atwood Papers

Contains writing by Atwood, including essays, poetry and speeches. Accession also contains personal and miscellaneous materials
such as writing from other authors and awards. Accession includes correspondence to Atwood, letters and notes stored within books,
as well as publications featuring Atwood’s writing and interview transcripts.

Master class with Joyce DiDonata : historical performance and opera students

File consists of a recording of the master class, which was streamed on the Faculty of Music YouTube channel. Joyce DiDonata was a John R. Stratton Visitor in Music.

Program:

  • Werther. Werther! Qui m'aurait dit la place / J. Massenet (Lindsay Connolly, mezzo-soprano ; Sandra Horst, piano)
  • Turandot. Tu che di gel sei cinta / G. Puccini (Lauren Estey, soprano ; Ivan Jovanovic, piano)
  • La traviata. E strano...Ah! fors'e lui...Sempre libera / G. Verdi (Noelle Slaney, soprano ; Dr. Phi Roberts, piano)
  • Giulio Cesare. Piangero la sorte mia / G.F. Handel (Lindsay McIntyre, soprano ; Ivan Jovanovic, piano)
  • I puritani. Or dove fuggo io mai...Ah! per sempre io ti perdei! / V. Bellini (Parker Clements, baritone ; Sandra Horst, piano).

Master class with Lawrence Brownlee, tenor : art song master class

File consists of recordings and the program for master class led by Lawrence Brownlee, tenor, as the John R. Stratton Visitor in Music (October 6-8, 2020). Performances were recorded in Walter Hall and live-streamed on the Faculty of Music's YouTube channel.

Program:

  • On this island. Let the florid music praise / Benjamin Britten (Morgan Reid, soprano ; Vladimir Soloviev, piano)
  • Trois chansons de Bilitis. La chevelure / Claude Debussy (Lissy Meyerowitz, mezzo-soprano ; Dakota Scott-Digout, piano)
  • The hermit songs. St. Ita's vision / Samuel Barber (Leandra Dahm, soprano ; Dakota Scott-Digout, piano)
  • Ruckert Lieder. Liebst du um Schonheit / Gustav Mahler (Rianna Robinson, soprano ; Vladimir Soloviev, piano)
  • Brentano Lieder. Ich wollt' ein Strausslein binden / Richard Strauss (Maeve Palmer, soprano ; Vladimir Soloviev, piano)
  • The red, red heart. My mother's hands / John Greer (Anna Caroline Boyes, soprano ; Dakota Scott-Digout, piano)

Maureen Scott Harris Papers

This accession of Maureen Scott Harris’ papers includes a significant amount of personal correspondence from the 1960s to the present, along with professional correspondence, mainly from 2015. It also contains materials relating to the Renga 10 collaborative poetry project, and to the Abundance chapbook and event, in addition to a number of periodicals in which Scott Harris’ poetry has been published. The collection also includes Scott Harris’ notes from a course taught by Northrup Frye at the University of Toronto in 1982-1983, along with promotional material from Brick Books, and a variety of audio/visual material.

Contains Series:

  1. Correspondence
  2. Literary Projects
  3. Published Works
  4. Early Writing & Education
  5. Brick Books Material
  6. Miscellaneous
  7. Audio / Visual Material
  8. Personal Journals (Restricted)

Maureen Scott Harris Papers

This accession of Maureen Scott Harris’ papers includes a significant amount of correspondence, both personal and professional. It also contains material relating to the Renga 9 collaborative poetry project, and to a number of Fieldnotes publications: The Original Title by Elizabeth Hay (2016), The Spaces Between by Christina McCallum (2016), and Wilderness on the Page by John Steffler (2017). Also included are numerous drafts of Scott Harris’ works At the Exact Speed Necessary / Learning My Father’s Death (2005-2016), and Waters Remembered (2015), along with travel diaries, personal calendars and photographs, and a number of poetry chapbooks published in Canada.

Contains Series:

  1. Correspondence
  2. Literary Projects & Other Writing
  3. Published Works by Scott Harris
  4. Readings & Press Coverage
  5. Personal Material
  6. Audio / visual material
  7. Published works by others
  8. Programmes
  9. Oversized material

[Music instruction manual]

Item is a digitized copy of the microfilm of Henry Frost's manual in three parts: Time ; Melody or Succession of Sounds according to Pitch ; Expression or Force and Delivery of Sounds.

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