Series B - Correspondence

Identity area

Reference code

OTUFM 66-B

Title

Correspondence

Date(s)

  • 1970-2006 (Creation)

Level of description

Series

Extent and medium

9 cm of textual records + 15 photographs + 3 compact discs + 2 digital audio tapes

Context area

Name of creator

Jacques Israelievitch
(1948-2015)

Repository

University of Toronto Music Library

Archival history

Immediate source of acquisition or transfer

Content and structure area

Scope and content

Series consists of correspondence with composers, musicians, and friends, including Murray and Dorothea Adaskin, Elizabeth Bailey, Michael Colgrass, Barbara Croall, Srul Irving Glick, Chris Paul Herman, Lothar Klein, Gary Kulesha, Arie and Rachel Lipsky, Andrew MacDonald, Alex Pauk, Brent Straughan, George Szell, David Wilson, and Pinchas Zukerman. Correspondence includes enclosed photographs from Murray Adaskin from a visit related to Adaskin's convocation address at Brock University (October 21, 2000) and from Arie Lipsky relating to their Max Bruch project.

Series also includes correspondence and notes relating to Israelievitch's proposed and completed recording projects, including correspondence with CBC, Opening Day Recordings, Dorian, Atma, and Fleur de son Classics, Ltd. (including various recordings and edits from Israelievitch's Solo Suite CD released in 2003).

Series also includes notes and schedules relating to the "Bach Marathon" that Jacques Israelievitch participated in (March 3, 1985), and repertoire lists for Toronto Symphony Orchestra and Philadelphia Symphony Orchestra auditions.

Appraisal, destruction and scheduling

Accruals

System of arrangement

Correspondence arranged in alphabetical order by last name of correspondent.

Conditions of access and use area

Conditions governing access

Conditions governing reproduction

Language of material

    Script of material

      Language and script notes

      Physical characteristics and technical requirements

      Finding aids

      Allied materials area

      Existence and location of originals

      Existence and location of copies

      Related units of description

      Related descriptions

      Notes area

      Alternative identifier(s)

      Physical storage

      Box 3

      Access points

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      Name access points

      Genre access points

      Description control area

      Description identifier

      Institution identifier

      Rules and/or conventions used

      Dates of creation revision deletion

      Language(s)

        Script(s)

          Sources

          Accession area