Armatage, Kay

Identity area

Type of entity

Person

Authorized form of name

Armatage, Kay

Parallel form(s) of name

    Standardized form(s) of name according to other rules

      Other form(s) of name

        Identifiers for corporate bodies

        Description area

        Dates of existence

        1943-

        History

        Professor Kay Armatage is jointly appointed to the Institute of Women’s Studies and Gender Studies and Innis College Cinema Studies. She is seen as a key founder in both disciplines. In 1971, while still a graduate student in the Department of English, she was part of collective that organized and taught the first inter-disciplinary course in Women Studies - FSW 200: Women in Society. By 1974, she had her Ph.D. in English at the same time the University began offering a minor in Women Studies. As a Lecturer, Prof. Armatage helped develop and co- taught NEW 260 : Introduction to Women’s Studies, along with colleagues Sylvia Van Kirk and Kathryn Morgan. Around the same time, the study of cinema was developing and Prof. Armatage, along with colleagues Joe Medjuck and Bart Testa, developed INI/NEW 212, Introduction to Cinema Studies. Throughout her career, Prof. Armatage has continued to develop and teach over a dozen new courses in both disciplines, often combining the two, such as in Women’s Film and Literature, Women’s Cinema and Women and Representation.

        Her academic writing, again, reflects both her interest in film and feminism. Her book, The Girl from God’s Country: Nell Shipman and the Silent Cinema, celebrates an early Canadian actor and director. In 1999 she co-edited Gendering the Nation: Canadian Women’s Cinema. She has published extensively in refereed journals, contributed articles to books and given over fifty lectures on her areas of interest which include women filmmakers, feminist theory and Canadian cinema.

        Along with her academic work, Prof. Armatage has undertaken activities in a more public forum. Between 1975 and 1987, she produced seven experimental narrative and documentary films. Her last film on artist Joyce Wieland, Artist on Fire (1987) earned her a Gemini nomination for Best Television Documentary. From 1983-2004, she was one of the senior international programmers of the Toronto International Film Festival. It was due in part to these endeavours that she was seen as having made a major contribution to the study of women and film. For all of her work, she has been recognized with several awards including YWCA Woman of Distinction 1989 and Toronto Women in Film in Video Special Award for Contribution to Women’s Film Culture 1988. She has also been awarded several research and arts grants throughout her career including a Canada Council Senior Artist’s Grant (1992) and a SSHRC research grant (1995).

        Places

        Legal status

        Functions, occupations and activities

        Mandates/sources of authority

        Internal structures/genealogy

        General context

        Relationships area

        Access points area

        Subject access points

        Place access points

        Occupations

        Control area

        Authority record identifier

        https://viaf.org/viaf/78416100

        Institution identifier

        Rules and/or conventions used

        Status

        Level of detail

        Dates of creation, revision and deletion

        Language(s)

          Script(s)

            Sources

            Maintenance notes