Identity area
Reference code
Title
Date(s)
- 2020 - 2023 (Creation)
Level of description
Extent and medium
17 metal letterpress plates
7 sheets of vintage Strathmore Grandee 100lb cover paper
2cm of textual material
2 chapbook drafts 22x13cm
Context area
Name of creator
Biographical history
Name of creator
Biographical history
Alison More came to St. Mike’s from the Centre for Medieval and Early Modern Studies at the University of Kent where she designed and taught core courses on Latin and palaeography. She studied Latin in Rome with Reginald Foster, and has further developed her skills through teaching and research fellowships at Harvard, the University of Edinburgh, and Radboud Universiteit.
Name of creator
Biographical history
Deborah Barnett (born December 15, 1953) is a Canadian creative director, fine press printer, and graphic designer based in Toronto.
She attended high school at Central Technical School in Toronto and was accepted into the school’s art program, where she took an interest in sculpture and drawing. Shortly after graduating, she became a founding member of Dreadnaught Press, working first as an apprentice, and later as an art director. The fine press printing collective was well-known in the Canadian literary and publishing community, and served as a space for Barnett to hone her print, design, and typography skills.
Beginning in 1981, Barnett lectured at the annual Banff Publishing Workshop in Alberta for nearly a decade, teaching design, art direction, and colour theory. After Dreadnaught Press disbanded in the mid 1980s, she started her own commercial design studio under the name Dreadnaught Design. Clients included Price Waterhouse Cooper, The National Arts Centre, The National Ballet of Canada, the AIDS Committee of Toronto, and Reed Books Canada. In 2001, Dreadnaught Design became Someone.ca. Launched by Barnett and business partner Aaron Benson, Someone.ca specialized in website development, web design, and communications. During this time, Barnett also took on creative director roles for several large investment firms. She returned to more extensive fine press printing in 2010, collaborating on letterpress projects and creating custom materials for clients. In 2015, she launched Someone Editions, a specialty letterpress imprint in the spirit of Dreadnaught Press, alongside editor and poet Beatriz Hausner.
In 2018, Barnett took on the role of Master Printer at Kelly Library at St. Michael’s College, where she taught printing and typesetting workshops, and led production of a series of limited edition chapbooks for the Kelly Library Print Studio. In 2021, she earned a Master of Fine Arts (MFA) in Interdisciplinary Art, Media, and Design (IAMD) from OCAD University.
In 2024, Barnett launched an imprint of Someone Editions called the French Letter Society. For this project, Barnett designs, typesets, and prints broadsides comprised of creative work by various visual artists and poets, reviving the casual "kitchen table print" culture popularized by private presses and literary circles in the first half of the 20th century. In 2025, Barnett began making an active effort to turn her letterpress studio into a community space and salon for poetry readings, gallery openings, artists' alleys, print demonstrations, and workshops. Her book arts practice continues to evolve.
Name of creator
Biographical history
Iris received her PhD from the University of Toronto in Comparative Literature with a dissertation on Paul Ricoeur’s phenomenological hermeneutics.
Archival history
Immediate source of acquisition or transfer
Content and structure area
Scope and content
This subseries contains materials left over from the production of Judith, a chapbook project undertaken at the Kelly Print studio and led by former college printer Deborah Barnett. Its contents include the plates that were used in the letterpress printing process, paper samples, and mock-up chapbooks that were used to experiment with binding. This file offers insight into the creation of the finished product.
Appraisal, destruction and scheduling
Accruals
System of arrangement
Conditions of access and use area
Conditions governing access
Conditions governing reproduction
Language of material
Script of material
Language and script notes
Physical characteristics and technical requirements
Finding aids
Allied materials area
Existence and location of originals
Existence and location of copies
Related units of description
Notes area
Note
Judith is a limited-edition hand-sewn letterpress chapbook containing a reproduction of an except of Judith: An Old English Epic Fragment by Albert S. Cook, 1888, selected and adapted by Dr. Sheril Hook, Dr. Alison More, and Dr. Iris J. Gildea; book design and printing by Deborah Barnett.
This chapbook was designed and printed by Deborah Barnett in letterpress inks and blind impression. The paper is handmade from 100% cotton, produced for this edition by Papeterie Saint-Armand, Quebec. Cover papers are vintage Strathmore Grandee 100lb cover. The text type is Luminari, designed with multi-language character sets needed for Old English rendering by Philip Bouwsma and published by Canada Type in 2008.
Alternative identifier(s)
Access points
Subject access points
Place access points
Name access points
Genre access points
Description identifier
Institution identifier
Rules and/or conventions used
Dates of creation revision deletion
Created by A Mociani 30 April 2025
Revised by A Mociani 16 February 2026
Language(s)
English
Old English
Script(s)
Sources
Publications. John M. Kelly Library. (2023, March 2). https://library.stmikes.utoronto.ca/about/publications/