Identity area
Reference code
OTUFM 62-B-1-29
Title
Musik als Quintessenz des österreichischen Wesens
Date(s)
- 1956 (Creation)
Level of description
Item
Extent and medium
41 pages, typed with both handwritten and typed corrections/annotations
Context area
Name of creator
(1896-1965)
Repository
Archival history
Immediate source of acquisition or transfer
Content and structure area
Scope and content
Complete draft, eventually published as "Das Österreichische in der Musik" in Spectrum Austriae. Handwritten annotations are incoporated into the published version. Contains one unnumbered page of unused material that outlines previous attempts by others to write about Austrian music.
Appraisal, destruction and scheduling
Accruals
System of arrangement
Conditions of access and use area
Conditions governing access
Conditions governing reproduction
Language of material
- German
Script of material
Language and script notes
Physical characteristics and technical requirements
Finding aids
Allied materials area
Existence and location of originals
St. John's, Box 1, Folder 4
Existence and location of copies
Related units of description
Published article:
- Zuckerkandl, Viktor. 1957. “Das Österreichische in der Musik.” In Spectrum Austriae: Österreich in Geschichte und Gegenwart, edited by Otto Schulmeister with Johann Christoph Allmayer-Beck and Adam Wandruszka, 524–63. Vienna: Herder.
Re-published:
- Zuckerkandl, Viktor. 1964. “Das Österreichische in der Musik.” In Vom musikalischen Denken: Begegnung von Ton und Wort, 223–67. Zürich: Rhein-Verlag.
Correspondence:
- See related correspondence with Anton Böhm and Otto Schulmeister [editors of Spectrum Austriae].
“Brader Tantz zu Wien” (in Das deutsche Volkslied) is mentioned in Zuckerkandl's article, “Das Österreichische in der Musik.”