University of Toronto. Opera Division

Identity area

Type of entity

Corporate body

Authorized form of name

University of Toronto. Opera Division

Parallel form(s) of name

    Standardized form(s) of name according to other rules

      Other form(s) of name

        Identifiers for corporate bodies

        Description area

        Dates of existence

        1946-

        History

        In the Fall of 1946, Arnold M. Walter, started the Opera School under the auspices of the Senior School of the Royal Conservatory of Music. The University of Toronto Faculty of Music assumed administrative and budgetary responsibilities for the Opera School in 1968 and it was officially renamed the "Opera Department of the Faculty of Music" in 1969, overseen by Chairman Ezra Schabas (1969-1978). In 1978, it became the "Opera Division" under Dean Gustav Ciamaga.

        In a brief to the Royal Commission on National Development in the Arts, Letters and Sciences in 1949, Walter described his initial aims for the Opera School: "...as a school it undertakes to train young singers and to make them familiar with all phases of operatic production; as an operatic company, it presents those artists so trained in productions which depend exclusively on Canadian talent."

        The School's first full-length production was Smetana's The Bartered Bride (April 1947) at the Eaton Auditorium, following an opera excerpts concert on December 16, 1946 at Hart House Theatre. The School relocated to the Edward Johnson Building when it opened in 1963, and the Opera School performed Albert Herring's Benjamin Britten as part of the opening ceremonies (March 4, 1964) in the MacMillan Theatre, the new home of Opera School productions.

        The new facilities offered further opportunities for training and performance, and in 1964, Wallace A. Russell began a course in theatre technology, offering instruction in technical direction, stage and production management, lighting, scenic and costume design. This program was cut in 1974, with a decision from the Ministry of Colleges and Universities that technical theatre training belonged at Ryerson Polytechnical Institute. In 1969, the university introduced a two-year post-graduate professional diploma in operatic performance, and the University of Toronto Symphony Orchestra started accompanying opera productions.

        The opera program produced two fully-staged operas per year until 1985, when budgetary restrictions forced a reduction to one per year, supplemented by staged operatic excerpts with piano accompaniment. Its productions include a number of premiere performances, including Raymond Pannell's Aria da capo (1963); the English-language premiere of Humphrey Searle's Hamlet (1969); stage premiere of Healey Willan's Deirdre (1965); and Canadian premieres of Paisiello's Il Mondo della Luna (1962), Orff's Die Kluge (1961), Cherubini's The Portuguese Inn (1966), Holst's The Wandering Scholar (1966), Rossini's The Turk in Italy (1968), Robert Ward's The Crucible (1976), Richard Rodney Bennett's The Mines of Sulphur (1976), Janacek's Katya Kabanova (1977), Paisiello's The Barber of Seville (1977), Vaughan Williams' Sir John in Love (1984), and Tchaikovsky's Iolanta (1989).

        The directors, musical directors, and stage directors of the opera program have included: Arnold Walter (director, 1946-1952), Ettore Mazzoleni (director, 1962-1966), Peter Ebert (director, 1967-1968), Anthony Besch (director, 1968-1969), Georg Philipp (director, 1969-1972), Richard Pearlman (director, 1972-1973), Nicholas Goldschmidt (musical director, 1946-1958), Ernesto Barbini (musical director, 1961-1975), James W. Craig (musical director, 1976-1990), Felix Brentano (stage director, 1946-1948), Herman Geiger-Torel (stage director, 1948-1976), Andrew MacMillan (stage director, 1952-1967), Werner Graf (stage director, 1963-1966), Peter Ebert (stage director, 1967-1968), Anthony Besch (stage director, 1968-1969), Leon Major (stage director), Giuseppe Macina (stage director, 1969-1974), Constance Fisher (stage director 1972-1978, coordinator 1978-1983, associate coordinator 1987-), Michael Albano (stage director 1977-1982, coordinator 1983-1987, associate coordinator 1987-), and Sandra Horst (co-director, director).

        Places

        Legal status

        Functions, occupations and activities

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        Internal structures/genealogy

        General context

        Relationships area

        Related entity

        Mazzoleni, Ettore (1905-1968)

        Category of relationship

        temporal

        Dates of relationship

        1952-1966

        Description of relationship

        Director of the Royal Conservatory Opera School (1952-1966).

        Related entity

        Ralls, Stephen (1944-)

        Identifier of related entity

        Category of relationship

        associative

        Dates of relationship

        1999-2007

        Description of relationship

        Opera Coordinator (1999-2007).

        Related entity

        Albano, Michael Patrick ([active 1974-present])

        Identifier of related entity

        Category of relationship

        associative

        Dates of relationship

        1982-1999, 2008-2023

        Description of relationship

        Coordinator of the Opera Division (1982-1999, 2008-2023).

        Related entity

        Fisher, Constance L. (1928-2023)

        Identifier of related entity

        Category of relationship

        associative

        Dates of relationship

        1972-2013

        Description of relationship

        Opera Coordinator (1978-1982, 1986-1989); Opera Director Emerita (1995-2013).

        Related entity

        Barbini, Ernesto (1907-1985)

        Identifier of related entity

        Category of relationship

        associative

        Dates of relationship

        1961-1975

        Description of relationship

        Musical director of the Opera School (1961-1975).

        Access points area

        Subject access points

        Place access points

        Occupations

        Control area

        Authority record identifier

        Local

        Institution identifier

        Rules and/or conventions used

        Status

        Level of detail

        Dates of creation, revision and deletion

        Last revised July 26, 2023.

        Language(s)

          Script(s)

            Sources

            Kenneth W. Peglar, "Opera and the University of Toronto 1946-1971" (OTUFM 84-B-6)
            Minnie Hare, "Opera and the University of Toronto 1972-1996" (OTUFM 84-D)
            Patricia Wardrop, "University of Toronto Opera Division," Canadian Encyclopedia, last edited December 16, 2013.

            Maintenance notes