Photographs and art

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Scope note(s)

  • Used for material that fall into the graphic material GMD. This can include, but is not limited to, photographs (negatives, slides, albums, etc.), posters, artworks (paintings, drawings, sketches, etc.)

Source note(s)

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      Photographs and art

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        Photographs and art

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          Photographs and art

            13510 Archival description results for Photographs and art

            13510 results directly related Exclude narrower terms
            Harley J. Spiller collection
            UTSC 006 · Collection · [1860s], 1893, 1896, 1904, 1910-2014

            The collection is comprised of menus from around the world featuring a variety of cuisines including Afghan, American, Argentinian, Armenian, Asian, Bangladeshi, Brazilian, Burmese, Cambodian, Caribbean, Chinese (Peking, Szechuan, Shanghai, Yunnan, Mandarin, Cantonese, Hunan and Jiangnan), Colombian, Cuban, Dutch, Ecuadorian, Egyptian, European, Filipino, Finnish, French, Hong Kong style, Indian, Indochinese, Indonesian, Islamic, Israeli, Italian, Jamaican, Japanese, Korean, Laotian, Latin American, Lebanese, Malaysian, Mediterranean, Mexican, Middle Eastern, Mongolian, Moroccan, Mughlai, Nepalese, Pakistani, Pan-Asian, Peruvian, Russian, Scandinavian, Singaporean, Southwestern, Spanish, Taiwanese, Thai, Tibetan, Turkish, Venezuelan, Vietnamese, seafood and vegetarian.

            Menus are from restaurants located in Kenya, Morocco, South Africa, China (Beijing, Hangzhou and Shanghai), Egypt, Guam, Hong Kong, India, Indonesia, Israel, Japan, Malaysia, the Philippines, Singapore, South Korea, Taiwan, Thailand, Tibet, Turkey, Vietnam, Austria, Belgium, the Czech Republic, Denmark, England, Finland, France, Germany, Iceland, Ireland, Italy, Malta, the Netherlands, Norway, Poland, Portugal, Russia, Scotland, Slovenia, Spain, Sweden, Switzerland, Wales, Antigua and Barbuda, the Bahamas, Barbados Bermuda, Canada (British Columbia, Manitoba, Newfoundland and Labrador, Northwest Territories, Nova Scotia, Ontario, Quebec, Saskatchewan and Yukon Territory), Costa Rica, Cuba, Curaçao, El Salvador, Greenland, Guatemala, Mexico, Panama, the United States (Alabama, Alaska, Arizona, Arkansas, California, Colorado, Connecticut, Delaware, District of Columbia, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin and Wyoming), Australia, New Caledonia (France) New Zealand, Argentina, Bolivia, Chile, Peru and Venezuela.

            Menus types included placemat menus, single sheet menus, trifold and four fold menus, five fold, seven fold and menus in booklet style. Some menus are laminated while others are in vinyl enclosures. Menus range from take away and delivery, to eat in and include wine lists, menus for cafes, breakfast menus and menus for cafeteria lunches.

            The material is divided into Series 1 Menus. The series is divided into 6 subseries: Africa, Asia, Europe, North America, Oceania and South America.

            Spiller, Harley J.
            Christina McCall fonds
            UTA 1557 · Fonds · 1929 – 2009

            The records in this fonds document the personal, professional, and political life of Christina McCall. The records reflect her work as a journalist, author, and political commentator, with a strong emphasis on her research, writing, and involvement in feminist and political communities in Canada. Series 1 documents McCall’s correspondence and committee work, including extensive personal and professional exchanges, theatre programs, and clippings tied to research and public figures. Series 2 focuses on McCall’s professional writing and committee participation, featuring drafts, speeches, notes, and materials related to grant applications. Series 3 offers insight into her personal life, including diaries, photographs, correspondence, and materials related to pivotal life events such as her marriage and divorce. Series 4 highlights the development of My Life as a Dame, containing research files, annotated clippings, correspondence with Peter C. Newman, and editorial materials related to the book's posthumous publication by her husband Stephen Clarkson. Series 5 details her work on Grits: An Intimate Portrait of the Liberal Party, comprising interviews, drafts, correspondence, and thematic explorations of Canadian political culture. Series 6 contains McCall’s feminist research and involvement with organizations such as Committee ’94, with annotated clippings, speech drafts, and records of her contributions to women’s political advocacy. Series 7 features a collection of personal and professional photographs, including family portraits, public figures, and images by renowned photographer Yousuf Karsh.

            McCall, Christina
            Costume and set designs
            OTUFM 84-C-1 · Subseries · 1948-2017
            Part of University of Toronto Opera Division fonds

            Subseries consists of sketches and photographs of set and costume designs for productions by the Opera School, including:

            • Figaro's wedding costume from Mozart's Le Nozze di Figaro : costume design for Andrew MacMillan, designed by Stewart Bagnani (1948 and 1951)
            • Ballet, act III from Mozart's Le Nozze di Figaro : costume design by Stewart Bagnani (1948 and 1951)
            • Susanna's wedding dress from Le Nozze di Figaro : costume design for Marguerite Gignac, designed by Stewart Bagnani (1948 and 1951)
            • Sparafucile from Verdi's Rigoletto : costume design for Jan Rubes, designed by Stewart Bagnani (1950)
            • Don Giovanni from Mozart's Don Giovanni : costume design for Edmund Hockridge, designed by Stewart Bagnani (1950)
            • Donna Elvira's travelling costume from Mozart's Don Giovanni : costume design for Elizabeth Benson Guy, designed by Stewart Bagnani (1950)
            • Rossini's Il Turco in Italia : [photograph of set design] (November 1968)
            • Verdi's Rigoletto : costume designs for Rigoletto by Suzanne Mess (1973)
            • Mozart's Don Giovanni : [photographs of set design] (March 1978)
            • Britten's Rape of Lucretia : [slides for projection] (December 1978)
            • Offenbach's Orpheus in the Underworld : costume sketch for Pluto, designed by Elsie Sawchuk [photograph] (March 1979)
            • Britten's Sir John in Love : [set designs] (March 1984)
            • Mozart's Don Giovanni : costume designs for Donna Anna, performed by Alyssa Durnie and Leannie Kaufman [2017]
            • Mozart's Marriage of Figaro : production sketches (n.d.).
            Correspondence
            OTUFM 20-A · Series · 1941-1979
            Part of University of Toronto Music Library collection

            Series consists of correspondence between the Music Library and students, staff, faculty, librarians, and researchers. Topics range from reference inquiries to score and part rentals, library facilities, conferences, meetings, and more. Jean Lavender's file includes a photograph of Lavender, taken by Walter A. Curtin, as well as a description of "Reference Library Work."

            Toronto music education
            OTUFM 03-F · Series · 1895-1969
            Part of Toronto music life collection

            Series consists of materials relating to music education in Toronto, including at the Toronto Conservatory of Music and the Toronto College of Music.