Item is a photograph of Derek Healey and Jeffrey Reynolds at a rehearsal for Healey's One Midsummer Morning, op. 82 by the University of Toronto Wind Ensemble at the University of Toronto.

Item is a photograph of Jeffrey Reynolds with the University of Toronto Wind Ensemble rehearsing One Midsummer Morning, op. 82.

Fonds consists of diaries, 1900–1912, family correspondence, 1875–1931, notes, clippings, publications, biographical material, 1941, scrapbook, a portrait, monogrammed handkerchief, and broach.

Item is a photograph of the University of Toronto Wind Symphony, conducted by Jeffrey Reynolds, rehearsing One Midsummer Morning, op. 82.

Item is a photograph of Jeffrey Reynolds addressing the University of Toronto Wind Symphony during a rehearsal of One Midsummer Morning, op. 82.

Item is a photograph of the University of Toronto Wind Symphony, conducted by Jeffrey Reynolds, with a solo baritone saxophone player rehearsing the third movement of One Midsummer Morning, op. 82, "High Germany."

File includes negatives from Frosh Weeks (September 1997), University of Toronto Day Discovery Tour (October 4, 1997), various lobby concerts (November-December 1997), opera producton of Die Fledermaus, Peter Oundjian masterclass (December 3, 1997), Allan Monk masterclass, University of Toronto Symphony Orchestra concert, conducted by Peter Oundjian, gamelan ensemble, and a percussion ensemble dress rehearsal.

Series consists primarily of photographs, audio interviews and video recordings of play performances, interviews, and poetry readings. Records include both analogue and digital audio and video recordings, and well as digital photographs.

Fonds consists of material documenting the career of Prof. Guido Pugliese as Associate Professor in the Department of Language Studies at the University of Toronto Mississauga (UTM), and to a limited extent, his involvement in the local Italian Canadian community. Records include textual records such as CVs, correspondence, course material, play scripts and programs, as well as photographs and video recordings mostly related to Italian plays at UTM.

Item consists of a photograph of the Concert Choir for the 1990-1991 season, conducted by Doreen Rao. Barbara Hannigan in back row, third from right.

Item is a photograph taken following a concert by the MacMillan Singers, conducted by Doreen Rao with special guests Elmer Iseler, Derek Holman, and James Maben.

Item is a photograph of the University of Toronto Women's Chorus with Ann Cooper Gay, conductor.

Item is a photograph of the choir standing outside the Edward Johnson Building.

Subseries consists of photographs and contact sheets of most major Opera School productions between 1946 and 2016; headshots of performers and administrators (Kathryn Knapp, John Beckwith, Ettore Mazzoleni, Tyrsa Gawrachynsky, Jacqui Lynn Fidlar, Tania Perrish, Eve-Rachel McLeod, Herman Geiger-Torel, Virginia Lippert, Marion Parsons, Ernesto Barbini, Ermanno Mauro, Alpar the fencing master); and photographs from various Opera School events, including the Opera Department's 25th anniversary, the commemoration of the Herman Geiger-Torel room, and Lofti Mansouri's visit. Subseries also includes photographs of MacMillan Theatre, Walter Hall, the construction of the Edward Johnson Building, opera student scholarship winners, and Helen May's lesson with Dr. Ernesto Vinci, with Emelie Rubleu at the piano (June 25, 1952).

Subseries includes photographs from the following productions:

• Opera excerpts (December 1946)
• The Bartered Bride by Bedřich Smetana (April 1947)
• Orfeo and Eurydice by Christoph Willibald Gluck (February 1948)
• Rosalinda by Johann Strauss (May 1948)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (December 1948)
• Gianni Schicci by Giacomo Puccini (March 1949)
• La Bohème by Giacomo Puccini (May 1949)
• Hansel and Gretel by Engelbert Humperdinck (November 1950)
• Rigoletto by Giuseppe Verdi (February 1950)
• Opera School film by the National Film Board (1951)
• The Old Maid and the Thief by Gian Carlo Menotti (April 1952)
• Madame Butterfly by Giacomo Puccini (February 1953)
• Cosi fan tutte by Wolfgang Amadeus Mozart (February 1953)
• Angelique by Jacques Ibert (May 1953)
• The Telephone by Gian Carlo Menotti (April 1955)
• Amelia Goes to the Ball by Gian Carlo Menotti (April 1959)
• The Marriage contract by Gioachino Rossini (April 1960)
• Die Kluge by Carl Orff (April 1961)
• The Mother by Alois Hába (April 1961)
• Maria Egiziaca by Ottorino Respighi (April 1961)
• A Dinner Engagement by Lennox Berkeley (April 1962)
• Cosi fan tutte by Wolfgang Amadeus Mozart (1963)
• Amahl and the Night Visitors by Gian Carlo Menotti (December 1964)
• Albert Herring by Benjamin Britten (March 1964) [opening of MacMillan Theatre]
• Angélique by Jacques Ibert and Le Pauvre Matelot by Darius Milhaud (April 1964)
• The Secret Marriage by Domenico Cimarosa (February 1965)
• Deirdre by Healey Willan (April 1965)
• The Love for Three Oranges by Sergei Prokofiev (December 1965)
• L'Oca del Cairo by Wolfgang Amadeus Mozart (January 1966)
• Die Kluge by Carl Orff (February 1966)
• The Portuguese Inn by Luigi Cherubini and The Wandering Scholar by Gustav Holst (March 1966)
• Deirdre by Healey Willan (September 1966)
• Hansel and Gretel by Engelbert Humperdinck (December 1966)
• The Impressario by Wolfgang Amadeus Mozart and Le Portrait de Manon by Jules Massenet (January 1967)
• The Rape of Lucretia by Benjamin Britten (February 1967)
• Dialogues des Carmelites by Francis Poulenc (April 1967)
• Oedipus Rex by Igor Stravinsky (November 1967)
• Le Portrait de Manon by Jules Massenet and There and Back by Paul Hindemith (December 1967)
• The Magic Flute by Wolfgang Amadeus Mozart (December 1967)
• The Unwilling Physician by Salvatore Allegra and Il Combattimento di Tancredi by Claudio Monteverdi (January 1968)
• Pelléas et Mélisande by Claude Debussy (March 1968)
• The Turk in Italy by Gioachino Rossini (November 1968)
• Amahl and the Night Visitors by Gian Carlo Menotti (December 1968)
• Hamlet by Humphrey Searle (February 1969)
• Ariadne on Naxos by Richard Strauss (March 1969)
• "A School for Opera" by Wolfgang Amadeus Mozart, Gioachino Rossini, Giuseppe Verdi, and GIacomo Puccini (March 1970)
• Iphigenie en Tauride by Christoph Willibald Gluck (November 1970)
• The Little Sweep by Benjamin Britten (December 1970)
• "The Magic of Opera" by Carl Maria von Weber, Giuseppe Verdi, and Jacques Offenbach (March 1971)
• The Rake's Progress by Igor Stravinsky (December 1971)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (March 1972)
• Falstaff by Giuseppe Verdi (January 1973)
• L'Ormindo by Francesco Cavalli (April 1973)
• The Prisoner's Play by John Rea (May 1973)
• Don Giovanni by Wolfgang Amadeus Mozart (January 1974)
• Cosi fan tutte by Wolfgang Amadeus Mozart (1974)
• Dido and Aeneas by Henry Purcell and Gianni Schicci by Giacomo Puccini (April 1974)
• The Elixir of Love by Gaetano Donizetti (January 1975)
• Cosi fan tutte by Wolfgang Amadeus Mozart (April 1975)
• The Crucible by Robert Ward (January-February 1976)
• The Mines of Sulphur by Richard Rodney Bennett (April 1976)
• The Four Ruffians by Ermanno Wolf-Ferrari (January 1977)
• Katya Kabanova by Leoš Janáček (March 1977)
• Albert Herring by Benjamin Britten (December 1977)
• Orpheus in the Underworld by Jacques Offenbach (December 1977)
• Don Giovanni by Ralph Vaughan Williams (March 1978)
• Rape of Lucretia by Benjamin Britten (November 1978)
• Orpheus in the Underworld by Jacques Offenbach (March 1979)
• L'Enfant Prodigue by Claude Debussy and Gianni Schicci by Giacomo Puccini (November 1979)
• Dialogues of the Carmelites by Francis Poulenc (March 1980)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (November 1980)
• Patience by Arthur Sullivan (March 1981)
• La Perichole by Jacques Offenbach (November 1981)
• Amelia Goes to the Ball by Gian Carlo Menotti and Riders to the Sea by Ralph Vaughan Williams (March 1982)
• Don Giovanni by Wolfgang Amadeus Mozart (November 1982)
• Dido and Aeneas by Henry Purcell and L'Heure Espagnole by Maurice Ravel (March 1983)
• Riders to the Sea by Ralph Vaughan Williams (March 1983)
• Opera excerpts (1983)
• Maria Egiziaca by Ottorino Respighi and Prima Donna by Arthur Benjamin (November-December 1983)
• Sir John in Love by Ralph Vaughan Williams (March 1984)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (March 1985)
• Mamelles de Tiresias by Francis Poulenc (March 1986)
• The Goose of Cairo by Wolfgang Amadeus Mozart (March 1987)
• Angelique by Jacques Ibert (March 1987)
• Riders to the Sea by Ralph Vaughan Williams (March 1988)
• The Marriage Contract by Gioachino Rossini (March 1988)
• La Caterina by Joseph Haydn (March 1989)
• Iolanta by Arthur Sullivan (March 1989)
• Patience by Arthur Sullivan (March 1990)
• "French Trilogy": L'Enfant Prodigue by Claude Debussy, Le portrait de Manon by Jules Massenet, and M. Choufleuri by Jacques Offenbach (February 1991)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (March 1992)
• Dido and Aeneas by Henry Purcell (March 1993)
• Gianni Schicci by Giacomo Puccini (March 1993)
• The Goose of Cairo by Wolfgang Amadeus Mozart and The Breasts of Tiresias by Francis Poulenc (March 1994)
• Iolanthe by Arthur Sullivan (March 1995)
• L'étoile by Emmanuel Chabrier [March 1997]
• La finta giardiniera by Wolfgang Amadeus Mozart (November 1997)
• Paul Bunyan, op. 17 by Benjamin Britten (March 1998)
• Threepenny opera by Bertolt Brecht (November 1998)
• Dialogues des Carmelites by Francis Poulenc (March 1999)
• A Midsummer Night's Dream, op. 64 by Benjamin Britten (November 1999)
• La Rondine by Giacomo Puccini (February 2000)
• Die Fledermaus by Richard Strauss (November 2006)
• L'Heure Espagnole by Maurice Ravel [March 2009]
• The Secret marriage by Domenico Cimarosa (2010)
• Don Giovanni by Wolfgang Amadeus Mozart (March 2011)
• Don Pasquale by Gaetano Donizetti (November 2013)
• The Machine Stops by Patrick McGraw, Robert Taylor and Stephen Webb, libretto by Michael Albano, based on the short story by E.M. Forster (January 2016)
• Ariadne auf Naxos by Richard Strauss (n.d.)
• The Four ruffians by Ermanno Wolf-Ferrari (n.d.)
• Barber of Seville by Gioachino Rossini (n.d.)
• Orpheus (n.d.)
• Dialogues des Carmelites by Francis Poulenc (n.d.)
• Riders to the sea by Ralph Vaughan Williams (n.d.)
• Rape of Lucretia by Benjamin Britten (n.d.)
• L'Enfant Prodigue by Claude Debussy (n.d.)
• Iolanta by Arthur Sullivan (n.d.)
• M. Choufleri by Jacques Offenbach (n.d.)
• Manon by Jules Massenet (n.d.)
• Patience by Arthur Sullivan (n.d.)
• Elixir of Love by Gaetano Donizetti (n.d.)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (n.d.)
• Cosi fan tutte by Wolfgang Amadeus Mozart (n.d.)

Fonds consists of the records of the University of Toronto Opera Division, including promotional materials, production files, costume designs, and photographs.

File consists of a collection of signed portraits, mainly dated 1909-1920: Wilhelm Bachaus, Clara Butt, Teresa Carreño, Mischa Elman, Carl Flesch, Arthur Friedheim, Josef Hofmann, Louise Homer, Percy B. Kahn, Martin Krause, Fritz Kreisler, Luigi von Kunits, Mischa Levitzki, Kathleen Parlow, Bernice de Pasquali, Maud Powell, Sergei Rachmaninoff, Walter Henry Rothwell, R. Kennerley Rumford, Leo Slezak, Helen Stanley, Frederick A. Stock, Yvonne de Tréville, August Wilhelmj, Eugène Ysaÿe.

File consists of a photograph of Luigi von Kunits by the Van Eeden Studio (Toronto) and a photograph of the Toronto Symphony Orchestra with von Kunits conducting (ca. 1923-1931). The file also contains the following score:

• Souvenir de Moscou : op. 6 : for violin and piano by Henri Wieniawski (Braunschweig: Henry Litolff's Verlag, [191-?]), with annotations and autograph by Kunits
• Kunits' cadenza to Brahms' Violin Concerto, op. 77 (handwritten, "property of [Eugene] Kash")
• Popular Songs : transcription by Kunits (containing "Scenes that are brightest"from Maritana by W.V. Wallace, transcribed for [solo violin?] and piano).

Fonds consists of scrapbooks and signed photographs, predominantly relating to concerts by the Toronto Conservatory Symphony Orchestra (which became the Toronto Symphony Orchestra in 1908).

File consists of photographs of the University of Toronto Symphony Orchestra.

Fonds consists of manuscripts, notes, outlines, bibliographies, research material and other records for Emmanuel College course regarding missions, 1932-1941 (Box 1); and manuscript of "The expansion of Christianity: a history of missions," [193-?] (Box 2).

Series consists of correspondence, meeting minutes, photographs, speeches, booklets, ephemera, and clippings related to the planning and hosting of anniversary celebrations of the Society, primarily the 50th (1968), 75th (1993), 90th (2008), and 100th (2018).

Fonds consists of the governance, administrative, and personnel records for the community of the Scarboro Foreign Mission Society.

This includes: reports, financial records, meeting minutes, policies and handbooks, General Chapter records, Society Constitutions, correspondence, publications by and about the Society, photographs, audiovisual materials, and personal records of Society members.

In addition to general administrative records of the Society's domestic and international operations, the fonds also contains reference materials and publications from other Catholic missionary societies, collected materials on the Our Lady of Fatima Pilgrimmage tour led by SFM priests, Msgr. William C. McGrath and Rev. Patrick Moore, sub-collections on SFM founder Msgr. John Mary Fraser, and member, Bishop Kenneth Turner, and a collection of ephemera gathered by SFM members over the years documenting their Society.

The Fonds is divided into the following series:

1. General Chapters
2. General Council
3. Governance & Administration
4. Civil Corporation
5. Society Departments
6. Seminary and Novitiate
7. Missions
8. Personnel
9. Society Institutes
10. Property and Houses
11. Graphic Collection
12. Audiovisual Collection
13. Our Lady of Fatima Collection
14. SFM History Collection
15. Msgr. John Mary Fraser Collection
16. Bishop Kenneth Turner Collection

This series consists of records created by or pertaining to the governance and administration of the Society which fall outside the responsibilities of the General Council (Series 2) and individual departments of the Society (Series 5).

The series is divided into the following subseries:

1. Constitutions
2. Office of the Secretary
3. Office of the Treasurer General
4. Cabinet
5. Committees and Commissions
6. Society Meetings
7. Anniversary Celebrations
8. Auxiliary Organizations

File contains notes and some photos accumulated during the evaluation of Chiapas, Mexico as a new mission location.

Fonds consists of the governance, administrative, and personnel records for the community of the Sisters of Service. This includes reports, financial records, meeting minutes, policies, General Chapter records, operational correspondence, publications by and about the SOS, photographic materials, audiovisual materials, personal records of Sisters, and a collection of artifacts and memorabilia related to the SOS.

In addition to records of the SOS members and co-foundress, Sister Catherine Donnelly, the fond also contains records of its priestly co-founders, Archbishop Neil McNeil, Rev. Arthur Coughlan, CSsR, and Rev. George Daly, CSsR.

The Fonds is divided into the following series:

1. Founding
2. Governance and Administration
3. General Chapters
4. Motherhouse
5. Novitiate, Formation, Vocations
6. Missions
7. Personnel
8. Writings
9. Catechetics and Religious Education
10. Photograph and Slide Collection
11. Audio Visual Collection
12. Artifacts and Memorabilia

Accession consists of records collected and created by Growth Facilities including select building, facilities, and equipment management files; records of programs including the Department of Botany International Seed Exchange; departmental histories, publications and subject reference materials; associated academic course content and research files; photographs, and early blueprints for the Greenhouse [196-] and extension [1979].

See accession level description(s) for details.

This series consists of records documenting the work of the General Council of the Scarboro Foreign Mission Society. It is divided into the following subseries:

1. Minutes
2. Reports and Briefs
3. Circular Letters
4. Newsletters
5. Intra-Council Correspondence
6. Correspondence with Society Departments
7. Correspondence with Missions and Society Houses
8. Correspondence with Holy See
9. Correspondence with Mission Ordinaries
10. Correspondence with Ordinaries
11. Correspondence: Subject
12. Correspondence: General
13. New Mission Searches
14. Diaries
15. Surverys
16. Financial Grants

Fonds contains documents relating to Leslie R. Bell's career as a composer, arranger, choral conductor, educator, and music columnist. Materials include manuscript music (both of arrangements and original compositions); radio scripts and notes relating to his work in broadcasting as a radio commentator for CBC and CFRB, Toronto; publicity documents relating to performances by Leslie Bell and the Leslie Bell Singers; correspondence; documents relating to his work as the co-founder and first executive director of the Canadian Music Educators' Association (CMEA); and, newspaper articles, including those written by Bell and about him). The fonds also contains postmortem documents, including condolence correspondence to his wife, Leona Bell, and documents relating to the Leslie Bell Singers reunions and the Leslie Bell Scholarship.

Includes views of the David Dunlap Observatory Staff (the earliest dates 1939); group photos and informal images documenting meetings and events of astronomical associations such as the Canadian contingent to the IAU meeting in Dublin in 1955, a reception of the RASC in 1958, the IAU 1961 meeting at Berkley, the IAU National Committee for Canada meeting in Toronto, 1964, Sir Charles Wright RCI lecture at the University of Alberta, 1965, meeting of the AAVSO in 1983 and several others; photos used in the RASC journal and other images of observatories and/or astronomical observations which were sent to her as a result of her popularity among the general public; some historical photographs including images of Harlow Shapley at work, portraits of J.S. Plaskett early director of the Dominion Astrophysical Observatory, and his successor Joseph Pearce and, of some significance, three group photos of meetings of Canadian and American astronomers ca. 1908-191-.

Images of Dr. Hogg receiving Honorary degrees from Mt Holyoke College and University of Lethbridge as well as being invested into the Order of Canada in 1969. Also includes receipt of other awards and honours including the dedication of the Helen Sawyer Hogg Observatory in Ottawa, 1989.

Includes portraits of Dr. Hogg taken at various stages of her life. Many of the publicity photos taken for publications feature Dr. Hogg at work at the Observatory the earliest being 1938 and the latest taken in 1991. There are also a few images documenting her time as a director of Bell Canada and her activities relating to the Noranda Lectures for EXPO.

Images of Helen as a baby and child growing up in Dunstable; snapshots of her and Frank in the 1930s and 1940s including images with their children in Richmond Hill; photos of her parents and Auntie Lenora with whom she grew up. Views of her grand children and great-grandchildren. Wedding portrait of Frank and Helen Hogg as well as more informal photograph of her and Dr. Priestly when they were married in 1985.

Series consists of correspondence, minutes, agendas, invitations, attendance lists, and notes related to meetings organized by the Society, primarily the annual meetings of members living in Canada and the annual retreats of Society members.

Collection of incidental silent film music, including thematic cue sheets and photoplay albums for performance by a theatre orchestra or solo keyboard player (piano or organ). Ownership stamps are indicative of use at a variety of theatres in Ontario, including in London, Brantford, and Sarnia.

Series consists of silent film music, mostly stamped with one or both of the names "RALPH T. HARRISON" and "DOUGLAS E. FETHERSTON." Other ownership stamps and autographs include that of "J. W. [John William] Fetherston" (father of Douglas); "E. S. [Elmer Stuart?] Fetherston" (brother of Douglas); the "Jack Cortese Orchestra," a 7-piece orchestra active in London, Ontario, ca. 1919-1922; "W. J. Brown"; "C. A. Duncan"; "W. L. Gowie, Sarnia"; and the "PRINCESS THEATRE" in London, Ontario. The music was likely used at a number of theatre venues in London and Sarnia, Ontario, including the Patricia and Loew's Theatres, where Douglas Fetherston was the orchestra director.

File consists of various memorabilia from the Harrison family that was interfiled with the silent film music in this series. Materials include programs from performances by John R. Harrison, oboe (son of Ralph T. Harrison); letterhead of A. H. Goddard, bricklayer and mason contractor in St. Thomas, Ont.; and a photograph of John R. Harrison's class at the Givins Senior Public School in Toronto.

Fonds consists of sketches, drafts, and texts for Udo Kasemets’s compositions, including scores prior to 1960 that use conventional media, and those after 1960, which consists of multi-purpose scores, combination scores, and theatre pieces. The fonds also contains programs and press notices for performances by Udo Kasemets and of his works; correspondence with many American avant-garde musicians; and Kasemets’s projects and notes from his time teaching at the Ontario College of Art.

File contains biographical data; list of compositions and performances to 1967; chronology of avant-garde activities; classified index of compositions; printed BMI catalogue page with additions; notes for the catalogue about works to be issued; 1 score sampler; printed flyer with; personal photographs; and, an index of columns in the Toronto Star, 1959-1963, prepared by Jeremy Strachan.

File includes well wishes from friends and community members on the occasion of the Society's 90th anniversary.

Consists of the graphic materials used in the production of "A Shared Dream," the audio-visual production created in celebration of the Society's 75th Anniversary. Includes photographs of early ordinations, the first departures for China, seminarians, the China mission, St. Francis Xavier Seminary, and others.

The photos range from John Mary Fraser in Taichowfu in 1913 to contemporary images of the Society.

File includes correspondence, newsclippings, and photographs of the event.

Fonds consists of the administrative records of Esprit Orchestra, from its foundation in 1983 as Esprit Contemporain, to 2021.

Records include meeting minutes and correspondence from the board of directors and associated committees; financial records, including budgets, year-end financial statements, and reports to granting agencies; performance records, including planning files from subscription and non-subscription concerts, national and international tours, and composer commissions; materials relating to the orchestra's education and outreach activities; promotional materials, including posters, photographs, programs, and reviews; records relating to recording projects, including CDs, music for films, and radio broadcasts; awards received by the orchestra and its musical director Alex Pauk; and correspondence with musicians, composers, and other associations.

Subseries consists of select posters for concerts by the Esprit Orchestra:

• World Music Days (September 23, 1984 - October 3, 1984)
• Les Evénements du Neuf (November 9, 1985 - April 11, 1986)
• The Esprit Orchestra presents Steve Reich (February 1, [1987])
• [Esprit Orchestra concert with world premiere of Ecstasy by Ka Nin Chan] (March 8, [1987])
• 100% Brand New (January 30, 1994) (autographed by composers) (2 copies)
• The Princess of the Stars (September 12-14, 1997)
• La ciel et la terre : musique canadienne sacrée [part of International Gaudeamus Music Week, Amsterdam] (September 9, 1999)
• Ravel's brain [April 4, 2001]
• Hogtown goes Motown : a fundraiser for Esprit Orchestra (April 28, [2004])
• Benefit screening and part for the launch of Burnt Toast (February 6, [2006])
• Brand New and Pre-Loved (March 26, [2009])
• Take the Dog Sled (November 15, 2009)
• Penderecki plus! (January 29, 2010)
• À l'aventure! (March 31, 2010)
• Esprit Orchestra : bene fête three (May 14, 2012).