Fonds consists of the personal records of Alan Rodney Bobiwash, documenting his career as a university instructor, Indigenous and anti-racist activist, consultant, and representative for global Indigenous rights. Series 1, the most extensive series, consists of an A-Z subject files that document Bobiwash’s anti-racist activism, providing the most comprehensive overview of professional activities during the 1980s and 1990s. Series 5 is a chronological collection of records related to the conferences and seminars Bobiwash attended in various professional capacities from the late 1980s to the early 2000s. The fonds also contains personal correspondence and records that document Bobiwash’s education, personal relationships, and activities, as well as curriculum vitae and obituaries. Included in the personal records are notebooks, journals, and prayer books, which document Bobiwash’s day-to-day activities, his travels, spirituality, and the progression of his professional career from a private point of view. Other series document Bobiwash’s personal and professional writing, and the Metis bibliography he created. Finally, Series 10 contains both personal and professional photographs, the majority of which are related to Bobiwash’s professional activities in the 1990s and early 2000s.

This series consists of photographs related to Rodney Bobiwash's professional and personal activities. The majority of the photographs are professional in nature and document Bobiwash's participation in conferences and seminars around the world. Many of the photographs are from the late 1990s and early 2000s when Bobiwash was working for the Center for World Indigenous Studies. Many photographs in Series 10 are related to other series in the accession; see the notes section in Series 1-9 for related photographs. The photographs are arranged in alphabetical order, except for B2012-006/004P, which is arranged chronologically.

Series consists of textual material, artworks and audio-visual recordings that document artistic projects that Dr. Mojab has been involved in, including dance productions, exhibitions, and documentaries. Material documents her work with Shahrzad Arshadi, Bethany J, Osborne, and others.

Material primarily comprises mixed media and audio-visual content related to Dr. Mojab’s Toronto Arts Council and Ontario Arts Council funded project, Words, Movement and Colour: Remembering and Learning Through Narrative and Visual Art.
The material includes plasticine artworks and paintings created by anonymous participants who were former political prisoners or were affected by violence in the Islamic Republic of Iran and other oppressive states through the Words, Colour, Movement workshops.

This series also includes items B2024-0029/001P– 011P, /042 – /047, original paintings independently created by an anonymous Iranian women and former political prisoners and gifted to Dr. Mojab.

Fonds consists of material documenting the professional, academic, and artistic activities of Dr. Shahrzad Mojab. Records cover multiple aspects and outputs of Dr. Mojab’s research and collaborations, including presentations, articles, monographs, and artistic productions. Fonds also includes collected research material retained given their political sensitivity and unavailability of additional copies in Canada or Iran. Please see series descriptions for additional details.

Fonds consists of material documenting the professional, academic, and artistic activities of Dr. Shahrzad Mojab and a sous-fonds documenting the work of Dr. Mojab’s close friend and late feminist leftist scholar, Hammed Shahidian (refer to the sous-fonds description for more information). Records cover multiple aspects and outputs of Dr. Mojab’s research and collaborations, including presentations, articles, monographs, and artistic productions. Fonds also includes collected research material retained given their political sensitivity and unavailability of additional copies in Canada or Iran. Please see series descriptions for additional details.

This fonds contains 76 accessions and 3 archived websites. See accession-level descriptions for more details.

File consists of photographs (including negatives and slides), and images (such as cards, postcards and pamphlets), accumulated by Nouwen during his travels and used in preparation for "The Road to Daybreak". Also included are envelopes annotated with explanations of the photographs and other images.

First accession contains correspondence, drafts of speeches and writings, journals, scrapbooks, photographs, clippings and family papers.

Second accession contains 56 boxes and items. The documents consist of personal and business correspondence, articles and addresses, banking and legal documents, estate information, biography information, and other items. The correspondence relates to art and the National Gallery, De Grassi Point, geology, Japanese consul, The Champlain Society, the National Battlefields Commission, the Royal Colonial Institute, the Round Table, University College Alumnae Association Building Committee. There is a significant amount of correspondence from the Canadian Bank of Commerce, the University of Toronto, and the Royal Ontario Museum, and with many prominent individuals in Canada and worldwide as well as letters to Mary before and after they married and messages of condolence received by the family after the death of Sir Edmund Walker. Other documents in the collection relate to the Alexander, Buchan, and Morrow families; the Coronation of King George V and other special events; the Duke of Sutherland's Scheme (Imperial Colonization Corporation of Canada); the West Virginia Debt Settlement; and C. White Mortimer. The items are books, a lace handkerchief, a wooden drawer containing numerous calling cards, card index of pictures and art objects, a framed drawing of the coat of arms, Sir Edmund Walker's certificates and medal upon being admitted as a Knight of the Order of the Hospital of St. John of Jerusalem, pieces of the fireplace from Long Garth, a silver vase, a silver bowl, a china plate with Walker crest and logo, and a fishing rod and net.

This fonds consists of manuscripts, email correspondence, and promotional material generated from Hausner’s work as a poet, including feedback and promotional material related to Enter the Racoon (2012) and Beloved Revolutionary Sweetheart (2020), manuscripts of She Who Lies Above (2023) spanning from its early conception to its publication; correspondence and manuscripts from Hausner’s parents, Susana Wald and Ludwig Zeller; extensive email correspondence from artists and surrealists, records related to literary activities and events such as readings, festivals, and conferences; email correspondence and manuscripts from Hausner’s editorial work at various publications and publishers; records related to Hausner’s employment at the Toronto Reference Library; juvenilia, early academic papers, personal correspondence, and other personal records; and notebooks and agendas.

Contains series:

1. Manuscripts and related records
2. Susana Wald and Ludwig Zeller records
3. Correspondence
4. Professional records
5. Personal and academic records
6. Notebooks and agendas
7. Restricted material
8. Periodicals and books

The bulk of the materials related to Daisy Dotsch’s professional life: the running of Vaughan Cooperative Nursery School (particularly after it moved to Vaughan Road in 1950 through Dotsch’s retirement in 1972.), materials related to Dotsch’s teaching and professional development, and materials related to the nursery school organizations she belonged to. This include correspondence, notes, Vaughan School schedules, calendars, fundraising materials, curriculum materials, published materials, photographs, ephemera, and one phonographic audiorecording disc. It also includes a substantial amount of published resources on early childhood education and running nursery schools.

Contains series:

1. Correspondence, notes, and calendars.
2. Professional development materials, materials for lectures and courses.
3. Nursery school organizations.
4. Periodicals.
5. Vaughan Cooperative Nursery School (Includes York Township Nursery Schools
   Association).
6. Vaughan Cooperative Nursery School child observations and reports.
   RESTRICTED
7. Parent/teacher resources.

This fonds includes manuscript drafts of Quarrington’s published novels Home Game (1983), The Life of Hope (1985), King Leary (1987), Whale Music (1989), Logan in Overtime (1990), Civilization (1994), The Spirit Cabinet (1999), Galveston (2004), and The Ravine (2008); drafts of his non-fiction books Hometown Heroes (1988), Fishing with My Old Guy (1995), The Boy on the Back on the Turtle (1997), From the Far Side of the River (2003), and Cigar Box Banjo: Notes on Music and Life (2010); manuscripts for stage plays; screenplays for feature films Perfectly Normal (1990), Giant Steps (1992), Camila (1994), and Whale Music (1994); as well as screenplays for short films, television episodes, and scripts and treatments for various unproduced projects.

The fonds also contains drafts of short stories and other writing projects; notes and research materials; records related to professional awards and honours; newspaper and magazine clippings related to Quarrington and other promotional material including posters and catalogues; contracts and financial records; sheet music, lyrics, song books and other records related to Quarrington’s activities as a musician; correspondence; as well as various personal records and juvenilia. The fonds also contains a significant amount of audiovisual and digital material, including MiniDVs and a hard drive related to the production of the documentary Paul Quarrington: Life in Music; as well as cassette tapes, DVDs, film reels, and VHS tapes. The fonds also includes notebooks with partial drafts of and notes relating to Quarrington’s written work.

Contains series:

1. Manuscripts
2. Screenplays, treatments, and outlines
3. Other writing
4. Professional records
5. Correspondence and personal records
6. Audiovisual and digital records
7. Notebooks

Item is a clipping that includes a photograph with the caption: Choir of the B.M.E. (British Methodist Episcopal) Church, Chestnut-Street.

Content warning: Inscription on this item contains a racist slur.

Back of photograph printed with "Copies may be obtained at the Alexandra Studio. 338 Queen Street West, Toronto."

Inscription reads "Compliments of Mr. + Mrs. J. T. Dawson"

Back of photograph printed with "Copies may be obtained at the Alexandra Studio. 338 Queen Street West, Toronto."

This fonds contains 11 accession of records. See accession-level descriptions for more details.

Fonds consists of the records of the Registrar and Associate Registrar, primarily relating to Victoria College students and student records as well as awards, prizes and scholarships, convocations, registration procedures, baccalaureate services, receptions, counselling, etc. Fonds also consists of material related to the Registrar's work with the Senate. Records include correspondence, annual reports, as well as ephemera and photographs.

Fonds consists of three series: Correspondence/subject files, 1893-2013; Student records, 1837-2008; Photographs.

File contains research notes, correspondence, re-writes, editorial comments, press releases, and reviews for John Beckwith’s memoirs Unheard Of: Memoirs of a Canadian Composer (Wilfrid Laurier University Press, 2012). Beckwith’s research notes include a list of important personal and professional events from 1937 to 1990, various copied correspondence, and some original correspondence from Nadia Boulanger and Beckwith’s father. File also includes correspondence from Ben Conway and William Toye and Beckwith's contract with Wilfrid Laurier University Press for the publication of the book.

A portion of Beckwith's source materials and research notes were originally stored in a vertical file folder, arranged alphabetically by subject matter. This arrangement is replicated in the folder storage of these records. Beckwith's source material included the following divisions and contents:

1. Beckwith [family] : a copy of Beckwith Notes: Number Six (Albert C. and Edward S. Beckwith, 1907) and other genealogical records and notes on the Beckwith family, including family photographs, correspondence, newspapers clippings, marriage certificate for John L. Beckwith and Agnes F. McLeod.
2. Children : photographs, newspaper clippings, correspondence, and graduation programs relating to John Beckwith and Pamela Terry's children Jonathan, Robin Jane, Symon, and Lawrence.
3. Dunn : photographs, correspondence, and research notes pertaining to Mary and George Dunn.
4. Education : photographs, programs, and correspondence pertaining to John Beckwith's education prior to attending the University of Toronto, including programs from recitals of Gwendoline Harper's students.
5. Photograph of Marian Scott, Helmut Kallmann, and John Beckwith at the National Library of Canada (1997).
6. Grace [Dean McLeod White] : correspondence and notes pertaining to John Beckwith's paternal aunt.
7. Harold [Beckwith] : photographs, newspaper clippings, correspondence, and notes, including an interview with Michael Hutcheon, pertaining to Harold Arthur Beckwith, John Beckwith's father.
8. Margaret [Alice Beckwith, nee Dunn] : photographs, newspaper clippings, and correspondence from and about John Beckwith's mother.
9. Nuptials : photographs from weddings, anniversaries, and christenings in the Beckwith family.
10. Pamela [Terry Beckwith] : photographs of Pamela Terry Beckwith and a transcription of her Paris diaries (1950-1952).
11. Sisters : photographs of and correspondence with John Beckwith's sisters, Jean and Sheila, including their notes on portions of the manuscript for Unheard Of.
12. Tree : the Beckwith family tree [oversize]
13. Pictures and captions : two photographs and a program from the premiere performance of John Beckwith's Rhapsody for piano by Gene Gash (December 13, 1951).
14. Works : newspaper clippings and correspondence regarding reviews of John Beckwith's compositions.

Series consists of copies of photographs and documents pertaining to Johnstone's family. Documents include correspondence between Mary F. Williamson and Helmut Kallmann of the National Library of Canada; a copy of the petition for divorce filed by Catherine (McGregor) Johnstone against her husband John Francis Johnstone, which was later withdrawn (January 8, 1979); a copy of an article in the Toronto Star (November 26, 1927) regarding Amelia Hart and her seven husbands (Johnstone was the fourth); a copy of a letter from Mary F. Williamson to Professor Carl Morey at the Faculty of Music, University of Toronto regarding Johnstone and performances of his songs; a copy of Johnstone's obituary (February 25, 1913); and a copy of scanned portraits of Johnstone. The series also consists of electronic records, including scanned images from the Johnstone family photo album (ca. 1900).

File consists of correspondence relating to John Beckwith book Music at Toronto: A Personal Account (1995) and the preceding talks that Beckwith gave at the University of Toronto Faculty of Music in celebration of its 75th anniversary (1993). Correspondents include Helmut Kallmann, Rivi Frankle, Chan Ka Nin, Marnie Hare, David Beach, John Hamilton, Stephen Brathwaite, Bruce Minorgan, Paul Pedersen, Paul Green, Fred Clarke, Ezra Schabas, and Doreen Rao. File also includes a photograph of Sir Ernest MacMillan, Godfrey Ridout, Leo Smith, John Weinzweig, and Healey Willan (photo by Herb Nott, ca. 1942), which was used in Beckwith's book.

Subseries consists of programs from George Brough's performances with the Chamber Players of Toronto from their debut concert on February 20, 1969 to April 15, 1992. During this time, the Chamber Players of Toronto were directed by Victor Martin (1969-1978), Marta Hidy (1978-1979), Winston Webber (1979-1982), Agnes Grossman (1985-1991), Paavo Järvi (1991-1992). Subseries also includes some newspaper clippings of reviews, and two photographs.

Performance venues included: St. Lawrence Hall ; Concert Hall (Walter Hall), Edward Johnson Building ; Markham Theatre (tour venue) ; Christ Church Deer Park.

Performers included (listed alphabetically): Nina Tobias Alexandor, cello ; Anne Armstrong, violin ; Erika Benacka, viola ; William Bidell, violin ; Janice, Bing-Wo, violin ; Coenraad Bloemendal, cello ; Heinz Boshart, viola ; Julia Bowkun, cello ; George Brough, harpsichord, cembalo, continuo ; Yoon Chang, violin ; Christophe Chiasson, violin ; Mark Childs, viola ; Andrea Creech, viola ; Gisele Dalbec, violin ; Nelson Dempster, cello ; Marc Destrubé, violin ; Donald DiNovo, viola ; Nelly Dvorzsak, violin ; Mary Evans, cello ; Ruth Fazal, violin ; Tracey Ann Finn, violin ; Anthony Flint, violin ; Martin Foster, violin ; Carol Fujino, violin ; Kenji Fuse, viola ; Carole Gibson, cello ; Susan Green, cello ; Carolyn Gundy, violin ; David Harding, viola ; Ron Hay, viola ; Terence Helmer, viola ; Ailine Hess, bass ; Marta Hidy, violin ; Terry Holowach, violin ; Alec Hou, violin ; Gerard Kantarjian, violin ; Mi Hyon Kim, violin ; Deborah Kirschner, violin ; Baird Knechtel, viola ; Judith Knight, viola ; Hibiki Kobayashi, violin ; Helen Kopec, cello ; Valerie Kuinka, viola ; Cora Kuyvenhoven, cello ; Ted LeCouffe, violin ; Cathy Loftin, bass ; Betsy MacMillan, cello ; Peter Madgett, bass ; Ronald Mah, violin ; Noriko Martin, viola ; Victor Martin, violin ; Nancy Mathis, violin ; Dana Mazurkevich, violin ; Jane McAdam, double bass ; Barbara McDougall, violin ; Nina Minett, viola ; Eduard Minevich, violin ; Elaine Mossop, violin ; Leonard Odynski, viola ; Joanne Opgenorth, violin ; Elizabeth Pedersen, bass ; Marie Peebles, viola ; Joseph Peleg, violin ; Joe Pepper, violin ; Douglas Perry, viola ; Adele Pierre, violin ; Paul Pulford, cello ; Joel Quarrington, bass ; Angela Quiring, violin ; Katherine Rapoport, viola ; Valerie Rigg, violin ; Agnes Roberts, violin ; Wendy Rose, violin ; Elaine Sargous, violin ; Randi Schonning, violin ; Clara Schranz, violin ; Patricia Shand, violin ; Bonnie Silver, harpsichord ; Maureen Silverman, violin ; Peter Stryniak, violin ; Nandor Szederkenyi, violin ; Diane Tait, violin ; Yuriko Takano, violin ; Nina Tobias, cello ; Viiu Varik, bass ; Sonia Vizante, violin ; Donald Wasilenko, violin ; Jaime Weisenblum, violin ; Paul Widner, cello ; Cynthia Woods, bass ; David Zafer, violin ; Rosalie Zelonka, violin ; Benjamin Zemelman, violin ; Paul Zevenhuizen, violin.

Guest soloists included (listed alphabetically): Robert Aitken, flute ; Raffi Armenian, conductor ; Adele Armin, violin ; William Bennett, flute ; Charles Bornstein, guest conductor ; Kathleen Brett, soprano ; James Campbell, clarinet ; Martin Chambers, tenor ; Jane Coop, piano ; Paula Elliott, flute ; Elmer Iseler Singers ; Phillip Ens ; Lorand Fenyves, violin ; Janina Fialkowska, piano ; Ermanno Florio, guest conductor ; Maureen Forrester, contralto ; Erica Goodman, harp ; Kathrin Graf, soprano ; Agnes Grossman, guest conductor ; Greta Kraus, harpsichord ; Susan Hoeppner, flute ; Steven Isserlis, cello ; Gerard Kantarjian, violin ; Rosemarie Landry, soprano ; Andre Laplante, piano ; Stuart Laughton, trumpet ; Linda Maguire, mezzo-soprano ; Richard Margison, tenor ; Lois Marshall, mezzo-soprano ; James Mason, oboe ; Uri Mayer, guest conductor ; Stanley McCartney, clarinet ; James McKay, bassoon ; Kevin McMillan, baritone ; Eduard Minevich, violin ; Nexus Percussion Ensemble ; Ramon Parcells, trumpet ; Debra Parker, soprano ; Patricia Phillips, keyboard continuo ; Paul Pulford, cello ; Gary Relyea, bass ; Eugene Rittich, horn ; Catherine Robbin, mezzo-soprano ; Shauna Rolston, cello ; Harvey Sachs, guest conductor ; Harry Sargous, oboe ; Nora Shulman, flute ; Glenn Siebert ; Abbey Simon, piano ; Raymond Spasovski, piano ; Janos Starker, cello ; Simon Streatfeild, guest conductor ; Douglas Sturdevant, trumpet ; Tallis Choir with Peter Walker, choir master ; Janice Taylor, mezzo soprano ; Bradford Tracey, guest conductor, harpsichord ; Vaghy String Quartet ; Patrick Wedd, organ ; Victor Yampolsky, guest conductor and violin ; Narciso Ypes, guitar.

Canadian composers: Murray Adaskin, John Beckwith, Claude Bissell, Walter Buczynski, Sophie Carmen Eckhardt-Gramatté, Harry Freedman, Srul Irving Glick, Jacques Hétu, Lothar Klein, Gary Kulesha, Sir Ernest MacMillan, Pierre Mercure, Oskar Morawetz, Jean Papineau-Couture, André Prévost, Godfrey Ridout, R. Murray Schafer, Harry Somers, John Weinzweig, Healey Willan.

File consists of two folders. The first folder consists of the following:
Two picture cards. One card Nouwen sent to Stone with a picture of Rembrandt's "Self-Portrait" and a note written by Nouwen on the back. The other card is one with a picture of "John XXIII of Rome" that was purchased by Stone at the recommendation of Nouwen. File letters including one from Callie S. Stone to Maureen Wright regarding Stone writing an article for the Henri Nouwen Society. Another letter is an original from Nouwen including a note n Latin American people and a brief description of his recent travels.

The second folder consists of:
1) 1982, May 13. Original typed letter written by Nouwen to Mr. and Mrs. Stone. Abbey of the Genesee return address. Note "For those who live in the spirit, life has always just begun."
Attached: original envelope
2) 1982, May 18. Original typed letter from Nouwen to Mr. and Mrs. Stone. Abbey of the Genesee return address. Attached: original envelope. Note: regarding Tilden Edwards.
3) 1982, Dec 25. Handwritten Christmas card to Callie and Win
4) 1984, July 3. Typed letter to Tod Lewis. 2 pages. Harvard University Letterhead. Note: offering spiritual support to people in politica positions (incl Senator Hatfield).
5) 1991, March 19. Typed letter to Callie and Win Stone. Daybreak Letterhead.
Attached: original envelope
6) 1996, August 26. Typed letter to Callie Stone. Peapack, NJ return address.

File consists of five folders. The first three folders consist of letters (paper, cards and postcards) written by Henri Nouwen to Nathan Ball from 1986-1996; two letters written by Laurent Nouwen to Nathan Ball; a condolence letter from Peter Naus regarding Nouwen's death; and photographs.

The fourth folder consists of 9 hand-written letters to Henri Nouwen from Nathan Ball; 1 fax to Henri Nouwen from Nathan Ball (December 19, 1995), 1 postcard from Henri Nouwen to Nathan Ball (1986, sent from Russia); 2 letters from Bob Ball to Henri Nouwen, 1 letter from Janet Ball to Henri Nouwen, 1 fax to Bart and Patricia Gavigan from Kathy Christie for Nathan Ball (March 26, 1997) and 1 form letter to Daybreak [community] from Nathan Ball (March 16, 1997). Also includes copies of three papers written by Ball for his theology degree: Foundation of Ministry - Reflection Paper (November 5, 1986), Theological Reflection Paper #2: Current Issues, Questions and Possibilities (undated), Biblican Moral Imperatives: Illuminative and Authorative (September 8, 1987). Other material that was sent by Nathan Ball to Henri Nouwen: copy of "Response to the Lineamenta: Vocation and mission of the Laity in the Church and in the World Twenty Years after the Second Vatican Council", Document by Nathan Ball to secure a volunteer placement to gain work experience in organizational management (date unknown), and copy of Draft of Objectives Statement September 1993-August 1994 for Nathan Ball, Executive Director, L'Arche Daybreak. Also included in the donation is a lapel pin from Vimy which Henri Nouwen gave to Nathan Ball because Ball's grandfather fought in the war.

The nine handwritten letters are dated as follows:
1.) January 19 [1986]
2.) February 2, 1986
3.) March 17, 1986
4.) April 14, 1986
5.) May 16, 1986
6.) June 8, 1986
7.) July 28, 1986
8.) October 1, 1986
9.) Undated.
The letters to HN from Ball and his parents, as well as the essays and other documents that Ball sent to Henri Nouwen were returned to Ball by Kathy Christie and Sue Mosteller after Nouwen's death in 1996. Many of these documents are annotated in Nouwen's hand.

The fifth folder consists of letters and other material by or about Henri Nouwen from the personal papers of Nathan Ball. The majority of the material are letters by Ball to Nouwen, but the accession also includes letters to Nouwen by Robert Ball (Nathan Ball's father), one letter from HN to Robert Ball, one hand-written card from HN to Paula Kilcoyne (Nathan Ball's wife), a group letter to friends by Nouwen as well as reports, proposals and correspondence related to Nouwen, Ball and L'Arche Daybreak before and after HN's death. The accession consists of 17 letters, 3 cards and 3 reports created between 1986 and 1997. Letters have been numbered for ease of identification.
The contents of the folder have been arranged into five groupings:

1. Letters from Nathan Ball to Henri Nouwen
   Includes: nine letters and two cards from Nathan Ball to Henri Nouwen written between 1986 and 1987. Three letters are undated. Some letters have been annotated by Nouwen with filing instructions. The letters have been numbered for ease of identification.

1) A handwritten letter from Nathan Ball to Henri Nouwen (HN) (undated)
2) Two handwritten letters from Nathan Ball to HN on Nathan Ball letterhead (February 7 and 14, 1986)
3) A handwritten Christmas card from Nathan Ball to HN (undated)
4) Two handwritten letters from Nathan Ball to HN (one letter dated May 23, 1986)
5) A handwritten letter from Nathan Ball to HN (July 19, 1986)
6) A handwritten letter from Nathan Ball to HN (undated);
7) A handwritten card from Nathan Ball to HN (August 10, 1987)
8) Correspondence surrounding a financial gift by Robert McNeil which includes a typed letter from Nathan Ball to Robert McNeil, a typed letter from Nathan Ball to Don [McNeil] (November 3, 1987) and a handwritten note from Nathan Ball to HN (Nov. 5, 1987)
9) A handwritten letter from Nathan Ball to HN (Nov. 5, 1987)

II. Correspondence between Robert Ball and Henri Nouwen
Includes: three letters from Robert Ball to Henri Nouwen, written in 1987; one letter from HN to Robert Ball dated June 2, 1987 (see also Accession 2009 07).

10) A typed letter from Robert Ball to HN on King’s Fold letterhead (September 8, 1987)
11) A handwritten letter from Robert Ball to HN on King’s Fold letterhead (June 2, 1987)
12) A typed photocopied letter from HN to Robert Ball on L’Arche Daybreak letterhead (June 2, 1987)
13) A typed letter from Robert Ball to HN on King’s Fold letterhead (April 30, 1987).

III. Letters written by HN
Includes: one handwritten card from HN to Paula Kilcoyne (sent from Philadelphia, date unknown); typed letter on L’Arche Daybreak letterhead from HN to Friends (May 16, 1994).

IV. Letters and other material related to Nouwen/Ball from L'Arche Daybreak
Includes: a copied version of an Annual Review report of Nathan Ball conducted by HN (February, 1995); a faxed copy, with handwritten notes, of a document titled Proposal for an Apartment for Henri Nouwen Built as an Annex to the present Dayspring (November 14, 1995); a photocopied document titled Form I written by Nathan Ball and given to HN.

V. Letter and other material about Henri Nouwen written after his death
Includes: a handwritten letter from Nathan Ball to Kathy Christie written on Rockefeller Foundation letterhead (after 1996); and a 20 paged document consisting of correspondence compiled by Kathy Christie about HN’s literary estate (May 28, 1997).

File consists of five portrait photographs of Nouwen from around 1983. One photograph is a colour photocopy of a photograph.
File also consists of two more photographs, likely taken in 1981:
1) Henri Nouwen at his apartment in New Haven sitting at a desk and talking on the phone (photographer: Jim Forest)
2) Henri Nouwen with a small group of people, including Jim Forest, at Nouwen's apartment in New Haven (photographer unknown - Jim Forest says that someone else took the photo using his camera, but he does not remember who)

Materials include E. Maude Graham’s photo album from her travels in South Africa, a scrapbook she kept with items from the 1880s to the 1930s, and her autograph book, 1882-1891. Also included is correspondence belonging to Frederick G. Millar. Notable is a group of love letters Millar wrote to Graham in 1908, and a collection of letters he wrote to Helen Millar Becker in her family, who lived in Rochester, NY. There are several university notebooks belonging to Graham and Millar, and a copy of Graham’s 1905 book. Finally, the papers include some family histories written by E. Maude Millar and Helen Millar Becker, and a copy of the 2015 reissue of Graham’s book, with introduction and notes by Michael Dawson, Catherine Gidney, and Susanne M. Klausen.

Fonds consists of correspondence, subject files, course material, research records, and conference and publication files documenting the life and career of Prof. Roxana Ng, professor at OISE and community activist. Fonds also includes administrative material from OISE, in particular from AECP (Adult Education and Counselling Psychology) Department, the AECD (Adult Education and Community Development Program), CIARS (Centre for Integrative Anti-Racism Studies), and the CWSE (Centre for Women’s Studies in Education).

Fonds also includes records relating to Prof. Ng’s involvement in various community groups, NGOs and grassroots organizations, including the Apparel Textile Action Committee (ATAC), CERIS (The Ontario Metropolis Centre), the Canadian Research Institute for the Advancement of Women (CRIAW), The International Ladies' Garment Workers' Union (ILGWU), INTERCEDE (International center to End Domestic Exploitation), Inter Pares, The Jade Garden Adjustment Committee, the National Organization of Immigrant and Visible Minority Women of Canada (NOICMWC), UNITE (the Union of Needletrades, Industrial and Textile Employees), Women Working with Immigrant Women (WWIW), and the Homeworkers Association (HWA)

This fonds contains the personal and professional papers of Dr. Helen Sawyer Hogg documenting her contribution to professional astronomy, her high regard as a popular educator as well as her responsibilities as a parent, daughter, wife and friend. The records have been arranged into series either by type of record or to reflect a certain type of activity. Records documenting various aspects of her career are filed first, followed by papers reflecting her personal life.

Included is both professional and personal correspondence; records relating to her activities on associations, boards and organizations; records such as draft manuscripts, correspondence and outlines and data relating to her publishing activities and research; papers relating to her education and her teaching responsibilities; as well as diaries and family papers series.

Because Dr. Hogg's career spanned nearly seven decades during a time astronomy as a discipline was still developing both nationally and internationally, these records are not only useful to those researching Dr. Hogg's achievements but will be insightful to those researchers studying the development of astronomy as a science and profession. Moreover, Dr. Hogg was a woman in a field of science, which is still dominated by men. Those studying women's history may find Dr. Hogg's personal records a useful case study in one woman's success in a largely male dominated profession.

Contained within the Helen S. Hogg personal records are three sous-fonds: Frank S. Hogg [1922-1952], her first husband and also an astronomer at the David Dunlap Observatory; Prof. Ruth Northcott [1932-1969], close personal friend and professional colleague of Helen Hogg, also on staff at the D.D.O.; Dr. C.A. Chant [193- - 194-], director emeritus of the D.D.O and head of the Department of Astronomy at the University of Toronto from 1904-1935. These sous-fonds are individually described and have been filed after the Helen Hogg personal records.

Includes slides and photoprints documenting both Dr. Hogg's personal and professional life including family gatherings and events, trips, astronomical conferences, ceremonies, visits to various observatories. Also included are images she collected regarding the history of Astronomy as well as publicity shots of her taken for various publications.

Photoprints from B1996-0020 document the meeting of the International Astronomical Union Held in the Soviet Union [Russia], 1958. Helen Hogg, as well as other Canadian astronomers including A. Batten and S. van de Bergh, were present and can be seen in these shots.

File consists of two folders. The first folder contains correspondence from Nouwen to Sister Patricia (Connie) Ostrander from 1984 to 1988, inscribed typescripts by Nouwen, and a reflection paper on Nouwen. Nouwen met Ostrander when he stayed at the St. Bede Monastery in Wisconsin for a month when Ostrander was Prioress of the community. Correspondence is handwritten and typed consisting of 2 letters, 1 card, and 4 postcards. File includes 7 article drafts including two that were published posthumously in "Road to Peace" and a theology student's letter to Henri Nouwen by Donna Vande Kieft from 2001. Details on typescripts as follows:

• "Resistance: No longer a child" - annotated, published posthumously in Road to Peace
• "Saying 'Yes': Do not combat the demons directly" - annotated, published posthumously in Road to Peace
• "The Icon of the Descent of the Holy Spirit: A Community of Faith" - inscribed, published in Behold the Beauty of the Lord
• "The Icon of the Virgin of Vladimir: An invitation to belong to god" - inscribed, published in Behold the Beauty of the Lord, February 3, 1985
• "A New Life Among the Handicapped: Farewell to Harvard" - inscribed, September 1986
• "Rublev's Icon of the Trinity: A reflection on the spiritual life" - inscribed
• "Seeing Christ: A meditation on Andrew Rublev's Savior of Zvenigorod" - image taped to cover page

The second folder consists of 18 letters and postcards from Henri Nouwen, and one letter from [Pascaline] to Sister Connie Ostrander.

1. handwritten letter, dated April 2nd, 1987. Nouwen speaks about the spirit of Jesus and spiritual journeys.
2. typed letter, dated December 17th, 1986. Nouwen gives her support to live a life of discipleship
3. typed form letter, dated April 30th, 1986. Nouwen describes his decision to move to L'Arche Daybreak from Harvard.
4. handwritten letter from [Pascaline] written on a copy of an article by Henri Nouwen, titled "The Primacy of the Heart" (from Expressions, March/April 1987).
5. short typed letter, dated October 10th, 1986. Nouwen is sending greetings.
6. typed letter, dated December 9th, 1986. Nouwen is talking about his Christmas plans.
7. short handwritten letter, undated. Nouwen is sending greetings. Letters 5-7 were together in one envelope.
8. handwritten letter, dated March 8th, 1986. Nouwen describes his call to join the L'Arche Daybreak community and briefly discusses his writing. Also discusses Christ's burden.
9. handwritten postcard, dated April 23rd, 1986. Written from Holland, where he was for a TV interview. Asks her to pray for the Dutch Church.
10. handwritten postcard, dated October 11th, 1985. He advises her to speak much about Jesus and read about several saints. Also includes two postcards, one of which is inscribed.
11. two blank postcards. Envelope postmarked November 16th, 1985.
12. handwritten letter, dated August 14th, 1985. Nouwen discusses teaching at Boston College and travel to France. Nouwen writes, "Now I am back in France to stay for a year of praying, reading and writing. I am very glad to be here. It feels like being freed from a prison of unhealthy busy-ness!" Letter includes a page from a colouring book.
13. short handwritten letter, dated July 3rd, 1985. He asks her to pray for him, particularly through July 8th and 19th, as he is teaching 320 students at Boston College.
14. typed form letter, dated July 6th, 1985. Nouwen describes his move to L'Arche in France for a year and Peter Weiskel's move to Maryknoll.
15. handwritten letter, dated September 16th, 1984. Nouwen discusses reform and renewal. Includes a small card with information about a prayer cross, as well as a photograph of an icon with a note from Henri on the back.
16. handwritten letter, dated August 5th, 1984. Nouwen thanks her for her lovely gifts and sending his greetings to St. Bede Priory.
17. index card with notes of Henri's travel plans, and a blank postcard. Postmarked September 19th, 1984.
18. handwritten postcard to Tessy, undated. Short greetings.
19. handwritten postcard to "all my friends at St. Bede with joyful memories", undated.
    Additionally, the second folder contains:
    1) 1990, May 3: original typed letter written by Nouwen to Ostrander. Daybreak letterhead.
    2) 1984: colour photo of Nouwen sitting at a table with candles. Photo focuses on his hands, and his face is not visible.